Deliberately Monochrome: Difference between revisions
Rescuing 1 sources and tagging 0 as dead.) #IABot (v2.0.8.5
m (added Category:Retro Tropes using HotCat) |
(Rescuing 1 sources and tagging 0 as dead.) #IABot (v2.0.8.5) |
||
| (12 intermediate revisions by 6 users not shown) | |||
Line 1:
{{trope}}
The method of intentionally employing a black-and-white palette as visual shorthand.
[[File:Monochrome_9776.jpg|frame|[http://www.cracked.com/article_18444_17-more-images-you-wont-believe-arent-photoshopped.html Not Photoshopped.]]]▼
__NOTOC__
▲[[File:
== A wide spectrum of meanings ==
=== [[Monochrome Past]] ===
Works set in the 19th or early 20th century, particularly historical films or homages to historical films, tend to use black-and-white or sepia tone to invoke the appearance of early photography or television. In typically colorized films, a switch to black-and-white can denote a [[Flashback]] or other such jump to the past. It's not uncommon to parody this usage of black-and-white by claiming that the real world actually was black and white prior to the invention of color.
Works set further back in time are increasingly less likely to use desaturated palettes, as using the effect before the invention of photography creates a rather confused metaphor.
▲Sometimes, the less we say, the more gets said. Despite and because of its simplicity, complexity, [[Chiaroscuro|stark contrast]] and cultural cachet, Black and White movies and stand-alone TV episodes have remained popular in a few genres and story niches that can pull it off without seeming pretentious. Its uses vary, but these works are [[Painting the Medium|deliberately desaturated]] to help the [[Environmental Symbolism|general mood and theme]] of the [[Film]].
=== [[Film Noir]] ===
While no genre has a lock on
=== [[Too Incompetent to Operate a Blanket]] ===
In [[Commercial Tropes|infomercials]],
== Common Variants ==
'''Desaturating''' the color of a film can also be used to [[Retraux|mimic the look of older films]], particularly colorized black-and-white films or faded prints of color films. This has led to use of Sepia tones ([[Real Is Brown|browns]] and tans that mimic faded photographs) [[Flashback Effects|to indicate the scene in question is a flashback]]. It's worth noting that combining a Desaturated picture with Splash of Color can result in a Limited Palette.▼
=== Desaturation ===
▲
See also: [[Retraux]].
A '''Limited Palette''' is a work completely in Black and White except for one or two recurring colors, shown in full vibrancy and linked to an important character or object. It's as if someone was making a "Paint by Numbers" movie with only two colors available. The net effect of these strategic and recurring uses of color in a B&W film may help to draw the viewers attention; whether it’s to the [[MacGuffin]], the [[Femme Fatale]] or [[Chekhov's Gun]]. The colors themselves also inform roughly what emotions or themes are present in the work. Whereas Splash of Color is usually just a visual grab, a Limited Palette with colors like red or blue means the world is violent or sad, and that the character or object is somehow more alive or real than the world they're in. This is why a common [[Flashback Effect]] is to use a limited palette of warm colors to signify [[Happy Flashback|happy and old memories.]] Until [[Troubled Backstory Flashback|the tragedy kicks in]], anyway. ▼
=== [[Fade to Gray]] ===
Often used as a "trip down memory lane" effect, this occurs in film or TV shows (usually referencing a film) when wishing to confer an obvious stylistic nod to the black-and-white era of moviemaking upon the audience. A simple trick, the saturation (color) of the effect is slowly drained until the picture is completely monochromatic or grey, just like all those [[Film Noir]] pictures of the 1940s and 1950s. The effect can also be used more subtly, with only a slight change of hues and saturation to simulate the effect of a dream (fuzzy edges), fantasy (usually with a cloud) or flashback sequences as required.
=== Limited Palette ===
▲In [[Commercial Tropes|infomercials]], [[Deliberately Monochrome]] signifies the "old-fashioned" (and usually inferior) way of doing things. [[Too Incompetent to Operate a Blanket|The woman tangled in a mess of cling wrap or cutting her fingers off while paring potatoes with a knife]] will usually be in black-and-white, while the woman easily covering leftovers with a Covermate or "peeling" a potato with the Handy-Peel will be in full color.
▲
See also
{{examples}}▼
===
Whereas a Limited Palette work employs a restricted set of hues throughout, a work employing the Splash of Color technique restricts the use of color to a select few characters or objects. These strategic and recurring uses of color in an otherwise black-and-white film serve as a visual grab to direct the audience's attention to points of interest, such as the [[MacGuffin]], the [[Femme Fatale]] or the [[Chekhov's Gun]].
▲{{examples}}
== Advertising ==▼
== Pure Black and White ==
* Most "comparison" shots for diets, acne medicine, and other cosmetic applications will happen to have the "before" shot in black and white, and the "after" in color. ▼
▲=== Advertising ===
* There was an advert in the 1980s for Courage Best beer that was deliberately shot in the style of a 1930s film -- they actually got a cinematographer from the '30s involved to ensure authenticity. The advert is known as "Gercha"; it's supposed to hearken back to an era where Courage Best was apparently served in every pub across the land. Or perhaps it's supposed to show that Courage Best is timeless. Either way, "Gercha" is the name of the Chaz & Dave song that plays during that advert, and in fact Chaz & Dave did do more jingles for other, similar Courage Best adverts in the 1980s.▼
▲* Most "comparison" shots for diets, acne medicine, and other cosmetic applications will happen to have the "before" shot in black and white, and the "after" in color.
▲* There was an advert in the 1980s for Courage Best beer that was deliberately shot in the style of a 1930s
* The Trope [[Too Incompetent to Operate a Blanket]] is in turn practically built around ''this'' trope.
* Most attack ads during political campaigns do this, usually with the candidate they don't like. Magical colors reappear when the candidate they ''do'' like comes on screen.
