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[[File:streetcar2.jpg|frame|Blanche disapproves of Stanley's manly shirt sweat.]]
{{quote|''"In 1947, when [[Marlon Brando]] appeared on stage in a torn, sweaty T-shirt, there was an earthquake; and the male as sex object is still at our culture's center stage. In the age of Calvin Klein steaming hunks, it must be hard for'' [kids today] ''to realize that there was ever a time when a man was nothing but [[Standard Fifties Father|a suit of clothes, a shirt and tie, shined leather shoes, and a gray, felt hat]]."'' |'''[[Gore Vidal]]'''}}
[[Tennessee Williams]]'s ''[[A Streetcar Named Desire]]'' is a 1947 play about a hundred different things. Reality vs. the imaginary, the old America vs. the new, insanity, abuse, violence, appearances and purity. Most people are familiar with the 1951 movie staring Vivien Leigh, [[Marlon Brando]], and Kim Hunter, which was of course Oscar-tacular.<ref> Although the best remembered performance - Marlon Brando as Stanley Kowalski - was passed over on Oscar night in
The plot revolves around Blanche DuBois - a beauty in her youth who has now begun to fade - coming to stay with her pregnant sister Stella in New Orleans. Blanche has lost the women's ancestral home, Belle Reve, due to the financial strain of caring for their dying relatives, and has quit her job as a school teacher due to her nerves. Blanche meets Stella's husband Stanley and the two develop an almost instant disliking. Blanche finds Stanley vulgar and common, while Stanley hates Blanche's continual snobbery, despite the fact she is now just as poor as them. He is also suspicious of his sister-in-law, thinking that Blanche may have cheated Stella out of her share of the inheritance.
Throughout the play we start getting glimpses that Blanche ''is'' hiding something.
The 1951 movie version of ''A Streetcar Named Desire'' was added to the [[National Film Registry]] in 1999.
* [[All Girls Want Bad Boys]]: Stella, {{spoiler|to the point where she denies Stan's rape ever happening.}}▼
{{tropelist}}
* [[Author Appeal]]: An entire paragraph devoted to Stanley's handsome looks, great physique and animalistic drive? Tick. Young gay man struggling with his sexual identity in a repressive society that maligned any sign of cultural or sexual diversity to the point where it was taboo? Tick. {{spoiler|Young woman with mental illness issues who finally had to go to a mental institution? Tick.}} So we've got wish fulfillment, personal projection, {{spoiler|and taking inspiration direct from your own sister's mental problems.}} Yep, it's a Tennessee Williams play alright.▼
▲* [[All Girls Want Bad Boys]]: Stella,
* [[Bait the Dog]]: Stanley is not only charismatic, but the way Blanche looks down on him makes him easy to sympathize with (at least at first), especially given how nasty Blanche can be. ▼
▲* [[Author Appeal]]: An entire paragraph devoted to Stanley's handsome looks, great physique and animalistic drive? Tick. Young gay man struggling with his sexual identity in a repressive society that maligned any sign of cultural or sexual diversity to the point where it was taboo? Tick.
▲* [[Bait the Dog]]: Stanley is not only charismatic, but the way Blanche looks down on him makes him easy to sympathize with (at least at first), especially given how nasty Blanche can be.
* [[Better Than It Sounds/Film]] and [[Better Than It Sounds
▲* [[Better Than It Sounds/Film]] and [[Better Than It Sounds Theatre]]: The notion of a film/play about a crazy woman who goes to live with her sister and brother in law doesn't sound well on paper but works in execution.
* [[Big Word Shout]]: Guess which one.
* [[Break the Haughty]]: Blanche. After the penultimate scene, you can't help but see her as [[The Woobie]]. In fact, the whole point of the play is that Breaking The Haughty is ''not'' justice.
▲* [[Break the Cutie]]: Despite her many flaws, Blanche has had a rough time.
* [[Christmas Cake]]: Blanche is terrified of being this.
* [[Cloudcuckoolander]]: Blanche. She prefers the world of her own creation, where she still is a chaste lady of refinement and she still can win the favors of men like Shep Huntleigh (whom we never meet
* [[
** Also of note is the men's poker game, which Williams emphasizes should be lit in raw, primary colors. And there are big ripe watermelon slices on the table.
** Another example is Williams' direction for Stella's kimono in the Act 4, Scene 1 - it should be bright blue, a departure from her usual color scheme. This is just after ''[[Everybody Knows That|that]]'' scene, which implies that Stanley and Stella have just had sex.
* [[Deconstruction]]: Williams' play scrutinized gender and class roles in the emerging postwar America.
* [[Dissonant Serenity]]: Blanche heads to the asylum as if for a coronation. Reportedly, this was [[Throw It In|a last-minute change]] during rehearsal.
* [[Dream Melody]]: The Varsouviana.▼
* [[Domestic Abuse]]: Stella explains away everything.
* [[Downer Ending]]
▲* [[Dream Melody]]: The Varsouviana.
* [[Eating the Eye Candy]]: Blanche when she first meets Stanley. She even stops talking mid-
* [[Elves Versus Dwarves]]: The delicate, cultured, and slightly arrogant residents of Belle Reve versus the gritty, rude, and down-to-earth residents of New Orleans.
