Cerebus Rollercoaster: Difference between revisions

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{{trope}}
[[File:cere torg 4710.jpg|frame|link=Sluggy Freelance|[http://www.sluggy.com/comics/archives/daily/090205 These] [http://www.sluggy.com/comics/archives/daily/090210 strips] [http://www.sluggy.com/comics/archives/daily/090217 ran] [http://www.sluggy.com/comics/archives/daily/090302 within] a month of each-other]]
 
There are many reasons why the tone of a story may change. Sometimes [[Cerebus Syndrome|a happy, joke-based, show goes into a much more serious and darker direction]]. Sometimes [[Reverse Cerebus Syndrome|a once dark and deadly serious series turns into a comedy]]. Sometimes the work [[Genre Shift|completely changes its genre]]. Sometimes [[Jump the Shark|writers run out of ideas and just try to put out anything they can]] or the exact opposite - [[Growing the Beard|they find what they really want to do]]. Sometimes [[Executive Meddling]] or [[Creator Breakdown]] takes the story in a new direction and turns it into something completely unrecognizable from its source material.
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Compare [[Mood Whiplash]], which is a smaller version of this taking place in a single story rather than spaced out among multiple installments. [[Dude, Not Funny]] may occur if one character is lagging between transitions.
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== [[Anime]] &and [[Manga]] ==
* The ''[[Gundam]]'' franchise as a whole goes through this, with series varying from ''[[Mobile Suit Zeta Gundam|Zeta Gundam]]'' to ''[[Mobile Suit Gundam ZZ|Gundam ZZ]]'', to ''[[Mobile Suit Victory Gundam|Victory Gundam]]'' to ''[[Mobile Fighter G Gundam|G Gundam]]'', from ''[[Mobile Suit Gundam Wing|Gundam Wing]]'' to ''[[Mobile Suit Gundam SEED|Gundam SEED]]'' to ''[[Mobile Suit Gundam 00|Gundam 00]]'' to ''[[Mobile Suit Gundam AGE|Gundam AGE]]''.
** ''Zeta'' to ''ZZ'' is a miniature example in and of itself. [[Yoshiyuki Tomino|Tomino]] himself [[Word of God|said]] that ''Zeta'' was too dark and depressing, and thus made ''ZZ'' light-hearted because he felt that anime should make people happy. However, this seems to have resulted in over-correction, resulting in ''ZZ'' being very silly at the start before evening out later on, which has lead some fans to apply [[Fanon Discontinuity]] to just the early episodes.
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== Film ==
* The ''[[Star Trek]]'' film series has varied quite a bit in tone over the years, ranging from a fairly serious drama in which one of the main characters died (''[[Star Trek II: The Wrath of Khan|Star Trek II the Wrath of Khan]]'') to a lighthearted comedy set on Earth with a [[Space Whale Aesop]] (''[[Star Trek IV: The Voyage Home|Star Trek IV the Voyage Home]]''). The [[Star Trek (film)|latest entry]] in the series was more of a comedy-drama.
* The ''[[Star Wars]]'' trilogies do this. The first trilogy start of as lighthearted in ''[[A New Hope]]'' and dark tones come up in the latter two. In the prequels the first film was lighthearted, then ''[[Attack of the Clones]]'' and ''[[Revenge of the Sith]]'' takestook a nosedive into dark.
 
== Literature ==
* ''[[Discworld]]'' has been going through this in later books, starting with the book-long [[Tear Jerker]] ''[[Discworld/Night Watch (Discworld)|Night Watch]]'' and cynical ''[[Discworld/Monstrous Regiment|Monstrous Regiment]]'', but the next book, ''[[Discworld/Going Postal (Discworld)|Going Postal]]'', introduces us to a [[Loveable Rogue]] and a lighter tone. Next is the Nightmarish ''[[Discworld/Thud|Thud!]]'', followed by ''[[Discworld/Making Money|Making Money]]'' and ''[[Discworld/Unseen Academicals|Unseen Academicals]]'', both of which are a ''lot'' more fun. This is then followed by the pitch-black ''[[Discworld/I Shall Wear Midnight|I Shall Wear Midnight]]''. The series was wrapped up beautifully with ''[[Discworld/Snuff|Snuff]]'', which is also dark in bits, but has several heartwarming/tearjerking moments as well as [[Terry Pratchett]] says a long, extended goodbye to his wife (shown in small comments Vimes makes to Sybil and the dedication of the book).
 