Line 34 ⟶ 45:
=== Anime ===
* The last episode of ''[[Gunbuster]]'', just cause it's so angsty. What do you expect, it's a [[Gainax Ending]] (the angsty version, not the budget one).
* ''[[Clannad (visual novel)|Clannad]]'' starts out like this, before Tomoya [[First Girl Wins|meets Nagisa]]. By the same company that made ''[[Haruhi Suzumiya|Suzumiya Haruhi No Yuutsu]]''.
* ''[[.hack]]'' depicts the [[Real Life|real world]], as opposed to The World of the on-line VR games, in grainy black and white... ''except'' in the very final scene, where two of the players joyfully meet up in real life for the first time.
* ''[[Darker
* Episode 7 of ''[[Puella Magi Madoka Magica]]'' displays the witches' realm this way.
* When Iori is telling ghost stories to Makoto and Yukiho at the beach during the night in the anime version of ''[[The Idolmaster (anime)|The Idolmaster]]''.
=== Comic Books ===
* ''[[The Crow]]''
* Most of ''[[Sin City]]''; taken [[Up to Eleven]] in that it's ''entirely'' black and white, i.e., no gray. Starting with "That Yellow Bastard," certain characters are highlighted in color, falling somewhere between the other two versions of this trope.
* The two prequel books to ''[[The Order of the Stick]]'' webcomic -- ''On the Origins of PCs'' and ''Start of Darkness''
{{quote|You may be wondering why on earth this book is in greyscale, when ''OOTS'' has always been in glorious full color. Clearly, it is to give that "nostalgic" feeling, so that you really feel like you are peering into the past. After all, these are the "home movie" of the ''OOTS'' characters, and so black-and-white seemed appropriate. [[Sarcasm Mode|I was outraged]] to learn that it was, in fact, less expensive and faster to produce, and insisted on paying the printer the full cost for a color book, simply to appease my conscience. That's just the kind of guy I am.}}
* The ''Batman Black and White'' series has stories where it's in, you guessed it, black and white! {{spoiler|Except for the last story in the last volume, which has splashes of red}}. One story features a villain, the Black and White Bandit, who is colorblind and whose [[Idiosyncrazy]] involves things that are black and
* The German version of ''[[Hellboy (comics)|Hellboy]]'', when drawn by Mike Mignola.
=== Comic Strips ===
* ''[[Calvin and Hobbes]]''
** The world, in one of the more surreal Sunday strips, turns into a bizarre patchwork of heavy monochrome blotches. The last panel returns to the normal color format:
Line 71 ⟶ 82:
=== Films -- Animation ===
* While the art of the French [[The Future Is Noir]] film ''Renaissance'' is purely black and white, its story is told in [[Black and Gray Morality|shades of gray]].
* ''[[Persepolis]]'' (except for scenes in the present day).
Line 82 ⟶ 93:
=== Films -- Live-Action ===
* The opening to ''[[The Wizard of Oz (film)|The Wizard of Oz]]'' was deliberately filmed in B&W to highlight its transition to the then-new color filming. It was one of the first movies to use three-strip Technicolor. In the book, Kansas is gray, just like a black and white movie. In the movie (non-TV prints), Kansas is [[Real Is Brown|sepia and white]]. Presumably it's supposed to echo old photographs.
* The opening sequence of 2006's ''Casino Royale'', prior to Bond receiving his 00 rating, is shot in black and white.
* In ''[[A Matter of Life and Death]]'', Earth is in color and Heaven is in black and
* Famous Russian director Andrei Tarkovsky really liked black and white and usually only used color as a specific visual device. Two notable examples are ''Andrei Rublev'' where the only color sequence is the ending montage of the title character's paintings and in ''Stalker'' where the characters' home town is black and white while the Zone is in color.
* ''[[The Girl Can't Help It]]'' (1956) starts in B&W and narrow screen, but this lasts only a few moments (which include the 20th Century-Fox sign-on). When Tom Ewell appears at the start of the opening credits to mention that the movie is in Technicolor and Cinemascope, the screen adjusts accordingly.
* Most of [[The Three Stooges]] 1960s films, done as an homage to their more popular 1930s and 1940s shorts.
* The French movie ''Paris brûle-t-il ?'' (''Is Paris Burning?'') was shot in B&W in 1966 (save for the final view of modern Paris). It allowed the stock footage of the actual liberation of Paris to mix more seamlessly with the film. Also, hanging red Nazi flags in Paris wasn't allowed by the French authorities, even for a movie; the flags had to be gray instead.
* Similarly, ''Task Force'' (1949) has the early parts in black & white to match existing footage; once it reaches WWII, the movie switches to color to match that footage.
* The 1960 [[All-Star Cast|Star-Studded]] epic, ''[[The Longest Day]]'' is also in Black and white to give it a documentary feel.
* The rock concert sequence in ''[[Bedazzled]]'' (the 1967 version) is in black and white, perhaps to mimic the look of mid-1960s television. Logical, since Britain's two main networks didn't get color until 1969.
* Some scenes of ''[[If....]]'' (1968) are in black and white. Many people have tried to find the "pattern"; some think that the black and white scenes are fantasy or dreams, but others think that the color scenes are. Star [[Malcolm McDowell]] claims that some of the scenes would have taken too long to light properly if they had been shot in color, and then other scenes were shot black and white to add "texture". But another view is that the filmmakers ran into money troubles halfway through shooting and so had to shoot the rest of the scenes in black and white.
* ''[[Paper Moon]]'', set in the Great Depression.
* ''The Last Picture Show''
Line 99 ⟶ 110:
* ''[[The Rocky Horror Picture Show]]'' was supposed to be in black and white until the first chorus of ''The Time Warp'', signifying the entrance into the new, colorful world of the Transylvanians.
* ''[[Eraserhead]]'', to facilitate [[Nothing Is Scarier]].
