Suzume (film): Difference between revisions
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* [[Cosmic Keystone]]: There are two Keystones that keeps [[Eldritch Abomination]]s trapped in the Ever After dimension. If a Keystone is missing, then a worm can escape into the real world. When that happens, if it collapses onto the ground, it will be very bad and a lot of people will die. If both are dislodged, things will go [[From Bad to Worse]].
* [[Creative Closing Credits]]: The film proper does a [[Close on Title]] after Souta and Suzume close the door near Suzume's old house. The first part of the credits then play over an epilogue showing {{spoiler|Souta and Suzume parting ways at a train station and a montage of Suzume and Tamaki returning to Miyazaki while visiting the people that had been met along the way.}} The rest of the credits are in the standard white-on-black.
* [[Cue the Sun]]: Right before the climax, the sun is setting in the human world. After the climax, after {{spoiler|Suzume returns back to the human world}}, the sun rises the next morning to support the optimistic future depicted in the end credits.
* [[Delaying Action]]: In the climax, {{spoiler|Sadaijin fights the worm about to escape, giving Suzume enough time to rescue Souta. It also buys precious time while the two figure out how to obtain keystones to trap the worm}}. It's a losing battle, and Sadaijin will not win; {{spoiler|the worm}} can only be slowed down.
* [[Deliberately Monochrome]]: Many of Suzume's flashbacks, along with {{spoiler|scenes of Souta being trapped as a keystone}}, are depicted in black and white.
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