The Dulcinea Effect: Difference between revisions

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{{trope}}
{{quote|''"No matter what she's accused of doing or how mysterious her origins are, the hero will always be ready to fight to the death for any girl he met three seconds ago."''|'''Thinking With The Wrong Head ([[Lunar: Eternal Blue|Hiro]] Rule)''', ''[[The Grand List of Console Role Playing Game Cliches]]''}}
|'''Thinking With The Wrong Head ([[Lunar: Eternal Blue|Hiro]] Rule)''', ''[[The Grand List of Console Role Playing Game Cliches]]''}}
 
[['''The Dulcinea Effect]]''' is the strange compulsion many male heroes have to champion, quest for, or even die for, girls they met five minutes ago. Dulcinea is the name [[Don Quixote]] gives to the (blissfully unaware) woman he has made himself [[The Champion]] of, for whom he is willing to risk his life. So much reading of chivalry books left him ''that'' crazy. In the Spanish of the time, Dulcinea means something akin to an overly elegant "sweetness". To this day, to refer to one's "Dulcinea" is to refer to the object of one's hopeless devotion and idealized love.
 
The [[Knight in Shining Armour]] is a frequent victim of the effect. Medieval chivalric romances, indeed, portrayed knights who fell in love with a [[Peerless Love Interest|''princesse lointaine'']] (faraway princess) merely on [[Love Before First Sight|hearing her described]], without even seeing her.
 
[['''The Dulcinea Effect]]''' is often used to either hook a hero into the story or in a particular plot direction. Championing the [[Damsel in Distress]] is often an excuse for the hero to become involved in righting an injustice (or confronting the [[Big Bad]]) when he otherwise might have simply passed by. Sometimes it is a transparent excuse for a protagonist who's prone to [[In Harm's Way]]. Or alternatively, by application of the effect, the [[Damsel in Distress]] becomes the protagonist's [[Love Interest]].
 
This is not to say that the motivation involved is solely (or even partially) out of lust or love. In championing the girl involved, the hero may have no other motivation than acting in support of an ideal, particularly in [[Rose-Tinted Narrative|older examples of this trope.]] (Needless to say, this trope is [[Older Than Print]]). The [[Failure Knight]] may be motivated by a desire to atone.
 
Additionally, heroes under [['''The Dulcinea Effect]]''' in more cynical settings (particularly [[Film Noir]]) tend to fall prey to a [[Wounded Gazelle Gambit]] set up by a ruthless [[Femme Fatale]] or [[The Vamp]], who generally know about this effect and [[Decoy Damsel|take advantage of it in the most evil way possible]].
 
Seldom gets [[Gender Flip]]; after all, [[Men Are the Expendable Gender]].
 
[['''The Dulcinea Effect]]''' is also the main reason that [[Stuffed Into the Fridge|women are put into a fridge]] in order to cause the male character [[Break the Cutie|angst]] and push him to [[It's Personal|drive the plot forward]]. Contrast [[Magnetic Hero]], for a hero's ability to ([[Just for Pun|ahem]]) pull this on followers. [[Chronic Hero Syndrome]] is when the hero does this for any random stranger. If this leads to a highly implausible romance, it's a case of [[Strangled by the Red String]]. See also [[Living MacGuffin]]. Quite possibly related to [[Love Makes You Dumb]].
{{examples}}
 