* The comedy ''[[J-Men Forever!]]'' (1979) consists of clips from Republic serials from the 1940s and 50s, edited together and [[Gag Dub|re-dubbed for comic effect]]. In order to frame the resulting incoherent story, creators Philip Proctor and Peter Bergman act in [[Mr. Exposition|scenes]] as the Chief of the J-Men and his bumbling sidekick Barton. The scenes are naturally filmed in B&W to match the rest of the footage.
* ''[[The Elephant Man]]''
* ''[[Raging Bull]]''
Line 118 ⟶ 129:
* The opening scenes of ''[[Van Helsing]]'', in homage to the old monster movies of the 30s and 40s.
* ''[[Good Night and Good Luck]]''. This made the black and white footage of the real Senator Joe McCarthy in the film integrate very well visually.
* The 2005 ''[[Lovecraft on Film|The Call of Cthulhu (tabletop game)]]'' movie is deliberately done not only in black and white but as a silent movie.
* [[Clint Eastwood]]'s films ''[[Flags of our Fathers]]'' and ''[[Letters From Iwo Jima]]'', though filmed in color, are shot and lit as if done in black and white, giving it the same effect. Adding to this, the volcanic rock of Iwo Jima is really not a very colorful place.
* ''The Good German'' was shot in color (because this allowed the use of faster film than currently available in black-and-white, and the ability to use "green screen" techniques), but the color was then converted digitally to a grainier black and white, in order to recreate a 1940s ''film noir'' style, and blend with carefully restored period archival footage.
* ''Control'', a biopic of Joy Division frontman Ian Curtis, was shot entirely in black-and-white to recreate the appearance of '70s band photography. Particularly those taken by the film's director, Anton Corbijn, a photographer for NME, Rolling Stone and other magazines.
* The DVD of ''[[The Mist]]'' has two discs: one with the film in color as theatrically released, one with the film deliberately monochrome.
* ''Christmas on Mars'' is mostly in black and white to emphasize the dreariness of life in an abandoned Mars colony, with more fantastical or just plain [[Mind Screw]] sequences in vivid color.
* At the beginning of ''Defiance'', we see black-and-white film footage of German soldiers rounding up Jews. We cut to a scene which you swiftly realise is not contemporary footage, which then turns into color. At the end of the film, things return to black-and-white.
* The Austrian film ''The White Ribbon'', released in the United States at the end of 2009, was produced entirely in grayscale, because it is set right before [[World War
* The first ''[[Godzilla]]'' film was shot in black and white, not because it couldn't be shot in color, but because it was decided that black and white would send the message better, and because although it was possible to shoot film in color, doing so would have poor quality (see ''[[Rodan]]''), and also because it is easier.
* ''Casshern'' has scenes with liberal use of color, and scenes reduced entirely to black and white. The point is
* The 2004 ''[[The Phantom of the Opera]]'' movie includes several black and white scenes. In this case, these are the "present day" scenes, and the past is shown in full color. There's also a [[Splash of Color]] moment at the
* There is a version of the movie ''[[Sympathy for Lady Vengeance]]'' called ''Fade to Black and White'' in which the movie starts in full color, but the color gradually fades until the last scenes are completely monochrome. Even the regular version has a similar effect: The locations and outfits in the first few scenes make use of very bright colors, but towards the end, the bright colors are replaced by pastels, greys, and black and white. Park had planned to film ''[[Sympathy for Mr. Vengeance]]'' this way, but the idea was scrapped due to budget limitations.
* The opening of the French movie ''[[wikipedia:Le Gendarme de Saint-Tropez|Le Gendarme de Saint-Tropez]]'', set in a small village of the French Alps, is in black and white. Then it switches to color with the arrival in the much more colorful town of [[wikipedia:Saint-Tropez|Saint-Tropez]].
Line 147 ⟶ 158:
=== Literature ===
* Though its absence isn't indicated until far into the book, the majority of ''[[The Giver]]'' takes place [[In a World]] where color (and music... and [[No Sex Allowed|sex]]...) have been
=== Live-Action TV ===
* ''[[Moonlighting]]'' has a B&W episode. Introduced by Orson Welles, no less.
* ''[[Matlock]]'' has a B&W episode about Matlock's father.
* ''[[The Twilight Zone]]'' was intentionally always shot in black in white (they could have used color if they wanted to), to add to the feeling and theme of the show.
Line 158 ⟶ 169:
* The first color daytime episode of ''[[Concentration]]'', in November 1966, had the first couple of minutes in black and white, similar to ''The Wizard of Oz''.
* ''[[Small Wonder]]'' did this in the episode "Big 'J', Private Eye".
* The [[
* The "Interview" episode of ''[[M*A*S*H (television)|Mash]]'' was shot in black and white to look like an authentic 1950s TV interview show. It even includes a brief voiceover from Alan Alda at the start of the episode informing the audience that the episode was deliberately filmed in black and white, presumably to keep people from thinking their TV was busted.
* The Season 3 finale of ''[[Queer as Folk]]'' uses this device, contrasting a B&W police-occupied Liberty Avenue to its truer colorful and celebratory self (a rainbow flag being waved is the first item to regain color).
* ''[[The X-Files]]'' episode "The Post-Modern Prometheus" was black & white in homage to old Frankenstein movies and, presumably, the Deliberately Monochrome ''[[The Elephant Man]]''.
Line 171 ⟶ 182:
* ''[[Cold Case]]'' imitates the production values of the periods they flashback to, and anything beyond 1950 or so ends up black and white. This includes when we get flashes of the [[Timeshifted Actor|Time Shifted Actors]] during present day scenes, which ends up looking sort of creepy.
** One episode began in full old-photo sepia and appeared to take place in the early 1800s. Then a car full of people pull up. It was 2006, in Amish country.
