Gods Need Prayer Badly: Difference between revisions

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This trope is of course dependent on a [[Physical Religion]] to entice prayer in the first place.

Named for ''[[Gauntlet]]'''s "''[[An Adventurer Is You|<character>]] [[Wizard Needs Food Badly|needs food, badly!]]''" catchphrase.

Named for ''[[Gauntlet (1985 video game)]]'''s "''[[An Adventurer Is You|<character>]] [[Wizard Needs Food Badly|needs food, badly!]]''" catchphrase.

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== Fanfics ==

* There's a [[~~Buffy the Vampire Slayer (TV)|~~Buffy the Vampire Slayer]] fic that deals with the gang visiting a realm that serves as a home for the forgotten gods to seek help from Ares. While there Ares comments that two of the gods don't really belong there since they seem to have plenty of followers, a South American god still worshiped by natives, and even more strangely, a [[The Mighty Thor|norse god]] who seems to have gained power in the last century.

* There's a [[Buffy the Vampire Slayer]] fic that deals with the gang visiting a realm that serves as a home for the forgotten gods to seek help from Ares. While there Ares comments that two of the gods don't really belong there since they seem to have plenty of followers, a South American god still worshiped by natives, and even more strangely, a [[The Mighty Thor|norse god]] who seems to have gained power in the last century.

* Discussed and generally averted in ''[[~~Undocumented Features (Fanfic)|~~Undocumented Features]]''. Corwin, a recently ascended [[Physical God]], seems to have no need for anyone to worship him, but that doesn't deter Chip, his self-proclaimed first worshiper, from doing so. Corwin's admonishments of [[Stop Worshipping Me!]] have gotten to the point of gentle admonishment/RunningGag.

* Discussed and generally averted in ''[[Undocumented Features]]''. Corwin, a recently ascended [[Physical God]], seems to have no need for anyone to worship him, but that doesn't deter Chip, his self-proclaimed first worshiper, from doing so. Corwin's admonishments of [[Stop Worshipping Me!]] have gotten to the point of gentle admonishment/RunningGag.

== Comic Books ==

* Very, ''very'', '''very''' [[Depending On the Writer]] in both [[The DCU]] and the [[Marvel Universe]]. Sometimes the gods complain about this, sometimes they draw plenty of power from the ideas they're embodiments of even if people don't know about the [[Anthropomorphic Personification|Anthropomorphic Personifications]] as people, sometimes they flat don't care.

* Very, ''very'', '''very''' [[Depending on the Writer]] in both [[The DCU]] and the [[Marvel Universe]]. Sometimes the gods complain about this, sometimes they draw plenty of power from the ideas they're embodiments of even if people don't know about the [[Anthropomorphic Personification|Anthropomorphic Personifications]] as people, sometimes they flat don't care.

** In general this applies more to DC than Marvel. In Marvel the abstracts are not usually called gods and transcend them. More traditional gods like Thor and Ares have not been worshiped on a wide scale for centuries. They don't complain about loss of power or seek out new worshipers. They show no loss of power over time. Some writers have shown a connection between mortals and gods, but generally this is more a cultural connection that allows gods to interact on Earth instead of a dependency on faith.

** DC gods tend to be more vulnerable to this. It is usually use to justify Ares being a major threat to even the combined Olympian gods and why he constantly spreads war. Several storylines have had Ares and other gods be stronger than Zeus due to changes in worship and things mortals venerate. A lot less people are afraid of the sky or praying for rain than they used too. However, power tends to rely less on direct worship and more on how important the concept a god represents is to the mortal world. Ares can feed on conflict of any kind instead of that just dedicated to him. There are exceptions. The [[New Gods]] tend to stay strong without a race to draw strength from, but at times they have implied to be more gods of technology that draw power from across the universe.

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* In ''[[Knights of the Dinner Table]]'', after Bob's character, Knuckles III, dies, his next character (Knuckles IV) manages to get Knuckles III promoted to [[Phantasy Spelling|gawdhood]]. Temples to Knu-Kyle-Ra are now a recurring feature in the comic. Unfortunately, they don't owe Bob's other characters any favors.

* In ''[[My Faith In Frankie]]'', gods gain power from the belief of their followers. Judging by Jeriven, they only need one true believer to be at full strength, but more may have more effect.

* In one of the later [[Conan the Barbarian (~~Comic Book~~)|Savage Sword of Conan]] comics, Conan's physical likeness to a hero-turned-demigod is exploited by a local tyrant looking to put down a growing rebellion and win droves of recruits to his army. (Said hero, Shan, had once promised to return to his people one day when their suffering became intolerable.) This becomes problematic when the actual demigod shows up on the battlefield and strikes down everyone who participated in the fraud, except Conan. Impressed by his bravado, Shan decides to slay Conan in hand-to-hand combat. Clearly outmatched, Conan undermines Shan by questioning his motives for appearing on the battlefield, pointing out that if he really cared about the welfare of his worshippers, he would have freed them from the tyrant long ago. He only appeared now because he was in serious danger of losing their adulation. Conan's words make Shan's followers question their belief, which actually de-powers the deity. Conan finally disarms him and runs him through, forcing Shan to retreat to the realm of the gods, now deprived of the worship needed to sustain him.

* In one of the later [[Conan the Barbarian (comics)|Savage Sword of Conan]] comics, Conan's physical likeness to a hero-turned-demigod is exploited by a local tyrant looking to put down a growing rebellion and win droves of recruits to his army. (Said hero, Shan, had once promised to return to his people one day when their suffering became intolerable.) This becomes problematic when the actual demigod shows up on the battlefield and strikes down everyone who participated in the fraud, except Conan. Impressed by his bravado, Shan decides to slay Conan in hand-to-hand combat. Clearly outmatched, Conan undermines Shan by questioning his motives for appearing on the battlefield, pointing out that if he really cared about the welfare of his worshippers, he would have freed them from the tyrant long ago. He only appeared now because he was in serious danger of losing their adulation. Conan's words make Shan's followers question their belief, which actually de-powers the deity. Conan finally disarms him and runs him through, forcing Shan to retreat to the realm of the gods, now deprived of the worship needed to sustain him.

** Averted, and hard, by Crom. He's liable to kill anyone who dares pray to him, as it implies his gift of life and the will to do battle was not enough.

* The universe of Asceltis (in french comic books ''Les brumes d'Asceltis'' and ''Les exilés d'Asceltis'') embodies this trope. It is quite scary to see what Gods can do to keep people believing in them.

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== Film ==

* In ''[[Q ~~the~~ Winged Serpent]]'', the Aztec god Quetzalcoatl is prayed back into existence and begins terrorizing New York City in the form of a giant flying snake-bird thing with four legs. [[Did Not Do the Research|Incidentally]], Quetzacoatl was one of the more benign Aztec Gods.

* In ''[[Q – The Winged Serpent]]'', the Aztec god Quetzalcoatl is prayed back into existence and begins terrorizing New York City in the form of a giant flying snake-bird thing with four legs. [[Did Not Do the Research|Incidentally]], Quetzacoatl was one of the more benign Aztec Gods.

* While God, angels and demons in ''[[Dogma]]'' apparently exist independantly of humans, they are still influenced by the way humans believe in them. This is made more explicit in some of the deleted scenes.

* In ''[[Elf]]'', Santa's sleigh is said to draw power from children's belief in him.

* Played with in the remake of ''[[Clash of the Titans]]''. Zeus and most of the Olympians sustain their immortality through the prayers of humans. This provides a problem when humans not only stop worshiping Olympus, but actively try and starve the gods of badly-needed prayers through blasphemy. As one would expect, [[Do Not Taunt Cthulhu|it doesn't go well...]]

* In ''[[~~Freddy vs. Jason (Film)|~~Freddy vs. Jason]]'', Freddy needs people to fear him to be able to infiltrate their dreams, so he became powerless when the inhabitants of Springwood systematically eradicated any trace of his existence. He uses Jason as a pawn to reinvigorate the locals' belief in him so he can return.

* In ''[[Freddy vs. Jason]]'', Freddy needs people to fear him to be able to infiltrate their dreams, so he became powerless when the inhabitants of Springwood systematically eradicated any trace of his existence. He uses Jason as a pawn to reinvigorate the locals' belief in him so he can return.

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* [[Fritz Leiber]]'s stories of [[Fafhrd and The Gray Mouser]] have a unique take: all temples in the city of Lankhmar are located along the Street of the Gods. Less-popular religions are located at the end of the street closest to the city gate; the more numerous a deity's followers, the farther from the gate his temple is located. Religions ebb and fall up and down the street throughout Lankhmar's history.

* In the A.E. van Vogt story ''The Book of Ptath'', gods are powered by "prayer sticks," which are actual machines (albeit, [[Magic From Technology|Sufficiently Advanced ones]]) that are physically manipulated by their worshipers to send power to the god.

