The Beach Boys: Difference between revisions

no edit summary
(Rescuing 1 sources and tagging 0 as dead. #IABot (v2.0beta9))
No edit summary
 
(3 intermediate revisions by 3 users not shown)
Line 1:
{{creator}}
[[File:The_Beach_Boys_1966_7963.jpg|framethumb|350px|From left to right: [[Ensemble Darkhorse|Dennis Wilson]], [[The Heart|Carl Wilson]], [[The Scrappy|Mike Love]] (top), [[Ascended Extra|Bruce Johnston]] (bottom), [[The Generic Guy|Al Jardine]], and [[The Woobie|Brian Wilson]].]]
 
{{quote|''"Sun, Surf, [[Creator Breakdown|Schizophrenia]], Stagnation, [[Dork Age|Stamos]]."''|'''[[Mark Prindle]]''', [http://markprindle.com/beachboys.htm Beach Boys Reviews]}}
 
[[The Beach Boys]] were America's preeminent pop band in the early-to-mid [[The Sixties|Sixties]]. Originally composed of brothers Brian, Carl, and Dennis Wilson, their cousin Mike Love, and their friend Al Jardine. Later included songwriter Bruce Johnston, and South Africans Blondie Chaplin and Ricky Fataar. They are often regarded as America's answer to [[The Beatles (band)|The Beatles]], despite releasing their debut album two years before the Fabs.
 
Contrary to what one might expect, The Beach Boys have one of the longest and most fascinating stories of any band in recent history. Before the band even got started professionally, they had been singing together for years, playing at school functions under various names like Carl and the Passions and Kenny and the Cadets. They got their actual start basically out of Brian Wilson's garage; one labor day week-end in 1961; the Wilson brothers' parents went on a business trip to Mexico, and while they were gone, they recorded their first song, "Surfin'", in the garage. After that hit the local radio, they signed on to Capitol Records and quickly climbed the charts as the premiere [[Surf Rock]] band of the nation. They are often credited for popularizing the California culture throughout the country. However, the stress of touring and the competition from [[The Beatles]] led to Brian Wilson suffering a nervous breakdown, and retiring from touring. While the rest of the band toured (with first Glen Campbell and then Bruce Johnston taking Brian's place), Brian stayed home writing and making use of the studio talents of The Wrecking Crew, leading to such classics as "California Girls", "Help Me Rhonda", and "Please Let Me Wonder". This eventually fostered into what some critics call the greatest pop album of all time: ''Pet Sounds''. ''Pet Sounds'' brought a whole new depth to the music, with advanced production techniques and powerful lyrics on such subjects as loneliness, youthful longing, self-isolation, and the power of wordless communication. Paul McCartney has said that ''Pet Sounds'' was a major influence on theThe Beatles' own landmark album ''[[Sgt Peppers Lonely Hearts Club Band]]''. (Not coincidentally, if a critic ''doesn't'' call ''Sgt. Pepper'' the greatest pop album in history, he or she probably thinks it's ''Pet Sounds''.)
 
From there, however, the story becomes a long, tragic string of practically nothing but [[It Got Worse]]. After ''Pet Sounds'' was released, Brian Wilson intended to top it with a revolutionary new album called ''Smile''. However, lack of support from anyone combined with his ailing psyche combined with his copious drug abuse combined with a royalty lawsuit led to the album's cancellation in 1967. The band instead released ''Smiley Smile'', which combined what the rest of the band felt were the stronger ''Smile'' tracks with some new, supposedly more commercial material (as opposed to the "weird" ''Smile'' songs). The album flopped, and from there, The Beach Boys struggled to just barely continue scraping the Top 40 for the rest of the 60's into the early 70's. During this time, Brian remained holed up in his room, Dennis Wilson became friends with Charles Manson, and the Wilson brothers' domineering father Murry Wilson sold their entire song catalog for a paltry sum of $750,000 (a catalog which is estimated to be worth at least $75 million today). The band's 1973 album ''Holland'' was artistically ambitious, but a commercial failure. At this point, it seemed as if the group was done.
Line 18:
For much of the rest of the time, the surviving Beach Boys splintered into three units: The Beach Boys, which is essentially Mike Love, Bruce Johnston, and an assortment of session musicians milking every ounce of copper they can get from the udders of the past; Brian Wilson, who tours with a different assortment of session musicians and continues to record excellent music with them, including, at long last, his dream project ''Smile'' in 2004; and Al Jardine, who left the splintered remains of the original group after Carl's death and now tours with his son and an assortment of session musicians known as Al Jardine's Endless Summer Band.
 
In 2012, on the 50th anniversary of the band's first album, ''Surfin' Safari'', the unexpected happened: [https://web.archive.org/web/20131013091238/http://www.brianwilson.com/tour/ a full reunion of the surviving Beach Boys], including Mike Love, Brian Wilson, Bruce Johnston, Al Jardine and David Marks (who replaced Jardine for the first few albums, and who reunited with the Love/Johnston touring line up most recently), took place for a 50th Anniversary world tour and the recording of a new studio album, co-produced by Love and a rejuventated Brian Wilson. [[And the Fandom Rejoiced|We'll see how this turns out]].
 