** Also, in episode about bank robbery, flashbacks also are black and white despite being set in
* ''[[Star Trek:
* ''[[Supernatural (TV series)|Supernatural]]'' had "Monster Movie" filmed in B&W as an homage to 1930s monster movies.
{{quote|'''Dean:''' It's about time the Winchesters got back to tackling a straightforward, black and white case.}}
Line 188 ⟶ 199:
=== Music Videos ===
* Black & white videos were a ''huge'' fad in the 90s. In fact, virtually every significant musical act from the period has at least one. The most famous is undoubtedly the mega-hit "Every Breath You Take" by [[The Police]].
* [[Mariah Carey]]'s performance in the 2005 MTV Movie Awards. Everything was in black and white, except the singer and her red dress.
=== Theater ===
* As the [[Show Within a Show]] in the musical ''[[City of Angels (musical)|City of Angels]]'' is supposed to be a 1940s [[Film Noir]], its costumes and sets are in black and white.
=== Video Games ===
* The Twilight areas of ''[[The Legend of Zelda: Twilight Princess|The Legend of Zelda Twilight Princess]]''. According to the early trailers, the Twilight was originally supposed to be ''completely'' monochrome, but the development team decided to make it more sepia-like with lots of bloom, possibly as one of Nintendo's many [[Take That
** Also, ''[[The Legend of Zelda: The Wind Waker|Wind Waker]]'', with the rerun bosses in Ganon's tower.
* A level in Rainbow Resort from ''[[
* The "How to play" movies for the official maps in ''[[Team Fortress 2]]'' are black and white.
* The ''[[Uncharted]]'' series of games include optional black and white and sepia filters.
Line 216 ⟶ 227:
* ''[[Dragon Quest VIII]]'' has the [[Dark World]], which despite its name doesn't really fit the trope; it's no more evil or sinister than the normal world, and it's visually and geographically identical to the island from which you enter it except that it's all in shades of gray: gray grass, gray sky, gray water, gray enemies (who are slightly harder to beat than their in-color counterparts), etc. It makes it surprisingly hard to get around and find stuff, although treasure chests are still in color, and show up even better against gray grass than green. Your party is also still in color, and the townsfolk (who are all in black and white) comment on how funny-looking you are, being in color and all.
* ''[[The Misadventures of PB Winterbottom]]'' uses this with [[Silence Is Golden]] to invoke an old B&W silent film theme.
* ''[[Nitrome|Yin and Yang]]'' is essentially two games in
* In ''[[Splinter Cell]] Conviction'', hiding in shadows turns the screen black and white. This is to reduce HUD elements and has a fair bit of realism as you do see in black and white in darkness in real life, although they don't adjust that fast.
* Indie title ''[[Tower of Heaven]]'' was done in the style of an original Game Boy title, using shades of green rather than gray. {{spoiler|The ending sequence is in color.}}
* ''[[Limbo]]'' has a foreground that's entirely in black silhouettes except for the protagonist's [[Milky White Eyes]], and a greyish, shadowy background.
* In ''[[Comic Jumper]]'', the manga-based world of "Cutie Cutie Kid Cupids" is done entirely in black and white, complete with screen-tone shading like in a real manga.
* In ''[[Call of Duty: Black Ops|Call of Duty Black Ops]]'' Zombie mode, when playing on ascension, the screen is in black and white until you turn the power on, after that it shows a momentary (about 2 seconds) sepia tint, then it goes to full on color.
* World 6-3 from ''[[Super Mario Bros. (video game)|Super Mario Bros]]''. However it was actually colorized in the SNES remake.
* In ''[[
* In ''[[
* ''[[Minubeat]]'' is made up of simple, black-and-white contour graphics. Or white-and-black (you can invert the colors.)
* The original version of ''[[Closure]]'' uses only black and white color. Playstation 3 version has some shades of gray in between.
Line 231 ⟶ 242:
=== Web Animation ===
* The "Old-Timey" universe from ''[[Homestar Runner]]''. Partially averted with the Valentine's Day episode, "in {{color|pink|A COLOR!}}"
=== Web Comics ===
* Inverted in ''[http://www.wapsisquare.com Wapsi Square]'', which is ''usually'' [
* The dark and serious superhero webcomic ''Shades'' takes this further. When someone has a minor flashback, the images are "actual" photographs, including polaroids for the 70s and B&W for WWII. The WWII fighter pilot has a longer flashback entirely in B&W, while a flashback to the middle ages is drawn as if on parchment (black on dust-yellow). Sadly, the flashback to 3000 B.C. was not drawn as a cave painting.
* ''[[Gunnerkrigg Court]]'' rendered Dr. Disaster's space battle [[Hard Light|simulation]] in black and white.
* ''[[Tally Road]]'' started in computer-generated grayscale, briefly flirted with color and crosshatched black and white, and returned to grayscale,
* A comic called ''Flick'' is about a series of miniature universes, each of which has a specific set of rules that pan out to different genres. One of them is film noir, which is entirely monochrome and very 40s-esque in style.
* Not only is all of ''[[Sam and Fuzzy]]'' done in black and white, but the entire website is. Whenever something with color appears on the front page, it's either a guest comic or a new print to buy.
Line 245 ⟶ 256:
* In ''[[The Order of the Stick]]'' proper, grayscale is used to display darkness [http://www.giantitp.com/comics/oots0076.html seen through Darkvision].
* In ''[[Soul Symphony]]'', scenes in the real world are depicted in black and white. Scenes in the "Soul World" are depicted in full-color.
* In ''[[Dreamkeepers]] Prelude'' [https://web.archive.org/web/20140406203708/http://www.dreamkeeperscomic.com/Prelude.php?pg=143 some contemplation].
* ''[[Endstone]]'' was originally done in black and white, except the covers.
* ''[[Frankie and Stein]]'' is done in only black and grey.
