Kurt Busiek: Difference between revisions

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{{workcreator}}
[[File:kurt_busiek_1078.jpg|frame]]
Kurt Busiek is an American [[Comic Book]] writer noted for seamlessly blending [[Silver Age]] sensibilities with modern storytelling expectations, all while deconstructing and reconstructing various storytelling tropes along the way. He is arguably most reknown for his work on the ''[[Marvels]]'' limited series and ''[[Thunderbolts]]'', as well as his acclaimed run on ''[[The Avengers (Comic Book)|The Avengers]]'', (all three for [[Marvel Comics]]), and his own ''[[Astro City|Kurt Busiek's Astro City]]''. He is an unabashed fan of all comic books, and has a knowledge of canon and character history that borders on uncanny.
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=== {{examples|Works created or heavily influenced by Kurt Busiek include: ===}}
 
* ''[[Astro City|Kurt Busiek's Astro City]]''
* ''[[Marvels]]''
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* ''[[Untold Tales of Spider Man]]''
* ''[[The Avengers (Comic Book)|The Avengers]]''
* ''[[Iron Man (Comic Book)|Iron Man]]''
* ''Shockrockets''
* ''[[Red Tornado]]'' (first limited series)
* ''[[Wonder Woman]]''
* ''[[JLA-Avengers|JLA/Avengers]]''
* ''The Power Company''
* ''Ninjak''
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{{creatortropes}}
=== Tropes featured in Kurt Busiek's works include: ===
 
* [[Arc Welding]]
* [[Armed Withwith Canon]]
* [[Beast of Battle]]: ''Arrowsmith'' has a version of [[World War I]] fought with various fantasy creatures.
* [[Church of Happyology]]: The Triune Understanding cult in his run on ''[[The Avengers (Comic Book)|The Avengers]]'' was clearly supposed to represent this.
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* [[Continuity Porn]]
* [[Creator Backlash]]: At conventions, Busiek accompanies his signature on copies of ''Spider-Man/X-Factor: Shadowgames'' with the refrain, "I'm sorry, I'm sorry, I'm sorry..."
* [[Crowning Moment of Awesome]]: Writing not one, not two, but ''three'' Marvel titles in the mid-1990s - ''[[Iron Man]]'', ''[[The Avengers]]'' and ''[[Thunderbolts]]'' - and for the most part staying on schedule.
* [[Cryptic Background Reference]]: Most prevalent in the early issues of his original works, such as ''[[Astro City]]'' and ''Arrowsmith''. There are constant references to heroes, villains, and incidents that the readers have not seen yet -- and sometimes might never see.
* [[Day in Thethe Life]]/[[A Day in Thethe Limelight]]: Often appears when Busiek writes an ongoing series, and is a regular staple of ''[[Astro City]]''.
* [[Deconstruction]]
* [[Doing It for Thethe Art]]
* [[Dork Age]]: Invoked in the third issue of ''[[JLA-Avengers|JLA/Avengers]]'', when the [[Justice League]] and [[The Avengers (Comic Book)|The Avengers]] ask to see their worlds the way they should be, instead of their idealized [[Silver Age]] versions. Each character sees the [[Face Heel Turn|Face Heel Turns]], [[Heroic Sacrifice|Heroic Sacrifices]], [[Suspiciously Similar Substitute|Suspiciously Similar Substitutes]], and [[With Great Power Comes Great Insanity]] that they will experience in the "correct" universes. They are '''horrified.'''
* [[Falling Into the Cockpit]]
* [[Humans Are Special]]: Spelled out in Busiek's ''[[The Avengers (Comic Book)|The Avengers]]'' run -- ''everything that has happened'', from Thor's ability to open portals getting stolen to killing the Supreme Intelligence was an effort by Immortus to keep humans on Earth. Why? Because if humans were ''allowed'' to reach and colonize space, they would quickly conquer it.
* [[In Case You Forgot Who Wrote It]]: Not only is ''[[Astro City]]'' properly titled ''Kurt Busiek's Astro City'', but the major television station in the series has the callsign "KBAC".
* [[Inept Mage]]: The hero of Busiek's ''The Wizard's Tale'' is fearfully inept, partly because he knows he is supposed to be evil and can't pull it off.
* [[Istanbul (Not Constantinople)]]: ''Arrowsmith'' had the alternate earth version, with [[Divided States of America]], and a war between Prussia and Galia.
* [[Powers Asas Programs]]: Subverted in Busiek's arc in ''Action Comics'', where an intergalactic Auctioneer kidnaps a bunch of heroes with the intent of selling them to collectors. On his ship, everyone lost their powers. [[Superman]] figured that since everyone's powers came from different sources, that they were being blocked mentally. He breaks the block by putting himself in mortal danger (for a normal human) and is protected by his invulnerability. Since he knows it's a lie, the mental block is broken.
* [[Reconstruction]]
{{quote| '''Busiek:''' "It strikes me that the only reason to take apart a pocket watch, or a car engine, aside from the simple delight of disassembly, is to find out how it works. To understand it, so you can put it back together again better than before, or build a new one that goes beyond what the old one could do. We've been taking apart the superhero for ten years or more; it's time to put it back together and wind it up, time to take it out on the road and floor it, see what it'll do."}}
* [[Reed Richards Is Useless]]: Deliberately invoked in ''[[Astro City]]''.
* [[The Reveal]]: Perhaps the best executed twist in comics is the end of ''[[Thunderbolts]]'' #1, in which the titular team is revealed to actually be {{spoiler|The Masters of Evil}}. What's ''really'' impressive is how far they went to keep secret the fact that there even ''was'' a secret. [[Peter David]], as a favor to Busiek, even had the solicitations changed for the Hulk issue in which the Thunderbolts first appeared in order to keep the secret under the rug.
* [[Schedule Slip]]: Occurred for nearly a decade due to mercury poisoning; this mainly affected his work on ''[[Astro City]]'', and eventually caused the title to go from a regular monthly schedule to periodic limited series as a result.
{{quote| '''Busiek:''' "I'd spend days at a time unable to concentrate enough to write, and when it cleared a little bit, I'd have to get as much done as quickly as possible in order to stay on schedule."}}
* [[Self-Deprecation]]: Done in Busiek and Erik Larsen's early-2000's resurrection of ''[[The Defenders]]''. In addition to portraying its principal characters as supreme [[Jerkass|Jerk Asses]] who eventually decide to take over the world so it won't ''need'' to be defended (and, more importantly, so they won't have to deal with one another), the series invoked [[Stylistic Suck]] via references to Marvel's incredibly goofy [[Silver Age]] giant monster comics, and one of its covers proudly boasted a Wizard Magazine quote proclaiming ''The Defenders'' to be "the worst comic ever produced."
* [[Sliding Scale of Idealism Versus Cynicism]]: Busiek's works tend towards the Idealistic side of the scale, with heroes who are noble and selfless models that the citizens admire. While he does veer into cynicism and disgrace at times, in the end idealism wins, and even former criminals can redeem themselves if they try. In his non-super-hero works however, this expectation is sometimes brutally shattered, such as ''Arrowsmith'', where the lead character realizes no side of the war is living up to their ideals and millions of innocents are suffering.