Vagrant Story/YMMV: Difference between revisions
no edit summary
(clean up) |
No edit summary |
||
| (10 intermediate revisions by 3 users not shown) | |||
Line 1:
{{work}}
* [[Broken Base]]: The visuals, storyline, atmosphere and music of the game are widely praised, but opinions on its gameplay are mixed due to its incredible complexity. Some people find the gameplay systems to be difficult to learn but incredibly rewarding, others think they game is just overly complex and the combat too reliant on timing with the arts, leaving them unable to enjoy the game's other strengths.
* [[Complete Monster]]: Romeo Guildenstern at first seems to be a deeply pious and righteous man, but as the game goes on, he is revealed as a ruthless, power hungry would-be tyrant who is a servant of darkness. The Foreshadowing begins when he slaps his lover hard enough to draw blood from her after a psychic link is in her head, and proceeds to display no concern for her after. He later murders her, a woman who genuinely loved him, as his sacrifice to the Dark. Once this is done, Guildenstern takes the power of the forbidden city, Lea Monde, intending to establish a bloody dictatorship as the world's eternal tyrant. Charismatic, calculating and utterly ruthless, Guildenstern is one of the greatest villains in Ivalice's history.
* [[Crowning Music of Awesome]]: The ending theme.
** And the opening!
** And the Undercity West theme. It's seriously creepy.
** The Limestone Quarry is badass too, and The Atrium is just plain tearjerkingly sad.
** The Prologue theme "Climax of the Greyland Case", "Large Chapel", and "Ifrit".
** Aw hell, the whole thing is a Crowning Soundtrack of Awesome. All the tracks are perfectly engineered to rouse the appropriate responses from your heartstrings. The panic and speed of the battle themes, the unease and haunting melancholy of each dungeon area and most importantly the way all the unique scene-specific pieces capture and enhance the feeling of that moment for you to live over again.
Line 10 ⟶ 11:
** Whether or not she's 'evil' depends on how much of the Iocan church information on her you take as truth. Which, given the nature of the game...
* [[Game Breaker]]: Absorb Damage. Absorb Magic. Raging Ache. Have fun. Want proof? [http://speeddemosarchive.com/VagrantStory.html Here]'s a guy finishing the game in under two hours.
* [[Goddamned Bats]]: Aside from actual bats (which are easy to dispatch), the Imp and Gargoyle enemies are horrendously difficult to hit with anything but crossbows, wield high-level magic, and are tiny and fast.
* [[Ho Yay]]: Pick a pairing. ''Pick a pairing''. The evidence is there for it.
** Guildenstern refers to Rosencrantz as a 'harlot', which - of all the insults he could have chosen, why that one? {{spoiler|Unless Romeo's aware that Jan's a quintuple agent of some sort, which is unlikely}}, you have to wonder.
* [[Magnificent Bastard]]: Sydney {{spoiler|although he could not prevent Guildenstern from taking the power of Lea Monde at the end.}}▼
*** There is an archaic meaning of "harlot", however, which might apply: a low-born, churlish man. Even so....
** Just for the record, Ashley goes through the entire game in [[Stripperiffic|high-cut briefs and assless chaps.]]
** The [[Ho Yay]] is so omnipresent in this game that some fans [[Wild Mass Guessing|theorize]] Callo was only included to make it seem less homoerotic.
▲* [[Magnificent Bastard]]: Sydney {{spoiler|although he could not prevent Guildenstern from taking the power of Lea Monde at the end
* [[Narm]]: Probably fully, completely intentional, but a crafty player can discover that the name of Rosencrantz's sword is Pussyfoot. ''Pussyfoot!'' Given Ashley's Fandango, one has to wonder whether there's some Riskbreaker 'dorkiest swordname ever' tradition.
* [[Rescued
** And then there's that bit where you're traversing a maze. Full of traps and [[Goddamn Bats]]. In the dark. With a time limit before the exit closes. Which results in being warped back to the starting point with several tough enemies spawning around Ashley that all require different tactics. And several of the rooms in the maze are trapped. ''Heavily''. And the boss at the end of the maze is hard, and isn't even the ''very'' end of it. And you'll need to go through it twice or thrice for [[One Hundred Percent Completion]].