Numerous artists have cited them as a major influence, including [[Animal Collective]], [[The Ramones]], [[Alice Cooper]], [[Elton John]], [[Weezer]], [[The Flaming Lips]], basically the entire indie rock genre, and [[The Beatles (band)|The Beatles]] themselves.
 
----
{{sidemenu}}
Related Acts:
Line 72 ⟶ 71:
* ''That's Why God Made the Radio'' (2012)
 
----
{{creatortropes}}
* [[Abusive Parents]] - Murry Wilson.
* [[Age Progression Song]] - "When I Grow Up (To Be a Man)"
* [[Album Filler]] - The band's early albums suffered from an overabundance of this; American LPs in those days generally consisted of two or three popular singles surrounded by whatever other songs the band had lying around. It wasn't until [[The Beatles (band)|The Beatles]] released ''Rubber Soul'' that Brian realized that albums should be cohesive units with well-crafted music from start to finish.
** He was amazed and excited at an album that was "all good stuff!" To be fair, very few pop artists had even attempted such a thing at the time (1965), although the Beatles had arguably already managed one with ''A Hard Day's Night''.
* [[All Drummers Are Animals]] - Dennis Wilson was known affectionately as a "clubber". During a performance of "I Get Around" at the ''T.A.M.I. Show'', Dennis even shattered a drumstick mid-song.
Line 124 ⟶ 122:
* [[I Am the Band]] - Brian was this during the ''Pet Sounds'' and ''Smile'' era, while Mike Love has had this role since roughly 1978.
* [[In Name Only]] - The unit currently calling itself the Beach Boys. Despite being advertised with an out-of-date band photo (including Brian and the deceased Carl), only Mike Love and Bruce Johnston appear from the original group.
* [[In the Style Of]] - "Girl Don't Tell Me" sounds very much like [[The Beatles (band)|The Beatles]]' song "Ticket to Ride." It's possible that "Girl Don't Tell Me" was influenced by "Ticket to Ride," as the the former was recorded on April 30, 1965 and the latter had been released on April 9 of that year.
** "Surfin' USA" came so close to a [[Chuck Berry]] tune (specifically, "Sweet Little Sixteen") that Chuck sued the Boys.
* [[Incredibly Long Note]] - [[Large Ham|Mike Love]] has taken to introducing "Be True to Your School" with one of these at concerts in recent years. Examples [http://www.youtube.com/watch?v=L2qE61E0i7s here].
Line 177 ⟶ 175:
* [[Similarly Named Works]] - "[[Intercourse with You|All I Want To Do]]" vs. "[[Silly Love Songs|All I Wanna Do]]".
* [[Sixth Ranger]]- Bruce Johnston, offically
* [[Sliding Scale of Idealism vs. Cynicism]] - Really, the entire story of Brian Wilson vs. Mike Love can be boiled down to this, as Brian's desire to create moving, spiritual music clashed with Mike's attitude of "don't fuck with the formula". <ref>([[Truth in Television|That's an actual quote.]]</ref>)
* [[Soprano and Gravel]] - Variation: Mike Love's nasal growl alternating with Brian Wilson's soaring falsetto.
* [[Stop and Go]] - "The Little Girl I Once Knew" did this not once but twice, which almost certainly hurt the song's performance on the singles chart. Radio programmers were loath to play it due to its moments of dead air.
Line 186 ⟶ 184:
* [[The Svengali]] - As detailed above, Eugene Landy, Brian Wilson's therapist from the 70's to the late 90's.
* [[Theremin]] - "Good Vibrations" very famously uses one.
* [[Three Chords and the Truth]] - ''Wild Honey'' reflected a back-to-basics approach after the downfall of ''Smile''. It's been said that ''Wild Honey'' was [[Trope Codifier|one of the first deliberate invocations of this trope by a major band]], before ''[[The Beatles (band)|Let It Be]]'' or ''[[The Rolling Stones|Beggars Banquet]]''.
* [[Throw It In]] - "Here Today" has some background studio chatter that Brian Wilson apparently failed to notice. "Wendy" does, as well.
* [[Vaporware]] - ''Smile'', one of the earliest examples. Which became a [[Crowning Moment of Awesome]] when Brian Wilson re-recorded and released it in 2004, becoming one of the most critically-acclaimed albums of that decade.
* [[Vocal Tag Team]]
* [[What Could Have Been]] - ''Smile'', of course, is arguably the greatest What Could Have Been in rock history.
** [http://cabinessence.net/essays/talesalt.html This] [[Alternate Universe Fic]] gives us an idea of what could've happened if ''Smile'' had been released and the band stayed in vogue: a "Battle of the Bands" campaign set up by Capitol Records between The Beach Boys and [[The Beatles]], with joint record store displays, combative television appearances, and the two bands vying for dominance of the charts. ''Yes''.
** [[Pink Floyd|Roger Waters]] was planning to have The Beach Boys sing backup vocals on [[The Wall|"The Show Must Go On"]], but the band declined after learning what the lyrics were about. He ''did'' get Bruce Johnston, though.
*** The other story is that the Boys were okay with it, but Waters cancelled the session for some reason and settled for just Johnston.
Line 213 ⟶ 211:
[[Category:The Beach Boys]]
[[Category:Music]]
[[Category:Surf Rock]]
{{DEFAULTSORT:Beach Boys, The}}