Last-Note Nightmare: Difference between revisions

m
Mass update links
m (Looney Toons moved page Last Note Nightmare to Last-Note Nightmare: Adding proper punctuation to page name)
m (Mass update links)
Line 32:
*** George Harrison in particular seemed to like this a lot. ("One more time...")
** The final chord of "A Day in the Life" fades out so long you can almost (?) hear the air conditioner.
*** And then, seconds after the last vibrations of the chord have faded, there's the sudden discordant loop of distorted, randomly-spliced-together studio chatter. In the original British LP pressings, this was placed in the record's "run-out" groove so that listeners with manual turntables would hear it indefinitely until they lifted the needle. (If you're a dog, you'll experience your [[Last -Note Nightmare]] a few seconds before this, as Lennon added a 15 kHz tone, inaudible to most humans, specifically to annoy you.)
**** Actually, 15kHz is audible to nearly all children and most teens and younger 20-somethings. Humans with good hearing are born with the ability to hear up to 20kHz; they only ''begin'' to lose that upper range starting at age 8. The reason people who should know better (from having heard the album as a kid/teen) buy into this is because the note just sounds like high-pitched static, so it's easy to mistake for a simple pause in the recording.
**** It helps to know that this loop, played backwards, sounds remarkably like, "I'll fuck you like Superman! I'll fuck you like Superman! etc." Paul McCartney said in his autobiography ''Many Years from Now'' that he never knew this (they certainly didn't plan it) until someone played it backwards for him and he yelled, "Gaaaawwwwd!"
** The end of "I Am the Walrus," complete with buried ''[[King Lear]]''. This one helped fuel the "Paul Is Dead" rumors...
** "I Want You (She's So Heavy)" is a dark and heavy song in itself, but its ominous ending with the bass chords and static is still a [[Last -Note Nightmare]], even compared to that -- especially since it cuts off in the middle of that last note.
** Said last note appears at the beginning of "Her Majesty", which starts a full minute after "The End" and was unlisted on the original vinyl. This means that the first note of "Her Majesty" is a reverse example as well as being a [[Brick Joke]].
*** "Being For The Benefit Of Mr Kite" (which was already rather eerie to begin with) suddenly cut into "I Want You (She's So Heavy)" on the LOVE album. The whole "song" became a [[Last -Note Nightmare]].
**** AND it has the creepy organ from "Being For The Benefit Of Mr. Kite", AAAAND snippets of the vocals from "Helter Skelter". And creepy laughing, which seems to be a theme in love. PLUS after the infamous cutoff, there are weird swirly wind sounds. Then it cuts to "Help!" and [[Scare Chord|scares the piss out of you]].
*** ''The Beatles: [[Rock Band]]'' actually visualizes the nightmare by blacking out your TV just as the song ends.
Line 63:
* Would you believe "Wonderwall" by [[Oasis]]? After the vocals are done, the song segues into a beautiful lush strings-and-piano piece and ends with a few acoustic guitar chords with birds chirping in the background. But between these two pleasant interludes, the piano fades, leaving the violin and bass viol to hold one last note. And then even the bass stops, leaving a single violin note which gets less and less melodic until it finally climaxes with a hideous, almost voice-like "BLLLLLEEEEEAAAAAGGHHHH" sound. If you're not expecting it, it's a real Penultimate Note Nightmare.
* The nightmarish strings at the end of Supertramp's "If Everyone Was Listening", from ''Crime Of The Century''.
* "Metal Machine Music" by [[Velvet Underground|Lou Reed]] is 64 minutes of nothing ''but'' a [[Last -Note Nightmare]].
** The track "The Bed" from album ''Berlin'' is a dream-like song with a final moment of pure nightmare.
** What about "The Kids", also from Berlin, another quiet song that in this case ends with the voices of children hollering for their mother, sounding for all the world like they have just been told she is not coming home ... ever.
Line 109:
* The last chord in [http://www.youtube.com/watch?v=cgqm8g95wwI "Jordan Speaks"], Jordan Rudess's "thoughts" about Mike Portnoy leaving [[Dream Theater (Music)|Dream Theater]].
* "Abandoner" by Steven Wilson. A mellow (if not exactly cheerful) ballad ending in a series of dissonant chords.
** "Get All You Deserve" ends similarly. In the album booklet, Wilson is credited with "vocals, piano, electric guitars, mellotron, glockenspiel, bass, [[Bread, Eggs, Milk, Squick|total]] [[Precision F -Strike|fucking]] [[Bread, Eggs, Milk, Squick|noise.]]"
* The progressive rock band Pain of Salvation has used this effect at least three times-twice on their second album, ''One Hour by the Concrete Lake'', and once on their first album, ''Entropia''. In the last song of ''One Hour'', "Inside Out," the song fades to an apparent end... but the song continues for a few minutes more, with various ambient noises. Then Daniel Gildenlow starts to sing about the various "machines" all around the world, accompanied by a slow-building, but frightening crescendo of chaotic instrument noise that slowly gets louder and louder before petering off. Two more minutes of silence, then a quick burst of chaotic noise, the sound of something deactivating, and an abrupt end. In ''Entropia'', the song "Winning a War" ends with quiet sounds of various city interactions, followed abruptly by a loud, volume-boosted "YO!" The note can be considered another example of First Note Nightmare, considering it segues into the next song, "People Passing By."
