Non-Lethal Warfare: Difference between revisions

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{{trope}}
In [[Real Life]], [[War Is Hell|warfare is hardly an entertaining and carefree experience]], and [[Harmful to Minors|can seriously mess with kids' heads]]... [[Child Soldier|not to mention their bodies]]. However, warfare and fighting can easily make for good, clean fun in entertainment media, and is often marketed to children. Most parents and [[Media Watchdogs]] are okay with media portraying '''Non-Lethal Warfare''', regardless of the nature of the combat, its origins, the fridge logic or the unfortunate implications it may engender. No matter how lethal the weapons are, how dangerous the environment is, what the attitudes to enemy combatants and civilians are, [[Bloodless Carnage|no-one gets hurt]] and no-one dies. At least, not on-screen.
 
Commonly, the combatants will [[Inverse Law of Sharpness and Accuracy|use weapons]] or [[Inverse Law of Utility and Lethality|powers]] that [[Tap on the Head|stun]] or [[Non-Lethal KO|KO]] rather than kill, or at least have the option to. Anyone with more [[Never Bring a Knife to A Fist Fight|lethal weapons]] or power sets [[Imperial Stormtrooper Marksmanship Academy|won't ever]] [[A-Team Firing|hit their target]] because the target knows [[Deadly Dodging]]. Lethal or destructive weapons will only hit the scenery or vehicles, and in the latter case, the crew will usually have ample time to eject or bail out first. Generally, the above will give an impression that things [[Could Have Been Messy]] were anyone playing for keeps or slightly sloppy.
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This trope isn't an indicator on the quality of the on-screen fighting though, which doesn't need to be lethal or [[Scars Are Forever|scarring]] to be entertaining. If it were to be considered [[Tropes Are Not Bad|"bad"]] it's only when it fails to carry [[Willing Suspension of Disbelief]].
 
Compare with [[Bloodless Carnage]]. Contrast with how [[Snowball Fight|Snowball Fights]]s and [[Paintball Episode|Paintball Matches]] are [[Played for Laughs]] with exceedingly 'gory' acting from the participants, especially when those involved act excessively militarily. Compare ''and'' contrast [[Nobody Can Die]], where death is a narrative impossibility even when dealing with explicitly deadly weapons and situations.
 
See also [[Stun Guns]].
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* ''[[Mahou Sensei Negima]]'' had this kind of war at the end of the school festival, with the attendees playing magicians fighting off a Martian invasion. With lots of magical guns and staffs against robots with [[Clothing Damage|clothing destroying lasers]] and telportation bullets. What do you mean real magic, [[Blatant Lies|it's all CGI folks!]] This only worked due to the only actual Martian (we think) {{spoiler|Chao Lingshen}} being a total [[Anti-Villain]]. It still managed to be one of the series' greatest [[Crowning Moment of Awesome|Crowning Moments Of Awesome]] so far.
* ''[[Starship Girl Yamamoto Yohko]].''
* In ''[[Parallel Trouble Adventure Dual]]'', the war between the UN and the Rara Army is deliberately handled this way, with either side surrendering before the risk of serious losses. Of course, nobody tells the protagonist Kazuki this before his first battle -- whatbattle—what, and spoil the angst?
** They also schedule their battles ahead of time and give the population time to evacuate the combat zone before they start.
* In ''[[Pokémon Special]]'', [[Well-Intentioned Extremist|Lance]] blows up a large section of Vermilion City. When [[Friend to All Living Things|Yellow]] protests to the lives lost, Lance points out since a major event was happening at the bay, the city itself was currently empty. In a slight aversion, he admits that there probably ''were'' a few people caught up in the blast, but not that he cares.
* Zigzagged in [[Magical Girl Lyrical Nanoha]]. The fluff details horrifically violent conflicts in the distant past featuring -- amongfeaturing—among other things -- [[Night of the Living Mooks|armies of cyborg zombies]], universe-destroying starships, and [[Person of Mass Destruction|human WMDs]] under every freaking rock, all used at one point or another in a series of interdimensional wars which lasted thousands of years and devastated countless universes. It's enough to make a [[Warhammer 40000|Space Marine]] wince. However the main series takes place over 100 years after the end of those wars and the Time-Space Administration Bureau has outlawed mass-based kinetic weapons in favor of magic-based weapons, the logic there being that magic can be set to stun living targets even when it's being used to level buildings [[Crowning Moment of Awesome|or blast halfway through the interior of an ancient starship]]. The titular character follows this religiously as does most of the main cast, but several characters die anyways even with these weapons in use. And then there's the ''Force'' manga, which features a team of villains who are completely immune to magic, forcing the good guys to ditch the stun guns and use perfectly lethal magic-powered kinetic weapons against them. But that's okay, [[Good Thing You Can Heal|they can regenerate]].
* ''[[Toshokan Sensou]]''. All the beligerents wear military-grade body armour. With few exceptions, their guns appear chambered for handgun bullets. Result: People get shot, people fall down with nasty bruises and possibly some cuts and are out of the fight. Few, if anyone, actually dies. This system seems to have been implemented on purpose since the Media Cleansing Comittee and the libraries are, essentially, involved in an institutionalized [[Civil War]] under state supervision.
* The entire premise of ''[[Dog Days]]'': war is literally a sport, complete with commentators, live coverage, betting and quite a lot of fanfare. When someone is slashed by a sword, they don't die, they temporarily turn into a cute ball-shaped kitten/puppy. Justified, in that they wage their wars in a protected space that grants this ability to everyone there (except Shinku, [[Informed Flaw|supposedly]]).
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** Heavily averted during the first act of ''Transformers: [[The Movie]]''
** ''[[Transformers Animated]]'' seems to instead largely avoid showing direct warfare: most of the battles we see are small scale, and all of the fighting in [[Shell Shocked Senior|Ratchet's]] flashbacks are implied instead of shown.
* The ''[[Sonic Sat AM|Sonic the Hedgehog]]'' cartoon ("SatAM" to fans) was set in a world where the heroes were a small band of [[La Résistance|Freedom Fighters]] fighting against difficult odds, so they had to have some losses. However, they also could [[Never Say "Die"]]. The solution? Robotnik's main way of disposing of his enemies was to "roboticize" them--thatthem—that is, use a machine to turn them into mindless robots that would follow his orders. This was very effective, as the person's personality essentially "died", and they were also forced against their will to act as Robotnik's soldiers. Robotnik's forces also used laser weapons, but predictably, they never caused any fatal damage.
** Early in the second season, a temporarily de-roboticized Uncle Chuck explains that the mind actually ''doesn't'' go away, and the roboticized person is simply aware of what is going on around them [[And I Must Scream|without any way to control themselves.]] It's debatable as to whether this made it better or [[Fate Worse Than Death|worse]].
** There's also the first episode, where the Freedom Fighters fend off Robotnik's robots with catapults shooting water balloons at them.
* ''[[Spiral Zone]]'' justified this trope in its premise, since the "Zoner" [[Mooks]] are all [[Mind Control|Mind Controlled]]led innocents; the heroes want to save them, and the villains want as many warm bodies as they can get.
* ''[[Rambo the Force of Freedom]]'' has a very low body count compared to the latter movies.
* In ''[[An American Tail]]: Fievel Goes West'' the final climactic battle is fought with slingshots rather than real guns.
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