Anastasia (Animation): Difference between revisions

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[[File:anastasiagu4.jpg|frame| The answer? [[Reality Subtext|Anastasia and her family were all killed in real life.]] Kind of a [[Downer Ending]], huh?]]
 
{{quote|"''All right, Disney, you win -- with your [[Princess|princessesprincess]]es, and your [[The Musical|musicals]], and your [[Coming of Age]] stories with sweeping, snarky romances -- you win. If you can't beat them, join them. [[Follow the Leader|Copy the Disney formula and marketing strategy]], and you will make money.''"|'''[[The Nostalgia Chick]]''' on ''Anastasia''.}}
|'''[[The Nostalgia Chick]]''' on ''Anastasia''.}}
 
[[Don Bluth]]'s 1997 [[Disneyfication|very loose adaption]] of a 1956 Ingrid Bergman film, which itself was already [[Very Loosely Based on a True Story|very, very loosely based]] on the 'life' of the Grand Duchess Anastasia of Russia. The story of '''''Anastasia ''''' goes like this...
{{quote|"''All right, Disney, you win -- with your [[Princess|princesses]], and your [[The Musical|musicals]], and your [[Coming of Age]] stories with sweeping, snarky romances -- you win. If you can't beat them, join them. [[Follow the Leader|Copy the Disney formula and marketing strategy]], and you will make money.''"|'''[[The Nostalgia Chick]]''' on ''Anastasia''.}}
 
In 1916, Nicholas II, Czar of Russia, and his family, the Romanovs, were very happy until they were cursed by the evil [[Grigori Rasputin the Mad Monk|Rasputin]] and their people revolted against them [[Hammer and Sickle Removed For Your Protection|for some mystical reason]], aided by demons. All of the Romanovs apparently died in the attack except the Dowager Empress Marie Feodorovna Romanova, the Czar's mother. A young kitchen boy helped Marie and one of the Czar's daughters, the eight-year-old Anastasia, escape. However, she and Marie got separated when Anastasia fell from a train and, presumably, died.
[[Don Bluth]]'s 1997 [[Disneyfication|very loose adaption]] of a 1956 Ingrid Bergman film, which itself was already [[Very Loosely Based on a True Story|very, very loosely based]] on the 'life' of the Grand Duchess Anastasia of Russia. The story goes like this...
 
In 1916, Nicholas II, Czar of Russia, and his family, the Romanovs, were very happy until they were cursed by the evil [[Rasputin the Mad Monk|Rasputin]] and their people revolted against them [[Hammer and Sickle Removed For Your Protection|for some mystical reason]], aided by demons. All of the Romanovs apparently died in the attack except the Dowager Empress Marie Feodorovna Romanova, the Czar's mother. A young kitchen boy helped Marie and one of the Czar's daughters, the eight-year-old Anastasia, escape. However, she and Marie got separated when Anastasia fell from a train and, presumably, died.
 
Ten years later (1926), Anya, an eighteen-year-old orphan making her way in the world for the first time, decides to head for Paris. She hopes to find her family there, guided by the message "Together in Paris" inscribed on the [[Orphan's Plot Trinket|necklace she was found with]] in an [[Easy Amnesia|amnesiac state]] as a child.
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The rest of the film deals with Anya learning to become more ladylike while Rasputin calls upon the powers of hell to try and kill her. The ending, like most animated movies, is a happy one; however, it is enlightening in a few ways. It's better if you see it.
 
Contrary to [[All Animation Is Disney|popular belief]], '''this movie was ''not'' produced by Disney'''. Though ironically enough, the film ''now counts as a Disney movie'' following The Walt Disney Company’s purchase of 20th Century Fox. The acquisition of Fox also made Anya a ''nominal'' if not ''de facto'' member of the [[Disney Princess]] franchise, and assuming she is acknowledged as such, the second to be based off a real person after [[Pocahontas]] (or the third if you count [[Snow White and The Seven Dwarfs|Snow White]] being allegedly based off German countess Margaretha von Waldeck).
Contrary to [[All Animation Is Disney|popular belief]], '''this movie was ''not'' produced by Disney'''.
 
Got a [[Direct to Video]] prequel in the form of ''[[Bartok the Magnificent]]'', <ref> (though all it has in common with the first movie is...Bartok. And that it's set in an even less historically accurate version of Russia.)</ref> which deals with the plucky little bat impressing people with his "[[Blatant Lies|special abilities]]". It's important to note that this is the only sequel that Bluth has ever been involved with.
----
=== This film proves examples of: ===
 
