Automoderated users, Autopatrolled users, Bureaucrats, Comment administrators, Confirmed users, Moderators, Rollbackers, Administrators
213,483
edits
m (fix missing data in color template) |
No edit summary |
||
(8 intermediate revisions by 4 users not shown) | |||
Line 1:
{{trope}}
* The very first novel written in a recognizable format was ''[[
* ''[[House of Leaves]]'' is unique in the fact that it has ''two'' fourth walls. The majority of the story lies in ''The Navidson Record'', telling the story of a {{color|blue|house}} with some [[Bigger
* Mo Willems' Elephant and Piggie series usually has at least one moment per book where Piggie looks directly at the reader and snarks a bit, but the newest book, ''We Are In A Book'', is where it gets a bit... crazy.
* At the end of ''The [[Illuminatus]] Trilogy,'' the main character realizes that he is merely a fictional character and that the events of the book are just that: events in a book. He then goes on to analyze some of the more [[Mind Screw|mindscrewy]] aspects of the novel, and to criticize the author for placing more importance on [[What Do You Mean
** And then there's the Schrodinger's Cat trilogy by one of the same authors (Robert Anton Wilson), in which each novel is a different parallel universe, but features characters who realize they're living in a bad novel and start hopping between the books. The third book is almost entirely novel-hopping.
* A Perfect Vacuum by Polish Sci-FI author [[Stanislaw Lem]] is a book full of reviews of nonexistent books. If that weren't enough, the first book review in the book is a review of the book itself and an explanation of why it can't possibly ever be written. (Well then what are we reading if the book can't be written?)
Line 19:
* Sophie's World is a book about a book (among other things), and {{spoiler|contains an example of in-universe [[Breaking the Fourth Wall]], brilliantly written, as its climax}}.
* ''Anthony Trollope'' usually wrote in third person omniscient observer voice. However, in one novel, whose title escapes me right now, the narrator entered into the action by commenting on a character directly, 'and I caught him in a fib once'.
{{quote|
* The picture book ''Have I Got a Book For You!'' by Melanie Watts presents a [[Cunning Like a Fox|fox]] salesperson who begs the reader to purchase the book. His sales tactics grow increasingly more desperate. {{spoiler|The book ends up with an actual ripped page and the fox says that if you break it, you buy it.}}
* Charlotte Brontë's ''[[Jane Eyre]]'' is subtitled "An Autobiography", and presented as being Jane's autobiography. Chapter 11 of the first volume begins by acknowledging that it is, in fact, the start of a new chapter in a novel, and encouraging the reader to imagine this in the manner of a scene change in a play.
* The later [[Myth Adventures]] novels tend to do this, with narrators addressing the reader ''as'' a reader, and/or offering shameless plugs for previous books in the series. (Is there an Advertising On The Fourth Wall trope?)
* In ''[[The Dresden Files]]'', Harry will sometimes directly address the audience, usually while explaining certain principles of magic, or occasionally when he makes an off-color comment.
{{quote|
* In L.A. Meyer's series, [[Bloody Jack]] Jacky's best friend Amy starts publishing books about Jacky's adventures under the titles of the previous books. This gives Jacky a chance to respond to the more scandalous parts of her life.
* The short story [https://web.archive.org/web/20121229041806/http://www.stanleythewhale.com/StW/index.php/issue-1/issue-1-short-stories/45-the-van-on-atlantic-street "The Van on Atlantic Street"] by Desmond Warzel pauses briefly to address the reader and reassure him that he has nothing to fear should he encounter the eponymous van.
* Mohsin Hamid's ''The Reluctant Fundamentalist'' begins with the reader filling the role of an American man who bumps into the main character in a shop in Pakistan. The reader only knows what's going on from the dialogue of the other character, as there is no description or dialogue for their character. Most of the novel is flashbacks in the form of the protagonist recounting his life from the age of 18 until now, interspersed with returns to the present in order for the protagonist to comment on the apparently mundane occurrences around you.
* The authors of ''[[
{{quote|
''' {{spoiler|James}}:''' A girl Douw dated for a while. We can't use her real name, or we'll get sued for what Douw's about to call her. }}
* ''[[Winnie-the-Pooh]]'', before its [[Disneyfication]] [[Winnie the Pooh|in other media]], originated as a series of printed children's books by A. A. Milne. These origins show through at times, as "Windsday" can be [[wikipedia:Winnie the Pooh and the Blustery Day|A Rather Blustery Day]] in the hundred acre wood.
*:Narrator: As a matter of fact, it was raining all over the Hundred Acre Wood. There was a thunderstorm on page 71.
*:[we hear a clap of thunder]
*:Narrator: And on page 73, there was a bit of a cloudburst. It rained, and it rained, and it rained...
{{tropesubpagefooter}}
|