{{examples}}
== Anime and Manga ==
 
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* In ''[[Black Cat (manga)|Black Cat]]'', Woodney, Train's imposter, imagines [[Cute Bruiser|Eve]] as being a [[Damsel in Distress]] "Senorita" he must protect, and is shown continuing to play the Black Cat role and defend her even at the risk of dying.
* Recca from ''[[Flame of Recca]]'' ''is'' this trope. He's the equivalent of an Anime [[Don Quixote]]. He plays at being a [[Ninja]] (though later he ''does'' become one) and determines, right upon first sight of [[Damsel in Distress|Yanagi]], that he will protect her and follow her every order from now on. He even calls her "Princess," and lets her know that she is now his master.
* In ''[[Deadman Wonderland]]'', Ganta quickly becomes this way with apparent [[Shrinking Violet]] Minatsuki, feeling the need to protect her with his life and break out of Deadman Wonderland together with her. However, it turns out that {{spoiler|Minatsuki is an [[Ax Crazy]] [[Yandere (disambiguation)]] that actually planned and ''counted on'' [[The Dulcinea Effect]] kicking in, and tried to use his protectiveness to injure him and make it easier for her to kill him. To put it in her words: "I'm sorry, but the whole virgin knight thing is fucking disgusting."}}
* Yukiteru "Yukki" Amano from ''[[Mirai Nikki]]'' is shown to act this way towards Tsubaki Kasugano, a [[Princess Classic|beautiful and gentle]] [[Damsel in Distress]] from the Omekata cult, quickly jumping in to save her and escape with her despite having just met her. When given a choice to trust her or his partner Yuno Gasai, he chooses Tsubaki (though you can't blame him, because Yuno ''is'' a psycho [[Yandere (disambiguation)]]). It's not until {{spoiler|she makes it obvious that she's actually a [[Manipulative Bitch]] (mixed with [[Woobie, Destroyer of Worlds]]) that wants to kill him that he decides to go back to teaming up with Yuno}}.
** And in the [[Alternate Universe]] spin-off, ''Mirai Nikki: Paradox'', Akise Aru is shown acting this way towards ''[[Ho Yay|Yukki]]'' himself. Apparently, Akise [[Love At First Sight|falls in love with Yukiteru at first sight]], and decides to take Yukiteru's place as the Diary Holder so he can fight off all the enemies and allow Yukiteru to [[A God Am I|become God]]. All this being decided after ''just'' having met Yukiteru.
* [[Fanon|Largely assumed]] to be behind Kuno's obsession with both Akane and the pigtailed girl in ''[[Ranma ½]]''.
* In ''[[xxxHolic×××HOLiC]]'', Watanuki is this all the way - as long as it's a pretty girl in trouble, he's willing to risk his life to help her, even if they just met. In one case, he was shown to even be willing to continue meeting a lady, despite knowing that doing so was slowly killing him, because "she's lonely." (Granted, the lady reminded him of a mother figure he lacked, but ''still'', they had just met and only talked a little.)
** Note that Watanuki has very little sense of self-worth; he will gladly sacrifice himself for another because he doesn't value himself, at least in the beginning of the manga. He somewhat [[Character Development|grows out of it]].
** It's actually [[Deconstructed Trope|a deconstruction]] because ''everyone'' gets majorly pissed at him for this [[What the Hell, Hero?|and calls him out]]. It shows he places no worth on his own existence or how he himself affects the lives of others, which brings him great damage. Example: sacrifices an eye to help Doumeki - even though he did ''not'' want help - before investigating his other options.
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* ''[[Slayers]]'', as with so many others, lampshades this. When Gourry first meets Lina, he proclaims it is his duty as a knight to escort and protect Lina, despite knowing nothing about her (largely in part to his own lack of awareness).
* ''[[Tengen Toppa Gurren Lagann]]''. During their first meeting, Simon was prepared to fight a [[Humongous Mecha]] ''on foot'' since his Lagann was out of commission, just so Nia could get away. Though he was currently near-suicidally depressed due to {{spoiler|Kamina's death}} in the previous episode.
* Touma in ''[[ToA AruCertain Majutsu noMagical Index]]'' succumbs to [[The Dulcinea Effect]] throughout the series. This is even [[Lampshade Hanging|discussed]] at one point by his [[Harem]], who is mostly made up of girls he's rescued earlier.
