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{{work}}
'''''Lovecraft''''' is a [[Very Loosely Based on a True Story]] comic retelling of [[
Howard Phillips Lovecraft has a very bizarre childhood in. His father, Winfield, becomes acutely psychotic, when the boy is three years old, and is confined to an asylum, where he keeps blabbing about a book that needs to be burned. Meanwhile, his mother dresses him up in girl's clothing and homeschools him, all contributing to keeping him very isolated from the outside world. His only means of entertainment is his grandfather's ghost-stories, as well as his father's quite comprehensive library, and it is in the latter that he discovers the ancient and very strange book, ''Al Azif'', by Abdul Alhazred, also more popularly known as the ''Necronomicon''.
The young Lovecraft quickly discovers that the verses in the book, when read out loud, opens a portal to a dark, twisted version of Massachusetts, where the horrible city Arkham, populated by all sorts of weird, and sometimes malevolent, creatures, lies. He starts playing regular visits to this other dimension, but soon discovers that some of the strange beings starts following him into the real world, where they haunt and torment him, demanding that he surrenders the ''Necronomicon'' to them, so they can bring the barrier between the dimensions down, and take over the mundane world. Then again, it could all just be the escapist fantasies of lonely young writer who had clinically insane parents, and a pretty screwed-up childhood.
{{tropelist}}
* [[Art Shift]]: Panels in the "real" world and those when the alien reality of the Old Ones is dominant are made in two noticeably different styles, despite Breccia doing both.
* {{spoiler|[[Batman Gambit]]}}: After a fashion. {{spoiler|All the strange prayers and incantations to summon the Old Ones found throughout Lovecraft's work? ''They're actually '''wards and seals''''', and the more they're printed, read or said, the stronger the barrier between our world and theirs becomes. Any attempt to try and summon them by using those (in fact, mere ''interest'' in Lovecraft's work, ensuring continued circulation of his stories) will just make it harder for them to break through.}}
* [[Beethoven Was an Alien Spy]]: Lovecraft was apparently mankind's sole protector against an invasion from horrible creatures from an alternate dimension. {{spoiler|And continues to be so, even after his death}}.
* [[Cosmic Horror Story]]: Maybe.
* [[Go Mad
* [[Humanoid Abomination]]: Most of the inhabitants of Arkham, with {{spoiler|Wilbur Whateley}} as the most prominent example.
* [[I Have Many Names]]: The creatures of Arkham are for some reason unable to call Lovecraft by his birth name, so they always refer to him as "Randolph Carter".
* [[It's Not You, It's My Enemies]]: {{spoiler|Although he never tells her, it is Lovecraft's reason for leaving Sonia}}.
* [[
* [[Tome of Eldritch Lore]]: The Necronomicon, of course. Lovecraft is the only one able to use it to somewhat positive effect, and even then it's incredibly dangerous.
* [[Very Loosely Based on a True Story]]: The years and dates for which Lovecraft writes certain stories, invents part certain parts of his mythology, and meets certain people are very mixed up, to the point were the story is hardly bearing any resemblance to the real events. But, as [[John Carpenter]] muses in the foreword, it would probably be the kind of story Lovecraft would have written about his life, if he had the chance.
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{{reflist}}
[[Category:Lovecraft]]
[[Category:Comic
[[Category:Vertigo Comics]]
[[Category:H.P. Lovecraft]]
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