Color Wash: Difference between revisions

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* ''[[Saving Private Ryan]]'' looks fairly washed out due to cinematographer Janusz Kaminski playing with the shutter speed of the cameras. This also made the images appear sharper and shakier, making it look more like documentary footage than a $70 million Hollywood production.
* ''[[Saving Private Ryan]]'' looks fairly washed out due to cinematographer Janusz Kaminski playing with the shutter speed of the cameras. This also made the images appear sharper and shakier, making it look more like documentary footage than a $70 million Hollywood production.
** [[Steven Spielberg]] and Kaminski have done this at least twice now - ''[[Minority Report]]'' has an icy hue to it, accomplished in the [[wikipedia:Bleach bypass|film processing stages]] of post-production.
** [[Steven Spielberg]] and Kaminski have done this at least twice now - ''[[Minority Report]]'' has an icy hue to it, accomplished in the [[wikipedia:Bleach bypass|film processing stages]] of post-production.
* ''[[Clerks II]]'', except for the [[Big Lipped Alligator Moment|dance scene]].
* ''[[Clerks II]]'', except for the [[Non Sequitur Scene|dance scene]].
** The film was originally intended to shot in black and white like the first one but producer Harvey Weinstein wanted the film open wide so director [[Kevin Smith]] chose to desaturate the colors instead.
** The film was originally intended to shot in black and white like the first one but producer Harvey Weinstein wanted the film open wide so director [[Kevin Smith]] chose to desaturate the colors instead.
* ''I Am Sam'' is very blue, both in color and in mood.
* ''I Am Sam'' is very blue, both in color and in mood.
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[[Category:Amazing Technicolor Index]]
[[Category:Amazing Technicolor Index]]
[[Category:Film Tropes]]
[[Category:Film Tropes]]
[[Category:{{PAGENAME}}]]
[[Category:Color Wash]]