Hedda Gabler/YMMV: Difference between revisions

Everything About Fiction You Never Wanted to Know.
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* [[Magnificent Bastard]]: Hedda, who's incredibly beautiful, and manipulates ''every single person in the play'' without them realising, {{spoiler|except for Brack who understands what Hedda's doing straight away, mostly because they are very similar.}}
* [[Magnificent Bastard]]: Hedda, who's incredibly beautiful, and manipulates ''every single person in the play'' without them realising, {{spoiler|except for Brack who understands what Hedda's doing straight away, mostly because they are very similar.}}
* [[Moral Event Horizon]]: Hedda loses much of the reader's sympathy after she pretends to love Tesman. It's also fairly hard to feel sympathy for her {{spoiler|suicide because she's just ''killed her baby''}}.
* [[Moral Event Horizon]]: Hedda loses much of the reader's sympathy after she pretends to love Tesman. It's also fairly hard to feel sympathy for her {{spoiler|suicide because she's just ''killed her baby''}}.
* [[What an Idiot]]: Tesman; At the end of the play, instead of helping his wife who's {{spoiler|just shot herself}} or going to check on her, he simply stands in one spot and wails.
* [[What an Idiot!]]: Tesman; At the end of the play, instead of helping his wife who's {{spoiler|just shot herself}} or going to check on her, he simply stands in one spot and wails.


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Revision as of 08:18, 9 January 2014


  • Magnificent Bastard: Hedda, who's incredibly beautiful, and manipulates every single person in the play without them realising, except for Brack who understands what Hedda's doing straight away, mostly because they are very similar.
  • Moral Event Horizon: Hedda loses much of the reader's sympathy after she pretends to love Tesman. It's also fairly hard to feel sympathy for her suicide because she's just killed her baby.
  • What an Idiot!: Tesman; At the end of the play, instead of helping his wife who's just shot herself or going to check on her, he simply stands in one spot and wails.