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{{trope}}
* Parodied with the ending of ''[[Mystery Team]]''.{{context}}
* ''[[Sucker Punch]]'': It has an [[Imagine Spot]] (a brothel) which has one or three different [[Imagine Spot
* ''[[2001: A Space Odyssey]]''. The book, on the other hand, is considerably more comprehensible.
** A popular urban legend (later confirmed by Arthur C. Clarke himself) goes that, after the premiere, Rock Hudson stormed out of the theater yelling, "Can someone tell me what the hell I just watched?"
** The movie was such a mind screw that the film adaptation of ''[[
*** There's [[The Great Politics Mess
** The prologue and ending of the original book of ''2001'' are significantly longer than their movie equivalents for the same reason. There was a lot of 'splaining to do.
* Unless you're a [[Beatles]] fan and have some basic knowledge of the 60's counterculture movement, ''[[Across the Universe (
* ''[[I'm Not There]]'', Todd Haynes' attempt to quantify the existence of [[Bob Dylan]] by presenting him as SEVEN SEPARATE CHARACTERS, including a woman, a small black child, and Billy the Kid. If you have an extensive knowledge of the man, then the metaphorical touchstones are fairly easy to follow. But if you're only a casual fan, entire chunks of the movies will leave you stonefaced or confused, especially about how they relate to Bob Dylan.
* After it runs out of material and stops being a comedy, ''Art School Confidential'' wants ''desperately'' to be a [[Mind Screw]], it tries ''so hard!'' But somewhere along the line someone missed the point of what a [[Mind Screw]] actually is and the movie doesn't even really bother to actually try to confuse you with anything, because it's so proud of how it's got a grown up plot about a guy who commits murders and makes paintings out of them, only he dies and someone else gets arrested for it, instead of some silly story about ''art students''.
* ''[[Arizona Dream]]'' by Emir Kusturica. [[Cloudcuckoolander|Insanely weird characters]]? Check. [[What Do You Mean It Wasn't Made
* ''[[Barton Fink]]''. Granted, nothing the [[Coen Brothers]] have done is completely straightforward, but when {{spoiler|[[John Goodman]] is on a shotgun rampage through a burning hotel screaming "look upon me," and no, [[It Makes Sense in Context|it does not make sense in context]]}}, you start to wonder what you've gotten yourself into.
** He's just showing you the life of the mind.
* ''[[
** Mind screws are a recurring theme in pretty much all of Darren Aronofsky's films.
* The 2004 film ''[[Casshern]]'' had no explanation for the ending or for the various [[Deus Ex Machina]] moments that appeared throughout the film. For example, giant metal bolts of lightning that: Started the plot, transported the hero right to the point he needed to be with no question from anyone, ''and'' conveniently provided the final chamber with a giant hole in the wall.
* In ''[[Cemetery Man]]'', Francesco Dellamorte [[Can't Get Away
** Not to mention that {{spoiler|The entire movie takes place in a snow globe}}.
* ''[[Cube]]'' intentionally offers no real explanations to what the titular ''Cube'' is and why the characters were placed in it.
** The sequels, however, make things ''worse'' with their attempts to actually explain things somewhat, as none of the three films are made by the same people and can't seem to agree on essential points - ''Hypercube'' being the worst offender in this area.
*** The first film actually gives a very mind-bogging explanation to why they are in the ''Cube'' (which is just a "survival maze") - the exact quote being: "Because it's here. You either use it, or admit it's pointless." (which, in and of itself is pretty mind-screwy)
* ''[[
* ''[[Donnie Darko]]'', to the extent that members of the cast can't agree on whether there is a legitimate [[Time Travel]] story, or just a handful of psychedelic delusions.
** In the DVD commentary, the [[Word of God|director]] pretty much owns up to the fact that even he doesn't really know what's going on and that the plot probably can't be explained without resorting to [[A Wizard Did It|divine intervention]]. This sentiment was shared by Jake Gyllenhaal, who played the title character; he has no idea what's happening in the movie either.
** Director Richard Kelly's second film, ''[[Southland Tales]]'', somehow manages to be even more violently insane than his first. It was supposed to be part of a massive multimedia experience (that never really panned out), but it would take a ''damn'' lot of graphic novels to explain what on God's green Earth was happening at any point during that movie.