* Edo Phoenix in ''[[Yu-Gi-Oh! GX]]'' himself is slightly confused {{spoiler|when he decides to have a duel to the death with Amon Garam over a woman he doesn't much care about and only talked to once before this}} because [[Wrong Genre Savvy|he doesn't realize]] he's the [[Anti-Hero]] in a [[Deconstructor Fleet]] that's made a point of demonstrating the absurdity and danger of myriad shonen and [[Superhero]] tropes.
* In ''[[King of Thorn]]'', it's revealed that all the survivors (except Kasumi) were {{spoiler|implanted with "keys" in their minds - and one of the "keys" was to "protect a weak Japanese woman with your life." Meaning that ''all'' the survivors were under [[The Dulcinea Effect]], having the idea ingrained in them that they must irrationally protect Kasumi with their lives, even if they had never met her before}}.
* Koyomi Araragi of ''[[Bakemonogatari]]'' suffers from this, even going so far as to risk his life to save a girl he barely knows when the sole reason she is in trouble in the first place is that she subconsciously wants to ''kill him.''
** That's the point of the show and that's what girls love him for.
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* ''[[Durarara!!]]'' has Mikado being compelled to save Anri from the delinquents harassing her.
** [[Chivalrous Pervert|Chikage]] takes this trope to its logical extreme by being willing to risk his life for quite literally any girl ever.
** Mikado also saves Mika from Celty, no questions asked--untilasked—until later.
* In [[Gundam]]'s Universal Century, one of the [[Psychic Powers]] associated with [[Telepathic Spacemen|Newtypes]] is the ability to rapidly establish deep emotional connections with others of their kind. Whilst most Newtypes are pretty sane about this (due to their powers manifesting once they had the emotional maturity to handle that sort of thing), Banagher Links of [[Mobile Suit Gundam Unicorn]] first manifested his powers when he was a young child, meaning that they're a far more integral part of his personality. Then the Industrial 7 incident happens whilst he's marinating in teenage hormones, and he suddenly finds himself up to his ears in pretty young Newtype girls with intriguingly tragic backstories. [[Power Incontinence|The results are entirely predictable.]]
* Gender flipped, inverted, subverted and deconstructed to hell and back in ''[[Revolutionary Girl Utena]]''. Arguably, screwing with this trope might be the entire point of the story.
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== Comic Books ==
* Most of the [[Anti-Hero|antiheroes]] of ''[[Sin City]]'' are afflicted with this trope to some degree. Marv goes on a [[Roaring Rampage of Revenge]] for a woman he spent only one night with in the original graphic novel. Wallace from "Hell and Back" goes through hell and high water to rescue a woman whom he saved from suicide at the start of the story, and Hartigan from "That Yellow Bastard" goes through even worse hell for the sake of a little girl who grows up to be one of Sin City's best known strippers. Dwight McCarthy would also qualify -- thequalify—the woman in question is someone who burned him in the past, but when it turns out she's in danger, Dwight rushes in to save her. {{spoiler|But true to the series' [[Film Noir]] roots, it all turns out to be a lie, a ruthless [[Wounded Gazelle Gambit]] on the part of Ava to get Dwight to murder her husband so that she can get his hands on all his money}}. It's worth noting that several characters compare themselves to knights, with Dwight being Lancelot, and Hartigan "charging in like Galahad."
** In Hartigan's case, it's more the fact that this is all [[Unfinished Business]], and until he meets her, it doesn't truly occur to him that's shes no longer a child. Hartigan was more in it to protect the innocent. It just so happen that the innocent was a girl. Dwight's adderance to this trope is lampshaded by his lover Gail.
** Dwight himself lampshades this weakness in "The Babe Wore Red", when he first finds the titular babe and thinks "One look at her and I know I'm in trouble deep." He, of course, risks his life once more to save this woman.
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** That's not the ''only'' thing he [[Double Entendre|full-fills]] in the course of doing so...
*** Or the only thing he acts under...
* This trope is played straight and subverted in ''[[The Mask (film)|The Mask]]'' -- although—although given the relevant mask is acting to amplify the impulses of the protagonist, it's probably not idealism driving him.
