Sympathetic Murderer: Difference between revisions

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{{trope}}
{{quote|''See, my sister got raped<br />
''So a man got killed<br />
''A local boy went to prison<br />
''The man was buried on the hill.''|'''The Tragically Hip''', "38 Years Old"}}
|'''The Tragically Hip''', "38 Years Old"}}
 
Sometimes, in a mystery, or a [[Police Procedural|Police]] or [[Law Procedural]], the writers will have a criminal who is intentionally sympathetic to the audience; sometimes to amplify the drama, sometimes to make the problem a true moral dilemma, and sometimes just because the story is [[Ripped from the Headlines]], and the sympathetic part is necessary to get to the Headline in question.
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See also [[Manslaughter Provocation]], and [[Ineffectual Sympathetic Villain]] for those who put the "pathetic" in "sympathetic".
If the character was introduced and fleshed out ''before'' he was revealed to be a murderer, it's [[Sympathetic Murder Backstory|Sympathetic Murder Backstory.]]
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{{examples}}
 
{{examples}}
== [[Anime]] and [[Manga]] ==
* [[Elfen Lied|Lucy]]. [[Broken Bird|Dear]] ''[[Break the Cutie|God]]'', [[Woobie, Destroyer of Worlds|Lucy!]] Even being a mass murderer with a penchant for [[Slasher Smile|Slasher Smiles]]s and [[Cold-Blooded Torture]] isn't enough to keep her from being sympathetic; her backstory is ''just that crappy'' that you can't help but want to give her a hug even when she's in the middle of eviscerating some innocent or not-so-innocent soul.
* ''[[Case Closed]]'' seems to like having the murderer be a genuinely nice person put into an unfortunate circumstance, and the victim be such a complete [[Jerkass]] that you don't mind their death. One episode even has a staged kidnapping where {{spoiler|the "victim" didn't mind being kidnapped, and hugged the kidnapper over ''her own dad''.}} Harsh.
** Another case involved a man who was in a relationship with an old friend who didn't want to commit, so he broke up with her. Years later, he got engaged to another woman. The first woman returns and has gone full psycho bitch. She's threatening to send photos of them while they were dating and pass them off as if he were cheating. {{spoiler|Too bad both of them happened to be friends of Kogoro Mouri, who is genuienly hurt at the killer's betrayal of his trust and friendship.}}
** Another one involves a girl who fell into the wrong crowd and was indirectly involved in a big theft that resulted in the suicide of the person who was burglarized. This caused her to hit the [[Moral Event Horizon]] and she decided the crowd was terrible, so she went back to school. {{spoiler|However, the leader of the gang came back into her life and blackmailed her. All she wanted was to get him out of her life and put that part behind her, so she decided to end it by threatening him away with a knife instead of paying him off. The blackmailer then attacked her and she stabbed him in the struggle.}} Granted, this wasn't exactly ''pre-meditated'' and she ''did'' do it in self defense, but after the [[Jerkass Victim]], very few people would have not felt sorry for her. {{spoiler|Even though she ''did'' have an [[Idiot Ball]] and ''threatened'' to kill him - still won't get her off the legal hook.}}
* [[Higurashi no Naku Koro ni]] has this in spades. Most of the main characters end up as this in [[Groundhog Day Loop|some version of the world.]] Keiichi {{spoiler|killed Satoko's abusive uncle to protect her}}, Rena {{spoiler|killed Satako's uncle and his girlfriend to protect her father from their blackmail (and stop the girlfriend from throttling her)}}. {{spoiler|Shion}} is a subversion because, while starting off tragic, it's ruined by her {{spoiler|going [[Ax Crazy]] on Keiichi, Mion, Rika, and Satoko even after realizing that she's wrong}}. It turns out much later that there were ways to avoid these and still solve the problems...but dang if it didn't feel good watching some of those jerks get it.
** The author discusses this in the Staff Room portion of the Eye-opening Arc (Sound Novel only) where he talks about how much sympathy a murderer receives depends on that person's motives (and that the level of sympathy someone will have for the murderer will vary from person to person) while he still believes that murder is still murder regardless of ones motive. See the [[Higurashi no Naku Koro ni/Analysis| Higurashi analysis page]] for more on this.
* ''Gokuaku no Hana'' ("Flower of Carnage") does this with none other than Jagi of ''[[Fist of the North Star]]'' infamy...sort of. Mildly subverted by itself, as that sympathy will be for who he ''was''.
* {{spoiler|Alma Karma}} from [[D.Gray-man]], who may have had a worse childhood then even Allen!
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== [[Film]] ==
* How about a sympathetic [[Serial Killer]]? How about two? Now make them your [[Beneath Suspicion|sweet kindly old aunts]]. You have the plot of ''[[Arsenic and Old Lace]]''.
