Three Colors Trilogy: Difference between revisions

Content added Content deleted
(Spelling grammar)
No edit summary
Line 1: Line 1:
{{work}}
{{work}}
[[File:Trilogy_dvdcover_high_8053.jpg|frame]]
[[File:Trilogy_dvdcover_high_8053.jpg|thumb|232px|[[The Criterion Collection]] doesn't exist, apparently.]]


Critically-acclaimed trilogy of French/Polish drama films directed by Krzysztof Kieślowski (also the director of ''[[Blind Chance]]'' and ''[[The Double Life of Veronique]]''), and released in relatively close proximity to each other in 1993 - 1994.
A critically-acclaimed trilogy of French/Polish drama films directed by Krzysztof Kieślowski (also the director of ''[[Blind Chance]]'' and ''[[The Double Life of Veronique]]''), and released in relatively close proximity to each other in 1993 - 1994.


They are named after the three colors in the French flag; blue, white and red, and each has a corresponding color motif. They are each loosely based on one of the three French revolutionary principles of liberty, equality and fraternity. The trilogy are also interpreted respectively as an anti-tragedy, an anti-comedy, and an anti-romance.
They are named after the three colors in the French flag; blue, white and red, and each has a corresponding color motif. They are each loosely based on one of the three French revolutionary principles of liberty, equality and fraternity. The trilogy are also interpreted respectively as an anti-tragedy, an anti-comedy, and an anti-romance.
Line 12: Line 12:
'''''Trzy kolory. Czerwony''''' (English: '''''Three Colors: Red''''', French: '''''Trois Couleurs: Rouge''''') (1994): Based on the principle of fraternity. College student and part-time model Valentine Dusot (Irene Jacob) runs over the dog of retired judge Joseph Kern (Jean-Louis Trintignant), who spends his days eavesdropping on neighbors' phone calls. The two end up becoming friends.
'''''Trzy kolory. Czerwony''''' (English: '''''Three Colors: Red''''', French: '''''Trois Couleurs: Rouge''''') (1994): Based on the principle of fraternity. College student and part-time model Valentine Dusot (Irene Jacob) runs over the dog of retired judge Joseph Kern (Jean-Louis Trintignant), who spends his days eavesdropping on neighbors' phone calls. The two end up becoming friends.


{{tropelist|Tropes used in the ''Three Colors Trilogy'' include:}}
----
=== ''Blue'' provides examples of: ===
=== ''Blue'' ===


* [[Babies Ever After]]: An example with a curious twist, {{spoiler|since the pregnant woman is the mistress of Patrice}}.
* [[Babies Ever After]]: An example with a curious twist, {{spoiler|since the pregnant woman is the mistress of Patrice}}.
Line 25: Line 25:
* [[What Do You Mean It's Not Awesome?]]: Julie performs a lot of simple actions with bombastic as background.
* [[What Do You Mean It's Not Awesome?]]: Julie performs a lot of simple actions with bombastic as background.


=== ''White'' provides examples of: ===
=== ''White'' ===


* [[Batman Gambit]]: Karol’s plan to take revenge against Dominique.
* [[Batman Gambit]]: Karol’s plan to take revenge against Dominique.
Line 37: Line 37:
* [[Why We're Bummed Communism Fell]]
* [[Why We're Bummed Communism Fell]]


=== ''Red'' provides examples of: ===
=== ''Red'' ===


* [[Crazy Jealous Guy]]: Valentine’s boyfriend. He’s not that crazy to commit a crime, but is very jealous.
* [[Crazy Jealous Guy]]: Valentine’s boyfriend. He’s not that crazy to commit a crime, but is very jealous.
Line 45: Line 45:
* [[Sliding Scale of Cynicism Versus Idealism]]: Valentine’s idealism vs Joseph’s cynicism. He ends up moving across the scale at the end, though.
* [[Sliding Scale of Cynicism Versus Idealism]]: Valentine’s idealism vs Joseph’s cynicism. He ends up moving across the scale at the end, though.


=== The trilogy as a whole provides examples of: ===
=== The trilogy as a whole ===


* [[Continuity Nod]]: There are little details telling us the films are part of a same work, like characters from one movie making very brief cameos into another or old people recycling glass.
* [[Continuity Nod]]: There are little details telling us the films are part of a same work, like characters from one movie making very brief cameos into another or old people recycling glass.