ISO Standard Human Spaceship: Difference between revisions
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Existing spacecraft have so far had a mixed record: modern rockets and atmospheric landers tend to be white and aerodynamic, but blockier than sci-fi space fighters and only sometimes winged. Craft designed solely for vacuum are totally unaerodynamic, but extremely spidery and jumbled, covered in reflective foil (for heat management) and held together by networks of pipes and struts, looking much less solid than sci-fi capships.
On the other hand, the products of the emerging private spaceflight industry often feature curvilinear quasi-retro stylings which bear a close resemblance to [[Retro Rocket|early sci-fi rockets]] of the zeerust school. Contrast the lines of the Scaled Composites SpaceShip series with those of the Soyuz capsules, or even with the Space Shuttle. (Mind you, the SpaceShip series are just pop-up suborbitals, and reentry from Mach 3 (SpaceShipOne) or 4 (SpaceShipTwo) is between 40 and 70 times less energetic (and thus easier) than reentry from orbital velocity. SpaceX's [https://web.archive.org/web/20130405074247/https://spacex.com/dragon.php Dragon] is orbital, and quite chunky-looking. On the other hand, an [[wikipedia:Single-stage-to-orbit|SSTO]] usually has enough empty space inside to [[wikipedia:Ballistic coefficient#Satellites and reentry vehicles|greatly ease the pain of reentry]], and while you can still get [[wikipedia:McDonnell Douglas DC-X|fairly]] [[wikipedia:VentureStar|blunt]] designs, you can also get [https://
Also, some of these designs actually make some sense. For example, after the first two missions [[NASA]] decided to leave the external tank of the Space Shuttle un-painted because of the extra weight that pretty white veneer added (to give you an idea, the paint on a 747 jetliner weighs hundreds of pounds), not to mention the fact that it all burned up when it fell into the atmosphere anyway. For deep probes our designs are pretty non-blocky only because they are not meant for any kind of combat. Wings may be used on craft [[Space Plane|intended to work in atmosphere as well]] (like [[Battlestar Galactica|BSGs]] Vipers), even though it wouldn't probably be very practical to make a dual-purpose craft like that given the hugely different conditions, especially when considering the different atmospheres and gravities of alien worlds. Unpainted metal or reflective exteriors may also be justified if the ship is intended to fly near stars: this would reflect the light assist the ship in [[Space Is Cold|staying cool,]] similar to the way that skyscrapers in the southern USA and other hot places tend to be designed with reflective glass exteriors.
Note that fictional vessels tend to use enormous amounts of energy yet typically lack [https://web.archive.org/web/20100619224115/http://www.projectrho.com/rocket/rocket3au.html thermal radiators] to shed waste heat (no air-cooling in space). Although that ''could'' explain all the so-called wings...
Space wings are also often used in fiction as places to put extra weapons (like [[Macross Missile Massacre|missiles]]), and to store things (extra electronic equipment or fuel) inside them, although putting those things on or in the main hull makes more sense for a nonatmospheric [[Space Fighter]], as spreading out the ship's mass makes little sense for a vessel designed to maneuver in vacuum in three dimensions—better to keep it compact, to conserve angular momentum. You ''can'' increase maneuverability by putting thrusters on the tips of them a la ''[[Babylon 5]]'' Starfuries, using the wing as essentially a big lever to rotate the ship faster, but a simple pole (especially a retractable one) would do the same job just as well and with greater shear strength (again, compactness helps here), making it less likely to bend or break off during high-thrust maneuvers whose direction is perpendicular to the broad planar surface of the wing. Internal gyroscopic flywheeels could do the same thing ''and'' be less visibly obvious tells to the enemy (no signal lights before a turn). Only [[Space Fighter]] craft [[Space Plane|designed to go both ways]] (atmosphere and deep space) actually need wings—and [[wikipedia:Lifting body|some real airplanes don't even need them]].
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* Subverted in [[David Drake]]'s ''Reaches'' trilogy, where the main characters' ships have ceramic hulls to resist the corrosive atmosphere of their native Venus. Every other spacefaring culture uses metal hulls, and it's noted that when the stresses of [[Subspace or Hyperspace|Transit]] become too great, a ceramic ship falls apart all at once, with a total loss of life (one ship is seen to have come out of Transit looking like a cloud of gravel), while a metal ship's hull might hold together long enough for some of the crew to be rescued. Also, ''everybody's'' hulls tend to be rounded, usually more-or-less cigar-shaped, although they fly or land with the long axis parallel to the ground, unlike “rocketships.”
== [[Live
* ''[[Battlestar Galactica]]''
* ''[[Babylon 5]]'' : Humorously lampshaded in
{{quote|'''Ranger Dulann''': ''If human military designers had their way every colour of the spectrum would be removed except for grey, green and black and we would all live in windowless boxes.''}}
** Averted with ''[[Crusade]]''{{'}}s [http://babylon5.wikia.com/wiki/Excalibur ''Excalibur''], although it must be said it was a joint human/Minbari project.
*** You can see both design philosophies incorporated in it. You have the Minbari traditional triple-fin hull structure, but it's also dark grey similar to the ''Omega''-class destroyers. Interestingly, the human ''Hyperion''-class heavy cruisers are brightly-colored with white and blue. However, those (as mentioned in the fluff) were designed by a different military contractor than the ''Nova''e and the ''Omega''s.
* ''[[Firefly (TV series)|Firefly]]'' mostly averts this trope, with the majority of ships seen having either a large cylindrical design or a smaller, more agile (but still not blocky) design, such as with Serenity herself. However, the ships do tend to have very metallic appearances, and several of the ships briefly shown do fit the trope better than the larger Alliance vessels and Serenity.
* The [[Red Dwarf]] is painted red, but that only serves to make it look ''more'' like a giant, flying brick.
* Generally followed to a T in ''[[Space: 1999]]'', with the show's signature Eagles being entirely utilitarian shuttles designed to function in the absence of an atmosphere, in lunar gravity. They were mostly grey, although some had orange details. The alien spaceships, on the other hand, were often brightly-coloured, in the style of contemporary sci-fi artists such as Chris Foss and Peter Elson.
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