=== Web Original ===
* [[Syfy]]'s ''[[The Mercury Men]]'' is filmed in black and white, reminiscent of ''[[The Outer Limits]]'' and old [[The Fifties|Fifties]] serials.
* The [[The Spoony Experiment|Spoony]]/[[Atop the Fourth Wall|Linkara]] crossover review of ''[[Warrior (Comic Book)|Warrior]]'' #4 uses this at the end, after counteracting the effects of the comic on reality by aggressively not caring, and going slightly overboard with it.
=== Western Animation ===
* ''[[Duckman]]'' has a noir parody episode done in B&W. In another where the cast travels to a caricatured 1950s milieu, the scene turns black and white; Cornfed remarks that they do not approve of people of color.
* ''[[The Fairly
** An episode switches to black and white for most of the story; it is a parody of gritty Dick Tracy-style detective stories.
** Also in the episode when Timmy stays with his grandfather and wishes to transform the world into a 30s cartoon everything turns black and white and in the style of the era.
Line 265 ⟶ 276:
** The first scenes of ''Garfield in the Rough'' were deliberately on Black and White and it even started with a warning telling the viewers not to adjust the TV's color set.
* ''[[Pepper Ann]]'' features a "contemporary noir" spoof, although only the flashbacks are black and white.
* An entire episode of ''[[Recess]]'' was done in black and white, involving a story in which Gretchen is discovered for vandalism and explains via flashbacks to another student of how and why [[How We Got Here|she ended up in that room in the first place]].
* All of the film and television images in ''[[Batman: The Animated Series|Batman the Animated Series]]'' are in black and white, most noticeably in the episodes "Beware the Grey Ghost" and "Almost Got 'Im".
* The series finale of ''[[Justice League Unlimited]]'' {{spoiler|and ''[[Batman Beyond]]''}} feature black and white ''flash forwards'' {{spoiler|that is actually just Terry imagining what he'll do after [[Luke, You Are My Father]]-ing Bruce.}}
Line 279 ⟶ 290:
=== Advertising ===▼
▲== Advertising ==
* [http://www.youtube.com/watch?v=abrXOK8iZYw Nuprin]. Little. Yellow. Different. Better.
* Many ads use Limited Palette; a good example being the Gatorade "Is it in you?" series, in B&W except for any liquid, which is in one of Gatorade's colors.
=== Anime ===
* ''[[Shigurui]]'' makes use of this to great effect through the recurrence of red in an otherwise-washed out/dark
=== Comic Books ===
* The Hunter Rose issues of the ''[[Grendel]]'' comic uses a palette of black, white, and red.
* One of the cornerstones of ''[[Hellboy (comics)|Hellboy]]'' with heavy shadows and scarce highlights. Our red hero really stands out.
Line 297 ⟶ 307:
=== Films -- Animation ===
* The "Rhapsody in Blue" segment of ''[[Fantasia]] 2000'' is done primarily in tones of blue, as well as bluish greens and purples, with the occasional red and yellow for emphasis. With the help of computer-controlled coloring, every pixel has some blue in it. The reds and yellows are just very red purples and very yellow greens.
=== Films -- Live-Action ===
* The 90s ''[[Dick Tracy (film)|Dick Tracy]]'' movie.
* ''[[Pleasantville]]'' has the eponymous [[Trapped in TV Land]] world in B&W, but as the brother and sister introduce [[Character Development]] into the static world, elements of color enter to represent it as well.
Line 314 ⟶ 324:
=== Literature ===
* ''[[House of Leaves]]'' is printed in three colors, although there are some variations between the different versions of the book. Normal text is printed in black, the word "{{color|blue|house}}" appears in blue, {{color|red|references to mythology}} or <s>{{color|red|struck out passages that are vaguely threatening to the reader}}</s> appear in red. In addition, there are a few instances of the color purple, including the phrase {{color|purple|A Novel}} on the cover, the {{color|purple|edition number}}, and one instance of a <s>{{color|purple|struck-out purple phrase}}</s> in Chapter XXI. "{{color|red|Minotaur}}" may or may not be struck out, depending on whether it's used during one of the aforementioned mythology references.
* A similar colored-text method is used in ''[[The Neverending Story (novel)|The Neverending Story]]'', to distinguish scenes in Bastian's world from those within the realm of Story. In the paperback version, ''italics'' are used instead.
* Some versions of ''[[The Bible]]'' print Jesus' dialogue in {{color|red|red}}.
* The various characters of ''[[Shades of Grey]]'' are blind to most colors, and have organized themselves into a hierarchy based on which colors they can see. The low-ranking protagonist can only see red.
=== Music Videos ===
* Georgian pop group Ucnobi had the music video to their song [http://www.youtube.com/watch?v=Sf1VbUNGbqU "Vagoni miqris"] shot in grayscale with red highlights. May have to do with red and white being the national colors of Georgia.
* The clip for "Seven Nation Army" by [[The White Stripes]] uses only White, Black and Red, the colors most often worn by the group.
Line 328 ⟶ 338:
=== Video Games ===
* ''[[Mickey Mania]]'', like ''[[Kingdom Hearts II]]'', also has a ''[[Steamboat Willie]]'' level. It starts off in black and white (except for Mickey himself), but patches of color are added into the scenery as the level progresses.
* In ''[[Super Smash Bros.]] Brawl'', the Pictochat stage is largely black and white (by extension, the Pictochat software on the DS is also mostly monochrome), although the characters are still colored. In addition, flashbacks in the Adventure mode cutscenes are black and white.
* ''[[Super Paper Mario]]''
** The general setting of Castle Bleck. While the enemies and characters are in color, the entire [[Ominous Floating Castle]], possibly to show it's in the void, is completely monochrome.