* The ''United States of Leland'' outraged many disability rights activists with its sympathetic portrayal of the murderer of an autistic child.
* In ''[[M]]'', it's a sympathetic ''child'' murderer.
** Actually, he's not that sympathetic. He ''tries'' to be sympathetic by pleading insanity, though. Although, the other criminals who catch him may be considered more sympathetic.
* The film [[Red Dragon]] plays up the book's depiction of Francis Dolarhyde as someone who is not so much a man who does not enjoy his serial killing as a Dissociative Identity Disorder (multiple personalities)-riddled individual whose alternate personality bullies him into committing his atrocities. For the most part, at least.
** Dolarhyde is only sympathetic if the titular dragon was really an alternate personality and not just a personification of his homicidal urges. The ending really suggests that the whole [[Villain Decay|deceleration]] of his violent impulses, culminating in {{spoiler|his [[Heroic Sacrifice]] to spare Reba}}, was really Dolarhyde {{spoiler|[[Large Ham|hamming it up]] as part of his [[Batman Gambit]] to kill Will's family}}.
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* The {{spoiler|actual}} murderer in ''[[Gosford Park]]''.
* The mentally unstable George Loomis (Joseph Cotten) from the 1953 film ''Niagara''. His wife (Marilyn Monroe) and her lover are plotting his murder (after, it is implied, deliberately driving him mad), {{spoiler|but the plot backfires and Loomis kills the lover in self-defence. Later, he vengefully murders his wife, and is overcome with remorse. At the end of the film, while trapped with an innocent girl in a boat hurtling toward the edge of [[Niagara Falls]], he helps her climb safely out onto a rock before falling to his death over the edge, possibly making this an example of [[Redemption Equals Death]].}}
* The titular character from ''[[Psycho]]'' is a very deeply disturbed man, and the movie is directed in such a way as to elicit sympathy from the audience after he kills Marion. In the end, he becomes a figure of pity and is states to not really be responsible for his own actions.
* This trope was rather oddly zigzagged in [http://www.imdb.com/title/tt0848551/ KillerKiller (2007)], in which the girl doing all the on-screen killing was actually not such a sympathetic character, but some of her [[Serial Killer]] victims managed to be, due in part to [[Protagonist-Centered Morality]]--which—which is not to say they weren't [[Asshole Victim|AssholeVictims]] or that viewers were going to be too sorry to see some of them die. Just to muddy the waters further, some of the victims' conversations about the various murders they'd committed were [[Played for Laughs]].
* Carl Lee Hailey in [[A Time to Kill]] (and the book it's based on, naturally), so very much.
 
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** ''Murder on the Orient Express'': {{spoiler|the murderers end up getting away with it after Poirot figures out their crime. It helps that Casetti had very much duped the system into ''not'' putting him on the death row for the Daisy Armstrong nightmare, and the conspirators were rectifying that distortion}}.
** ''Curtain'': {{spoiler|''Poirot himself'' kills Stephen Norton, in order to prevent him from continuing his string of murders-by-proxy. A string which nearly turned '''''Hastings''''' into one of Norton's dupes. After killing Norton, Poirot [[No Place for Me There|lets himself die]] by not taking his medication.}}
*** A rule of thumb for Agatha Christie is that around 80% of sympathetic murderers are terminally ill, so that the protagonist can feel comfortable with not turning them in. If you're a [[Sympathetic Murderer]] who wants to ''live'', you better be ''really'' justified, and you better choose someone to kill who's a [[Complete Monster]].
* Raskolnikov in ''[[Crime and Punishment]]'' is basically the archetype of this trope, making it [[Older Than Radio]].
** Actually, he isn't a good example. While his intended victim was [[Asshole Victim|a greedy old hag]], during the murder, he was spotted. He panicked and killed her mentally retarded younger sister, who was pregnant. Also, his reasons for murder in the first place were [[Nietzsche Wannabe|anything but sympathetic]].
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* [[Sherlock Holmes]] had to deal with a few of these.
** ''A Study In Scarlet''. The victims had been responsible for an [[Arranged Marriage]] that involved kidnapping the bride, killing her father in the process. Her true love had finally tracked them down and killed them.
** In the short story "The Adventure of the Abbey Grange", the [[Asshole Victim]] was a drunken, [[Domestic Abuse|abusive husband]]; the [[Sympathetic Murderer]] was actually guilty either of manslaughter or self-defense, since the husband attacked him when he caught him talking with his wife, but the circumstances made it look ''very'' bad.
