Painting the Medium: Difference between revisions

m
Mass update links
(fixed bogus template)
m (Mass update links)
Line 28:
* [[Interface Screw]]
* [[No Punctuation Period]]
* [[Odd -Shaped Panel]]
* [[Rainbow Speak]]
* [[Rebus Bubble]]
Line 269:
* ''Life of Pi'' ends with an extended conversation, written in script form, between the protagonist and two Japanese businessmen. The Japanese businessmen alternate between speaking to the protagonist in English and to each other in Japanese. The Japanese dialogue is denoted with a bold, paintbrush-like font.
* ''[[The Neverending Story (Literature)|The Neverending Story]]'' uses two different colors for the two reality levels in the book, or two different typefaces in cheaper printings.
* ''[[House of Leaves]]'' is printed in three colors, although there are some variations between the different [http://en.[wikipedia.org/wiki/House_of_Leaves:House of Leaves#Colors |versions]] of the book. Normal text is printed in black, the word "{{color|blue|house}}" appears in blue, and {{color|red|references to mythology}} or <s>{{color|red|struck out passages that are somewhat threatening to the reader}}</s> are in red, with the addition of colored and Braille plates. "{{color|red|Minotaur}}" may or may not be struck out, depending on whether it's used during one of the aforementioned mythology references. In addition, there are a few instances of purple in the book as well, including the phrase "{{color|purple|A Novel}}" on the front cover, the {{color|purple|edition number}}, and one instance of a {{color|purple|struck-out purple phrase}} in Chapter XXI. There are two different typefaces, which are used to represent the contributions of the elderly blind man, Zampano, and the twenty-something slacker, Johnny Truant, with a rare third typeface for "The Editors" -- and even the accuracy of the typefaces is called into question. Mirror text is used on occasion; some pages have only a few words sparsely placed, and in odd orientations. A labyrinth is represented by a chapter consisting almost wholly of footnotes which refer to each other in a way that can only be described as labyrinthine. The vote is out on if it's good surrealism or pretentious crap.
** Some paperback editions have covers that are smaller than the pages. The book is larger on the inside than on the outside.
** Similarly, Danielewski's sec{{color|gold|o}}nd b{{color|gold|oo}}k, ''{{color|gold|O}}[[Only Revolutions|nly Rev]]{{color|gold|o}}[[Only Revolutions|luti]]{{color|gold|o}}[[Only Revolutions|ns]]'', had tw{{color|gold|o}} st{{color|gold|o}}ries, {{color|gold|o}}ne starting fr{{color|gold|o}}m the fr{{color|gold|o}}nt and {{color|gold|o}}ne fr{{color|gold|o}}m the back. With every passing page, a little less page space was given t{{color|green|o}} the {{color|green|o}}ne st{{color|green|o}}ry and a little m{{color|green|o}}re t{{color|green|o}} the {{color|green|o}}ther st{{color|green|o}}ry, until at the middle {{color|green|o}}f the b{{color|green|oo}}k it's exactly 5{{color|green|0}}/5{{color|green|0}}. ({{color|gold|O}}h, and there's a hint t{{color|gold|o}} the f{{color|gold|o}}nt c{{color|gold|o}}l{{color|gold|o}}rs in this n{{color|gold|o}}vel. [[Captain Obvious|Did y]]{{color|green|o}}[[Captain Obvious|u catch it?]])
Line 297:
** In ''[[The Demolished Man (Literature)|The Demolished Man]]'', telepathic communication is represented by creative typesetting, sentences that can be read up, down, left or right simultaneously, rebuses, fonts and other trickery. Bester seemed very fond of this sort of thing in general.
*** An example: Two of the characters in this book are named @kins (Atkins) and 1/4maine (Quartermaine).
** ''[[Babylon Five|Babylon 5]]'' is full of [[Shout -Out|Shout Outs]] to Bester's work, down to naming a character Alfred Bester and giving him a [[Start of Darkness]] novel series with telepathic communication depicted as in ''The Demolished Man''.
** Another occurs in the short story ''Fondly Fahrenheit'', about a schizophrenic mass murderer and his robot. At times the guy thinks of himself simply as himself, other times he thinks of himself as the robot, and then there's the times he thinks of them both as one person. All of this is accomplished by Bester constantly switching his use of pronouns.
* In the ''Turing Hopper'' series by Donna Andrews, different typefaces are used for third-person narration vs. Turing's first-person commentary.