*** Read all about it [http://www.agonybooth.com/recaps/Southland_Tales_2006.aspx here].
* The pretty much the entire point of the CRS company in the [[David Fincher]] flick ''[[The Game (
* ''[[Give My Regards to Broad Street]]'' has some Mind Screwing - partly from symbolism, partly because of [[Dream Sequence
* After a certain point in the film version of ''[[Hedwig and The Angry Inch]]'', the opening shot is redone, starting off a long medley featuring the three central characters merging into one and walking naked down an alleyway.
* Watch the Argentinian film ''Hombre Mirando al Sudeste'' (''Man Looking Southeast'') and try to decide which of the explanations is true. You'll be lying in bed thinking about it, seriously, as it's just that freakin' bizarre, and ends unanswered.
* ''I Love Your Work'' isn't as extreme as others on this list, as a simple {{spoiler|"I guess it was all in his head"}} makes sense of it as a whole, as the ending makes that seem like the most likely explanation. But some scenes are still pretty odd.
* ''[[Inception]]'' is not as mind screwing as one would expect. But the whole plot is about putting an industrial heir through one massive mind screw to mess with his free will. First he is put into an artifical dream where he gets kidnapped by people wanting the codes to his fathers secret safe, which he handles quite well. But then he gets put into a dream within the dream where he is approached by a stranger who claims to be part of his subconscious and they are both in a dream and under attack by kidnappers who wants to steal his company secrets. Then the laws of physics start to no longer apply correctly and he no longer takes things that well.
** Also the main character who is putting the man through the mind screw is having some lingering doubt that he himself is dreaming and his mind
** ''Inception'' uses [[In Medias Res]] openings. Not just at the start of the movie, but repeatedly, at multiple scenes, to intentionally evoke dreamlike logic. And the main plot is [[The Heist|a heist]] ''in reverse'', so it's necessarily a complicated story. {{spoiler|And the ending is [[Ambiguous Situation|ambiguous]] between the best happy ending possible and one of the worst.}} Aside from all that, though, it's not mind-screwy at all!
** When you have a character who asks 'Hang on, whose subconscious are we in again?' it's safe to say you're dealing with a mind screw.
* ''[[
* ''[[Last Year
* The 1960s version of ''[[Lord of the Flies]]''. It's not even in a funny way. It's kind of scary.
* ''[[Mirror Mask]]''. My God, Mirror Mask... If the visual conception isn't enough (and this troper believes it is), then would some other troper explain what the whole point was? Or how it was the [[Spiritual Successor]] to ''[[
* The 1965 science fiction horror ''[[Monster a Go
* [[David Lynch]]'s ''[[Mulholland Drive]]'' Or, to an even greater degree, ''[[Eraserhead]]''.
** ''Lost Highway'' where on the one hand characters transform into each other. On the other hand is the first scene repeated later from a different view: Fred, who answered the entryphone in the first version, rings the bell in the second one himself. So instead of an expected [[Once More,
** ''Inland Empire'' makes Mulholland Dr. seem sensical.
*** As Laura Dern's character describes the events of the film: "I'm trying to tell you so you understand how it went. Thing is, I don't know what was before or after. I don't know what's happened first...and it's kinda layin' a mindfuck on me."
*** And oh good Christ in heaven, ''how many'' false endings did that movie ''have''? I'm fairly sure that they took up the last forty minutes.
** Mr. Lynch is so well known for his [[Mind Screw
* [[David Cronenberg]]'s ''[[Naked Lunch]]'' is a lot less disgusting than the book it's named after (it actually borrows from a large part of the works of William S. Burroughs), but only slightly less confusing.
** Speaking of Cronenberg films, ''[[eXistenZ]]'' is Philip K Dick-like in the mind screw department. It features a VR game within a VR game within a VR game within a VR game, the characters openly question whether they're still in the game at every level (and for bonus points, compare real-life to VR), switch sides multiple times, and reference things that happened at other levels.
* The movie π (''[[Pi]]'') has a paranoid mathemathical genius, Hebrew numerology, conspiracies, neurological headaches, [[Cosmic Horror|the secret name of God]], and {{spoiler|the protagonist taking [[This Is a Drill|A Drill]] to his head to escape all this crap}}. To top it off, it's in black and white. And is scored to techno music.