** ''[[Paper Mario: The Thousand-Year Door]]'' also has this in one area, namely the Boggly Woods and the Great Tree contained therein. Well, the backgrounds and creatures fit this bill
* The Pale Realm in ''[[American McGee's Alice]]''. Everything, beside Alice, the Meta Essence and weapons, is in black and white. After all, the place is a chess-themed palace. Guess which chess pieces live there.
* When using the demon morph [[Super Mode]] in ''[[Painkiller]]'', Daniel's vision becomes black and white, with enemies tinted red and black.
* The Wii game ''[[MadWorld]]'' is in stylized black and white with red blood to emphasize the ludicrous violence. And yellow for the map icons, and {{spoiler|blue alien blood.}}
* ''The Lost Crown: A Ghosthunting Adventure'' falls somewhere between this and the Splash Of Color option, using black & white (or black & green, for night-vision camera views) as a base, but highlighting occasional elements of a scene with color to convey mood or make bloodstains apparent. It also [[
* ''[[Metal Gear Solid 4: Guns of the Patriots]]'' [[Playing with a Trope|plays with this]]. Each of the five acts has one distinct (and often thematic) color and the maps conform to a palette around that color, as if it were being used as a white balance. The Middle East in Act 1 is brown, South America in Act 2 is blue during night maps and green during day maps, Eastern Europe in Act 3 is yellow, Shadow Moses in Act 4 is a blinding white, and Outer Haven in Act 5 is grey.
* Fully Nazi-controlled areas in ''[[The Saboteur]]'' are in a Limited
* Environments in ''[[Mirror's Edge|Mirrors Edge]]'' are predominately rendered in one
* The Skies Afire spell in ''[[Brütal Legend|Brutal Legend]]''. The sky turns blood red, and all colour disappears except for shades of grey, red and orange.
* The first half and the antepenultimate chapter of ''[[Journey (2012 video game)|Journey]]'' have predominately orange colour scheme.
Line 351 ⟶ 361:
=== Visual Novel ===
* [[Monochrome Past]] was part of the basis of Detective Tyrell Badd's design in ''[[Ace Attorney]]''. Since he appeared in a flashback case, the artist decided to make him desaturated and give him a grey skin tone in addition to giving him the look and attitude of a [[Film Noir]] detective. The only bright things about him are his [[Real Men Wear Pink|red handmirror and pink lollipop.]]
=== Web Comics ===
* Variation in ''[[Antihero for Hire]]'', where the Christmas comics are drawn only in green and red.
* ''[[Beyond Temptation]]'' pulls this off with black, white and red.
* ''[[Dead Winter]]'' is nearly entirely in grayscale, except for [[Career Killer|Monday's]] red [[Cool Shades]]; and Lizzie's bandana and [[Dream Sequence|mental landscape.]]
* Every chapter of ''[[Gastrophobia]]'' is done in black, white, and a few shades of one color. This color changes with every chapter.
* ''[[Count Your Sheep]]'', starring a young girl named Katie, is usually colored in shades of blue. Flashback episodes featuring her mother Laurie as a girl are in shades of mauve. In a strip where Laurie was pregnant with Katie the strip switched from mauve to blue the moment Laurie went into labor.
* The comic ''[https://web.archive.org/web/20131027054601/http://www.intrepidgirlbot.com/ The Intrepid Girlbot]'' is shaded in bright, warm colors, mostly orange.
* In ''[[No Rest for The Wicked (webcomic)|No Rest for The Wicked]]'', only red gets coloured in. It fits in with the [[Darker and Edgier]]/Dark comedy fairy-tale style. Also lampshaded, a little girl notices [[Little Red Riding Hood|Red's]] signature cape, and comments that it's a "funny colour".
* In ''[[Blip]]'', during a [[Pensieve Flashback]], Liz's memories are rendered entirely in purple and magenta.
Line 372 ⟶ 382:
* ''South Brook'' does this very thematically.
* ''[[A Beginner's Guide to the End of the Universe]]'', except for when the protagonist deliberately goes out of his way to [[Reality Warper|manifest]] something colorful into existence - most notably Snuffy the Pooch, a purple dog.
* ''[[Pibgorn]]'' for the [[Film Noir]] setting, [http://www.gocomics.com/pibgorn/2004/01/13/ except for dialog].
* ''[[Footloose (webcomic)|Footloose]]'': [https://web.archive.org/web/20111104161743/http://www.footloosecomic.com/footloose/pages.php?page=267 The sword and the lightning].
* ''[[American Barbarian]]'': [http://www.ambarb.com/?p=197 All blue and black in the dark.]
* In ''[[Sinfest]]'', [
* ''[[Dissonance]]'' colors anything yellow that should be yellow, but everything else is some shade of grey.
=== Web Original ===
* The ''[[Colour My... Series]]'' takes place in a world where almost everything is black and white. Color and emotions are forbidden. However, the protagonist, who has found love, can use color to manipulate things within the world. Clicking on certain objects will fill spots with color sometimes, too.
* ''[[Madness Combat]]'' does this intentionally with a few notable exceptions, [[Gorn|and blood, lots and lots of blood]] .
=== Western Animation ===
* ''[[Avatar: The Last Airbender]]''
** In the first season finale, the world goes red and then grayscale when the Moon Spirit is endangered and then killed. The only exceptions are fireblasts, the blue Avatar magic of [[Fan Nickname|Koizilla]], and the still-blue eyes of Yue, which signify that a bit of the Moon Spirit survived in her, and [[Heroic Sacrifice|can be returned]].
Line 392 ⟶ 402:
=== Advertising ===▼
* Several US companies are doing commercials with faded color. Not really monochrome or sepia, but just faded enough to stand out. Or at least they would stand out, if every other advert wasn't doing it now.
▲== Advertising ==
▲* Several US companies are doing commercials with faded color. Not really monochrome or sepia, but just faded enough to stand out. Or at least they would stand out, if every other advert wasn't doing it now.
