L.A. Confidential: Difference between revisions

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* [[Dirty Cop]]: Every variation imaginable is in here somewhere.
* [[Distinguishing Mark]]: A mother cannot initially identify her daughter at the morgue due to the girl's extensive plastic surgery. The coroner prompts her with Detective Lieutenant Exley and Officer Bud White hanging on her every word:
{{quote| '''Coroner''': Mrs. Lefferts, does your daughter have any distinguishing marks?<br />
'''Mrs. Lefferts''': She has a birthmark on her hip. It's her. My baby! }}
** The scene won the [http://www.skinema.com/Skinnies1998.html 1998 Skinny Award] for "Best birthmark used to further the plot".
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* [[Fake American]]: The two leads are actually Aussies.
** In the 'Making of' featurette, the producer relates his reaction to the casting decision.
{{quote| ''You want to make a period crime film, set in Los Angeles, starring two Australians?''}}
* [[Fake Irish]]: James Cromwell as Irish-American Dudley Smith, with a pretty decent accent.
* [[False Roulette]]: Played straight during the interrogation of the Nite Owl suspects, when Bud realizes the suspects have kidnapped and raped a woman who's still being held hostage. However, in the film we never actually see if Bud takes the last round out of his .38.
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* [[Horrible Hollywood]]
* [[Ho Yay]] / [[Foe Yay]]: [[In-Universe]]. Half the characters are convinced there's something more to Bud and Ed's rivalry than just hatred.
{{quote| '''Jack:''' (to Ed) Bud White's gonna fuck you for this if it takes him the rest of his life.}}
 
{{quote| '''Lynn:''' (also to Ed): Fucking me and fucking Bud aren't the same thing.}}
* [[Important Haircut]]: Lynn in the end cuts her hair to show her rejection of her former life.
* [[I Never Said It Was Poison]]: "Vincennes mentioned a suspect he was hunting down. Rollo Tomasi?"
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* [[Pretty in Mink]]: Lana Turner is wearing a white fox wrap in her scene in the movie.
* [[Pyrrhic Victory]]: Ed Exley.
{{quote| '''Lynn''': ''Some men get the world. Others get ex-hookers and a trip to Arizona. You're in with the former, but God, I don't envy the blood on your conscience.''}}
* [[Rabid Cop]]: Pretty much everyone, except for Ed (and even he hits it at the end of the movie).
* [[Reality Is Unrealistic]] / [[Your Costume Needs Work]]: Exley thinks {{spoiler|Lana Turner is just one of the hookers dressed up to look like a star.}}
{{quote| {{spoiler|'''Exley''': A hooker cut to look like Lana Turner is still a hooker. She just ''looks'' like Lana Turner.}}<br />
{{spoiler|'''Vincennes''': She is Lana Turner.}}<br />
{{spoiler|'''Exley''': (turns to Vincennes) What?}} <br />
{{spoiler|'''Vincennes''': She ''is'' Lana Turner.}}<br />
{{spoiler|(Lana throws a drink in Exley's face)}} }}
* [[Reckless Gun Usage]]: In the film, Exley sees the Nite Owl suspects pile into an elevator and quickly jams his shotgun through the doors and fires, without first checking to see if there was anyone else in there with them.
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* [[Slashed Throat]]: "The proof had his throat cut."
* [[Smith Will Suffice]]:
{{quote| '''Bud:''' Jesus fucking Christ!<br />
'''Patchett:''' No, Mr. White, Pierce Moorehouse Patchett. }}
* [[Spiritual Successor]]: To ''[[Chinatown]]''. Even though they both have a completely different cast and crew, both are set in Los Angeles, both were made 40 years after the time period in which they are set, and both feature themes of betrayal, corruption of public institutions and officials, and "neo-noir" values. Oh, and both have scores by [[Jerry Goldsmith]].