Cerebus Rollercoaster: Difference between revisions

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{{trope}}
[[File:cere torg 4710.jpg|frame|link=Sluggy Freelance|[http://www.sluggy.com/comics/archives/daily/090205 These] [http://www.sluggy.com/comics/archives/daily/090210 strips] [http://www.sluggy.com/comics/archives/daily/090217 ran] [http://www.sluggy.com/comics/archives/daily/090302 within] a month of each-other]]
 
There are many reasons why the tone of a story may change. Sometimes [[Cerebus Syndrome|a happy, joke-based, show goes into a much more serious and darker direction]]. Sometimes [[Reverse Cerebus Syndrome|a once dark and deadly serious series turns into a comedy]]. Sometimes the work [[Genre Shift|completely changes its genre]]. Sometimes [[Jump the Shark|writers run out of ideas and just try to put out anything they can]] or the exact opposite - [[Growing the Beard|they find what they really want to do]]. Sometimes [[Executive Meddling]] or [[Creator Breakdown]] takes the story in a new direction and turns it into something completely unrecognizable from its source material.
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Compare [[Mood Whiplash]], which is a smaller version of this taking place in a single story rather than spaced out among multiple installments. [[Dude, Not Funny]] may occur if one character is lagging between transitions.
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{{examples}}
== [[Anime]] &and [[Manga]] ==
* The ''[[Gundam]]'' franchise as a whole goes through this, with series varying from ''[[Mobile Suit Zeta Gundam|Zeta Gundam]]'' to ''[[Mobile Suit Gundam ZZ|Gundam ZZ]]'', to ''[[Mobile Suit Victory Gundam|Victory Gundam]]'' to ''[[Mobile Fighter G Gundam|G Gundam]]'', from ''[[Mobile Suit Gundam Wing|Gundam Wing]]'' to ''[[Mobile Suit Gundam SEED|Gundam SEED]]'' to ''[[Mobile Suit Gundam 00|Gundam 00]]'' to ''[[Mobile Suit Gundam AGE|Gundam AGE]]''.
** ''Zeta'' to ''ZZ'' is a miniature example in and of itself. [[Yoshiyuki Tomino|Tomino]] himself [[Word of God|said]] that ''Zeta'' was too dark and depressing, and thus made ''ZZ'' light-hearted because he felt that anime should make people happy. However, this seems to have resulted in over-correction, resulting in ''ZZ'' being very silly at the start before evening out later on, which has lead some fans to apply [[Fanon Discontinuity]] to just the early episodes.
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* [[Gintama]] exemplifies this trope, flipping from hilarious to heart wrenching in moments.
* ''[[Gate Keepers]]'' go up and down with this, in both humorous, and dark elements.
* ''[[Black Butler]]'' does this between arcs, within arcs, and within chapters. The tone can range from light and humorous to very dark, and the arcs switch between genres. These include the likes of action/horror and old-school murder mystery. There is even an arc centered around a cooking contest. Generally lighter and darker arcs alternate, though there is always some light and dark in every arc.
 
== [[Comic Books]] ==
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== Film ==
* The ''[[Star Trek]]'' film series has varied quite a bit in tone over the years, ranging from a fairly serious drama in which one of the main characters died (''[[Star Trek II: The Wrath of Khan|Star Trek II the Wrath of Khan]]'') to a lighthearted comedy set on Earth with a [[Space Whale Aesop]] (''[[Star Trek IV: The Voyage Home|Star Trek IV the Voyage Home]]''). The [[Star Trek (film)|latest entry]] in the series was more of a comedy-drama.
* The ''[[Star Wars]]'' trilogies do this. The first trilogy start of as lighthearted in ''[[A New Hope]]'' and dark tones come up in the latter two. In the prequels the first twofilm startwas lightlylighthearted, then ''[[Attack of the Clones]]'' and ''[[Revenge of the Sith]]'' takestook a nosedive into dark.
 
