Laura White: Difference between revisions
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Laura Jane Amanda White (born 31 August 1987) is an English singer from Atherton, Greater Manchester, England. She is best known for reaching the final twelve of the fifth UK series of television talent show The X Factor in 2008. White's debut single, "You Should Have Known" charted at number 32 on the UK Singles Chart. Her second single "Radio" will be released on 21 June, followed by her debut album. |
Laura Jane Amanda White (born 31 August 1987) is an English singer from Atherton, Greater Manchester, England. She is best known for reaching the final twelve of the fifth UK series of television talent show The X Factor in 2008. White's debut single, "You Should Have Known" charted at number 32 on the UK Singles Chart. Her second single "Radio" will be released on 21 June, followed by her debut album. |
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In early 2010, White was the opening act of Peter Andre tour. |
In early 2010, White was the opening act of Peter Andre tour. |
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=== This musician shows examples of: === |
=== This musician shows examples of: === |
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* [[Refuge in Audacity]] |
* [[Refuge in Audacity]] |
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* [[Refuge in Vulgarity]] |
* [[Refuge in Vulgarity]] |
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* [[Serious Business]]: Well, it's becoming this way, in the same way that [[Lady Gaga]] and [[ |
* [[Serious Business]]: Well, it's becoming this way, in the same way that [[Lady Gaga]] and [[Ke$ha]] are. |
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** At one point, whether she won a round of ''[[The X Factor]]'' or not even made Parliamentary discussion. |
** At one point, whether she won a round of ''[[The X Factor]]'' or not even made Parliamentary discussion. |
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* [[Springtime for Hitler]]: Laura lives up to the music industry phenomenon of the "contractual obligation" album. These are albums produced to fulfill the terms of a contract with a record label, usually at the label's insistence; but which the musicians do not want to record, either because they are unhappy with their contract, or they feel they lack sufficient good material for an album, or they are just no longer interested in doing it. "Contractual obligation" albums are typically either complete garbage done as a "screw you" to the record label, something completely silly done as way to blow off steam, a Greatest Hits Album, or a bizarre/experimental art project of some sort. Most of the time, these albums flop as intended; but occasionally, they will go on to achieve a substantial cult following. Occasionally, they will even make a small profit for the label. <br /><br />Her album, which has yet to be released, has apparently been seen as a "contractual obligation" album by the British radio industry. |
* [[Springtime for Hitler]]: Laura lives up to the music industry phenomenon of the "contractual obligation" album. These are albums produced to fulfill the terms of a contract with a record label, usually at the label's insistence; but which the musicians do not want to record, either because they are unhappy with their contract, or they feel they lack sufficient good material for an album, or they are just no longer interested in doing it. "Contractual obligation" albums are typically either complete garbage done as a "screw you" to the record label, something completely silly done as way to blow off steam, a Greatest Hits Album, or a bizarre/experimental art project of some sort. Most of the time, these albums flop as intended; but occasionally, they will go on to achieve a substantial cult following. Occasionally, they will even make a small profit for the label. <br /><br />Her album, which has yet to be released, has apparently been seen as a "contractual obligation" album by the British radio industry. |
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