* ''[[~~American Gods (Literature)|~~American Gods]]'' uses this as a central plot point. There's some major [[Fridge Logic]] (or perhaps [[Fridge Brilliance]]) at one point given the slighting way one of them refers to Jesus. Given that deities are powered by belief, he (probably along with Vishnu) would likely be the most powerful god around at present.

* ''[[American Gods]]'' uses this as a central plot point. There's some major [[Fridge Logic]] (or perhaps [[Fridge Brilliance]]) at one point given the slighting way one of them refers to Jesus. Given that deities are powered by belief, he (probably along with Vishnu) would likely be the most powerful god around at present.

** There's also the implication that each nation has localised versions of gods: the American Kali mentions that there is a much more powerful Indian Kali, the protagonist briefly meets an Icelandic Odin and a powerless Jesus in Afghanistan is mentioned.

** At first glance, [[Magic A Is Magic A|the rules of the system]] could arguably have made Jesus ''so'' powerful in modern America that the conflict throughout the story would be beneath him. It's not his problem and neither side in the conflict would want him involved. On the other hand, note that gods in this setting don't actually need prayer itself, just belief. In that case, Jesus might not be all that powerful in modern America; see the premise of ''[[Discworld ~~(Literature)~~/Small Gods|Small Gods]]'' below.

** At first glance, [[Magic a Is Magic A|the rules of the system]] could arguably have made Jesus ''so'' powerful in modern America that the conflict throughout the story would be beneath him. It's not his problem and neither side in the conflict would want him involved. On the other hand, note that gods in this setting don't actually need prayer itself, just belief. In that case, Jesus might not be all that powerful in modern America; see the premise of ''[[Discworld/Small Gods|Small Gods]]'' below.

* [[David Eddings]] uses it in the ''Elenium'' and ''Tamuli'' trilogies (the source of the page header quote). At one point, the goddess Aphrael becomes ill because her worshippers are being killed.

* [[Douglas Adams]]' ''[[The Long Dark Tea Time of the Soul]]'': Old gods who have fallen out of belief become powerless destitutes, while a new god is actually spawned as a critical mass of Guilt builds up through the book.

* [[Douglas Adams]]' ''[[The Long Dark Tea-Time of the Soul]]'': Old gods who have fallen out of belief become powerless destitutes, while a new god is actually spawned as a critical mass of Guilt builds up through the book.

* In ''[[The ~~Hitchhikers~~ Guide to ~~The~~ Galaxy]]'', [[Hollywood Atheist|Oolon Colluphid]] says that the Babel Fish was used to prove the existence of God, but since God Needs Faith Badly, the concrete proof of his existence [[Puff of Logic|immediately caused his nonexistance]].

* In ''[[The Hitchhiker's Guide to the Galaxy]]'', [[Hollywood Atheist|Oolon Colluphid]] says that the Babel Fish was used to prove the existence of God, but since God Needs Faith Badly, the concrete proof of his existence [[Puff of Logic|immediately caused his nonexistance]].

* [[Terry Pratchett]] uses this one a bunch throughout ''[[~~Discworld (Literature)|~~Discworld]]''. The Discworld is lousy with small gods, most of them just "a pinch of existence," barely sentient and incapable of much more than disturbing dust or influencing the minds of animals. But the right minor miracle in the right place at the right time...

* [[Terry Pratchett]] uses this one a bunch throughout ''[[Discworld]]''. The Discworld is lousy with small gods, most of them just "a pinch of existence," barely sentient and incapable of much more than disturbing dust or influencing the minds of animals. But the right minor miracle in the right place at the right time...

** ''[[Discworld ~~(Literature)~~/Small Gods|Small Gods]]'' concerns the rise, fall, and return of the Great God Om, patron deity of the theocratic empire of Omnia. He left at the height of his power, promising to return during the rise of the next prophet. When he does come back from his godly vacation, he finds himself inexplicably trapped in the body of a small tortoise, unable to conjure more than a spark of static. As it turns out, his followers began to believe less in him and more in his church, or more specifically that showing proper commitment to the church [[Church Militant|was less likely to have you tortured to death for heresy]]. By Om's return, only a single lowly acolyte believes in the actual deity Om rather than Omnianism.

** ''[[Discworld/Small Gods|Small Gods]]'' concerns the rise, fall, and return of the Great God Om, patron deity of the theocratic empire of Omnia. He left at the height of his power, promising to return during the rise of the next prophet. When he does come back from his godly vacation, he finds himself inexplicably trapped in the body of a small tortoise, unable to conjure more than a spark of static. As it turns out, his followers began to believe less in him and more in his church, or more specifically that showing proper commitment to the church [[Church Militant|was less likely to have you tortured to death for heresy]]. By Om's return, only a single lowly acolyte believes in the actual deity Om rather than Omnianism.

** ''[[Discworld ~~(Literature)~~/The Last Hero|The Last Hero]]'' introduces Nuggan, a minor deity hailing from Borogravia. An unpleasant god with an unpleasant mustache, he's a bossy little deity whose holy books are three-ring binders so he can constantly add to the list of Abominations that make life so miserable for his followers - when the Silver Horde brings a Borogravian bard to Dunmanifestan, they have to physically restrain the man from attacking his god. By ''[[Discworld ~~(Literature)~~/Monstrous Regiment|Monstrous Regiment]]'', the Abominations have helped cripple a war-torn Borogravia's economy (no more crop rotation) and have become so deranged (Abominating babies and the color blue) that citizens have taken to praying to the land's Duchess for succor. {{spoiler|In the end, Nuggan is revealed to have faded away, with the Abominations as a sort of echo, while Borogravia's faith in its Duchess has given the now dead woman a quasi-deity status, much to her consternation}}.

** ''[[Discworld/The Last Hero|The Last Hero]]'' introduces Nuggan, a minor deity hailing from Borogravia. An unpleasant god with an unpleasant mustache, he's a bossy little deity whose holy books are three-ring binders so he can constantly add to the list of Abominations that make life so miserable for his followers - when the Silver Horde brings a Borogravian bard to Dunmanifestan, they have to physically restrain the man from attacking his god. By ''[[Discworld/Monstrous Regiment|Monstrous Regiment]]'', the Abominations have helped cripple a war-torn Borogravia's economy (no more crop rotation) and have become so deranged (Abominating babies and the color blue) that citizens have taken to praying to the land's Duchess for succor. {{spoiler|In the end, Nuggan is revealed to have faded away, with the Abominations as a sort of echo, while Borogravia's faith in its Duchess has given the now dead woman a quasi-deity status, much to her consternation}}.

** In ''[[Discworld ~~(Literature)~~/Hogfather|Hogfather]]'', this fact is deliberately used in an attempt to kill the Disc's [[Crystal Dragon Jesus|Crystal Dragon Santa]] by using [[Mind Control]] to stop children from believing in him. When the Hogfather falls out of existence, all that belief goes into [[Clap Your Hands If You Believe|completely random concepts that never existed before]], such as [[Odd Job Gods|the Verruca Gnome; the Eater of Socks; and Bilious, the Oh God of Hangovers]]. [[The End of the World As We Know It|Oh, and it might mean the end of the world]].

** In ''[[Discworld/Hogfather|Hogfather]]'', this fact is deliberately used in an attempt to kill the Disc's [[Crystal Dragon Jesus|Crystal Dragon Santa]] by using [[Mind Control]] to stop children from believing in him. When the Hogfather falls out of existence, all that belief goes into [[Clap Your Hands If You Believe|completely random concepts that never existed before]], such as [[Odd Job Gods|the Verruca Gnome; the Eater of Socks; and Bilious, the Oh God of Hangovers]]. [[The End of the World as We Know It|Oh, and it might mean the end of the world]].

** ''[[Discworld ~~(Literature)~~/The Last Continent|The Last Continent]]'' features the God of Evolution, who has no worshipers. He exists because he believes in himself very strongly, or more precisely, what he does.

** ''[[Discworld/The Last Continent|The Last Continent]]'' features the God of Evolution, who has no worshipers. He exists because he believes in himself very strongly, or more precisely, what he does.

** During ''[[Discworld ~~(Literature)~~/Going Postal|Going Postal]]'' Moist Von Lipwig perpetrated a con that resulted in the border-line small god Anoia, Goddess of Things Getting Stuck In Drawers, seeing a sudden surge in popularity and a possible promotion to Goddess of Lost Causes. Moist prays to her on the basis that she owes him, and ''[[Discworld ~~(Literature)~~/Making Money|Making Money]]'' reveals that this may have paid off - {{spoiler|the secondary villain suffers a sudden and disabling malfunction of his dentures when one of its springs gets unstuck at a critical moment}}.