** The last song on Entropia has a bit of a Last Note Nightmare as well... in an otherwise upbeat song that encourages the listener to practice non-violence, act on their conscience, and overall be a good person, finishing with the line "if death is but a dream, then don't let me... fall asleep..." is pretty jarring, especially considering the fact that Daniel whispers the last two words in an almost fearful tone.
Line 209:
** On Kid A, 'In Limbo' ends with a horrifying, electronically-modified wail of Thom Yorke screaming 'come back' as it fades into nothingness, alongside jittery feedback.
** 'Morning Bell' also deserves a mention with Jonny Greenwood's shrieking, coin-generated guitar outro. You know what, all of Kid A probably invokes this at some point, barring Treefingers, maybe.
** "15 Step", the intro track from ''In Rainbows'', keeps a consistent [[Uncommon Time|5/4]] rhythm and consistent key until the very end of the song, which fades out on a distorted off-key chord. In the [[Animated Music Video]], it's made even scarier with a completely [[Off -Model]] gun zooming in toward the viewer.
** 'Codex' starts with a *First* Note Nightmare, with just the beginning of...something being shouted, which immediately cuts off to a fairly slow and mournful tune.
** Climbing up the Walls is scary enough already. And then at the end most of the instruments fade out, leaving 16 violins playing notes separated by quarters. It can leave you thinking "Wait, how long were they there?!"
Line 297:
* The blood-curling scream that interrupts the fade-out coda of The Cure's "Subway Song".
* The weird ending to "when i was bed" from Christian Death.
* The [[Lyrical Dissonance|lyrically dissonant]] "Perfect Kiss" by New Order ends with a [[Last Chorus Slow -Down|Last Riff Slowdown]] followed by a gunshot, representing the singer's friend (Ian Curtis?) shooting himself.
* Inverted by Godspeed You! Black Emperor's "The Dead Flag Blues".
* [[Mk II]] by Madness. Throughout the song is a wonderful piano tune, at one point breaking into more of a rock song. But at the end of the song, after the vocals end, the piano starts up again, but this time is slower and ends with two notes out of place from the rest of the song. After that, we hear the distant sound of birds singing as it fades out.
Line 312:
** Similarly, halfway through "Wahnfried 1883", the tune slowly morphs into a cacophony of [[Drone of Dread|eerie distorted organ drones]], building up to a final climax with the wind and space sound effects.
* For a [[Stupid Statement Dance Mix]], "[http://www.youtube.com/watch?v=fs65S-1o-Os One-Winged Scout]". The start is what you'd expect, ''[[Team Fortress 2 (Video Game)|Team Fortress 2]]'''s Scout "bonking" over [[Final Fantasy VII|Sephiroth's (in)famous theme]], then after some time the Scout's [[Man On Fire]] soundbites start playing.
* [[Portishead]]'s "Silence" brings together [[Last -Note Nightmare]] and [[Nothing Is Scarier]]: It cuts off abruptly in mid-note. No last note, no fade out, not even some weird sound. Just spontaneous silence. Yikes.
* "Encoder" by [[Pendulum]] fades out while the sound of Water splashing can be heard, and a man can be heard breathing heavily as if he just swam a long distance. Then a wham noise begins to fade , but before it does, the song abruptly cuts out. Bam, album over.
** Similar to it is the upbeat song "I'm Talking 'Bout Me" by Admiral Twin. The chorus is building up at the end and after the second to last word, cuts off abruptly.
Line 350:
*** The last couple notes are played much clearer, however, which adds to the atmosphere.
** ''The Fragile'' taken as a whole. Granted, it's not the happiest album, but it's energetic and has tones of working towards something great. Then comes "Ripe".
** "A Warm Place" has a literal [[Last -Note Nightmare]] if played on repeat. The piece begins with a brief burst of static noise -- an intentional artifact from the previous song in the album -- which is quickly forgotten about as the sounds develop into a soothing melody that can only be described as "womb-like". You're practically asleep by the time it ends... [[Fridge Brilliance|at which point you're suddenly startled awake by that damned burst of static]].
** "Twist" ends with someone who may be Trent screaming.
* "Laser Fear" by Laserdance, from ''Future Generation'', has both a first and last-note high-octane nightmare consisting of slowed-down [[Stock Sound Effects|baby cry samples]].
* Myvoice's [http://www.youtube.com/watch?v=t8c8lp6jKPw Nosmo King], shortly after its [[Truck DriversDriver's Gear Change]], abruptly ends with a gunshot-like sound. Did the titular character shoot himself?
* The after the fade out of the relatively mellow And One track "Sometimes", suddenly a very loud noise that sounds like a UFO crashing or something explodes out of your speakers. It can definitely make you jump.
* Depeche Mode's "Somebody" ends with what sounds like the intro to a horror movie theme.