* [[Environmental Symbolism]]
* [[Ephebophile]]: {{spoiler|Blanche. This is why she was fired
* [[
* [[Mr. Fanservice]]: Marlon Brando.▼
* [[Foreshadowing]]: In a way. Blanche
** How much so? Brando caused tee shirt sales to spike astronomically.▼
▲* [[Foreshadowing]]: In a way. Blanche {{spoiler|kissing the paperboy and}} drinking is foreshadowing [[The Reveal|revelations]] about her past.
* [[Freak-Out]]: The permanent kind.
* [[The Ghost]]: Shep.
* [[Grievous Bottley Harm]]:
* [[Heroic BSOD]]: Literally! The lighting changes, the music swells,
* [[Hooker with a Heart of Gold]]: Blanche, though the play and movie subvert it by having Blanche compare her time as a hooker to being a tarantula, preying on the flesh of men.
* [[Hot for Student]]: {{spoiler|Blanche, in the backstory. He reminded her of Allen.}}▼
▲* [[Hooker with a Heart of Gold]]: Blanche, though the play and movie subvert it by having Blanche compare her time as a hooker to being a tarantula, preying on the flesh of men.
** She was being sarcastic, because she was angry at Mitch.
* [[In Love with Your Carnage]]: The reason Stella doesn't leave Stanley, though violence toward other people crosses the line for her.
* [[Interplay of Sex and Violence]]: Stella and Stanley's relationship.▼
* [[Insistent Terminology]]: Stanley, in general, doesn't mind it when Blanche insults him because of his ethnicity; he ''does'' get irritated when she calls him a Polack, and he insists that she should call him a Pole instead.
▲* [[Interplay of Sex and Violence]]: Stella and Stanley's relationship.
* [[Jerkass]]: Stanley fits the bill.
** He's definitely worse than a Jerkass by the end of the play, but at the same time he's not ''quite'' a [[Complete Monster]] either...
*** [[Jerk with a Heart of Jerk]], more likely. A bit of [[Fridge Horror]] always sets in when you think about how Stella's life would continue with him. Good luck to the child of that marriage.
* [[Jerkass Woobie]]: YMMV, but Blanche. She's very harsh towards Stanley (who she sees as a
** Also overlaps with [[Jerk with a Heart of Gold]].
* [[Karma Houdini]]:
* [[Leitmotif]]: Blanche is represented by a
** Interestingly, the Varsouviana actually plays ''in Blanche's head'' during those scenes.
* [[Meaningful Name]]: Blanche DuBois means "white woods" in French -- a dreamlike and old-world scene. Belle Reve is French, too -- for "beautiful dream." Also, Blanche's closeted husband was named Allen Grey. [[The Picture of Dorian Gray|Remind you of anyone?]]
** Or rather "white ''of the'' woods". Also,
* [[Momma's Boy]]: Mitch.
* [[Mood Lighting]]: All of Blanche's borderline crazy moments have blue lighting.
** This is used extensively in the
▲* [[Mr. Fanservice]]: Marlon Brando.
* {{spoiler|[[Rape Discretion Shot]]: The last scene we see of Blanche before her complete nervous breakdown and regression is Stanley hitting her and dragging her into the bedroom.}}▼
* {{spoiler|[[Rape as Drama]]: The climax of the film/play revolves around Blanche going insane after being raped and Stella's decision to exile Blanche to a mental institution rather than believe her husband raped her sister (while she was giving birth to their first-born son no less)
**
* {{spoiler|[[Rape Leads to Insanity]]: Blanche after Stanley rapes her}}.▼
▲* {{spoiler|[[Rape Discretion Shot]]: The last scene we see of Blanche before her complete nervous breakdown and regression is Stanley hitting her and dragging her into the bedroom
* [[Really Gets Around]]: {{spoiler|Blanche, that's why she lost her job.}}▼
* [[Revised Ending]]: The 1951 film {{spoiler|implies that Stella has finally had it with Stanley, and that she and the baby are leaving him. Whether it'll stick or she'll end up going back eventually is another question...}}▼
* [[The Reveal]]: Oh, so many. Interestingly, few -- if any -- of them serve as a climax: rather, they are used to both forward the plot and build up to the actual climax.▼
▲* [[Revised Ending]]: The 1951 film
* [[Say My Name]]: If you got two guesses, you'll only have one.
* [[Sensitive Guy and Manly Man]]: Mitch and Stanley.
* [[Skyward Scream]]: Oh, what the hell! '''SSTTTEEELLLAAA!!!!'''
* [[Southern Belle]]: Blanche is a [[Southern Belle]] in the 20th century, a fading relic of a bygone age.
* [[Spotlight-Stealing Squad]]: Not for nothing does everybody remember Brando's Stanley -- not Blanche, the alleged star. The film version didn't help; Vivien Leigh is all nervous tics, while Brando dominates every scene.
* [[Stellar Name]]: Stella for star.
* [[Stepford Smiler]]: Blanche and Stella.
** Blanche is defined by this trope, though. The thing with her husband when she was a teenager broke her permanently, and she has been empty ever since, circling the drain around neurosis and finally psychotic delusions.
▲* [[The Reveal]]: Oh, so many. Interestingly, few - if any - of them serve as a climax: rather, they are used to both forward the plot and build up to the actual climax.
▲* [[What Do You Mean Its Not Symbolic]]: It's ''Tennessee Williams'' - what do you expect? Just be glad there aren't any [[The Glass Menagerie|blue roses]].
{{reflist}}
{{Pulitzer Prize for Drama}}
[[Category:{{PAGENAME}}]]
[[Category:Theatre of the 1940s]]
[[Category:Academy Award]]
[[Category:The Fifties]]
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