Feminist Fairy Tales: Difference between revisions

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[[File: | title = Feminist Fairy Tales.jpg|thumb|280px]]
| image = Feminist Fairy Tales.jpg
 
| caption =
| author = Barbara G. Walker
| central theme = Feminine empowerment against old patriarchal values
| elevator pitch = An anthology of [[Gender Flip]]ped and original [[Fairy Tales|fairy tales]]
| genre = [[Feminist Fantasy]]
| publication date = 1996
| source page exists =
| wiki URL =
| wiki name =
}}
'''''Feminist Fairy Tales''''' is a 1996 anthology of revised and original fairy tales by feminist Barbara G. Walker.
 
Quite a few [[Fairy Tales|fairy tales]] are less than friendly towards women (case in point, there is an entire fairy tale genre about heroic wife-beating). Walker sought to right the wrongs by rewriting famous and lesser-known fairy tales (as well as some well known folkloric and mythology-derived tales) to empower female readers, especially those reading in the children's section. Famous tales like ''[[Snow White and The Seven Dwarfs (novel)|Snow White]]'', ''[[Cinderella (novel)|Cinderella]]'' and ''[[Jack and the Beanstalk]]'' were given a [[Gender Flip]] and/or a [[Perspective Flip]] to be told from the side of female characters.
 
It is arguable whether she succeeded, as described on [[Feminist Fairy Tales/YMMV|the YMMV page]]. Very often Walker missed the point of the original tale or was only familiarizedfamiliar with the [[Flanderized]], [[Disneyfication|Disneyfied]] version of the story, which resulted in stories that read like a [[Shallow Parody]] of the original with a feminist slant. Also, there are heavy [[Values Dissonance]] between Walker's feministsfeminist principles <ref>which seemsseem rooted on First and Second wave feminism, where great value was put on the things that made women "special" like reproductive capacity and "feminine" values being taken as seriously as "male" ones"</ref> and the ones onin vogue onin the current state of the movement from the 2000s onwards<ref> which place greater emphasis in equality, women's independence, female solidarity, and choice over reproductive rights</ref>, resulting in stories that could read superficially as "empowering" but toon close examination are anything but.
 
{{examples|Fairy Tales and Folkloric stories rewritten for the anthology:}}
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* ''[[Saint George and The Dragon]]''
* ''[[The Frog Prince]]''
* ''[[Thomas the Rhymer]]''
* [[Greek Mythology]]
* [[Norse Mythology]]
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* [[Arbitrary Skepticism]] / [[Flat Earth Atheist]]: "The Oracle" is effectively an atheist tract, with the witch monologuing on how magic and miracles aren't real, amidst numerous stories where magic ''is'' real and Mother Goddesses are ten a penny.
* [[Beauty Equals Goodness]]: While most of the heroic characters are non-descript or fairly average, most of the tales describe the male villains as particularly hideous. There are two tales on the anthology who try to subvert this trope, the original story "Barbidol" and "Ugly and the Beast" (a rewrite of "Beauty and the Beast"), but they are marred by flawed writing that make the characters [[Unintentionally Unsympathetic]], resulting in a [[Lost Aesop]].
* [[Bee-Bee Gun]]: Florian is attacked by [[Wrathful Wasps|mud wasps]] and almost dies of an allergic reaction.
* [[Broken Aesop]]: the rewrites tend to break not only the Aesop of the originals, but also the ones expected for the plot. [[Egregious]]ly seen in the rewrite of "[[The Emperor's New Clothes]]", where the con-women become ever bigger [[Karma Houdini]]s than the originals - to wit, in this version they were flat out ''rewarded'' for basically conning the biggest leader of their nation, by said leader even!
** As noted above, it's rather difficult to take the moral of "The Oracle" (that there's no such thing as magic) seriously in a book of fairy tales that otherwise is full of magic.
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* [[No Periods, Period]]: Inverted. Dear God, inverted. In "Cinder-Helle", it's revealed that Cinder-Helle can magically create her dress, coach, and horses... through the magic of her menstrual blood.
* [[Plagiarism]]: Several stories seem to be ripped off from pre-existing works:
** "Cinder-Helle" shares quite a bit in common with [[Tanith Lee]]'s "When the Clock Strikes". Both have the Cinderella character's mother belong to a secret underground religion (paganism for the former, Satanism for the latter) and hide by marrying a nobleman, all while raising her daughter to share her beliefs. The Cinderella character proceeds to woo the prince not out of love, but as a means to an end (using her status as queen to banish Christianity and reinstate worship of the Mother Goddess in the former, drive the prince insane as revenge against his father in the latter).
** "Fairy Gold" reads very similarly to Prosper Merimee's ''La Venus d'Ille''. Both feature a mystical statue in the "modest Aphrodite" pose, with an inscription in a strange language. Both stories have the statue fixate on a young man who unwittingly stumbles across it and both stories end with the young man dying in the statue's embrace. The only difference is that "Fairy Gold" treats this as a good thing.
** "The Weaver" copies a number of points from the fairy tale "The Nettle Spinner", including the heroine being a talented young weaver who is engaged to her childhood sweetheart, the villain being a cruel baron who causes his kinder wife much misery, and the conflict arising from the baron wanting to seduce the weaver.
* [[Sex Is Evil and I Am Horny]]: According to "How the Sexes Were Separated", this is one of the reasons why men hate women. The Zeus/God [[Expy]] forbids any sort of pleasure of the flesh and, because men can't stop desiring sex, they constantly feel guilty and channel it as anger towards women.
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[[Category:{{PAGENAME}}]]
[[Category:Fairy Tale]]
[[Category:Literature]]
[[Category:Pages Original to All The Tropes]]
[[Category:Literature of the 1990s]]