** In the short story "The Adventure of the Devil's Foot", the first set of crimes is avenged by one of these.
** In the short story "The Adventure of Wisteria Lodge", the actual victim was a would-be Sympathetic Murderer who was killed by his target (an ex-dictator who had killed the victim's father, among others). It is strongly implied that more successful Sympathetic Murderers caught up with the target in the end.
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* Disturbing as it may be, one cannot help but feel at least a little pity for the two killers described in Truman Capote's ''In Cold Blood''.
* The Monster in ''[[Frankenstein]]'', by way of [[Roaring Rampage of Revenge|crimes of]] [[Parental Abandonment|justifiable]] passion.
* {{spoiler|Maxim de Winter}} in ''[[Rebecca]]'' -- though—though not in the movie, which was [[Bowdlerise|Bowdlerised]]d in this particular to comply with the [[Hays Code]].
* The eponymous protagonist in ''Dolores Claiborne'' by [[Stephen King]], a long-suffering wife of an abusive relationship. However, what pushed her over the brink wasn't her husband's treatment of her, it was his treatment of their children (emotional abuse of one son, sexual abuse of their daughter, and cleaning out the college savings accounts Dolores had worked long and hard to build up).
* John Kelly (later Clark) could be seen as one during his [[Roaring Rampage of Revenge]] in ''Without Remorse''.
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** The murderer's first kill (that of the [[Complete Monster]]) gets full sympathy points. However, her ''second'' kill (that of a blackmailer who found out about her first crime) comes off as more cold-blooded and self-serving, and therefore less sympathetic.
* Elizabeth Bathory in ''[[Count and Countess]]''.
* Peter in ''Nineteen Minutes'' in which a bullied teenager has snapped and committed a school shooting, killing most of his bullies and critically wounding another.
 
== [[Live Action TV]] ==
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** The killer from "Haunted", a previously non-violent man who had a psychotic break as a result of newly-unlocked memories of childhood trauma that he simply couldn't cope with.
** Megan Kane, the high-class escort who killed some of her obscenely-rich clients who refused to pay one red cent in child support.
** The woman in New Orleans who was raped and then got no justice for it, before she became a killer.
* ''[[CSI]]'' loves this trope. A few notable ones:
** ''You've Got Male'': An ex-con visits a woman he met via email while in prison, her sister shows up and taunts her over this, the two of them get into a fight, and the sister accidentally kills her. The sister then tells the convict that she'll blame him; thinking that no one would believe him he kills her out of desperation to avoid going back to jail.
{{quote| '''Killer''': Who'd believe a guy like me?<br />
'''Grissom''': A guy like me. }}
** An aversion from ''CSI'' appears in the episode ''Killer''. The episode shows the murderer, a bank robber who kills the former drug addict who ratted him out. He is portrayed somewhat sympathetically (it's noted that he never harmed anyone during a robbery and at the end of the episode {{spoiler|he even turns himself in so his wife doesn't lose custody of their daughter}}). However, at the very end, he ruefully asks Grissom "So where did I screw up?" Grissom then bluntly tells him, "You killed two people."
*** [[Fridge Brilliance|Notably]], he wouldn't have been caught if he hadn't committed the second murder.
** A teenage girl accidently kills her younger brother when he catches their uncle forcing himself on her (which results in a child) and threatens to tell their mom, as the unfavourite she knows her mom would sooner believe she'd forced herself on her uncle than the other way around.
*** Her mother later on when she kills her husband who loudly tries to take the blame for killing her son. She even acknowledges that all this could have been avoided if she'd been a better mother so her daughter could feel like she could trust her.
** In the "Fare Game" episode of ''CSI: New York'', a chef is discovered to be the murderer of a millionaire who got her millions through multiple [[Frivolous Lawsuit|Frivolous Lawsuits]]s, of which he was one of the victims. After finally dragging himself out of bankruptcy, divorce, and a ruined life to try again working at a new restaurant and under a new name, she showed up at his new place with the intent of pulling the exact same scheme on his new boss, and he snapped, tracked her down, and killed her by letting her choke on one of the octopi served at the restaurant in an echo of the stunt she'd originally pulled as an excuse to sue him.
*** The guy from the B-plot of the above was also sympathetic, especially when it turned out the murder was a [[Deadly Prank]].
*** From the same series, there's the perp from "Prey": the victim is a stalker who has already caused one of his victims to commit suicide. The perp is another victim whom the law did very little to protect (a few restraining orders, the violations of which only got the stalker a few days in jail) and had even changed her name and moved to another city to escape, only for him to follow her. Feeling that she had no option other than killing herself or be killed, she finally killed him. The team feels pretty sympathetic towards her (even Mac, who. in an earlier episode. has shown disgust to a rape victim who killed rapists aquitted on technicalities) and Hawkes even mentions to her that since she only left circumstantial evidence (the woman took a class that Stella taught), it will be very hard for her to be convicted.