▲* [[Rescued From the Scrappy Heap|Rescued From The]] [[Scrappy Mechanic]] [[Rescued From the Scrappy Heap|Heap]]: Much of the game's atmosphere and mechanics originated in the RPG segment of ''[[Ehrgeiz]]'', which was truly terrible. ''[[Vagrant Story]]'' makes something ''gorgeous'' out of them.
▲* [[Scrappy Level]]: Did ''anyone'' enjoy the Snowfly Forest?
▲** And then there's that bit where you're traversing a maze. Full of traps and [[Goddamn Bats]]. In the dark. With a time limit before the exit closes. Which results in being warped back to the starting point with several tough enemies spawning around Ashley that all require different tactics. And several of the rooms in the maze are trapped. ''Heavily''. And the boss at the end of the maze is hard, and isn't even the ''very'' end of it. And you'll need to go through it twice or thrice for [[One Hundred Percent Completion]].
* [[Scrappy Mechanic]]: The Risk meter. As you attack and perform combos, your Risk increases. The higher it goes, the lower your accuracy, and the more damage you take from enemy attacks. Fights against later game enemies tend to send the Risk meter skyrocketing, and at 100 Risk even the slightest attack can one-shot you. There are items to lower your Risk, but it's still the game punishing you for doing too well.
** On the plus side, you also recover more health with healing abilities/items when you have a higher Risk.
** On the plusser side, a risk of 100 can set off a chain in which each consecutive chain attack does damage according to the ''number'' of chains you're, er, chaining. If you hit 20 times in a row with 100 risk, you do 20 damage, then 21, then 22, then 23... in a game where doing even 5 damage to a boss is an achievement, this comes in ''really'' handy at times.
** The entire game is about managing risks. Take the RISK to lower your accuracy, but heal faster and crit bigger? Take the risk to cast from HP and use Break Arts to exploit an enemy's elemental weakness better? If it's a [[Scrappy Mechanic]] to some players, that's probably because they're taking bigger risks than they're comfortable with.
*** It lends a certain poetry to the name "Riskbreaker", doesn't it? Running around with high Risk, or regularly chaining enough to get to Risk 100, will get you titles like "Berserker" and "Daredevil", often to the exclusion of all others. In many cases, it's worth it to ''start'' an attack with 100 Risk because you'll actually do more damage with the chain attacks (Raging Ache and Crimson Pain in particular) than you would have if the initial strike had hit in the first place... of course, that does leave Ashley extremely vulnerable, and it's not to everyone's taste.
** And... let's just say you'd better hope you enjoy block puzzles. Fortunately, you can set it in options that you only have to complete each puzzle once; otherwise, you will have to redo them to a timer each time you enter the room from the same door.
** The freaking item management system. Not so much how it works (even if it's based a bit too much on luck), but how it ''has its own save file''. Workshops are an utter pain in the ass to utilize due to how much saving and loading the game has to do.
* [[Squick]]: One of the most horrifying scenes in any RPG, even if the worst part takes place off camera: after capturing Sydney in the Temple of Kiltia, Guildenstern {{spoiler|strips the skin off of Sydney's back to get the Rood Inverse tattoo, the key to the Dark power, and wears it on his ''own'' back}}.
* [[They Wasted a Perfectly Good Plot]]: Grissom's [[Came Back Wrong]] storyline is tragic and full of narrative potential. And lasts all of two scenes.▼
* [[That One Boss]]: The final boss, for starters. All but a very few of your abilities will deal absolutely pitiful amounts of damage to him, and finding the ones that ''will'' work is very much a matter of [[Guide Dang It]].
▲* [[They Wasted a Perfectly Good Plot]]: Grissom's [[Came Back Wrong]] storyline is tragic and full of narrative potential. And lasts all of two scenes.
* [[Visual Effects of Awesome]]: This was one of the last games ever made for the Playstation, and is clearly one of the best-looking. It's aged remarkably well, too.
* [[Woolseyism]]: ''Vagrant Story'' is good evidence that this trope should be named after Alexander O. Smith, in whose capable hands the fairly mundane original script was turned into some of the best quasi-Shakespearean of our time. Oddly appropriate both to the setting as well as the overall mood of the game, the localization is pretty much touted as one of the best ever. It's true!
{{reflist}}
[[Category:Vagrant Story]]▼
[[Category:YMMV]]
| |||