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Feminist Fairy Tales: Difference between revisions

grammar, usage, subject-verb agreement, when? in main text
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Quite a few [[Fairy Tales|fairy tales]] are less than friendly towards women (case in point, there is an entire fairy tale genre about heroic wife-beating). Walker sought to right the wrongs by rewriting famous and lesser-known fairy tales (as well as some well known folkloric and mythology-derived tales) to empower female readers, especially those reading in the children's section. Famous tales like ''[[Snow White and The Seven Dwarfs (novel)|Snow White]]'', ''[[Cinderella (novel)|Cinderella]]'' and ''[[Jack and the Beanstalk]]'' were given a [[Gender Flip]] and/or a [[Perspective Flip]] to be told from the side of female characters.
 
It is arguable whether she succeeded, as described on [[Feminist Fairy Tales/YMMV|the YMMV page]]. Very often Walker missed the point of the original tale or was only familiarizedfamiliar with the [[Flanderized]], [[Disneyfication|Disneyfied]] version of the story, which resulted in stories that read like a [[Shallow Parody]] of the original with a feminist slant. Also, there are heavy [[Values Dissonance]] between Walker's feministsfeminist principles <ref>which seemsseem rooted on First and Second wave feminism, where great value was put on the things that made women "special" like reproductive capacity and "feminine" values being taken as seriously as "male" ones"</ref> and the ones onin vogue onin the current{{when}} state of the movement<ref> which place greater emphasis in equality, women's independence, female solidarity, and choice over reproductive rights</ref>, resulting in stories that could read superficially as "empowering" but toon close examination are anything but.
 
{{examples|Fairy Tales and Folkloric stories rewritten for the anthology:}}
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