{{tropelist}}
* [[All Animation Is Disney]]: Falls victim to this quite often. One of its more [[Disneyesque]] home video covers even provides the page image.
* [[Almost Kiss]]: Anya and Dimitri do this at least twice. {{spoiler|They finally get to kiss for real at the end.}}
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** Given she was all of, what, eight? She gets knocked out, and what child would ''want'' to remember that? It's possible she repressed it.
* [[Everyone Can See It]]: Well, Vlad definitely can, and Sophie appears to share his suspicions, and the Dowager Empress figures it out pretty quickly.
* [[Evil is Petty]]: Rasputin's chief obsession is ruining an orphan girl's chance at happiness.
* [[Evil Plan]]: Everything is kicked off by Rasptutinian's desire to kill the Romanov family. He continues with this plan after the time skip.
* [[Evil Sorcerer]]: Rasputin.
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** Most likely back to Rags, as girls from orphanages and reformed conmen who refuse reward money aren't known to be rolling in it. Unless {{spoiler|in addition to writing a hurried goodbye note, they stopped by her grandmother's office to take the reward money, but probably not. Though it is possible Grandma could be sending them something to live on. The ending more or less implies that Anya and Grandma will remain close.}}
* [[Rasputinian Death]]: Well, they got ''this'' part right.
** Not really. He {{spoiler|falls through some ice}} and {{spoiler|Anastasia smashes his [[Soul Jar|phylactery]].}} That's missing several important steps -- andsteps—and adding one puzzling one due to the [[Historical Villain Upgrade]], of course.
*** Though he was made pretty much unkillable due to his [[Deal with the Devil]], so that could explain things...
* [[Red Headed Heroine]]: Anya/Anastasia.
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* [[Road Trip Romance]]
* [[The Roaring Twenties]]
* [[Rule of Symbolism]]: By [[Word of God]], the reason for the seeming [[BigNon LippedSequitur Alligator MomentScene]], "Paris Holds the Key to Your Heart", is not merely to show off Bernadette Peters, nor 1920's Paris, but a reflection of both cultural progress at the time and Anastasia's [[Character Development]]. On the one hand, Russia was dying while the rest of Europe was explosively alive, with much of this renaissance based in Paris; on the other hand, this ties into Anya leaving a dead world for one vibrant and alive, paralleling her leaving behind an empty, soulless existence for one where she could bloom, grow, and begin a new, happy life.
* [[Runaway Train]]: Complete with a graphically-explosive crash to top it all off, and Dimitri commenting afterward "I HATE trains, remind me to never get on a train again."
* [[Scenery Porn]]: The usage of CinemaScope ''really'' shows off some great views of St. Petersburg, Paris, and the interiors of palaces.
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* [[Shown Their Work]]: Despite the historical liberties taken (some for the sake of the medium and length, some to spare children the grisly truth about the Russian Revolution, and some for simple poetic license) and myths bought into (aside from the urban legend about Anastasia herself, nods are given to Rasputin's [[Rasputinian Death|alleged exaggerated death]]), [[Word of God|a great deal of work was done to otherwise display geographical and biographical accuracy]]. Photography, including aerial shots, enabled startlingly true-to-life likenesses of St. Petersburg and Paris and the inside of the Winter Palace; period costumes and trains were duplicated, as well as historical figures living in Paris at the time; and [[Reality Subtext|actual relics of the Romanovs]] were scanned into the computers and inserted within the movie, including photographs of the family shown on Marie's wall and the drawing Anastasia made when she was eight years old, [[Tear Jerker|which was drawn by the real Anastasia]]. All of the bathing suits worn by Anastasia, her father, and her sisters during the dream sequence, and the sailor suit worn by her little brother, are also reproductions of the actual suits worn on their frequent family vacations. Even the notion of Rasputin cursing the Romanovs is based off of an anecdotal account that, on one of the few occasions Nicholas and other nobles became worried about the influence he had over Alexandra and foreign policy, Rasputin threatened the family with a pox if he were dismissed from court.
* [[Show Within a Show]]: Anya, Dimitri, and Vlad are treated to the Parisian ballet by Marie's assistant ([[Beta Couple|and Vlad's "cream puff"]]), and the ballet in question is ''[[Cinderella (novel)|Cinderella]]'' - [[Faux Symbolism|what do you mean, there's no parallelism?]]
* [[Sickly Green Glow]]: Rasputin's reliquary oozes with this.
* [[Slap Slap Kiss]]: Quintessential example, starting as soon as they get on a train together. Vlad knows exactly what's really going on, even when they don't.
{{quote|''(Anastasia has left the train cabin after an argument with Dmitri.)''
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* [[That Reminds Me of a Song]]: The aforementioned "Paris Holds The Key" song. It is essentially there to say they had a Benadette Peters number in the film.
* [[That Russian Squat Dance]]
* [[Took a Level Inin Badass]]: For more information, see [[And This Is For]].
* [[Tsundere]]: Anastasia, to Dimitri.
* [[Unlimited Wardrobe]]: Anya/Anastasia, counting the clothing she wears as a child, has 13 different outfits during the course of the movie. Blue court dress, nightgown, overcoat, peasant outfit, yellow [[Disney Acid Sequence]] ballgown, blue short-sleeved dress, pajamas, sailor bathing suit thing, 2 flapper dresses during a musical number, blue evening dress, pink pajamas, court dress (make it 14 if you count the [[Clothing Damage]] incurred on the last court dress as a costume change). To compare, Ariel in ''[[The Little Mermaid]]'' had 7 (her purple [[Seashell Bra]], a ship's sail wrapped around her, a pink dinner dress, a pink nightgown, a turquoise dress, a blue sparkly dress and a wedding dress).
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** Taken [[Up to Eleven]] when you consider that the plot is essentially the same as the 1956 movie with Ingrid Bergmann and Yul Brenner.
*** We should mention [[wikipedia:Anna Anderson|"Anna Anderson"]], the real life inspiration for the Bergman/Brynner film who went to her grave pretending to be Anastasia and managed to convince a surprising number of credulous supporters despite ample evidence to the contrary. Her claim was disproven via DNA evidence after her death.
** There were a lot of White Russian expatriates eating their heart out in cities all over the world including Paris.
* [[Villain Song]]: "In The Dark of The Night".
* [[Well, Excuse Me, Princess!]]: Anya & Dimitri, even though they just think she's impersonating a princess at first.
* [[What Could Have Been]]: The original draft was intended more as a political thriller and less a mythic one. Pandora Radio has some songs that were left out of the movie, as well as much more politicized, ''Rumor in Saint Petersburg.''
 
{{reflist}}
[[Category:Animated Films]]
[[Category:Historical FictionAnimated Films]]
[[Category:The Renaissance Age of Animation]]
[[Category:Romantic Comedy]]
[[Category:Films of the 1990s]]
[[Category:Anastasia{{PAGENAME}}]]
[[Category:Western Animation]]
[[Category:Western Animation of the 1990s]]
[[Category:Film]]