Line 380:
* ''[[Allo Allo (TV)|Allo Allo]]'' was set in Nazi-occupied France and has characters of several nationalities speaking several different languages, all represented by the actors using deliberately bad accents. The Germans had bad German accents. The downed English airmen had bad English accents. The French had bad French accents, except when they were speaking English in which case they used bad English accents as well. The English spy masquerading as a French policeman had an ''atrocious'' French accent and mispronounced all his vowels (leading to endless double entendres), but only the French characters noticed. And so on.
** And, of course, whenever a French character spoke "French" (ie, English with a bad French accent) to an English character who only spoke "English" (ie, English with over-the-top British accents and mannerisms), it was treated as being completely incomprehensible.
* In the ''[[Doctor Who (TV)|Doctor Who]]'' episode "[[Doctor Who (TV)/NS/Recap/S4 E9 Forest of the Dead|Forest of the Dead]]," when {{spoiler|Donna is trapped in a [[Lotus Eater Machine]], she starts noticing all the [[Jump Cut|jump cuts]] and realizes that though it seems time is passing, no time passes at all}}. Another character tells her about it: "{{spoiler|You didn't get my note last night. You got it a few seconds ago. Having decided to come, you suddenly found yourself arriving. That is how time progresses here, in the manner of a dream."}} {{spoiler|These jump cuts actually happen to her in-universe, since it's a computer world that creates the illusion of passing time.}}
** Similarly, in "[[Doctor Who (TV)/Recap/S32 E2 Day of the Moon|Day Of the Moon]]", seemingly continuous scenes are revealed to have had minutes of forgotten action over the course of a camera change. This comes with a dash of [[The Fourth Wall Will Not Protect You]], since the primary threat of the {{spoiler|(seemingly; according to teasers for the second part of the season, they continue to be plot-relevant)}} [[Monster of the Week]] is that you can't remember them when you can't see them.
*** Also done in [[Doctor Who (TV)/Recap/S32 E13 The Wedding of River Song|The Wedding of River Song]]. While the Doctor and Winston Churchill are walking and talking they, along with the audience, gradually realise {{spoiler|they are fighting off the Silence in between the scene and camera changes.}}
** In "[[Doctor Who (TV)/Recap/S31 E12 The Pandorica Opens|The Pandorica Opens]]", {{spoiler|the final shot has the background music abruptly cut out, to represent the [[Arc Words]] -- "Silence will fall".}}
** The Weeping Angels' schtick of freezing when anybody's watching is as creepy as it is largely because the camera apparently counts as somebody watching them-- even if all characters have their backs on an Angel, ''we'' don't get to see it move either. Until the episode "[[Doctor Who (TV)/Recap/S31 E5 Flesh and Stone|Flesh and Stone]]", that is.
* Whenever a location is shown on ''[[Fringe]]'', the words hang there like they are part of the actual setting, sometimes with the camera avoiding the lettering as though it is actually there.
** And in an episode mostly set during the Eighties, those words (and the opening credits) were changed into a font style typical of the period.
Line 502:
** Not to mention the entire last hour or so of ''[[Metal Gear]] Solid 2''. It's one massive [[Mind Screw]].
** ''[[Metal Gear]] Solid 3'' gets in on the act with the fake death pill, which causes a [[Fission Mailed|fake game over screen]]. Not to mention the fact that, if you kill someone important to the plot in the first two games (it's a prequel), you are informed by [[Nonstandard Game Over]] that you're creating a [[Temporal Paradox|time paradox]].
*** ''MGS''3 also gives us the scene with Ocelot. Not only are [[Bee -Bee Gun|bees]] all around after the fight, they usually ''stick to the screen''. Enough to make some players [[Squick|feel]] [[Nightmare Fuel|paranoid]]
** ''Guns of the Patriots'' has a flashback to the first ''Metal Gear Solid'' {{spoiler|1=which appears with PS1 graphics, including a dream sequence that you actually ''play''}}. Also, {{spoiler|1=Psycho Mantis is back: when he tries his old tricks, you realize you can't change controller ports and changing controller order doesn't work, he realizes there isn't a memory card anymore, and he gets pissed if you're using SixAxis controller, which doesn't vibrate}}.
*** Shortly after Snake meets Drebin, Drebin ''wipes his own identifying subtitle off the screen.''
Line 617:
* The ''[[Insecticomics]]'' [http://www.insecticons.com/insecticomics/v3/214.html does] this [http://www.insecticons.com/insecticomics/v2/118.html twice].