** During ''[[Discworld/Going Postal|Going Postal]]'' Moist Von Lipwig perpetrated a con that resulted in the border-line small god Anoia, Goddess of Things Getting Stuck In Drawers, seeing a sudden surge in popularity and a possible promotion to Goddess of Lost Causes. Moist prays to her on the basis that she owes him, and ''[[Discworld/Making Money|Making Money]]'' reveals that this may have paid off - {{spoiler|the secondary villain suffers a sudden and disabling malfunction of his dentures when one of its springs gets unstuck at a critical moment}}.

** In hindsight, the golden Guardian at the Gate (a.k.a. "He looks just like my [[The Oscar|Uncle Osbert...]]") from ''[[Discworld ~~(Literature)~~/Moving Pictures|Moving Pictures]]'' was probably a god of some sort, as he needs people's rememberance, and by extension, their belief that {{spoiler|he can protect Holy Wood from the Dungeon Dimensions}}, if he's to {{spoiler|stay awake}}.

** In hindsight, the golden Guardian at the Gate (a.k.a. "He looks just like my [[The Oscar|Uncle Osbert...]]") from ''[[Discworld/Moving Pictures|Moving Pictures]]'' was probably a god of some sort, as he needs people's rememberance, and by extension, their belief that {{spoiler|he can protect Holy Wood from the Dungeon Dimensions}}, if he's to {{spoiler|stay awake}}.

* This is the prominent plot point for [[Margaret Weis]] and [[Tracy Hickman]] in the ''[[The Rose Of The Prophet]]'' series.

* The gods of the ''[[Dragonlance]]'' setting don't die without worship, but getting it does make them more powerful.

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** There is also a case of regional variance in power. The Graveyard Hag is a fairly weak goddess of trickery in most of the world. In her domain of Carthak her power is so absolute only her father the god of death can oppose her.

* A variation on this occurs in [[Tanith Lee]]'s "Tales From the Flat Earth" series, where most of the god-like "Lords of Darkness" derive themselves from humanity's understanding of abstractions; i.e. they start out as mindless forces, and over time, as humanity personifies them, they become actual entities with full-blown personalities. The actual creators of the earth, however, the Gods, are pretty much oblivious to humanity, and ignore prayers and offerings. The Lords of Darkness are often worshiped as Gods, though (this is a major plot point in the second and fourth books), and are about one level or so below the actual Gods in power. Azhrarn, the first Lord, and personification of Wickedness, is different from the other lords, in that he's older than the universe, doesn't need human belief to be personified, and is probably as old as the Gods, but not as powerful; though it is implied that human perceptions of him do "fluff up" his definition, or at least has some relation to how he manifests, but only slightly. However, it is strongly implied, if not outright stated, that without humanity, Azhrarn would lose his sense of purpose, even though he would still exist. The other lords, like Chuz, Lord of Madness, or Uhlume, Lord of Death, are explicitly the products of human imagination, do not predate the universe, and it is implied that they would fade away without humanity.

* ''[[~~The End of Mr. Y (Literature)|~~The End of Mr. Y]]'' by Scarlett Thomas: Gods are created by belief and, of course, gain power from worship. Apollo Smintheus, the mouse god, has a cult of six guys in Illinois with a website. As you might guess, he's not particularly powerful.

* ''[[The End of Mr. Y]]'' by Scarlett Thomas: Gods are created by belief and, of course, gain power from worship. Apollo Smintheus, the mouse god, has a cult of six guys in Illinois with a website. As you might guess, he's not particularly powerful.

* In ''[[Incarnations of Immortality|For Love of Evil]]'', Piers Anthony shows that YHWH used to have a lot of power, but since belief in the Hebrew God had waned, his place had been usurped by the Christian God.

* Subverted in ''[[The Soldier Son]]'' trilogy by [[Robin Hobb]]. The main character attempts to denounce that he owes ones of the "Old gods" a favour, saying that he "Believes in the Good God - You have no power over me" at which point the Old God laughs and tells him "How weak do you think Gods are? Do you think we require your belief in us to exist, how weak would such a god be?"

* ''[[Star Trek New Frontier]]'' brought us the Greek gods (who were also the Roman gods, the Norse gods, etc.,) known as The Beings, who were kin to Apollo in the [[Star Trek ~~the~~ Original Series ~~(TV)~~|original series]] episode "Who Mourns for Adonais?" They eventually get all powerful thanks to the worship of the Danteri... and the fear of the ''Excalibur'' and the ''Trident''. {{spoiler|1=They're beaten by said crews becoming quite literally fearless, along with the help of Mark McHenry (the descendant of Apollo and Carolyn Palamas)... and Woden/Zeus/Santa Claus, god of all gods.}}

* ''[[Star Trek: New Frontier]]'' brought us the Greek gods (who were also the Roman gods, the Norse gods, etc.,) known as The Beings, who were kin to Apollo in the [[Star Trek: The Original Series|original series]] episode "Who Mourns for Adonais?" They eventually get all powerful thanks to the worship of the Danteri... and the fear of the ''Excalibur'' and the ''Trident''. {{spoiler|1=They're beaten by said crews becoming quite literally fearless, along with the help of Mark McHenry (the descendant of Apollo and Carolyn Palamas)... and Woden/Zeus/Santa Claus, god of all gods.}}

* The short story anthology ''Gods of War'' (by Christopher Stasheff, et al) features this, but also indicates in addition to the Greek, Norse, and Japanese gods (among others) who fall into this trope, there is the 'one god' who is above the others and has no such concerns or limitations.

* This is how it works in Dave Duncan's ''Great Game'' trilogy. The balance of power in that world is being upset by one demigod who has discovered a much more efficient means of getting divine power from worship - human sacrifice - and threatens to overthrow the major gods.

* Played very straight in ''[[~~The Acts of Caine (Literature)|~~The Acts of Caine]]'', but with a [[Backstory|history]]. A long time ago, gods had whatever power they could draw from T'nalldion a.k.a. Home, the fundamental pattern/source of all magic on Overworld. Then this [[Badass Normal|lowly human]] named Jereth got involved in a religious war, kicked some ass, earned the title of [[Did You Just Punch Out Cthulhu?|Godslaughterer]], and [[Heroic Sacrifice|died]] to establish the Covenant of Pirichanthe, which limits the power of all deities to what their believers provide. The exceptions are the [[Cosmic Horror|Outer Powers]] which feed on the suffering and fear of sentients, and the [[Humans Are Bastards|Blind God]], who is happily nigh-omnipotent on Earth despite the fact that his worshipers neither believe he exists nor care.

* Played very straight in ''[[The Acts of Caine]]'', but with a [[Backstory|history]]. A long time ago, gods had whatever power they could draw from T'nalldion a.k.a. Home, the fundamental pattern/source of all magic on Overworld. Then this [[Badass Normal|lowly human]] named Jereth got involved in a religious war, kicked some ass, earned the title of [[Did You Just Punch Out Cthulhu?|Godslaughterer]], and [[Heroic Sacrifice|died]] to establish the Covenant of Pirichanthe, which limits the power of all deities to what their believers provide. The exceptions are the [[Cosmic Horror|Outer Powers]] which feed on the suffering and fear of sentients, and the [[Humans Are Bastards|Blind God]], who is happily nigh-omnipotent on Earth despite the fact that his worshipers neither believe he exists nor care.

* Partly how gods are created in ''[[The God Eaters]]'', where a human born with magic is worshiped until (at least in the case of {{spoiler|Medur}}) they gain enough power to return after death. Eventually, however, they amass enough power that they don't need belief to keep going. Still doesn't mean they're indestructible, though.

* Several short stories by [[Lord Dunsany]] explore this trope, most literally ''Poseidon'', in which the eponymous deity complains that he can no longer cause earthquakes without the blood of bulls. Perhaps humans just got smarter over the years.

* In the ''[[Book of Swords]]'', when people find out gods can be killed, their faith is shaken. Eventually, it is discovered that humans created gods by believing... which they stop, destroying all the gods. This leads to the question of "If humans made the gods, where did humans come from?" (Inversion of a question often asked theists in [[Real Life]].)

* [[God Is Evil|Yahweh]], in ''[[The Salvation War]]''. An [[Lampshade]] is hung on it by an intelligence officer, who describes him as "Like [[Stargate SG 1|the Ori]]."

* [[God Is Evil|Yahweh]], in ''[[The Salvation War]]''. An [[Lampshade]] is hung on it by an intelligence officer, who describes him as "Like [[Stargate SG-1|the Ori]]."