* ''[[Excalibur (film)|Excalibur]]'': Queen Guinevere stands accused by Sir Gawain of treason by adultery, and was to have Sir Lancelot champion her in trial by combat. Sir Lancelot is late to the field and [[King Arthur]] is dismayed when no other individual is willing to champion Guinevere -- exceptGuinevere—except for the newly-arrived, unarmored, untrained apprentice Perceval, who asks to champion Guinevere and is knighted by King Arthur for that purpose. He then readies himself to charge a fully-armored, battle-hardened Sir Gawain when (fortunately) Lancelot shows up to prevent it from happening.
** [[Justified Trope]], perhaps, in that Lancelot was accused of being Guinevere's lover and Perceval was (trying to be) his squire and eventually a knight; he would be unworthy if he just sat there while his would-be boss was condemned.
* [[Lampshade Hanging|Lampshaded]] in ''[[Constantine]]'':
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* ''[[Inglourious Basterds]]'': Zoller's pursuit of Shoshanna. Leads to [[Stalking Is Love]].
** He mentions that he's been to her cinema many times, presumably over a long period of time. He's obviously been watching her for a long time.
* Parodied (as one might expect) in ''[[Monty Python and the Holy Grail]]'': [[John Cleese]]'s Sir Lancelot receives a desperate message from someone he believes to be a wrongfully imprisoned girl, and he immediately sets out to free the prisoner. Sprinting (several times) across open fields, he singlehandedly assaults and slaughters half the inhabitants of a local castle in the rescue effort, operating under the influence of [[The Dulcinea Effect]]. However, the Effect is instantly overcome by the revelation that [[Dude Looks Like a Lady|the girl is, in fact, a guy]]. A pathetically effeminate guy, but a guy nonetheless.
** In ''[[Spamalot]]'', the same thing happens... only it winds up that Herbert becomes Lancelot's love interest anyway.
* Daniel Jackson in ''[[Stargate (film)|Stargate]]''. Of course, he had just ended up in an [[Accidental Marriage]] with her.
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* [[Sharpe]] is very vulnerable to this. Especially in the books where he has it going with several women simultaneously.
* In ''[[Inheritance Cycle|Eragon]]'' the hero is only too ready to give his life saving a girl he met moments ago, who's spent the entire time he's known her in a coma. All he had to work with was a dream of a beautiful woman behind held in a dungeon.
* In William King's ''[[Warhammer 4000040,000]]'' [[Space Wolf]] novel ''Wolfblade'', Torin warns Ragnar that the conversation he overheard may have been to induce him to assassinate a lord to protect a young woman -- andwoman—and that the woman may have been part to such a plot.
* ''[[The Little Mermaid]]'' gives this trope a genderflip. In the original story (like most [[Hans Christian Andersen]] stories), it ends badly.
* Ludmilla of Italo Calvino's ''[[If on a winter's night a traveler]]'' has this on [[Audience Surrogate|you]], Silas Flannery, and Ermes Marana. It's also a running theme in the various [[Show Within a Show|novels]].
* [[Edgar Rice Burroughs]]'s heroes have this, bad. In ''[[John Carter of Mars|The Gods of Mars]]'', John Carter starts a [[Gladiator Revolt]] at the sight of women being thrown to monsters -- andmonsters—and most of the gladiators follow him. In ''Thuvia, Maid of Mars'', hearing a woman scream draws Carthoris from his sabotaged air ship.
* Played straight in ''[[The Faerie Queene]]''. Repeatedly. Redcrosse utterly fails at it, at first, but it's his first mission -- onemission—one doesn't become a [[Knight in Shining Armor]] over night. The [[Sweet Polly Oliver]] Britomart demonstrates this for her fiancé, too.
* Ruthlessly attacked in ''Orlando Furioso'', which was a big influence on Cervantes. Sacripant is in love with Angelica and will do whatever he needs to protect her, and she's self-interestedly using him for protection and unwilling to consider his romantic advances because he's an Arab (although she eventually learns her lesson when he converts to Christianity for her). Orlando himself, who is even more devoted to her, goes all [[Unstoppable Rage|ORLANDO SMASH!]] when he finds out that he can't have her and that she's not perfect.
* ''Amadis of Gaul''.
