Irrelevant Act Opener: Difference between revisions

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Generally, the song is about love, food, drinking... you know, happy stuff, although there are exceptions. This type of song is very common in musicals, although it's starting to become a bit of a [[Discredited Trope]]. Typically, its purpose is to give the audience a chance to re-adjust their reality filters back into "it is totally normal for everyone to be singing" mode by presenting a scene where it actually ''would'' be normal for the cast to be singing; the fact that the lyrics are irrelevant to the plot also gives the people late back from the bathrooms and refreshment stands a few extra minutes to get to their seats without missing anything important. It also gives the main cast a few more minutes to prepare while the chorus entertains the audience.
Generally, the song is about love, food, drinking... you know, happy stuff, although there are exceptions. This type of song is very common in musicals, although it's starting to become a bit of a [[Discredited Trope]]. Typically, its purpose is to give the audience a chance to re-adjust their reality filters back into "it is totally normal for everyone to be singing" mode by presenting a scene where it actually ''would'' be normal for the cast to be singing; the fact that the lyrics are irrelevant to the plot also gives the people late back from the bathrooms and refreshment stands a few extra minutes to get to their seats without missing anything important. It also gives the main cast a few more minutes to prepare while the chorus entertains the audience.
{{examples|Examples:}}
{{examples}}


* ''[[The Music Man (Theatre)|The Music Man]]'': The act II opener "It's You" isn't particularly relevant, and neither is the following song, "Shipoopi." The ''dance'' to "Shipoopi," where Harold shows Marian how to dance the latest one-step, is quite significant. Both numbers were moved to later scenes in the 1962 movie version.
* ''[[The Music Man (Theatre)|The Music Man]]'': The act II opener "It's You" isn't particularly relevant, and neither is the following song, "Shipoopi." The ''dance'' to "Shipoopi," where Harold shows Marian how to dance the latest one-step, is quite significant. Both numbers were moved to later scenes in the 1962 movie version.