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** Also, {{spoiler|Agent Lee was forced to become [[The Mole]] by a terrorist information broker, who kidnapped her daughter. She gunned down Agent Langer and frames him for her crimes; but several members of the main cast feel they would've done the same in the same situation.}}
* Happened in [[Beverly Hills, 90210]] when {{spoiler|Valerie admitted to killing her father after he repeatedly raped her from the time she was 11}}.
* Done very often on ''[[Cold Case]]'', mostly when the victim is an [[Asshole Victim]]:
** "Blackout": a woman tries to seduce her 13 year old grandson, after sexually abusing her son since he was 13. Her daughter (and the boy's mother) finds out. Her mother has been emotionally abusing her for years. After berating her daughter for being ugly, the victim threatens that she still has power over her grandson, and the daughter drowns her.
** "Justice": a serial date rapist avoids punishment in 1982. The younger brother of one of the victims (who witnessed his sister's rape) follows the victims when they confront the rapist. They leave a gun at the scene. The brother picks it up and shoots the rapist.
** ''[[Cold Case]]'' even manages to pull this off when the victim is a saint. Often, the murder is shown to be an [[Accidental Murder]] and/or a crime of passion, committed in a moment of extreme emotional upset, leaving the killer [[My God, What Have I Done?|genuinely horrified by their actions.]]
* ''[[Homicide: Life Onon the Street]]'' featured a sympathetic teen who had snapped and killed the [[Jerk Jock]] who was bullying him. [[John Munch|Munch]] evidently identified with him.
* Stacey Slater in ''[[Eastenders]]'' in the climax of the "Who killed Archie?" storyline. Considering what a [[Complete Monster]] Archie Mitchell was, one can be forgiven for saying [[Karmic Death|he deserved it]]. Especially after he ''[[Rape Is a Special Kind of Evil|raped Stacey while she was still suffering from bipolar disorder]]''.
* The comedy show ''[[Murder Most Horrid]]'' had a fair number of these, because A. there kind of has to be a murder, given the title, but, B. it's a comedy. [[Complete Monster|Complete Monsters]]s can be played for laughs (and are on that show), but sympathetic murderers can be even funnier.
* The title character of ''[[Dexter]]'' is one, a serial killer whose homicidal tendency was channeled by a [[Genre Savvy]] stepfather so he only kills [[Asshole Victim|very bad people.]]
** Lumen from the fifth season is actually a better example. This is because she kills her gang[[Rape as Drama|rapists]]/[[Serial Killer|kil]][[Torture Cellar|lers]] ([[Blood-Splattered Wedding Dress|who picked a bad time]]) as opposed to Dexter who kills because of his [[Dark and Troubled Past]].
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** Barry Hyde, who was responsible for the death of his wife, who was trying to drown their son at the time, and [[Asshole Victim|Josh West]], who was blackmailing him over the first one.
* A fair number of the guilty defendants on ''[[The Practice]]'', especially the ones who either committed vigilante killings or were insane at the time of their crimes.
* Used every so often on ''[[Boston Legal]]'', such as the mother who killed the murderer of her daughter after he got off on a temporary insanity plea.
 
== [[Music]] ==
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*** {{spoiler|Also, Regina, while an extreme [[Cloudcuckoolander]], was 15 or 16 when it happened. That ought to be more than old enough to comprehend the gravity of the situation.}}
*** {{spoiler|Which explains why Mr. Berry went in her stead; he probably realized that his extreme sheltering of her from the nastier aspects of existence was what made it so difficult for her to sense the gravity of the situation. In other words, ''he's intentionally getting Acro to kill the one who caused Regina's ignorance in the first place--'''Mr. Berry himself'''.''}}
** In the third game, {{spoiler|Godot only murdered Misty Fey (possessed by the spirit of [[Complete Monster]] Dahlia) to protect the little sister of the woman he'd loved. Afterwards, he continually directed the trial to make sure Phoenix eventually found him guilty. It's also implied that Misty went into the situation willing to die for her daughter.}}
* Alma, from [[First Encounter Assault Recon]]. The only reason she can even be considered an antagonist is the whole "constantly melting people to death" and "going to [[Omnicidal Maniac|kill the world]]" thing.
* [[Silent Hill 2]] has {{spoiler|James, the protagonist, who killed his wife}}. In an unusual variant, both the murderer ''and'' the victim are very sympathetic. There is also Angela, who killed her sexually abusive father.
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[[Category:Murder Tropes]]
[[Category:Crime and Punishment Tropes]]
[[Category:Sympathetic Murderer]]
[[Category:This Index Has Had a Hard Life]]
[[Category:{{PAGENAME}}]]