Line 478:
* ''[[Higurashi no Naku Koro Ni]]'' has lots of character songs that start out happy, then turn... disturbing. The best example of Last Note Nightmare is Keiichi's song, ''Cool ni Nare! ~Keep On Our Love~'', which is a [[Hot Blooded]] appeal to [[Screw Destiny]], the final line being {{spoiler|Keiichi abruptly saying "Oops, I screwed up" (and, since this is ''Higurashi'', presumably dying).}}
** Actually, the line before that is "Yes, Hinamizawa", which is a reference to ''another'' character song that featured Keiichi (and Mr. Delicious). So, it was probably more of an "Ah crap, wrong lyrics" thing.
*** ... and [http://www.youtube.com/watch?v=4hZyoSjTPfw that song] has it's own [[Last -Note Nightmare]]. It's a silly nonsensical rap mainly consisting of phrases from the anime... {{spoiler|until Keiichi starts scratching out his throat.}} [[Dead Baby Comedy|And it's played for laughs.]]
**** At the very end, you can hear Keiichi over the phone saying very quietly {{spoiler|"Please, someone end this case", with the last word being cut off as soon as he says it. Then you hear a quiet scream. It's a goofy scream, but...}}
** The anime gives us its own soundtrack and the track "Oyashiro Sama". It's already creepy on it's own, but its creepiness has a musical pattern... and then the final note is not what you musically expect, it goes ''lower'' instead of higher and the percussion ''vanishes'' as if it wasn't even there in the first place. Absolutely nightmarish and fits the anime incredibly well.
Line 487:
* ''[[School Days (Visual Novel)|School Days]]'': ''[http://www.youtube.com/watch?v=caZRiXmO5AU Kanashimi no Mukou e]'' is hardly a happy song; it's moody, depressive, almost heartbreaking. But when it's almost over, a very ominous and slightly out-of-place drum music starts playing... and you suddenly get the feeling that something has gone [[Break the Cutie|very]], [[Murder the Hypotenuse|very]] wrong.
** [http://www.youtube.com/watch?v=5VbCm3iTHbU&feature=channel_video_title This song] is inspired by [[School Days (Visual Novel)|School Days]]. I mean, the song is entitled "Nice Boat." Watch till the ending and be spooked.
* [http://www.youtube.com/watch?v=EZNvLf4kDh8 Misa's song] from [[Death Note (Manga)|Death Note]]. It starts out [[Paranoia Fuel|slightly]] creepy, then evolves into a [[Heartwarming Moments|very heart warming song]], only at the end, the piano begins playing [[Last -Note Nightmare|a goosebump inducing minor chord]]. The lyrics also hint at {{spoiler|Misa's suicide at the end of the series}}.
* Every episode of [[Ghost Hunt (Manga)|Ghost Hunt]] ends with a last note nightmare. After the slow, eerie ending song, a sudden burst of maniacal piano starts playing, then a voiceover Mai warns us about the next episode.
 
Line 542:
== Software ==
* The [[Vocaloid]] song "Alice Human Sacrifice" is a rather creepy parody of carnival music - which ends with the music getting slower and slower, and then just one note that is creepily off key. [http://www.youtube.com/watch?v=mBgUhO-V__A See what I mean?]
** And don't forget the Nico Nico Chorus version of "Daughter of Evil". At the song's end, a few bars start to play from the sequel song, "Servant of Evil", until they're brutally cut off by a terrifying, realistic guillotine sound. ''Literal'' [[Last -Note Nightmare]], there.
** [http://www.youtube.com/watch?v=LciylndQPu8 DYE] by AVTechNO! is at its loudest and busiest near the end, and then the song [[Nothing Is Scarier|ends abruptly]]. It's not as bad in this upload because of the ending credits, but on the version that can be found on ''[DYE] -synthesis-'', the sudden stop is the last thing you hear on the track.
 
Line 659:
** [http://www.youtube.com/watch?v=bTUDSG8L5Jw Goodbye.]* tsssssssss[[Nothing Is Scarier|sssssssssssssh* ]]
** [http://www.youtube.com/watch?v=0OK3qDWxAjQ&feature=related#movie_player Can we make a] [[Incredibly Lame Pun|lame pun]] without mentioning [[Metallica (Music)|"Fade To Black"]] here?
** [http://www.youtube.com/watch?v=_CI-TWWrwLg&NR=1 "Let's flip the switch right now--] <big>[[Killed Mid -Sentence|WHAM]]</big>
* Used humorously in the theme song for [[Married With Children]]. Frank Sinatra's "Love and Marriage" plays until it's abruptly cut off by a loud ''[http://www.youtube.com/watch?v=KAKaJE4gjYg bang]''
** [[Clumsy Copyright Censorship|The]] [[The Jimmy Hart Version|DVD]] [http://www.youtube.com/watch?v=xad-StH-7BY version], however, ends normally, followed by a less startling clang.
Line 671:
[[Category:Music Tropes]]
[[Category:Last Note Nightmare]]
[[Category:Trope]][[Category:Pages with comment tags]]