** [http://www.insecticons.com/insecticomics/v5/458.html And the narrator's one of the Vok.]
* ''[[Books Don't Work Here (Webcomic)|Books Don't Work Here]]'' does this often. [http://booksdontworkhere.thecomicseries.com/comics/4/ here] is an example of [[Odd -Shaped Panel]], and here is where they play around with [[Flashback Effects]] [http://booksdontworkhere.thecomicseries.com/comics/69/ twice]
* In ''[[8-Bit Theater (Webcomic)|Eight Bit Theater]]'', after Thief's [[Class Change]], he's seen in a red outfit for a few strips, then changes to black. When Black Mage asks him about it, he replies that his outfit was always black -- and the red outfit in the archived strips was changed to match the "new" black one.
** ''[[8-Bit Theater (Webcomic)|Eight Bit Theater]]'' once represented the Light Warriors experience in distorted time by having a strip where [http://www.nuklearpower.com/2005/03/24/episode-531-time-for-a-new-space/ the characters could see themselves in the past and future by looking around].
Line 623:
* In ''Lick My Jesus'' (which is, unfortunately, no longer accessible), one strip was based around the idea that different fonts were different languages. One character admitted, "I'm sorry... I don't speak Garamond."
** Kinda like the old [[Britcom]] ''Allo, Allo'', in which different languages are represented by [[Just a Stupid Accent|different accents]] -- the Germans speak English with a German accent, the French speak English with a French accent, and so forth. One British character's "French" accent is very, very bad and leads to him saying things like "Gud moaning" rather than "Good morning".
* Used in the ''[[Asterix]]'' books where Viking speech has [[Punctuation Shaker|extra punctuation]], the Goths talk in [http[wikipedia://en.wikipedia.org/wiki/Blackletter |Gothic script]] and the Egyptians talk in hieroglyphics.
* In a similarly defunct example, ''[http://cwcomics.comicgenesis.com/alt/thisis/ This is]'', a webcomic presented as a series of brief, tongue-in-cheek descriptions, had as its 404 page a picture and brief, tongue-in-cheek description of a 404 page. Sadly, it has since been replaced by the 404 page from the author's subsequent project, which is significantly less meta about itself.
* Apropos 404 not found: ''[[Loserz]]'' once used this as a gag. See [http://bukucomics.com/loserz/index.php?comicID=57 this strip].
Line 730:
** In ''[[The Simpsons Movie (Animation)|The Simpsons Movie]]'': Homer calls everyone watching The Itchy and Scratchy movie a "giant sucker" for "paying to see somthing they can watch at home for free" and starts pointing at a random theater audience member...only for the camera to swivel around so that Homer's finger is pointed directly at the fourth wall while he says "Especially YOU!"
* ''[[Family Guy (Animation)|Family Guy]]'' [http://www.youtube.com/watch?v=-LqiC6LSPlQ once] had the usual promo for the Simpsons (8/7c) come on over the top of the regular cartoon, with Marge Simpson walking into frame. Suddenly, Quagmire walks into view and tackles her, ostensibly for sex. She fights him off, and he chases her around with his pants around his ankles. Eventually, she gives in, offscreen, and they both return to view and decide to head back to the Simpsons' for round two. The characters in the body of the cartoon ''actually stop talking'' to watch what's going on. The next scene is an exterior shot of the Simpson house. The audio indicates that Homer walks in on them, and gets shot by Quagmire in self-defense. Then he shoots Marge to keep her from calling the police. Then Bart walks in and gets shot. Then Lisa. He hesitates with Maggie. Then the show cuts right back to ''Family Guy'' like nothing ever happened.
** In a more recent episode, an [[Commercial Pop-Up|intrusive ad]] for ''[[Twenty Four24 (TV)|Twenty Four]]''(Mondays on Fox) appeared at the bottom of the screen, and Stewie stopped the action for quite a while to notice and complain about it.
{{quote| '''Stewie:''' Oh- oh, I'm sorry, is my wedding interrupting your- your promotion? We're right in the middle of ''our'' show. Okay? Right now. You have a timeslot. Go there. Maybe finish ''this'' candy bar before you open another one.}}
** Which kicked off a running joke in the same episode as fake live-action sitcom ads periodically showed up at the bottom of the screen, including "Shovin' Buddies" and "Slowly Rotating Black Man". The characters reacted to them each time.
Line 783:
[[Category:index]]
[[Category:Painting The Medium]]
[[Category:Trope]]