== [[Live -Action TV]] ==
* ''[[Scrubs]]''. Holy mother of God ''Scrubs''. The show itself is best described as a collision between a medical drama and a slapstick comedy with great big dollops of tragedy, [[Gallows Humor]], surrealism and [[Lemony Narrator]] thrown in for good measure, and it's a complete toss-up as to what each episode will give the viewer. And it's not just across the show or across seasons, it can be across a single episode: one storyline might be a [[Zany Scheme]] filled with sex jokes, pratfalls, and wacky shenanigans, while another storyline might be a gut-wrenching, savagely dark tragedy about the death of patients and the psychological fallout from one or more of the doctors, while the camera merrily [[Whip Pan]]s between the two.
* ''[[Power Rangers]]'' always has been, and always will be, a franchise nobody can take without a lot of [[Willing Suspension of Disbelief]]. It's campy and [[Crazy Awesome]] in its own way, but the tone of each season varies. Lord Zedd was its [[Knight of Cerebus]] and set a much more epic arc than the original Rita arc. Both ''[[Power Rangers Zeo]]'' and ''[[Power Rangers Turbo]]'' were a step down from serious towards lighter tones, only for the series to turn into epic space opera during ''[[Power Rangers in Space]]'' and ''[[Power Rangers Lost Galaxy]]''. The tone of the series can vary from dark, like ''[[Power Rangers Time Force]]'', to completely comedic, like ''[[Power Rangers Ninja Storm]]''. Even checking out the source ''[[Super Sentai]]'' material isn't any indication of which route the next series will take, as proven by the darkest series of all, ''[[Power Rangers RPM]]'', which was based on a ''[[Engine Sentai Go-onger|self-parody]]'' of ''Super Sentai''—but even then ''RPM'' is one of the ''funnier'' seasons, relying on humor from [[The Comically Serious]] and the [[Meta Guy]] in the cast instead of having [[Hijinks Ensue]].
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** Well you shouldn't expect a series to be all giggles when it kicks off with the [[Death by Origin Story|genocide of an entire race]]. Also, most of the major characters are basically [[Child Soldiers]].
* ''[[Teen Titans (animation)|Teen Titans]]'', especially in later seasons (season 1 was fairly tonally constant) was pretty much the king of this, bouncing back and forth from lighthearted action-comedy, to [[A Day at the Bizarro|utter random goofiness]], to some surprisingly intense darkness. Honestly, when you've got an episode centered around ''sentient [[Omnicidal Maniac|omnicidal]] [[Aliens Steal Cattle|cow abducting]] space tofu'' that comes shortly after an episode where the local [[Woobie]] gets tortured by being shown a vision of the apocalypse at her hands in a scene strongly choreographed to suggest ''rape'', your show is officially schizophrenic.
* ''[[Re BootReBoot]]'' was mostly comical during season 1, but the season ended with a somewhat darker two-part episode. Season two went back to comical for half of the season, but kicked off a plot for the second half that ended with a [[Wham! Episode]]. Season 3 got darker every four episodes, before spending the last ten minutes with a [[Musical Episode]]. Season 4 goes to the point of ''Cyberspace Annihilation'', then swings back into comedy. ''THENThen'' a previous villain returns, '''[[The Bad Guy Wins|WINSwins]]''', and we get a [[Cliff Hanger]]. This series is a freakinfreaking mood yoyo.
* As with ''[[Re BootReBoot]]'', its "relative", ''[[Beast Wars]]'' also shifted its tones frequently. Season 1 was an episodic and fairly balanced series of semi-serious and humorous stories, while season 2 was serious-toned all the way through (with some amusing moments sprinkled throughout its run, of course). Season 3, on the other hand, went from being serious, to half-serious and jovial, back to being dark again, but with some truly over-the-top comedic moments, which made not only the season, but also episode-tones shift wildly.
* ''[[Scooby-Doo! Mystery Incorporated]]'' alternates between its largely-humorous episode stories and its [[Angst|very]] [[Darker and Edgier|different]] story arc.
* ''[[My Little Pony: Friendship Is Magic|My Little Pony Friendship Is Magic]]'' pulls this with the opening episodes of both seasons.
** Season 1 started with Nightmare Moon, who represented the pinnacle of real danger the mane six faced for the entire season; almost all other conflicts were social or moral in nature - dealing with petty jerkasses, learning lessons about friendship, and the like. While occasionally dealing with creatures like dragons, hydras, and cockatrice.
** And now, with the beginning of season 2, we've come full circle - Discord is a ''much'' nastier monster than Nightmare Moon ever was. And notably for a show like this, he ''isn't'' shamed into defeat or forgiven and redeemed (until season 3, that is) - he gets put right back in the [[Fate Worse Than Death]] he crawled out of. Then you're into stories like "Pinkie Pie Babysits", "Rainbow Dash finds out that reading is fun", "Love potions cause [[Hilarity Ensues|hilarity to ensue]]" and "Twilight Sparkle struggles so hard to find [[An Aesop]] [[Bread, Eggs, Milk, Squick|that her]] [[Sanity Slippage]] [[Madness Makeover|sinks into]] [[Nightmare Fuel|nightmare-inducing depths]]".
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[[Category:Series Tropes]]
[[Category:Tone Shift]]
[[Category:Cerebus Rollercoaster]]