== Literature ==
* ''[[Discworld]]'' has been going through this in later books, starting with the book-long [[Tear Jerker]] ''[[Discworld/Night Watch (Discworld)|Night Watch]]'' and cynical ''[[Discworld/Monstrous Regiment|Monstrous Regiment]]'', but the next book, ''[[Discworld/Going Postal (Discworld)|Going Postal]]'', introduces us to a [[Loveable Rogue]] and a lighter tone. Next is the Nightmarish ''[[Discworld/Thud|Thud!]]'', followed by ''[[Discworld/Making Money|Making Money]]'' and ''[[Discworld/Unseen Academicals|Unseen Academicals]]'', both of which are a ''lot'' more fun. This is then followed by the pitch-black ''[[Discworld/I Shall Wear Midnight|I Shall Wear Midnight]]''. The series was wrapped up beautifully with ''[[Discworld/Snuff|Snuff]]'', which is also dark in bits, but has several heartwarming/tearjerking moments as well as [[Terry Pratchett]] says a long, extended goodbye to his wife (shown in small comments Vimes makes to Sybil and the dedication of the book).
 
== [[Live -Action TV]] ==
* ''[[Scrubs]]''. Holy mother of God ''Scrubs''. The show itself is best described as a collision between a medical drama and a slapstick comedy with great big dollops of tragedy, [[Gallows Humor]], surrealism and [[Lemony Narrator]] thrown in for good measure, and it's a complete toss-up as to what each episode will give the viewer. And it's not just across the show or across seasons, it can be across a single episode: one storyline might be a [[Zany Scheme]] filled with sex jokes, pratfalls, and wacky shenanigans, while another storyline might be a gut-wrenching, savagely dark tragedy about the death of patients and the psychological fallout from one or more of the doctors, while the camera merrily [[Whip Pan]]s between the two.
* ''[[Power Rangers]]'' always has been, and always will be, a franchise nobody can take without a lot of [[Willing Suspension of Disbelief]]. It's campy and [[Crazy Awesome]] in its own way, but the tone of each season varies. Lord Zedd was its [[Knight of Cerebus]] and set a much more epic arc than the original Rita arc. Both ''[[Power Rangers Zeo]]'' and ''[[Power Rangers Turbo]]'' were a step down from serious towards lighter tones, only for the series to turn into epic space opera during ''[[Power Rangers in Space]]'' and ''[[Power Rangers Lost Galaxy]]''. The tone of the series can vary from dark, like ''[[Power Rangers Time Force]]'', to completely comedic, like ''[[Power Rangers Ninja Storm]]''. Even checking out the source ''[[Super Sentai]]'' material isn't any indication of which route the next series will take, as proven by the darkest series of all, ''[[Power Rangers RPM]]'', which was based on a ''[[Engine Sentai Go-onger|self-parody]]'' of ''Super Sentai''—but even then ''RPM'' is one of the ''funnier'' seasons, relying on humor from [[The Comically Serious]] and the [[Meta Guy]] in the cast instead of having [[Hijinks Ensue]].
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== [[Video Games]] ==
* The ''[[Diablo]]'' series seems to be riding on this. Despite its immense popularity, ''Diablo II'' was sometimes derided for [[Lighter and Softer|not being as dark and edgy as the first game]]. In the books as well, the mood can range from as dark and edgy as the first game to surprisingly goofy. On the other hand, whatever [[Narm]]-ish moments the series [[Tropes Are Not Bad|can prevent it from getting]] ''[[Tropes Are Not Bad|too]]'' [[Tropes Are Not Bad|dark]].
* [[Sonic the Hedgehog]] went from lighthearted and happy-go-lucky (as much as having a hedgehog save his friends from being used as live power sources for robots and a mad scientist threaten the world with a Death Star clone can be anyways) in its "Classic era" to progressively darker in its Dreamcast era and culminating in ''[[Sonic the Hedgehog (2006 (video game)||Sonic the Hedgehog (2006)]]'' before doing a 180 and returning to its happy-go-lucky roots (well, as much having a mad scientist split the world into pieces and a hedgehog nearly ''outrun a black hole'' can be considered happy-go-lucky) with titles such as [[Sonic Unleashed]] and [[Sonic Colors]].
 