=== Anime ===
* ''[[
* The first establishing shots of the first (chronological) episode of ''[[Haruhi Suzumiya|The Melancholy of Haruhi Suzumiya]]'' are another example, presumably in the mundane/nonmundane contrast vein. Everything suddenly gets a lot more colorful once the narrator meets the titular girl.
* ''[[Boogiepop Phantom]]'', justified because almost all the series is a gigantic [[Flash Back]] (just see the borders of the screen for an extra clue). The last episode features vivid colors and full-screen image.
Line 411 ⟶ 420:
* The ''Nue'' arc (episodes 8&9) of ''[[Mononoke]]'' uses desaturation and color in a very unique way. The arc revolves around the smell of incense; to simulate this without having to go into verbal descriptions, when the characters inhale the incense, the entire scene gains full colour momentarily before fading into monochrome once more. When the legendary incense is lit at the end, the mansion in which the story is set becomes brightly coloured and the wall murals come to life. {{spoiler|But the smell quickly fades away, revealing that the entire building was just an uninhabited ruin under enchantment.}}
* The first ''[[Fullmetal Alchemist (anime)|Fullmetal Alchemist]]'' anime series used either very mild desaturation or a muted color palette when depicting what lay on "the other side of the Gate." This had the end result of making the other side of the Gate seem less "fantastic" or "alive". {{spoiler|Note, for instance, that Noah has more realistic hair colors than Rose in [[The Movie]].}} This is made even more poignant when it's revealed that "the other side of the Gate" is {{spoiler|''our'' world}} and that ultimately, {{spoiler|the Elrics become stranded in our reality, forced to see history unfold and unable to return}}.
* The beautiful anime short ''[[Kigeki]]'' is almost completely desaturated (giving it an appropriately gothic feel) making certain vivid colours like the little girl's [[Green Eyes]] and the [[Rain of Blood|copious amounts of blood]] stand out.
=== Comic Books ===
* The short-running ''[[Transformers]]'' comic ''Hearts of Steel'' takes place in the 1860s rather than the usual modern-day setting, and uses faded colors and a general sepia-toned color scheme to reflect the time period. Might also qualify as [[Real Is Brown]].
=== Films -- Animation ===
* ''[[The Nightmare Before Christmas]]'' contrasts the gloomy [[Monster Town|Halloween Town]] and Christmas Town this way.
* ''[[Corpse Bride]]'' uses drab colors for the living world. The world of the dead, however, is bright and colorful.
=== Films -- Live-Action ===
* ''[[Sky Captain and The World of Tomorrow]]'' was desaturated then resaturated to make it dreamlike, more like a painting than a photorealistic movie. Real [[Zeerust]].
* Mexican film ''La Ley De Herodes'' uses sepia tones and era music for its set on the 1940s.
* Producer [[Tim Burton]] likes the idea, and used it for many of his own films, creating environments that are nearly completely devoid of color to flavor his films as dark and depressing as possible, although he sometimes adds one very short scene that is full of bright color... then it's back to the sparse coloration for the rest of the film.
** ''[[Sweeney Todd: The Demon Barber of Fleet Street (film)|Sweeney Todd: The Demon Barber of Fleet Street]]''. Even the cheerful and sunny beach is sparsely colored, it is practically a relief to see all that bright, happy red blood liven things up.
** ''[[Charlie and the Chocolate Factory (film)|Charlie and The Chocolate Factory]]'' is desaturated before the factory
** Burton's first two short films: the stop-motion ''Vincent'' and the live-action ''Frankenweenie''.
** Not B&W per se, but the first sequence of ''[[Edward Scissorhands]]'' shows a huge set painted in monochrome tones, with the scientist played by Vincent Price as the only bright color character.
** His two ''Batman'' films come pretty close at times.
** So does ''[[Sleepy Hollow (Film)|Sleepy Hollow]]''. Like ''Sweeney Todd'', the colors are all bleached and only the blood is brightly hued.
* ''[[Butch Cassidy and the Sundance Kid]]'' uses sepia thrice: in the intro, in a travel [[Montage]] and the finale... {{spoiler|[[Bolivian Army Ending|you know it...]]}}
* The film version of ''Sir Henry at Rawlinson End'' was shot in slightly sepia-tinted monochrome, allegedly to imitate the look of an Ealing Comedy and ''not'' because the budget wouldn't stretch to color....
* Most of ''Avalon'', a film about a virtual reality [[Massively Multiplayer Online Role Playing Game|MMORPG]] in a dystopian future, is deliberately shot in [http://www.youtube.com/watch?v=8TTgzumaI0w murky sepia]. The movie switches to normal color and lighting at the end, when {{spoiler|the protagonist arrives in the level "class real", which looks much like our world}}.
* [[Mel Gibson]]'s mobster flick ''[[Payback]]'' is shot in faded colors for most of the film, representing the present day. However, flashbacks to the past are in full color, while flashforwards are in [[The Future Is Noir|black and white]]. [[Sliding Scale of Cynicism Versus Idealism|The film's tone is not a happy one]].
* ''[[O Brother, Where Art Thou?]]''
Line 447 ⟶ 456:
=== Live-Action TV ===
* Vladimir Bortko's miniseries adaptation of ''[[The Master and Margarita]]'' portrays the "Soviet" segments of the original novel in sepia and the "Yershalaim" and "Woland's party" segments in color.
* ''[[
* In the 5th season episode of ''[[House (TV series)|House]]'', after the characters find {{spoiler|Kutner dead}} much of the rest of the episode is darkly lit and desaturated to reflect the somber mood.
=== Video Games ===
* ''[[Suikoden]]''
** ''[[Suikoden II]]'' uses sepia for all flashbacks in the story, including one flashback to a scene you played through normally.
