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Spider-Man: Turn Off the Dark: Difference between revisions
added new trope
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{{tropelist}}
* [[Abusive Parents]]: Mary Jane's father, as implied in her part of "No More." This was more explicit in the first version, where he actually hit her with a beer bottle in the middle of the song.
* [[Adaptational Personality Adjustment]]:
** Peter Parker is more well-meaning than he is compared to other versions, where he doesn't let a criminal get away after doing his signature wrestling match. Rather than fight with Uncle Ben, he says that he wants to earn money, outright explaining he has other plans as opposed to lying.
** Green Goblin is given 2002 Doctor Octopus's backstory. He and his wife Emily work together on OsCorp projects, but she dies when one experiment goes wrong. Norman snaps as he holds her dead body and cries, deciding to forcibly transform OsCorp employees into his new Sinister Six, to vent his pain on New York City. {{spoiler|He also figures out that it was the missing OsCorp spider that gave Peter his powers; in the climax, he calls Spider-Man "Peter" when demanding him to unmask. Peter thinks that because of their earlier bond he can reason with "Dr. Osborn," telling him he's not a villain. It doesn't work, but most versions of Peter don't have an incentive to try.}}
* [[Adapted Out]]: The musical used characters that don't appeared in the films yet removed Harry Osborn, Peter Parker's best friend, this rendered Norman and Emily Osborn seemingly childless.
* [[All Just a Dream]]: Act Two in the original script was all an illusion created by an angry Arachne up until its climax.
* [[Ambiguously Gay]]: Norman may have been married, but the Green Goblin "said goodbye to [his] straight life ..."
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[[Category:Theatrical Productions]]
[[Category:Spider-Man: Turn Off the Dark]]
[[Category:The Musical]]
[[Category:Spider-Man]]
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