* Expanded by [[Dan Simmons]] in his short story ''Vanni Fucci is Alive and Well and Living in Hell'', where different versions of ''Hell'' as well as God become true on the basis of the number of people who (consciously or not) believe in them. Vanni Fucci, one of the many people condemned to [[Divine Comedy|Dante's Hell]] simply because Dante did not like him very much, takes an opportunity to take over a televangelist's show and convince everyone not to believe in Dante's Hell anymore. [[Hilarity Ensues]].

* In Jennifer Fallon's ''[[Demon Child Trilogy]]'', the Primal Gods are the ones that will exist as long as life exists (Love, War, the Oceans), and don't rely on human belief for power. They do gain strength through worship, but this doesn't entail praying (for example, "honouring Dacendaren" is a euphemism for stealing; Damin Wolfblade is favoured by Zegarnald, God of War, because he wins a lot of wars.) On the other hand, the Incidental Gods are demons that gather enough worshippers to become gods. The [[Big Bad]] of the series is an Incidental God that has gathered enough followers to challenge the Primal Gods' power.

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** What seems to be is that the Gods survive as long as they have the will to survive, which they can lose when they are disrespected and unnecessary.

* Averted in the ''[[The Kane Chronicles]]'' as well. The Egyptian gods have not been worshiped for thousands of years. Instead they exist in the Duet, or spirit world, and their power on Earth depends on a number of factors including what host they are using to manifest, time of year, and geographical location.

* The Nameless Ones in [[Ursula K Le Guin]]'s ''[[Earthsea Trilogy|The Tombs of Atuan]]''

* The Nameless Ones in [[Ursula K. Le Guin]]'s ''[[Earthsea Trilogy|The Tombs of Atuan]]''

* In [[Orson Scott Card]]'s ''[[Enchantment]]'', the old Slavic gods Mikola Mozhaiski and the Bear of Winter aren't killed by a lack of belief, but their concerns are much smaller and they try to live normal lives until they're needed again for godly duties.

** Zeus is currently enjoying his retirement in the Caribbean.

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** The Fey are touchy about this, as most both believe in the existence of higher powers (which have no need for worship) and that they never were gods, seeing the collapse of most of their power (causing them to watch the deaths of the worshippers they could no longer care for) as punishment for the hubris of ever thinking they were. At the same time, they ''are'' influenced by human attitudes, and ''can'' feed off human notice, admiration and attraction. Also, by now the title character technically has a few human worshippers.

* ''[[Warbreaker]]'' has an unusual take on the trope: the Returned subsist on what are effectively human souls (Breath) that ''must'' be given willingly. Thus, Returned need people to believe in them enough that they would willingly give up their souls to see them live another week.

* Subverted in [[John Ringo]]'s ''[[~~Special Circumstances (Literature)|~~Special Circumstances]]'' series. The more people who worship a deity (even by proxy), the stronger their mortal servants are.

* Subverted in [[John Ringo]]'s ''[[Special Circumstances]]'' series. The more people who worship a deity (even by proxy), the stronger their mortal servants are.

* In the ''[[Iron Druid Chronicles]]'' the gods have their own sources of magic and don't really need to be constantly worshiped. However, the way people believe in them shapes their appearance and attitude. If two groups of believers in the same god diverge enough in their beliefs, the god will split into regional aspects.

** There are dozens of versions of the Native American god Coyote

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** Jesus does not like to appear to people because he would have to appear nailed to a cross and it's a very painful experience even for a deity. Mary's appearances are much more frequent and often triggered by the belief of old devout ladies.

* In “Oblations at Alien Altars,” the introduction to ''Deathbird Stories'', [[Harlan Ellison]] makes the point that for all their seeming puissance, gods are a remarkably fragile lot (although in one of the included stories he acknowledges that the truism is Nietzsche’s). He writes that “When belief in a god dies, the god dies.” Several of the stories address that idea.

* Used subtly in ''[[~~Chronicles of Chaos (Literature)|~~Chronicles of Chaos]]'':

* Used subtly in ''[[Chronicles of Chaos]]'':

{{quote| '''Eros''': "My [[Classical Mythology|mom and dad]] are [[Love Goddess|Lust]] and [[The Brute|Violence]]. This is L.A."}}

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== Live Action Television ==

* [[Xena: Warrior Princess]] implies this, rather than it being outright stated. The Olympian Gods (the primary pantheon dealt with on the show), were shown to have a reach and influence as far as the middle east, and were considered the greatest of any gods in the show, while others were shown as powerful, but not nearly on the Olypmian scale. The show attributed it to less worship, and Ares even remarked to Kal once that his (Kal's) temple, and power had gone down hill since "those tributes stop[ed] coming in".

* The initially conventional Christian-themed horror series ''[[Brimstone (TV)|Brimstone]]'', in which a damned policeman is given a second chance at life by [[Satan]] in return for tracking down 113 souls who had escaped from Hell, undergoes a dizzying [[Genre Shift]] when {{spoiler|the LAPD policewoman who had been his inside track with Earthly authorities is revealed to be the ringleader of the souls, a dead Canaanite priestess who had engineered the escape from Hell by seducing Satan. (The policeman had, unwittingly, been helping her to eliminate members of her "gang" that had gone rogue.) Her plan is to systematically eradicate belief in the God of Abraham from human culture, thereby causing God, Heaven, and Hell, to all blink out of existence. The protagonist realizes that Satan had been desperate to retrieve the escaped spirits, not out of some altruistic desire to restore the [[Cosmic Balance]], but because if the priestess were to succeed in her agenda, Satan, being part of the Abrahamic mythos himself, would blink out of existence as well.}} Naturally, just as the series [[Too Good to Last|threatened to actually become interesting]], the network [[Screwed By the Network|pulled the plug]].

* The initially conventional Christian-themed horror series ''[[Brimstone (TV series)|Brimstone]]'', in which a damned policeman is given a second chance at life by [[Satan]] in return for tracking down 113 souls who had escaped from Hell, undergoes a dizzying [[Genre Shift]] when {{spoiler|the LAPD policewoman who had been his inside track with Earthly authorities is revealed to be the ringleader of the souls, a dead Canaanite priestess who had engineered the escape from Hell by seducing Satan. (The policeman had, unwittingly, been helping her to eliminate members of her "gang" that had gone rogue.) Her plan is to systematically eradicate belief in the God of Abraham from human culture, thereby causing God, Heaven, and Hell, to all blink out of existence. The protagonist realizes that Satan had been desperate to retrieve the escaped spirits, not out of some altruistic desire to restore the [[Cosmic Balance]], but because if the priestess were to succeed in her agenda, Satan, being part of the Abrahamic mythos himself, would blink out of existence as well.}} Naturally, just as the series [[Too Good to Last|threatened to actually become interesting]], the network [[Screwed by the Network|pulled the plug]].

* The ''[[Merlin (~~Film~~)|Merlin]]'' TV miniseries explicitly says that creatures like Mab and the Lady of the Lake only exist because people believe in them. Once Christianity moves in and people don't believe in magic, it doesn't exist any more. The climax has Mab literally fade into thin air because the crowd turn their backs on her and move on with their lives.

* The ''[[Merlin (TV miniseries)|Merlin]]'' TV miniseries explicitly says that creatures like Mab and the Lady of the Lake only exist because people believe in them. Once Christianity moves in and people don't believe in magic, it doesn't exist any more. The climax has Mab literally fade into thin air because the crowd turn their backs on her and move on with their lives.

* ''[[Stargate SG-1]]'':

** The Ori gain power from human worship, although they're still extremely powerful on their own. Once Adria takes their place in ''[[The Ark of Truth]]'', SG-1 needs to take away her worshippers to make her vulnerable.

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** In the [[Christmas Special]] episode of season 3, the brothers run into two old Gods who are kidnapping people and sacrificing them to themselves. The couple boast that they use to be so powerful people would make sacrifices to them daily, but time moves on and they've assimilated themselves into modern culture and now only kidnap a couple people a year to sacrifice and keep themselves going.

** In the episode "Fallen Idols", one such old god can only survive on the sacrifices of people that worship it. Since belief in the old gods has all but died in the modern era [[Loophole Abuse|it transforms itself into whatever its intended victim happens to worship]], like becoming [[Abraham Lincoln]] to eat a Civil War historian, appearing as [[Ghandi]] to Sam, and shapeshifting into [[Paris Hilton]] to devour a teenage girl.

* The original ''[[Star Trek ~~the~~ Original Series ~~(TV)~~|Star Trek the Original Series]]'' episode "Who Mourns for Adonis?" involves a cosmic entity claiming to be the Greek God Apollo, who says that his fellow gods faded away as humans stopped worshiping them. He tries to force the ''Enterprise'' crew to worship him, but their resistance to the idea ultimately convinces him that humanity has indeed outgrown him, and he chooses to fade away himself.