* ''[[Primer]]'', thanks to [[Time Travel]], [[Second Hand Storytelling]], and a case of [[The Ending Changes Everything]]. There is an explanation for almost everything that happens, but you have to watch the movie at least twice to put all the clues together.
* The very end of ''[[Reazione a Catena]]'', with {{spoiler|the main killers being shot to death with a shotgun by their '''8-year-old''' son, and his sister commenting,
* ''[[Repo Man]]'' for sure, but played for laughs.
* [[Guy Ritchie]]'s ''Revolver''. It involves a formula that supposedly allows the main character to win any game, a blood disease that disappears for no apparent reason, a crime lord apparently being the same person as the voices in everybody's heads... Yeah.
* The scene in ''[[
* The ''[[Star Wars Holiday Special]]'' has quite some moments of mind screw, largely thanks to the fact there's absolutely no subtitles for non-human creatures' languages (such as the wookies). For instance, we'll perhaps never know what the hell where the tiny circus-performers like things the little wookie was watching, let alone the white swimming things that appeared in the machine that grandpa wookie was watching.
* ''Stay.'' It all makes sense at the end {{spoiler|the entire film is the product of Ethan's dying mind absorbing his immediate surroundings}}, but through the course of the narrative, good luck trying to make sense of anything.
* ''[[Suspiria]]'': the plot is nothing else than a "witches doing evil wizardy after being discovered" kind of thing. The camera angles, scary soundtrack, eerie camera angles, buckets of blood, and macabre scenery, though....
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** Not exactly, {{spoiler|most people seem to think he's strangling himself with it. He isn't; he's biting through it. Without teeth. Nice.}}
*** Possible [[Fridge Brilliance]] when you remember {{spoiler|all his previous siblings also died in the womb}}
* ''[[The Uninvited (2009 film)|The Uninvited]]'' has a wonderful Mind Screw at the end of the film.{{context}}
* The opening scene of ''[[The Cell]]'' has J-Lo riding across the Namibian desert in a wedding dress, dismounting and then looking back on her horse which has turned into a chess piece; and then approaching a boat that is half-buried in the sand and a boy who turns into a werewolf. Later on the film involves a schizophrenic serial killer who drowns his victims, augments their bodies so they look like dolls and then masturbates whilst hanging himself above them by chains attached to metal rings in his back; an albino German shepherd; a horse getting sliced up sushi-style; a collection of doll-like, corpse-like women inside display cases behind glass panels attached to crude machinery that jerks them about in grotesque, sadomasochistic sexual poses; a female bodybuilder; a demon-like man with purple curtains attached to his back; Vince Vaughn getting his intestines pulled out and spiraled around a rotisserie; vultures; peacocks and J-Lo dressed as the Virgin Mary. Justified on account of the fact that the majority of this takes place within people's minds.
* The beginning of ''[[The City of Lost Children]]''. Most, not all of it, make sense by the end.
* ''[[The Fountain]]''.
* 1968's
* ''[[The Matrix]]''. The sequels have a mild case of it, anyway; in the first movie, Morpheus took the time to explain what was going on.
** Not mild with the Architect in ''Reloaded''...
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* The ending of ''[[The Ninth Gate]]'' caused everybody to make that sound [[Scooby-Doo]] makes when he's confused.
* The Oscar-nominated French/Canadian/Belgian animated movie ''[[The Triplets of Belleville]]''.
* The ending of ''[[
** Don't touch it! It's Evil!
*** Completely...
**** What do you mean? The ending of ''[[
** ''[[Brazil (
* [[Jim Henson]] (yes,
** He also made a humorous but bewildering teleplay called ''The Cube'' (no relation to the Canadian film and its sequels). It's about a man trapped in a cube shaped room. He has no idea where he is or how he got there. Other people can enter and leave freely, but he cannot. People change into other people, objects appear and disappear, bizarre philosophical interpretations of his situation are suggested and dismissed, and when he gets cut he bleeds strawberry jam. Is he dead? Insane? Part of some twisted psychological experiment? Or is he really just a character in a television program? In a way this film deconstructs this trope, as an overabundance of explanations are provided by other characters, though which (if any) is the truth is never revealed.