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* In ''[[Heroes (TV series)|Heroes]]'', Peter Petrelli often fulfils this trope, given his quest to prevent a viral apocalypse in the second season is really more about saving the life of a girl he knew only briefly.
** And then... forgot about? Where did she go, exactly? Really, if you're going to rescue your love interest ''du jour'', don't {{spoiler|leave her in the future and then change the timeline so that future never happened.}}
** And Matt Parkman risks his lifelife—several -- several times -- totimes—to save a supervillainess he just met yesterday, all because he had a psychic vision of them being married in the future. Not to mention that he later gets [[Strangled by the Red String]].
** You may be forgiven for thinking that "Hiro Rule" in the page quote refers to Hiro Nakamura. He goes through an awful lot of effort for Charlie, whom he hadn't known for a very long time. Then again, this is pretty in character, given that [[Genre Savvy|he seems to view life as a comic book]].
*** Also in his case, it may be more a case of simply wanting to save her, because he wants to save EVERYONE (it's what heroes do, after all), and it's only in the process of trying to save her that she becomes more than just another innocent civilian that needs saving. While the Dulcinea Effect is basically falling in love (lust) and then helping, in Hiro's case, he was helping and then fell in love. He followed much the same pattern with Yaeko as well.
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* Somewhere on [[Ys|Adol Christin's]] job description is "Risk own life for women you just met, regardless of whether they're the same species as you".
** Granted, most of those women save his life in the first place because he is almost always shipwrecked at the start of games. Adol's job description also says "After saving those women and making them swoon all over for you, leave for another adventure."
* While [[Disgaea 2: Cursed Memories|Adell]]'s initial promise to protect and return Rozalin to her father probably doesn't raise any eyebrows at first (he's borderline [[Lawful Stupid]], and clearly feels a bit responsible for her [[Fallen Princess]] predicament), [[The Dulcinea Effect]] becomes apparent when he [[Honor Before Reason|insists on keeping it in even the most suicidal circumstances]]. And he doesn't even ''like'' [[Does Not Like Men|girls]].
** In ''[[Disgaea 3: Absence of Justice]]'', Almaz decides that the best way to impress a girl he likes is to descend into hell on a nigh-suicidal mission to defeat the Overlord -- forOverlord—for a girl that {{spoiler|at least as far as he knows}} ''isn't even aware of his existence''. Mao finds this all rather very silly.
* ''[[Baldur's Gate]]'' allows a justification of the trope, where you find a drow woman being pursued by a member of the Flaming Fist (a mercenary company that acts as law and order for the region). He says she is accused of murder, and he's going to kill her...without the messiness of a trial or any of that. Because she's a drow. {{spoiler|She is [[Neutral Evil|evil]] and may well be guilty, but your character can protest that the law should be obeyed. The mercenary comes after you for it, and you get to fight him (with, oddly enough, no loss of reputation, as would happen if you killed almost any other Flaming Fist soldier in the game).}}
** {{spoiler|You do, however, lose 2 reputation points if you let her join your party.}}
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* Locke in ''[[Final Fantasy VI]]'' is very quick to pledge his unfaltering protection to Terra and later Celes, two complete strangers who had once worked for the Empire. The reason for this is tragic. {{spoiler|He lost the love of his life, Rachel, in an Imperial attack that he wasn't there to protect her from. Terra's amnesia hits especially close because Rachel contracted amnesia as the result of a trip he took her on. Rachel's amnesia and death are his [[Failure Knight|greatest failures]], and so he vows to protect Terra and Celes because he refuses to fail another woman like he did Rachel.}}
* Fox and Krystal in ''[[Star Fox Adventures]]''. Fox gets a few psychic message things from her and sees her suspended in the Krazoa Palace and he's more than willing to do everything he can and risk his life to save her.
