Arthur C. Clarke: Difference between revisions

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[[File:Arthur C. Clarke 1965.jpg|thumb|450px|Arthur C. Clarke in 1965, on the set of [[2001: A Space Odyssey|some movie he was involved with]].]]
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One of the world's most famous science fiction writers, '''Arthur C. Clarke''' (1917 - 2008) was responsible for works such as ''[[Childhood's End]]'', the ''[[2001: A Space Odyssey]]'' series, ''[[Rendezvous With Rama]]'' and ''[[The Songs of Distant Earth]]''. He influenced almost all the science fiction that has arrived in his wake, from ''[[Stargate SG-1]]'' to ''[[Neon Genesis Evangelion]]''. Much of his fiction features [[O. Henry]] style [[Twist Ending|twist endings]]s at the end of each story or chapter. He is considered one of the "Big Three" of [[Science Fiction]] along with [[Isaac Asimov]] and [[Robert A. Heinlein]]. He was the last of the Big Three to leave us, after [[Robert A. Heinlein|Heinlein]] and [[Isaac Asimov|Asimov]], in that order.
 
He is often credited with inventing the geostationary communications satellite, although in fact he did not originate the idea.
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* ''[[Childhood's End]]''
* ''[[2001: AThe Space Odyssey Series]]''
** ''[[The2001: A Space Odyssey Series]]''
* ''[[Rendezvous With Rama]]''
* ''[[The Songs of Distant Earth]]''
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* [[Author Appeal]]:
** Communications satellites.
** In a somewhat sad example, rarely do love interests work out for the good. A common phrase used in his collections of short stories is "married another man." In the ''Space Odyssey'' series, Heywood Floyd is divorced twice with the second time being on his way to Jupiter. In ''3001'' the first woman Poole falls for ends up horrified due to a 'deformation', and the second relationship falls apart romantically 15fifteen years after they get married and have kids.
* [[The Great Politics Mess-Up]]: Or Soviet Russia in stories set after 1990.
* [[Ironic Echo]]: Pretty much all of the ''Harry Purvis'' tales.
* [[Invisible to Gaydar]]: According to [[Michael Moorcock]]. Others placed him as [[Ambiguously Gay]]; he himself, when asked whether or not he was gay, said, "no, merely [[Exact Words|mildly]] [[Have a Gay Old Time|cheerful]]."
* [[Local Hangout]]: The ''White Hart''.
* [[Ironic Echo]]: Pretty much all of the ''"Harry Purvis''" tales.
* [[Mohs Scale of Science Fiction Hardness]]: Clarke's works, for the most part, lie firmly on the "hard" side of this sliding scale. Hardly surprising, given that he had been a radar operator in [[World War II]] and that training was in mathematics and physics (he was the first to propose communications satellites). In ''[[The Songs of Distant Earth]]'', for example, he had to invoke the rather speculative possibility of zero-point energy just so he'd have a power source for a ''slower''-than-light starship.
* [[Local Hangout]]: The ''"White Hart''".
** ''Jupiter Five'' was dedicated to Professor G. C. McVitte as writing the story involved having twenty to thirty pages of orbital calculations drawn up.
* [[Mohs Scale of Science Fiction Hardness]]: Clarke's works, for the most part, lie firmly on the "hard" side of this sliding scale. Hardly surprising, given that he had been a radar operator in [[World War II]] and that training was in mathematics and physics (he was one of the first to propose communications satellites). In ''[[The Songs of Distant Earth]]'', for example, he had to invoke the rather speculative possibility of zero-point energy just so he'd have a power source for a ''slower''-than-light starship.
* [[No Poverty]]: In ''The City and the Stars.''
** ''"Jupiter Five''" was dedicated to Professor G. C. McVitte as writing the story involved having twenty to thirty pages of orbital calculations drawn up.
* [[No Poverty]]: In ''"The City and the Stars".''
* [[Reclusive Artist]]: Was famously hard to access in his later years.
* [[Invisible to Gaydar]]: According to [[Michael Moorcock]]. Others placed him as [[Ambiguously Gay]]; he himself, when asked whether or not he was gay, said, "no, merely [[Exact Words|mildly]] [[Have a Gay Old Time|cheerful]]."
* [[Technology Marches On]]:
** If you read his collected short stories, many of his 50's1950s stories involve his [[Author Appeal]] communications satellites. The difference between his stories and the eventual reality? His stories always feature ''manned'' Space Stations as the communication/broadcast satellites.
** Stories involving manned planetary/lunar expeditions/colonies.
** The British having anything to do with the above lunar expeditions.
** One of his most famous short stories, "The Nine Billion Names of God", goes for a while into the extensive technological contortions required to print out the titular names in the specialized language and alphabet used by the monks -- something that could probably be arranged within a day on a dot-matrix or laser printer.
* [[The Great Politics Mess-Up]]: Or Soviet Russia in stories set after 1990.
* [[Tomato Surprise]]: Most of Clarke's short stories, and many chapters of his novels, end with a big twist (or a big reveal) in the ''very last sentence.''
** ''"Who's There''" has a fluffy [[Tomato Surprise]]. {{spoiler|The reader is lead to believe by the character that something is trying to get into his spacesuit, or that the spacesuit is about to fail because it was repaired after a previous fatal accident. Instead, the astronaut is simply hearing the muffled noises and scratchings of three [[Everythings Cuter WithCute KittensKitten|kittens 'nesting' in the space suit and were born to the station mascot.]]}}.
* [[Twist Ending]]: Used in many of his short stories, many times the ''final'' sentence is all that's required for the twist. What exactly version of the various twist's will depend on the story.
** ''"The Nine Billion Names of God''" is about a religious sect who hire a computer and two technicians to compute the title names of god. {{spoiler|The technicians decide to cut and run before the program is finished to avoid the angry monks when the prophesied ending of the universe fails to come to pass. The final line is about how the stars were going out above them.}}
** ''"Breaking Strain''" is a story about Grant (ship captain), and McNeil (engineer) who become trapped on a wreckwrecked ship with only enough air to last one of them. The twist is {{spoiler|that Grant has badly misjudged Mc NeilMcNeil and Grant eventualeventually accepts his own death to allow Mc NeilMcNeil to survive}}.
** ''"Loophole''" has Martians telling Earth to stop rocketry research. Earth stops researching rockets. {{spoiler|Instead, they perfect matter transportation and bomb the Martians out of existence without launching a single rocket.}}
** ''"Hide and Seek''": {{spoiler|The reader expects the mysterious agent who avoided the warship to be the teller of the tale. Instead, the teller of the tale is the captain of the ship who was thrown out of the service for being unable to catch a single man with the fastest ship in the fleet}}.
** ''"Superiority''", where the twist isn't anything to do with the technology involved, but that {{spoiler|the narrator has been forced to share a prison cell with the man responsible for the downfall of his entire race.}}
** ''"Reunion''", where aliens approaching Earth reveal that humanity is one of their lost colonies. The aliens are aware that many humans contracted a disfiguring disease which caused hatred and suspicion over many centuries, but they have good news: {{spoiler|they can cure anyone who is still white.}}
 
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{{Robert A. Heinlein Award Winners}}
{{Damon Knight Memorial Grand Master Awards}}
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