* The original ''[[Star Trek: The Original Series|Star Trek the Original Series]]'' episode "Who Mourns for Adonis?" involves a cosmic entity claiming to be the Greek God Apollo, who says that his fellow gods faded away as humans stopped worshiping them. He tries to force the ''Enterprise'' crew to worship him, but their resistance to the idea ultimately convinces him that humanity has indeed outgrown him, and he chooses to fade away himself.

* ''[[Heroes]]'' season 4 [[Big Bad]] Samuel Sullivan is a super whose [[Dishing Out Dirt|geokinetic powers]] become stronger if he is surrounded by other supers who believe in him. In theory he could ''break the world'' if he had a large enough crowd of supers nearby. His brother Joseph hid the true nature of Samuel's power from him and deliberately limited the size of their super carnival to prevent Samuel from becoming too dangerous {{spoiler|and Samuel killed him when he found out the truth}}. Samuel is eventually defeated when {{spoiler|his fratricide is brought to light, causing his fellow super carnies to lose faith in him, and Hiro teleports them away.}} Samuel is left all alone in an empty carnival as a powerless, broken, shell of a man.

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== Mythology & Religion ==

* A Greek myth/folktale likely written in Christian times by Plutarch times tells of the death of the god Pan when people start thinking of him as only a made up story. One might wonder about the rise of Neo-Pagans, who have begun worshipping of Pan again. Have they resurrected him, or is their belief going unheard?

* [[Subverted Trope|Subverted]] ''hard'' in the [[The Bible ~~(Literature)~~|Judeo/Christian religions]] as seen in [http://www.biblegateway.com/passage/?search=psalm%2050&version=NLT Psalm 50]:

* [[Subverted Trope|Subverted]] ''hard'' in the [[The Bible|Judeo/Christian religions]] as seen in [http://www.biblegateway.com/passage/?search=psalm%2050&version=NLT Psalm 50]:

{{quote| [[God|He]] calls on the heavens above and earth below<br />

to witness the judgment of his people.<br />

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** In the [[Forgotten Realms]], a god's power is determined by his/her number of worshippers, and needs at least one worshipper to maintain Divine status (albeit at a demigod level). The only exception is the overdeity Ao, who needs no worshippers to maintain power because he rules over all of the universe. This is a relatively recent development, as the deities were independently powerful before the Avatar Crisis, when Ao got fed up with nobody doing their duties or taking care of their worshippers any more.

*** Ao actually ''[[Stop Worshipping Me!|punishes]]'' anyone who tries to worship him by inflicting them with bad luck until they stop.

*** The post-Avatar Crisis fluff tended to suggest, when the subject came up, that the Gods ''did'' gain power from being prayed to and having followers before the Crisis. What Ao did after the Crisis was, essentially, toning down the power you gained from your Portfolio, and ramping up how much power you gained from belief<ref>this may explain how Myrkul got the idea for [[Neverwinter Nights 2 ~~(Video Game)~~|the Spirit-Eater Curse]] failsafe despite the Avatar Crisis not having occured yet at that point</ref>.

*** The post-Avatar Crisis fluff tended to suggest, when the subject came up, that the Gods ''did'' gain power from being prayed to and having followers before the Crisis. What Ao did after the Crisis was, essentially, toning down the power you gained from your Portfolio, and ramping up how much power you gained from belief<ref>this may explain how Myrkul got the idea for [[Neverwinter Nights 2|the Spirit-Eater Curse]] failsafe despite the Avatar Crisis not having occured yet at that point</ref>.

** In the ''[[Planescape]]'' setting, this mechanic is explained via the fact that the Outer Planes (where the gods live) is [[Clap Your Hands If You Believe|shaped entirely by belief]].

** In basic D&D, the Immortals need at least some worshipers or they fade away. They can come back if someone starts worshiping them again for some reason. A new Immortal can survive on power from his sponsor for his first year or so, but he'd better have found some worshipers by then.

** Averted in ''[[Dragonlance]]'', where the deities do not need any worshipers to maintain their power. They do need mortal followers to have much influence in the mortal world however, but they will not die from a lack of followers.

** ''[[~~Baldurs~~ Gate]]'' being mostly canon to mainstream D&D shows us that a dead god can still excist if it's followers are still undead echoes, believing they must live for eternity guarding the temple of a dead god, ''which at the same time creates a demon of hatred'' to fight their dead God, time and time again in an endless cycle, akin to Ragnarok. The God wouldn't be without it's Guardians, and the Guardians wouldn't be without their God, thus both perpetually creating a [[Living Echo]] of each other.

** ''[[Baldur's Gate]]'' being mostly canon to mainstream D&D shows us that a dead god can still excist if it's followers are still undead echoes, believing they must live for eternity guarding the temple of a dead god, ''which at the same time creates a demon of hatred'' to fight their dead God, time and time again in an endless cycle, akin to Ragnarok. The God wouldn't be without it's Guardians, and the Guardians wouldn't be without their God, thus both perpetually creating a [[Living Echo]] of each other.

* In ''[[~~Demon: The Fallen (Tabletop Game)|~~Demon: The Fallen]]'' demons need faith to fuel their powers. They can either force steal it, which causes spiritual damage, or set up cults of various stripes to get a small but steady flow without necessarily hurting their worshippers (unless they ''want'' to be hurt).

* In ''[[Demon: The Fallen]]'' demons need faith to fuel their powers. They can either force steal it, which causes spiritual damage, or set up cults of various stripes to get a small but steady flow without necessarily hurting their worshippers (unless they ''want'' to be hurt).

* The ''[[~~New World of Darkness (Tabletop Game)|~~New World of Darkness]]'':

* The ''[[New World of Darkness]]'':

** This setting has the Astral Realms, which include the Temenos, the collective consciousness of humanity. Among the conceptual archetypes present there are every god ever worshipped. In this case, since they are formed through human belief, their power is proportional to how much humans regard them, not necessarily through worship. For example, Anubis exists in the Temenos, and though not as powerful as he was when he was actively worshipped by a powerful nation, he is still a relevant and well known symbol, which means he still possesses the power of a minor god. Other gods are less fortunate. Since the Temenos is a focal point for all human knowledge and experience, even a completely forgotten god would still exist somewhere, albeit significantly weakened. Its also suggested that some Temenos gods might be based by humanity on truly divine beings (a theory particularly popular with devout mages who suffer crises of faith upon learning they can meet their deities in the Temenos).

** Similarly, various spirits in the Shadow realm are often shaped and empowered by human belief. Whether a particular one appearing as a god was an inspiration for human worship or was formed by human worship is often unclear.

* The Chaos Gods in ''[[~~Warhammer (Tabletop Game)|~~Warhammer]]'' and ''[[~~Warhammer 40000 (Tabletop Game)|~~Warhammer 40000]]'' are both formed and fuelled by the concepts they represent. On the other hand, they don't really need prayer: every feeling of anger, ecstasy, hope, or despair feeds one of the Chaos Gods, whether the person who has the feeling is a follower of Chaos or not. Background material indicates this is the same for all deities, except for the God of Atheism, who gets strong if people don't believe in anything.

* The Chaos Gods in ''[[Warhammer]]'' and ''[[Warhammer 40000]]'' are both formed and fuelled by the concepts they represent. On the other hand, they don't really need prayer: every feeling of anger, ecstasy, hope, or despair feeds one of the Chaos Gods, whether the person who has the feeling is a follower of Chaos or not. Background material indicates this is the same for all deities, except for the God of Atheism, who gets strong if people don't believe in anything.

** It is speculated that the Emperor of Mankind's almost militant atheism and denial of any superstitious talk of "daemons" was a direct attempt to starve the Chaos Gods of belief. While this effort obviously failed, the Imperium's faith in the God-Emperor of Mankind may have helped him become a proper deity himself, enhancing his already-formidable psychic presence and giving humanity a fighting chance.

* ''[[~~Exalted (Tabletop Game)|~~Exalted]]'': not only do Gods little and big benefit from worship as the currency of [[Celestial Bureaucracy|Yu Shan]], but ''anyone'' can earn [[Pure Energy|Essence]] if they get a Cult worshipping them. Something many player characters will find handy.

* ''[[Exalted]]'': not only do Gods little and big benefit from worship as the currency of [[Celestial Bureaucracy|Yu Shan]], but ''anyone'' can earn [[Pure Energy|Essence]] if they get a Cult worshipping them. Something many player characters will find handy.

** Or the opposite, depending on the campaign: if you start the game marked for death by beings whose job is strongarming gods (which is normal), having a higher profile and more ways to be attacked make it a mixed blessing at best.

* In ''[[Rifts]]'', Gods are naturally more powerful in their own home dimensions, and ones where they have a strong base of the devoted, than in any other dimension.