* ''[[Un Chien Andalou]]''. Just try to read the [
* ''[[Videodrome]]''{{context}}
* ''Waking Life''{{context}}
* Jean-Luc Godard's film ''Weekend''.{{context}}
* ''[[What the Bleep Do We Know]]'' is a ''major, major'' offender of this one. If you can make some sense out of the cryptic, convoluted [[Techno Babble]] about Quantum Mechanics, Religion, Life, the Universe and Everything, you'll see how this movie easily beats ''[[Serial Experiments Lain]]'' in terms of head-trippiness, even though even [[The Other Wiki]] agrees it's all just quantum mysticism mixed with the ideas of some new age school. [http://www.intuitor.com/moviephysics/bleep.html According to Intuitor.com], it also completely messed up Quantum Physics, horrible research, biases and scientific inaccuracies destroyed any hope of correct science.
** Here's the key: there is a middle-aged woman doing her best attempt at a deep male voice partway through the film. The name given on screen is "Ramtha". Her cult funded the entire movie.
*** The woman is JZ Knight, who claims to be ''channeling [[You Fail History Forever|a 40,000 year old Indian spirit]]''. [[Translation Convention|Who speaks suspiciously good English]]. And [[You Fail Physics Forever|doesn't understand squat about quantum mechanics]].
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* In ''[[Total Recall]]'', Quaid describes the real plot of the [[Big Bad]] as "the best mindfuck yet." {{spoiler|And then Hauser shows up on video chummy with Cohaagen... The real mindfuck--for the audience that is--is the ending, which forces the audience to ask themselves if the entire movie did or didn't take place in Quaid's mind. On second viewings... it's still not clear. Fairly well done for what is otherwise a fairly standard action movie.}}
** [[Word of God]] is no help on the matter. In fact the director has said both interpretations are consistent with the facts, and it was set up that way on purpose.
* ''[[Westworld]]'' is an odd case in that it ''almost'' makes sense, and keeps setting itself up as if for [[The Reveal]]. By the end, we've still got a [[Amusement Park of Doom|decadent amusement park]] where a bunch of [[Ridiculously
** -and then it's remade as 'Jurassic Park'.
* ''The Blades of Glory'' ending.{{context}}
** Not so much [[Mind Screw]] as it is [[Rule of Funny]].
* ''[[The Men Who Stare
* ''The Believer'''s ending.
* Japanese auteur [[Takashi Miike]], when he's not being the master of extreme violence and gore, is a master of the [[Mind Screw]]. His most mind-bending film, however, has to be ''[[Gozu]]''. Disappearing corpses, a river without a bridge, creepy transvestite waiters, unreliable guides with bizarre skin conditions, young women giving birth to full-grown men, middle-age women selling breast milk, an almost deserted former fishing town, Yakuza who live in a junkyard, an American reading her dialog from a queue card, and a huge minotaur wearing baggy underwear. And that doesn't even begin to describe how twisted this movie is. The strangest thing is that [[Mind Screwdriver|it all makes perfect sense]] when you realize {{spoiler|it's all a symbolic representation of the protagonist's inner journey, told with symbolism from both Japanese and Greco-Roman mythology, and represents his coming to terms with his own homosexuality and love for his Yakuza "older brother", and his "rebirth" as a new person}}.
* ''[[Marebito]]'' by Takashi Shimizu, the director of ''Ju-on; The Grudge''. A man obsessed with fear finds his way into a warped underground labyrinth world, is menaced by "Dero" ("Detrimental Robots"); and rescues a feral girl who turns out to be a vampire, who he keeps chained up in his apartment, and feeds by killing other people and draining their blood. But is that really happening? Do any of them actually exist? Is the girl real, perhaps his own daughter who he abuses and treats like an animal, while he kills people to feed his own delusion? Or has his detachment from reality actually enabled him to stumble into a real alternate, quasi-supernatural world? The ending completely refuses to resolve any of these questions; leaving them up to the viewer to answer.
*
* ''[[
* "Northfork".{{context}}
* The Swedish film ''Persona'' features an actress who goes mute, except maybe she really isn't but wants to get away from her life. Her nurse wants to become the actress because she hates herself, and maybe she did. Or didn't. The actress also has a son that is involved...somehow. The opening scenes feature dead bodies, a sheep being stabbed with a knife, and [[Writer Revolt|an erect penis]]. What does all this have to do with the rest of the film? [[
** The abstract images which open the film are probably an homage to [[Un Chien Andalou]]. Bergman realized his work no longer seemed as groundbreaking as it once had, so he was announcing to the world his intention to go deeper into stylistic experimentation.
