Alexander Pushkin: Difference between revisions

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{{creator}}
[[File:Portrait of Alexander Pushkin (Orest Kiprensky, 1827).PNG|thumb|300px]]
Most easily described as the [[Useful Notes/Russia|Russian]] [[William Shakespeare (Creator)|Shakespeare]] - his body of work is as revered and studied in Russia as Shakespeare's is in the English-speaking world.<ref> Within Russian literature, his position is perhaps that of Shakespeare ''plus'' [[ChaucerGeoffrey (Creator)Chaucer|Chaucer]] - poets who wrote before him are basically not important enough to matter.</ref>
 
Pushkin's full name was '''Alexander Sergeyevich Pushkin''' (in Cyrillic, Алекcа́ндр Серге́евич Пу́шкин). Born 1799, died 1837, continuing the long held tradition of literary geniuses everywhere of dying before their fortieth birthday.
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Much like Shakespeare, he was so [[Badass Bookworm|badass]] at writing he actually changed the shape of the Russian language, by basically [[Indy Ploy|making up words]] to fill lexical gaps in Russian, and writing in ways that previously hadn't been even considered in Russia. Without him, we probably wouldn't have Leo Tolstoy, [[Fyodor Dostoevsky]], or [[Vladimir Nabokov]].
 
It may be correct to call Pushkin the Russian [[Lord Byron (Creator)|Lord Byron]], as this is the role he aspired to. However, his work is immensely more than "Byronic hero meets Slavic gentleman of leisure." Among the genres Pushkin pioneered in Russian culture are: fantasy (or, rather, romanticized [[Fairy Tale]]), [[Historical Fiction|historical novel]], realistic [[Theatre|drama]]. Several extremely [[Bawdy Song|indecent]] poems are attributed to him; an argument for authenticity is his talent for the obscene known by his classmates.
 
Probably most famous outside Russia for his [[Narrative Poem|novel-in-verse]] ''Eugene Onegin'', and his play ''Boris Godunov''.
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Thousands showed up for Pushkin's funeral; doubting that Pushkin was anything but the most prominent and perfect Russian became a crime in academic circles until maybe 1980s. His image was used to rally the Russian nation multiple times, most recently in 1999 where many social and political advertisements on television included a count-down to his 200th birthday.
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{{creatortropes}}
=== Tropes concerning the man and the work include: ===
 
* [[All Just a Dream]]: ''The Undertaker''
* [[Anti-Villain]]: Boris Godunov. He is a regicide who murdered Dmitry Ivanovich, and he attains the throne of Russia. However, he sincerely wishes to be a good ruler and is hounded by guilt.
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* [[Dress Hits Floor]]: In ''Ruslan and Ludmila''.
* [[Driven to Madness]]: Protagonists in {{spoiler|''The Queen of Spades''}} and {{spoiler|''The Bronze Horseman''}}.
* [[Dude, She's Like, in Aa Coma]]: Lampshaded and averted in ''Ruslan and Ludmila''.
* [[Duel to Thethe Death]]: Dueling comes up in the story ''The Shot'' as well as ''Eugene Onegin'', among other works. As it turned out, Pushkin himself was killed in a duel. This [http://www.youtube.com/watch?v=VT4Dl60_iag documentary] (the title translates to ''A. Pushkin: The 29th Duel'') explores Pushkin's fascination with duels and also analyses some of his own duels.
* [[German Russians]]: Hermann in ''The Queen of Spades''; potentially Lensky in ''Eugene Onegin'', who is described as a "half-Russian" who spent some years studying in Germany.
* [[Greedy Jew]]: Moneylender from ''The Miserly Knight''.
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* [[The Scrooge]]: The eponymous character in ''The Miserly Knight''.
* [[Shown Their Work]]: Depiction of the Pugachev's rebellion in ''The Captain's Daughter'' is very historically accurate.
* [[Spell My Name Withwith a Blank]]: Old countess *** in ''The Queen of Spades''.
* [[Stealth Parody]]: ''Ruslan and Liudmila'' (of chivalric romances and narrative poems). ''Eugene Onegin'' (of the [[Byronic Hero]]).
* [[Stylistic Suck]]: Lenskiy's poem in ''Eugene Onegin'' is a [[Cliché Storm]].
* [[Too Many Halves]]: He epigrammatically describes one of his contemporaries as "half-milord, half-merchant, half-fool, half-ignoramus, half-scoundrel, but there's a hope he'll finally be full."
* [[Very Loosely Based on a True Story]]: Pushkin wrote a short play called ''Mozart and Salieri'' loosely based off of the life of the two composers. This was [[Ripped from the Headlines|sparked off by news reports at the time]] that Salieri had confessed to murdering Mozart on his deathbed. This did much to promote the (false) notion that Mozart and Salieri were lifelong rivals and enemies (as repeated much later in the play and film ''[[Amadeus (Theatre)|Amadeus]]'').
* [[Villain Protagonist]]: Salieri in ''Mozart and Salieri'', Hermann in ''The Queen of Spades'', possibly Boris Godunov.
* [[Weird Al Effect]]: ''Ruslan and Ludmila'' contain large parts referencing to and parodying Vasiliy Zhukovsky's ballad "The Twelve Sleeping Maidens" (Zhukovsky, apparently, loved the parody). One guess which is better known today.
* [[Warrior Poet]]: Perhaps better applied to his fans then him though Pushkin had an obsession with getting into duels. But during [[World War I]] and it's spinoffs every student in a Russian school went off to war with a copy of Pushkin in his knapsack. And no doubt it could be found with that generation all over the world for decades as different warrior poets went their ways joining different political factions.
* [[Wrong Genre Savvy]]: Tatiana initially sees life as a romantic novel and Onegin as [[Byronic Hero]].
 
{{reflist}}
[[Category:PoetryPoets]]
[[Category:Theater]]
[[Category:School Study Media]]
[[Category:Authors]]
[[Category:Alexander Pushkin]]
[[Category:CreatorPlaywrights]]