* Before coming up with ''[[Magic ~~the~~ Gathering ~~(Tabletop Game)~~|Magic the Gathering]]'' and acquiring TSR, [[Wizards of the Coast]] released a supplement called ''The Primal Order'' to provide formal system-independent rules for deities and ways they interacted with mortals and each other. As described, all gods had a certain amount of power at all times (unless deprived of that by suitable attacks, at which point they could expect to shortly cease to exist barring possession of a loyal home plane to regenerate from over the course of a century), but gathering worshippers both living and dead as well as acquiring planar real estate and spheres of influence all provided significant boosts that only the strangest gods would want to do without.

* Before coming up with ''[[Magic: The Gathering|Magic the Gathering]]'' and acquiring TSR, [[Wizards of the Coast]] released a supplement called ''The Primal Order'' to provide formal system-independent rules for deities and ways they interacted with mortals and each other. As described, all gods had a certain amount of power at all times (unless deprived of that by suitable attacks, at which point they could expect to shortly cease to exist barring possession of a loyal home plane to regenerate from over the course of a century), but gathering worshippers both living and dead as well as acquiring planar real estate and spheres of influence all provided significant boosts that only the strangest gods would want to do without.

* This is the status for the gods in the ''[[Scarred Lands]]'' campaign... except for [[Chaotic Evil]] Vangal, who derives his power from how many people his worshippers slaughter. Otherwise, he would've died, since most people aren't too keen on worshipping a [[Blood Knight]] who doesn't even pretend to have any other motive besides fun.

* In ''[[~~Scion (Tabletop Game)|~~Scion]]'', a character's Legend rating represents how well-renowned an individual is, and determines the strength of his divine powers. Full-blooded deities have very high Legend ratings, but some very famous mortals even without divine Ichor can have very low Legend ratings.

* In ''[[Scion]]'', a character's Legend rating represents how well-renowned an individual is, and determines the strength of his divine powers. Full-blooded deities have very high Legend ratings, but some very famous mortals even without divine Ichor can have very low Legend ratings.

* The godlike Reckoners/Manitou of ''[[~~Deadlands (Tabletop Game)|~~Deadlands]]'' gain more power when they spread fear and belief in the supernatural.

* The godlike Reckoners/Manitou of ''[[Deadlands]]'' gain more power when they spread fear and belief in the supernatural.

* The non-Abrahamic gods in ''[[~~In Nomine (Tabletop Game)|~~In Nomine]]'' are called Ethereals, explained as being formed by humanity's imagination and empowered by their worship. Yves came up with the different Abrahamic religions in order to undercut their power, and Uriel opted to wipe them out directly before God [[Put On a Bus|yanked him up to the Higher Heavens]] to have a little chat with him about it. Of course, the Ethereals say that Yahweh/Jehovah/God was one of them and simply managed to gain enough worship to [[Retcon]] reality.

* The non-Abrahamic gods in ''[[In Nomine]]'' are called Ethereals, explained as being formed by humanity's imagination and empowered by their worship. Yves came up with the different Abrahamic religions in order to undercut their power, and Uriel opted to wipe them out directly before God [[Put on a Bus|yanked him up to the Higher Heavens]] to have a little chat with him about it. Of course, the Ethereals say that Yahweh/Jehovah/God was one of them and simply managed to gain enough worship to [[Retcon]] reality.

* ''[[~~Eon (Tabletop Game)|~~Eon]]'', the highly detailed Swedish RPG, kinda works like this; gods generally don't die, but lack of worshippers can lead them to the brink of "starvation". An entity called "King Frost"; an amnesiac old man walking the frozen deserts of the northlands, is theorised to be a 'fallen god' clinging to life. It's worth to note that the gods can return when they get worshipped again though.

* ''[[Eon]]'', the highly detailed Swedish RPG, kinda works like this; gods generally don't die, but lack of worshippers can lead them to the brink of "starvation". An entity called "King Frost"; an amnesiac old man walking the frozen deserts of the northlands, is theorised to be a 'fallen god' clinging to life. It's worth to note that the gods can return when they get worshipped again though.

* ''[[~~Over the Edge (Tabletop Game)|~~Over the Edge]]'', here it's part of [[All Myths Are True]], one character in a splatbook takes a drug that allows humans to commune with the gods. {{spoiler|Hecate scolds him and tells him to go back to church and let her "sleep"}}

* ''[[Over the Edge]]'', here it's part of [[All Myths Are True]], one character in a splatbook takes a drug that allows humans to commune with the gods. {{spoiler|Hecate scolds him and tells him to go back to church and let her "sleep"}}

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== Video Games ==

* This ends up becoming a gameplay mechanic and a key plot point in [[Hyperdimension Neptunia]]. Goddess party members gain stat points when the shares of their homelands increases, usually by completing dungeons there. {{spoiler|Arfoire, the villain, spends most of the game spreading rumors of a fake overlord with monster attacks and heretics, using the fear and belief of the people to gain power. It's how she kept reviving and getting stronger each time.}}

* ''[[~~Alundra (Video Game)|~~Alundra]]'': The villagers of Inoa pray to Melzas, who is (unknown to said villagers) actually evil. Also Nirude, a giant god, lives off the prayer of midgets.

* ''[[Alundra]]'': The villagers of Inoa pray to Melzas, who is (unknown to said villagers) actually evil. Also Nirude, a giant god, lives off the prayer of midgets.

* ''[[The Elder Scrolls]]'': The more people worship a given deity, demigod, or what-have-you, the more powerful they become. Greater gods like the Nine Divines and Daedra Princes can survive without it, but will be seriously weakened until they get more followers. Lesser gods can be outright killed by lack of worship. The reason it's easier for greater gods is because they personify widely-known abstracts, so even if all their followers in one culture are purged, they have another culture to pick up the slack.

** Some EU and even in game dialogue hints/explicitly states that after the events of ''[[Morrowind]]'' the leader of the indigenous Tribunal religion, Vivec, disappears without a trace. And the large floating rock used as a religious prison and held aloft by "the love of the people for [Vivec]" smashes into Vvardenfel, causing massive destruction across the entire island. [[Nice Job Breaking It, Hero|Did you forget that you're the one who revealed his religion as a sham?]]

** Becomes a plot point in ''[[Skyrim]]'', where the Thalmor, a faction of elven supremacists, have forced the empire to ban the worship of Talos, leading to the Stormcloak rebellion. The stated reason for this is that the Thalmor refuse to accept that a human could achieve godhood, although it is suggested that {{spoiler|destroying Talos by depriving him of worship is one stage in the Thalmor's grand pland to destroy Mundus and [[Ascend to A Higher Plane of Existence]].}}

** Becomes a plot point in ''[[Skyrim]]'', where the Thalmor, a faction of elven supremacists, have forced the empire to ban the worship of Talos, leading to the Stormcloak rebellion. The stated reason for this is that the Thalmor refuse to accept that a human could achieve godhood, although it is suggested that {{spoiler|destroying Talos by depriving him of worship is one stage in the Thalmor's grand pland to destroy Mundus and [[Ascend to a Higher Plane of Existence]].}}

* Prayer is the source of [[Mana]] in ''[[Black and White]]'', and determines the size of your territory.

* Power-ups in ''[[~~Okami (Video Game)~~|Okami]]'' come from the praise you get for performing miracles. {{spoiler|And at the end, Ammy becomes gets an [[Eleventh-Hour Superpower]] through people praying directly to her. [[Power-Up Letdown|Purely cosmetic, though.]]}} Overall, this trope seems to be one of the game's underlying themes, as it's mentioned quite early on how people's faith in the divine has dwindled.

* Power-ups in ''[[Ōkami|Okami]]'' come from the praise you get for performing miracles. {{spoiler|And at the end, Ammy becomes gets an [[Eleventh-Hour Superpower]] through people praying directly to her. [[Power-Up Letdown|Purely cosmetic, though.]]}} Overall, this trope seems to be one of the game's underlying themes, as it's mentioned quite early on how people's faith in the divine has dwindled.

** This mechanic returns in the sequel, ''[[~~Okamiden (Video Game)~~|Okamiden]]''.

** This mechanic returns in the sequel, ''[[Ōkamiden|Okamiden]]''.

* In ''[[~~Age of Mythology (Video Game)|~~Age of Mythology]]'', the player literally generates favour for their gods to produce miracles. Greeks pray at temples, Egyptians build monuments, Norse go to war, and Altanteans control town centers to generate favour.

* In ''[[Age of Mythology]]'', the player literally generates favour for their gods to produce miracles. Greeks pray at temples, Egyptians build monuments, Norse go to war, and Altanteans control town centers to generate favour.

* ''[[Seven Kingdoms]]'' had temples where you'd sent people to pray to your nations "Greater Being" (based on a god of the respective mythology). In this case, you'd could either summon the god himself (some are fighters, some have special abilities) or trigger a random miracle.

