The Beach Boys: Difference between revisions

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In 2012, on the 50th anniversary of the band's first album, ''Surfin' Safari'', the unexpected happened: [http://brianwilson.com/tour/ a full reunion of the surviving Beach Boys], including Mike Love, Brian Wilson, Bruce Johnston, Al Jardine and David Marks (who replaced Jardine for the first few albums, and who reunited with the Love/Johnston touring line up most recently), took place for a 50th Anniversary world tour and the recording of a new studio album, co-produced by Love and a rejuventated Brian Wilson. [[And the Fandom Rejoiced|We'll see how this turns out]].
 
Numerous artists have cited them as a major influence, including [[Animal Collective]], [[The Ramones]], [[Alice Cooper (Music)|Alice Cooper]], [[Elton John (Music)|Elton John]], [[Weezer]], [[The Flaming Lips]], basically the entire indie rock genre, and [[The Beatles]] themselves.
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*Three Dog Night
*[[The Grateful Dead]]
*[[Chicago (Musicband)|Chicago]]
*Jeffrey Foskett
*The Wondermints
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* [[Incredibly Long Note]] - [[Large Ham|Mike Love]] has taken to introducing "Be True to Your School" with one of these at concerts in recent years. Examples [http://www.youtube.com/watch?v=L2qE61E0i7s here].
* [[In Name Only]] - The unit currently calling itself the Beach Boys. Despite being advertised with an out-of-date band photo (including Brian and the deceased Carl), only Mike Love and Bruce Johnston appear from the original group.
* [[Intercourse Withwith You]] - "All I Want To Do". Granted, it ''is'' a [[Sex, Drugs and Rock Andand Roll|Dennis Wilson]] song:
{{quote| ''Well, I don't care where you wanna go''<br />
''Just so you go with me''<br />
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** ''15 Big Ones'', while partially a reference to the number of songs on the album, was also a reference to how many years the band had been together by that point.
** The very first incarnation of what became the ''Sunflower'' album allegedly bore the tongue-in-cheek title of ''The Fading Rock Group Revival.''
* [[Name's the Same|Name's The Same]] - The Beach Boys' Brian Wilson does not close games for the San Francisco Giants, though he did at one point sport a rather scary-looking beard.
** There's a Canadian music critic named Carl Wilson.
* [[Neoclassical Punk Zydeco Rockabilly]] - ''Smile'' defies pigeonholing. Not only does the whole thing sound nothing like any music that came before or after, each individual song sounds wildly different from the one that came before it.
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* [[Saved From Development Hell]] - ''Smile'', after 37 years.
* [[Self-Backing Vocalist]] - Brian Wilson did this on a couple of ''Pet Sounds'' songs ("I'm Waiting for the Day" and "I Just Wasn't Made for These Times"), when the rest of the band wasn't up to par.
* [[Sex, Drugs and Rock Andand Roll]] - Dennis Wilson, full tilt.
* [[Signature Song]] - "Surfin' USA" and "Good Vibrations".
* [[Similarly Named Works]] - "[[Intercourse Withwith You|All I Want To Do]]" vs. "[[Silly Love Songs|All I Wanna Do]]".
* [[Sixth Ranger]]- Bruce Johnston, offically
* [[Sliding Scale of Idealism vs. Cynicism]] - Really, the entire story of Brian Wilson vs. Mike Love can be boiled down to this, as Brian's desire to create moving, spiritual music clashed with Mike's attitude of "don't fuck with the formula". <ref>[[Truth in Television|That's an actual quote.]]</ref>
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* [[The Svengali]] - As detailed above, Eugene Landy, Brian Wilson's therapist from the 70's to the late 90's.
* [[Theremin]] - "Good Vibrations" very famously uses one.
* [[Three Chords and Thethe Truth]] - ''Wild Honey'' reflected a back-to-basics approach after the downfall of ''Smile''. It's been said that ''Wild Honey'' was [[Trope Codifier|one of the first deliberate invocations of this trope by a major band]], before ''[[The Beatles|Let It Be]]'' or ''[[The Rolling Stones|Beggars Banquet]]''.
* [[Throw It In]] - "Here Today" has some background studio chatter that Brian Wilson apparently failed to notice. "Wendy" does, as well.
* [[Vaporware]] - ''Smile'', one of the earliest examples. Which became a [[Crowning Moment of Awesome]] when Brian Wilson re-recorded and released it in 2004, becoming one of the most critically-acclaimed albums of that decade.