** Considering the vixen's [[A Fighter Not a StripperStripperiffic|outfit (or lack thereof)]] AND the lack of female characters in the Starfox team, he probably wasn't [[If You Know What I Mean|thinking with his brain]] during that scene.
* Mario from ''[[Super Mario Bros.]]'' (and to an extent Luigi and Yoshi and any other heroic characters in the series) saves nigh on everyone. It's not just that's he never before met most of the people he saves (even Peach to a degree in the original ''[[Super Mario Bros. (video game)|Super Mario Bros]].'')... it's that he's only ever heard of them through a letter telling about the troubles in said kingdom from Peach. The Kings in ''[[Super Mario Bros 3]]'', Princess Daisy in ''[[Super Mario Land]]'', the Jewelry Land royal family in ''Yoshi's Safari'', the entire multiverse in ''[[Super Paper Mario]]'' (yes, it asks whether you want to save the universe) and pretty much everyone else who's remotely good in the series, including solving the personal problems of entire towns.
* Leonard in ''[[White Knight Chronicles]]''. He had only met the princess, Cisna, once before, when they were kids (and she wasn't even interested in him, but in [[Distracted By the Shiny|the butterfly on his head]]), but, of course, [[Strangled by the Red String|he falls in love with her the moment he sees her again (and she with him)]] and is willing to rush off and confront a hostile nation searching for destructive lost technology after they kidnap her (dragging his [[Unlucky Childhood Friend]] and your [[Heroic Mime]] avatar with him).
* Played straight but with an added [[Gender Flip]] in ''[[The Force Unleashed]] II''. Starkiller and Juno did spend quite a bit of time together in the first game but their mild flirtations never seemed all that serious and were closer to crush status than actual love. Then in the next game, without having spent any more additional time with each other, both characters are pretty much throwing themselves in front of buses to try and save the other --Starkillerother—Starkiller more than Juno but she does some crazy shit too ({{spoiler|like trying to stab Darth Vader with a lightsaber!}}.
* Leonhardt in ''[[Agarest Senki]]'' plays this so straight, the first time he does this, ''he gets killed'' (curiously, the first time he did this, the girl in question is not a [[Love Interest]] seeing as she's just twelve years old). He recovered, though, and does this trope again to two women.
* A childish innocence is the driving force in [[Ico]]: Ico and Yorda are kids. The game's [[Minimalism]] leaves a lot [[Alternate Character Interpretation|open to interpretation]], but Ico clearly cares for Yorda, who implicitly trusts Ico with her life. It helps avoid any cliche by the fact that the game is [[Crowning Moment of Awesome|so well done]] that [[Video Game Caring Potential|the player comes to love]] both Yorda and Ico as much as they love each other.
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== WebcomicsWeb Comics / Web Original ==
* In ''[[Gnoph]]'', Abbey and Will are traveling through a forest when they come across a soldier pursuing a young woman. Abbey is not at all surprised that Will decides to intervene on the woman's behalf, and pointedly refuses to help him in the ensuing fight. {{spoiler|In a subversion, the soldier ends up joining the heroes, while the woman is never seen again.}}
* Fred from ''[[Molten Blade]]'' seems perfectly willing to drop everything and break into a government facility on behalf of a girl whom he'd known for less than a day, on the word of Chris, another person who was a total stranger to him twenty-four hours earlier.
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'''Coal''': ''Because. . . she was calling for help. She wanted to live.'' }}
* Gil from ''[[Girl Genius]]'' is an interesting case. First time we met him, he jumped on Agatha to save her from an explosion. Later, he is revealed to have rescued Zola many times in Paris. But Gil has absolutely no romantic interest in Zola.
* Gender-flipped with Jaune Arc in ''[[RWBY]]''—several of the (much more skilled) girls around him advise him and/or take him under their wing when he arrives at Beacon Academy.
 
 
== Real Life ==
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[[Category:Double Standard]]
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[[Category{{DEFAULTSORT:The Dulcinea Effect]], The}}
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[[Category:Love Is a Crapshoot]]