** Bergman purposely put in a film break to [[Breather Episode|give viewers a moment away from the surrealism.]]
* ''[[Performance]]''. When the sudden [[Music Video]] ''follows perfectly''...
* The Trial in ''[[Pink Floyd]]'s [[The Wall]]'' in which the main character is put on trial by his inner demons.
** The Trial is especially mindscrewy. But the entirety of the movie is a [[Mind Screw]].
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* If {{spoiler|the narrator being Tyler all along}} in ''[[Fight Club]]'' is not an example of that, then I'm being a Martian.
* [http://www.youtube.com/watch?v=344q2gyBcCI Hopital Brut.]
* [http://www.youtube.com/watch?v=XtJW1WRfRg4 "The Color of Pomegranates"], a Soviet-Armenian film [[Very Loosely Based
* ''The Attic Expeditions''{{context}}
* Dalton Trumbo's film adaptation of ''[[Johnny Got His Gun]]'' was done largely by making the film one big mindscrew, caused by the character's explosion-induced loss of his ability to see/hear/speak (as well as his limbs) inducing nightmarish visions inside of his head to pad out the film.
* ''[[
{{quote|
"No you’re not, that's what you want me to believe!" }}
* ''[[The Monkees (
* [http://www.youtube.com/watch?v=dEPSIAkmzAE This] short film adaptation of the Maurice Ogden poem "The Hangman". Also doubles as [[Surreal Horror]].
* ''Meek's Cutoff'', specifically the end. What was the point of it again?
* No mention of this: [[Rocky Horror Picture Show|A man and his fiance-that he takes the time to remind everyone of- end up entering a castle inhabited by generic horror movie servants who work for a transvestite Tim Curry who somehow creates a
* ''[[Psycho Beach Party]]'': What happened? How much of it was fake and who faked what?
* ''[[
* ''What Is It?'' [[Crispin Glover]]'s...creation. There's a reason [[Brows Held High|Oancitizen]] [[Go Mad
* The genre blender ''Xtro''. Best summed up by this review:
{{quote|
* ''[[Monty
** And in fact they were so busy mind screwing the viewer {{spoiler|that they totally forgot to actually convey the meaning of life, having to hastily throw together a bunch of cliched platitudes at the end. Perhaps the only part of the movie that made an ounce of sense, and it was given the least thought.}}
* ''[[Looney Tunes: Back in Action]]'': while the movie in general makes sense (or at least as much sense as one can expect from the Looney Tunes), the part where Shaggy complains about his voicing is a very subtle mind screw. Think about it. How can a real person be voice-acted.
* Two words that have yet to be said despite being the name of one of the most famous incarnate of [[Mind Screw]] to come out during the 1960s: {{spoiler|''' '' [[Yellow Submarine]]'' '''}}
* ''Clean, Shaven'' it about providing an objective look at schizophrenia, . The plot is straight forward, but it's a mind screw because uses a lot of unusual/disturbing images and sounds.
* ''Moonwalker'', a self-indulgent Michael Jackson movie, takes this to great extremes. This is a movie where the entire first twenty minutes is nothing but [[Deranged Animation]] coupled with some of Jackson's most well-known dance moves, or moves that he popularized (such as crotch-grabbing ''outside'' your house), then devolves into his well-known "I'm Bad" video, except portrayed by children, who after making the video walk outside of the building through a cloud of smoke and emerge as adults. Jackson is then chased down the street by claymation people and then escapes by dressing up as a man-sized rabbit. That was the first half-hour. It gets much weirder from there.
* My God, ''[[Felix the Cat: The Movie]]''. Just...just watch it. Reptilian creatures, a magic bag, a half-robot evil overlord, a sentient tear, a dimensional transporter, mice-lizard hybrids, [[Yellow Submarine]]-like sea creatures, a [[Circus of Fear]], a forest made of giant hair follicles with head-hunting creatures that are always losing their own heads, evil cubes and cylinders, and a book of ultimate power that defeats the bad guy by being thrown at him. And to top it all off, there's also a German version.
* The horror movie ''[[She Dies Tomorrow]]''. Go Google this movie, and it's practically guaranteed the first page of hits will have at least three people trying to explain the plot, all of them different. Whether it even qualifies as "horror" is debatable; at very least, this is a psychological thriller that makes you ''think'' while watching it.
{{reflist}}
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