== Webcomics ==
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* ''[[Avatar: The Last Airbender]]'' knew how to keep audiences rooting for their [[Kid Hero]] protagonists, before brutally reminding us [[Would Hurt a Child|children really are being pitted against some rather cruel people]].
** Well you shouldn't expect a series to be all giggles when it kicks off with the [[Death by Origin Story|genocide of an entire race]]. Also, most of the major characters are basically [[Child Soldiers]].
* ''[[Teen Titans (animation)|Teen Titans]]'', especially in later seasons (season 1 was fairly tonally constant) was pretty much the king of this, bouncing back and forth from lighthearted action-comedy, to [[A Day Atat the Bizarro|utter random goofiness]], to some surprisingly intense darkness. Honestly, when you've got an episode centered around ''sentient [[Omnicidal Maniac|omnicidal]] [[Aliens Steal Cattle|cow abducting]] space tofu'' that comes shortly after an episode where the local [[Woobie]] gets tortured by being shown a vision of the apocalypse at her hands in a scene strongly choreographed to suggest ''rape'', your show is officially schizophrenic.
* ''[[Re BootReBoot]]'' was mostly comical during season 1, but the season ended with a somewhat darker two-part episode. Season two went back to comical for half of the season, but kicked off a plot for the second half that ended with a [[Wham! Episode]]. Season 3 got darker every four episodes, before spending the last ten minutes with a [[Musical Episode]]. Season 4 goes to the point of ''Cyberspace Annihilation'', then swings back into comedy. ''THENThen'' a previous villain returns, '''[[The Bad Guy Wins|WINSwins]]''', and we get a [[Cliff Hanger]]. This series is a freakinfreaking mood yoyo.
* As with ''[[Re BootReBoot]]'', its "relative", ''[[Beast Wars]]'' also shifted its tones frequently. Season 1 was an episodic and fairly balanced series of semi-serious and humorous stories, while season 2 was serious-toned all the way through (with some amusing moments sprinkled throughout its run, of course). Season 3, on the other hand, went from being serious, to half-serious and jovial, back to being dark again, but with some truly over-the-top comedic moments, which made not only the season, but also episode-tones shift wildly.
* ''[[Scooby-Doo! Mystery Incorporated]]'' alternates between its largely-humorous episode stories and its [[Angst|very]] [[Darker and Edgier|different]] story arc.
* ''[[My Little Pony: Friendship Is Magic|My Little Pony Friendship Is Magic]]'' pulls this with the opening episodes of both seasons.
** Season 1 started with Nightmare Moon, who represented the pinnacle of real danger the mane six faced for the entire season; almost all other conflicts were social or moral in nature - dealing with petty jerkasses, learning lessons about friendship, and the like. While occasionally dealing with creatures like dragons, hydras, and cockatrice.
** And now, with the beginning of season 2, we've come full circle - Discord is a ''much'' nastier monster than Nightmare Moon ever was. And notably for a show like this, he ''isn't'' shamed into defeat or forgiven and redeemed (until season 3, that is) - he gets put right back in the [[Fate Worse Than Death]] he crawled out of. Then you're into stories like "Pinkie Pie Babysits", "Rainbow Dash finds out that reading is fun", "Love potions cause [[Hilarity Ensues|hilarity to ensue]]" and "Twilight Sparkle struggles so hard to find [[An Aesop]] [[Bread, Eggs, Milk, Squick|that her]] [[Sanity Slippage]] [[Madness Makeover|sinks into]] [[Nightmare Fuel|nightmare-inducing depths]]".
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[[Category:Series Tropes]]
[[Category:Tone Shift]]
[[Category:Cerebus Rollercoaster]]