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''
The show is narrated by the Balladeer, who comments on the assassins' actions and motivations. The various killers (including John Wilkes Booth, Charles Guiteau, John Hinckley, Lynette "Squeaky" Fromme, and Leon Czolgosz) interact throughout the play, regardless of time period. Their assassination attempts are represented like a carnival
The show is often seen as a dark reflection on the nebulous idea of "the American dream". The assassins are dispossessed, disenfranchised and disillusioned, but they still hold a disproportionate sense of entitlement because they are in America: the land where ''any'' kid can grow up to be president, the land
Notable in that the music largely mirrors popular music from the assassins' lifetimes. And also for the HUGE amounts of [[Lyrical Dissonance]].
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* [[American Accents]]
* [[American Dream]]: That of the cynical flavor.
* [[Anachronic Order]]: The timeline jumps everywhere. Not counting the in-between character building scenes, the assassinations/attempts are presented in the order of Lincoln, FDR, McKinley, Reagan, Garfield, Ford, Nixon, Kennedy. Historical order was Lincoln, Garfield, McKinley, FDR, Kennedy, Nixon, Ford,
* [[Anachronism Stew]]: Characters from vastly different historical eras are seen interacting with each other.
* [[And There Was Much Rejoicing]]: Happens among the assassins at the end when Lee Harvey Oswald shoots JFK. The chorus... [[Tear Jerker|not so much]].
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