** In ''[[Suikoden IV]]'', the island of Iluya is rendered in shades of grey {{spoiler|after being hit by the Kooluk's [[BFG|BF]] [[Weapon of Mass Destruction|Rune Cannon]]}}.
* In corrupted areas in the next-gen ''[[Prince of Persia]]'', everything is shown in dull, faded
* A couple examples from the ''[[Call of Duty]]'' series: when your character is wounded, his vision will wash out to black and white (with the exception of some encroaching red mist). However, this is played straighter in ''Call of Duty 4: Modern Warfare'' when one character {{spoiler|emerges from his downed chopper after being caught in a nuclear blast.}} The resulting reddish-brown-tinted ''hell'' you witness can verge on [[Nightmare Fuel]].
* ''[[F.E.A.R.|F.E.A.R. 2]]'' does this with both its own nuclear aftermath and a few of Alma's hallucinations. It's less brown than Call of Duty's version, and it doesn't just ''verge'' on the nightmare fuel.
Line 463 ⟶ 472:
* The "Old Movie" filter in ''[[Resident Evil 5]]'' uses this.
* Most of the ''[[Silent Hill]]'' series does this, along with using an old movie-style noise filter.
* ''[[City of Heroes]]'': Missions played via the Flashback system began and ended in sepia-tone, although in between they ran in fullcolor.
=== Web Comics ===
* ''[[Lackadaisy]]'' is made in sepia tones to resemble pictures from [[The Roaring Twenties]], since that's when the comic takes place.
* ''[[Between Failures]]'' used black and white colors with shades of gray, {{spoiler|until comic #229, then changed to full color due to the protagonist seeing the world in shades of grays only up to that point}}.
* The Greyzones of ''[[The Way of the Metagamer]]'' cause desaturation.
** The sequel, ''The Way of the Metagamer 2: [[In Name Only]]'', is monochrome with the occasional [[Splash of Color]].
* ''[[Gunnerkrigg Court]]'' has the [[Whole-Episode Flashback]] chapter Ties, which is sepia-toned. There's also Zimmingham, in which the characters appear normally-
* The first volume of ''[[Girl Genius]]'' used to be uncolored. It was upgraded since then, though, and now makes extensive use of this trope. The first pages are in grayscale with a few colored spots (notably the heroine's [[Green Eyes]]), but once Agatha loses her [[Orphan's Plot Trinket|locket]], it gains desaturated tones. Except when she gets
* ''[[Memoria (2010 webcomic)|Memoria]]'': [http://memoria.valice.net/?p=311 Starlight Valley].
* ''[[Newheimburg]]'' is drawn entirely in grey hues.
* ''[[Dreamkeepers]] Prelude'' [https://web.archive.org/web/20140406203546/http://www.dreamkeeperscomic.com/Prelude.php?pg=157 A fantasy] [[Film Noir]].
* In ''[[Thistil Mistil Kistil]]'', [http://tmkcomic.depleti.com/comic/ch04-pg22/ by moonlight]. [http://tmkcomic.depleti.com/comic/ch05-pg17/ And again].
* In ''[[Erstwhile]]'', [https://web.archive.org/web/20131006223735/http://www.erstwhiletales.com/fcd-01/#.T293s9m6SuI used for] [https://web.archive.org/web/20130912084837/http://www.erstwhiletales.com/fcd-02/#.T293mdm6SuI the evening scene].
=== Western Animation ===
* Used beautifully in one episode of ''[[Recess]]'', in which recess is canceled indefinitely. As the kids' days get less and less interesting, the color slowly drains out of the picture until it finally becomes pure black & white. Of course, when recess is inevitably restored, the color returns.
=== Anime ===▼
▲== Anime ==
* Played with in the ''[[Axis Powers Hetalia]]'' movie, where places [[Alien Invasion|directly struck by the Pict]] are ''literally'' drained of their color, leaving behind a monochrome shell of their former selves.
=== Live-Action TV ===
* The [[HBO]] TV movie ''[http://www.imdb.com/title/tt0266391/ The Cat's Meow]'' takes place during [[The Roaring Twenties]] and is about the [[Triang Relations]] between William Randolph Hurst, his actress mistress Marion Davies, and [[Charlie Chaplin]] {{spoiler|who Hurst tries to kill but winds up mortally wounding another guy instead}}. Because all the characters are involved in the silent movie buisness their [[Gorgeous Period Dress|fancy clothes]] are black, white, and grey (which makes it look like a live-action [[Edward Gorey]] story) and {{spoiler|the victim's funeral}} is in black and white.
=== Video Games ===
* ''Super [[Meat Boy]]'' likes to play with colors. Some of the levels and one chapter is entirely black and white where only your character and their stains leave color. Other levels, which are more common in [[Dark World]] levels, have limited monochrome or dischromatic color palette and sometimes only silhouette can be seen.
=== Web Comics ===
* The [[Web Comic]] ''[[Archipelago]]'' is black-and-white on the whole, but uses multiple colors to accentuate magical effects. The character will be monochrome, but when they cast a spell, or when their [[Our Souls Are Different|soul is torn from their body,]] their colors are revealed. Also, dramatic events like flashbacks are portrayed in full color.
* ''[[Derelict (webcomic)|Derelict]]'' uses desaturation, except for the pinwheel, which is in full and brilliant color.
* ''[[Next Town Over]]'' sometimes uses [http://squidbunnies.com/nto/?p=4 desaturation with a splash of color.]
* ''[[Question Duck]]'': black shading to white, or red, or
* ''[[All Roses Have Thorns]]'' starts off being completely in gray tones, save for blood and eye colors. But as time goes on and it gets closer to modern day, it slowly grows more saturated with colors. To the point that by the 19th century the comic is now nearly full-color.
Line 512 ⟶ 521:
[[Category:Photography and Illustration]]
[[Category:Film Tropes]]
[[Category:Retro Tropes]]
[[Category:{{PAGENAME}}]]
| |||