* Used for evil by {{spoiler|the Church of St. Eva in}} ''[[Breath of Fire]] II'', {{spoiler|where half the priests are demons in disguise trying to power-up the [[Big Bad]], who is in fact ''[[Beam Me Up, Scotty|not]]'' a god but an evil dragon with an [[Omnicidal Maniac]] agenda.}}

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** In the first two games, only settled worshippers benefit you in that way, by the strength of the settlement. Giving you the choice between producing a lot of worshippers or personal power and tougher worshippers.

* This concept formed the premise of the 10th ''[[Touhou]]'' game, ''Mountain of Faith'' - goddess Kanako Yasaka, faced with fading away due to modern Japan's waning faith in the divine, decides to relocate the Moriya Shrine to [[Fantasy Kitchen Sink|Gensokyo]], where she ought to have an easier time finding worshipers. Unfortunately this muscles in on the local religious "authority," protagonist [[Miko|Reimu Hakurei]], and [[Danmaku]] ensues.

** [[Defeat Means Friendship|Once the]] [[Did We Just Have Tea ~~With~~ Cthulhu?|tea parties are over]], the Moriya Shrine becomes an established fixture in Gensokyo, surviving quite comfortably on the faith of the local kappa and tengu. That said, Kanako hasn't stopped in her efforts to increase faith, and has repeatedly attempted to introduce modern technology into [[Medieval Stasis|Gensokyo]] as a sort of "fire from the gods" ploy. This has met with mixed success - her plan to build a fusion plant sparked the events of ''Subterranean Animism'', in which a ditzy hell-raven went [[With Great Power Comes Great Insanity|mad with the power of a sun god]] and tried to turn the surface world into a new Hell.

** [[Defeat Means Friendship|Once the]] [[Did We Just Have Tea with Cthulhu?|tea parties are over]], the Moriya Shrine becomes an established fixture in Gensokyo, surviving quite comfortably on the faith of the local kappa and tengu. That said, Kanako hasn't stopped in her efforts to increase faith, and has repeatedly attempted to introduce modern technology into [[Medieval Stasis|Gensokyo]] as a sort of "fire from the gods" ploy. This has met with mixed success - her plan to build a fusion plant sparked the events of ''Subterranean Animism'', in which a ditzy hell-raven went [[With Great Power Comes Great Insanity|mad with the power of a sun god]] and tried to turn the surface world into a new Hell.

** Fan works involving the Moriya Shrine's miko, Sanae Kochiya, often have her working to gather followers or otherwise ensure that her goddesses don't fade away.

* [[Lampshade Hanging|Lampshaded]] in ''Blood Omen: [[Legacy of Kain]]'' when Kain remarks, "The act had taken on the feel of ritual. Isn't it strange how we must bribe our gods to stay?"

* In ''[[Fate ~~Stay Night (Visual Novel)~~|Fate Stay Night]]'', the Heroic Spirits (not outright gods but at least a few levels of spiritualism above humans) mostly exist due to - and are partially sustained and empowered by - the belief they've inspired in humanity. Their strength appears based partly on their actual power and partly on pure [[Popularity Power]]. As Rin explains in the game prologue, even fictional characters count, what matters is the image created by the minds of the people. The game features two major explorations of this - {{spoiler|Assassin is a nameless samurai called forth to play the role of Sasaki Kojiro, an opponent of [[Miyamoto Musashi]]}}, who is entirely fictional in the [[Nasuverse]]. In other words, the pure belief that humanity has in the existence of said hero is so strong that it allows him to exist, {{spoiler|albeit through summoning a nameless spirit to take on his name and fill his role}}. On the flip side, {{spoiler|Archer is a hero from the future}}; nobody knows of his existence and he therefore owes neither his existence nor any of his powers from belief, persisting as a Heroic Spirit only through the connection all Heroic Spirits have with the earth itself. [[The Berserker|Heracles]], naturally, gets top billing either way you look at it.

* In ''[[Fate/stay night|Fate Stay Night]]'', the Heroic Spirits (not outright gods but at least a few levels of spiritualism above humans) mostly exist due to - and are partially sustained and empowered by - the belief they've inspired in humanity. Their strength appears based partly on their actual power and partly on pure [[Popularity Power]]. As Rin explains in the game prologue, even fictional characters count, what matters is the image created by the minds of the people. The game features two major explorations of this - {{spoiler|Assassin is a nameless samurai called forth to play the role of Sasaki Kojiro, an opponent of [[Miyamoto Musashi]]}}, who is entirely fictional in the [[Nasuverse]]. In other words, the pure belief that humanity has in the existence of said hero is so strong that it allows him to exist, {{spoiler|albeit through summoning a nameless spirit to take on his name and fill his role}}. On the flip side, {{spoiler|Archer is a hero from the future}}; nobody knows of his existence and he therefore owes neither his existence nor any of his powers from belief, persisting as a Heroic Spirit only through the connection all Heroic Spirits have with the earth itself. [[The Berserker|Heracles]], naturally, gets top billing either way you look at it.

* ''[[~~Actraiser~~]]'':

* ''[[Act Raiser]]'':

** Subverted in the original ''Actraiser'' for the SNES. While you gain levels as your population grows, it turns out that your powers are dependent on the number of people on the planet, not their faith. At one point, a [[Path of Inspiration]] turns a lot of people in one country against you, but it doesn't lower your levels. Additionally in the end {{spoiler|your temples are empty because the people can stand on their own and no longer need you to handle their every need}}, but you don't fade away or anything.

** In ''Actraiser 2'', one of the towns you need to save is initially closed off, because the townspeople there don't believe in you (and thus you can't read their minds).

* During one [[Sidequest]] in ''[[~~Baldurs~~ Gate]] 2'', you meet an avatar of a god with so little belief that he is fading away. {{spoiler|Amunator}} and a small village of followers were bound to immortally guard "the device" forever, over the years their faith has transformed to hatred and the avatar can barely even show himself, much less do anything.

* During one [[Sidequest]] in ''[[Baldur's Gate]] 2'', you meet an avatar of a god with so little belief that he is fading away. {{spoiler|Amunator}} and a small village of followers were bound to immortally guard "the device" forever, over the years their faith has transformed to hatred and the avatar can barely even show himself, much less do anything.

* In Illwinter's ''[[Dominions]] II'' the faith of people in various provinces is represented by a candle. This affects the knowledge you have on the province, the level at which you can affect it and, should you move it into the area, the hitpoints of your Pretender God.

* The old gods reveal to the player in ''[[Ultima VIII]]''; they are nearly powerless now that about everyone worships the four new gods instead.

* ''[[Paper Mario (~~Video Game~~)|Paper Mario]]''. The star spirits in the first game gain power from the wishes of the denizens of Mushroom Kingdom. In the final boss fight, the young star spirit Twink gains enough power from Peach's wishes to beat up Bowser's sidekick and help Mario save the day.

* ''[[Paper Mario (franchise)|Paper Mario]]''. The star spirits in the first game gain power from the wishes of the denizens of Mushroom Kingdom. In the final boss fight, the young star spirit Twink gains enough power from Peach's wishes to beat up Bowser's sidekick and help Mario save the day.

* Sierra's [[City Building Series]] cuts both ways. While gods need sacrifices or festivals almost constantly, ignoring them only makes them '''angry'''. Cue earthquakes, plagues, floods, failing crops... On the other hand, keeping them happy also brings benefices.

* In ''[[~~Shin Megami Tensei (Franchise)|~~Shin Megami Tensei]]'', the gods, demons, and spirits feed on a substance called Magnetite or Magatsuhi - which is human belief and emotion and works as the setting's mana source. In ''[[Shin Megami Tensei Nocturne|Nocturne]]'', when humanity was wiped out, demons had to abuse [[Artificial Humans]] to produce Magatsuhi to stay alive.

* In ''[[Shin Megami Tensei]]'', the gods, demons, and spirits feed on a substance called Magnetite or Magatsuhi - which is human belief and emotion and works as the setting's mana source. In ''[[Shin Megami Tensei Nocturne|Nocturne]]'', when humanity was wiped out, demons had to abuse [[Artificial Humans]] to produce Magatsuhi to stay alive.

** For as long as a single person believes in YHVH as his or her god, He will return, again and again. Unfortunately, it seems the [[Mega Ten]] universe works on the same principle as the ''Malazan'' example above-Humanity's own inner darkness and desire for a God [[Humans Are Bastards|that accurately represents them]] has horrifically twisted Him into a bitter, unsympathetic tyrant with nothing but contempt for humans.

** Even worse, this trope may have been the origin point for [[Cosmic Horror|Nyarlathotep]], a monster [[Made of Evil|born of the hatred, fear, greed and despair of all of mankind]]. As the Shadow of Humanity's collective unconscious, it is ''[[Complete Monster|really]]'' [[Hannibal Lecture|easy]] [[Shut Up, Kirk|to see]] [[The Heartless|where the]] [[And Then John Was a Zombie|title of]] "[[Names to Run Away From Really Fast|Crawling Chaos]]" comes from.

* Referred to in ''[[Sam ~~and~~ Max Freelance Police ~~(Video Game)~~|Sam and Max Freelance Police]]'', where Hell is conquered because too many goofy portrayals in media mean that nobody believes Beelzebub to be a threat any more and thus he is weakened, whereas the Soda Poppers are widely hated enough to have the power to challenge him.

* Referred to in ''[[The Adventures of Sam & Max: Freelance Police|Sam and Max Freelance Police]]'', where Hell is conquered because too many goofy portrayals in media mean that nobody believes Beelzebub to be a threat any more and thus he is weakened, whereas the Soda Poppers are widely hated enough to have the power to challenge him.

* The ''[[Neverwinter Nights 2]]'' [[Expansion Pack]] ''Mask of the Betrayer'' is set in the [[Forgotten Realms]]. It shows just how far gods dependent on worship will go. They built the Wall of the Faithless, which punishes not sinners but non-believers. Being a atheist or a paying lip service to religion is the biggest of all sins against all the gods, and thus the good, evil, lawful, and chaotic gods all agreed that atheists shall be punished by ultimate torture and eventually the very destruction of their souls by having your soul slowly digested over thousands of years.

** It should be noted that if you read the supplements, you'll find out that the current administrator only makes use of the Wall because the other gods forced him to. Also, this is a setting where the gods are very real and walked the earth in mortal form ''en masse'' less than twenty years ago (a period known as the Time of Troubles). On Toril, literally ''every'' atheist is a [[Flat Earth Atheist]]: ending up in the Wall for atheism is akin to starving to death because you don't believe food exists.

** WARNING! PLOT POINT AHEAD! {{spoiler|1=The creator of the Spirit-Eater curse that drives the plot of ''MotB'' is the now-dead god Myrkul, who created it to ensure his [[Immortality]] by abusing this principle: as long as there was a Spirit-Eater, there would be at least one person who feared and/or worshiped him, so he could never truly die. Then the game gives you the opportunity to [[Did You Just Punch Out Cthulhu?|finish him off]] [[Death By Irony|with the Spirit-Eater]].}}

** WARNING! PLOT POINT AHEAD! {{spoiler|1=The creator of the Spirit-Eater curse that drives the plot of ''MotB'' is the now-dead god Myrkul, who created it to ensure his [[Immortality]] by abusing this principle: as long as there was a Spirit-Eater, there would be at least one person who feared and/or worshiped him, so he could never truly die. Then the game gives you the opportunity to [[Did You Just Punch Out Cthulhu?|finish him off]] [[Death by Irony|with the Spirit-Eater]].}}

* This is a plot point in ''[[~~Disgaea 4 a Promise Unforgotten (Video Game)|~~Disgaea 4 a Promise Unforgotten]]''. The Netherworld and Celestia need fear and love from humans to maintain their power, but it's become difficult for demons to plant fear in humans since humans have become so [[Humans Are Bastards|corrupt]] that they now fear themselves more than demons. As a result, this means they no longer have to pray to angels for protection and guidance.

* This is a plot point in ''[[Disgaea 4 a Promise Unforgotten]]''. The Netherworld and Celestia need fear and love from humans to maintain their power, but it's become difficult for demons to plant fear in humans since humans have become so [[Humans Are Bastards|corrupt]] that they now fear themselves more than demons. As a result, this means they no longer have to pray to angels for protection and guidance.

* ''[[Blaz Blue]]'' has an interesting variation on this trope: [[Big Bad|Hazama]]/[[Ax Crazy|Yuuki]] [[Card-Carrying Villain|Terumi]]'s existence is sustained by other people hating him. Which really does explain his ''[[Moral Event Horizon|thorough]]'' traumatization of [[Anti-Hero|Ragna]] at the start of the story, as well as his [[Troll|behavior]] [[Complete Monster|in general]]... Of course, [[Crazy Prepared|he also has his network]] of [[All Powerful Bystander|Observers]] and [[Synchronization|Life-Links]] to fall back on if that lifeline ever failed him.

** It should be noted that though hatred sustains Hazama/Terumi's existence, thus making it necessary for him to be the worst kind of [[Jerkass]] possible in order to stay alive, he is still as far from sympathetic as one can get. He has ''no'' shades of [[I Did What I Had to Do]], and has even openly admitted that he ''loves'' ruining other people's lives [[For the Evulz|for the sheer hell of it]].

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* ''[[Fans]]'' has the occasional god make an appearance. These gods usually claim they were conceived by Roman clergy, during nights with a little too much wine. These gods include the god of gaming, and the anti-cupid (who shoots you with a tommy-gun and takes away your devotion to another person).

* The creators of [[Exterminatus Now]] have mentioned that this is how things work for the Gods in that world, though it is never explicitly stated in the comic.

* The ''[[Order of the Stick ~~(Webcomic)~~|Order of the Stick]]'' universe in general employs this trope to explain any god not in the <s>four</s> three original pantheons. In particular, Elan and some orcs are Banjoists, worshippers of Banjo the Clown, god of puppets. He doesn't have many followers, so his divine lightning is little more than a spark. One of the prequel books reveals that mortal character can ascend to godhood in this manner.

* The ''[[The Order of the Stick|Order of the Stick]]'' universe in general employs this trope to explain any god not in the <s>four</s> three original pantheons. In particular, Elan and some orcs are Banjoists, worshippers of Banjo the Clown, god of puppets. He doesn't have many followers, so his divine lightning is little more than a spark. One of the prequel books reveals that mortal character can ascend to godhood in this manner.

** Since Elan was unwilling to leave Banjo (who is an actual puppet) with the orcs, he creates Banjo's twin brother and rival, Giggles the Clown, as the god of slapstick. The violence-loving orcs appreciate this, and immediately convert. So Banjo went back down to a single worshipper, but since they were defined as equally powerful rivals, that probably remains the case. The OotS-verse has established that being defined as a rival gives free XP to keep one side from being too weak for the role.

** Elan once tried to get Banjo inducted into the Northern Pantheon, specifically to gain more worshippers. The local priest angrily rejected this idea, and Elan then decided Banjo was too good for their pantheon, unaware that Odin (who likes puppets) approved of the idea.

** Similarly, several elves and one goblin became so revered after their deaths that they ascended to godhood

* [[The ~~Godsof~~ ~~Arr~~ Kelaan]] gain power from their followers, but mostly they provide their own power.

* [[The Gods of Arr-Kelaan]] gain power from their followers, but mostly they provide their own power.

** Interestingly, the Abrahamic god is shown to be a concept created by a pantheon of minor gods in order to conserve the lessening magic in our world.

* In ''[[Parallel Dementia]]'', most nightmares (read: supernatural beings) gain power from belief. This also works for human, as demonstrated by a legendary assasin who faked her death who still gains power from people believing in her former name, Mistress of Blades.

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== Western Animation ==

* While negotiating a system of catacombs as [[This Is Something He's Got to Do Himself|part of a ritual ordeal]] in ''[[~~Thunder Cats~~]]'', Lion-O discovers a beautiful, brightly-lit room full of treasures. A mysterious figure, clearly terrorized by his presence, attacks him but is too weak and decrepit to put up any resistance. After Lion-O assures him that he is not a thief, the creature introduces himself, explaining that millennia ago he was a much-renowned god, but that his power has withered to virtually nothing after enduring many centuries without having been worshipped. He goes on to explain that ''anyone'' can become a god, but few attempt it as without worshippers this is certain doom.

* While negotiating a system of catacombs as [[This Is Something He's Got to Do Himself|part of a ritual ordeal]] in ''[[Thundercats]]'', Lion-O discovers a beautiful, brightly-lit room full of treasures. A mysterious figure, clearly terrorized by his presence, attacks him but is too weak and decrepit to put up any resistance. After Lion-O assures him that he is not a thief, the creature introduces himself, explaining that millennia ago he was a much-renowned god, but that his power has withered to virtually nothing after enduring many centuries without having been worshipped. He goes on to explain that ''anyone'' can become a god, but few attempt it as without worshippers this is certain doom.

* In the ''[[Care Bears]]'' episode "Share Bear Shines!", Princess Starglo explains that stars are powered by belief and wishes, but so few people believe in her or wishing on stars that she doesn't have much power left, which leads to her [[The Stars Are Going Out|turning off all the stars in the sky]] (including the sun). By the end of the movie, she nearly fades away, but is saved by a burst of belief from the Care Bears. (One would imagine that seeing all the stars go out would be a powerful reason to believe, but there you go.)