Missing Episode/Music: Difference between revisions

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** This same policy screwed over Steve Holy, who had five singles between his biggest hits "Good Morning Beautiful" and "Brand New Girlfriend". None of the five songs made it higher than #26.
** This same policy screwed over Steve Holy, who had five singles between his biggest hits "Good Morning Beautiful" and "Brand New Girlfriend". None of the five songs made it higher than #26.
** David Nail's debut album got axed at the last second because its producer, Keith Stegall, had just gotten fired from the label (Mercury Nashville). Promotional copies had already made it to some radio stations.
** David Nail's debut album got axed at the last second because its producer, Keith Stegall, had just gotten fired from the label (Mercury Nashville). Promotional copies had already made it to some radio stations.
** Eric Heatherly also had his first Mercury album go woefully under-promoted (although its leadoff single made #6), and his second album go ''unreleased'', for the same reason. He later had a ''second'' unreleased album for [[Dream Works]] Records after its lead-off single tanked. As with David Nail, Eric's DreamWorks album had seen release of promotional copies.
** Eric Heatherly also had his first Mercury album go woefully under-promoted (although its leadoff single made #6), and his second album go ''unreleased'', for the same reason. He later had a ''second'' unreleased album for [[DreamWorks]] Records after its lead-off single tanked. As with David Nail, Eric's DreamWorks album had seen release of promotional copies.
** James Otto ended up subverting this. While his debut album had a few advance copies dropped around in 2002, the actual album didn't see the light of day until 2004. He had to change a couple tracks because another artist wanted to release one of them (specifically Montgomery Gentry with "Gone") as a single.
** James Otto ended up subverting this. While his debut album had a few advance copies dropped around in 2002, the actual album didn't see the light of day until 2004. He had to change a couple tracks because another artist wanted to release one of them (specifically Montgomery Gentry with "Gone") as a single.
** John Berry also had two unreleased albums in a row: the first, ''Crazy for the Girl'', was dropped (and its single withdrawn after only a couple weeks on the chart) because he was having vocal cord troubles and couldn't finish recording it. After recovery, he recorded ''Better Than a Biscuit'', which didn't get released because he asked out of his contract the week before it was supposed to come out.
** John Berry also had two unreleased albums in a row: the first, ''Crazy for the Girl'', was dropped (and its single withdrawn after only a couple weeks on the chart) because he was having vocal cord troubles and couldn't finish recording it. After recovery, he recorded ''Better Than a Biscuit'', which didn't get released because he asked out of his contract the week before it was supposed to come out.
** Yet another example of this happening twice to the same artist is Jessica Andrews. Also signed to DreamWorks at the time, she was slated to release ''Ain't That Life'' in 2005, but it never saw release due to the label abruptly closing only months after the second single hit the charts. She eventually moved to Lyric Street, where she released the single "Everything", only to get screwed over by ''that'' label closing.
** Yet another example of this happening twice to the same artist is Jessica Andrews. Also signed to DreamWorks at the time, she was slated to release ''Ain't That Life'' in 2005, but it never saw release due to the label abruptly closing only months after the second single hit the charts. She eventually moved to Lyric Street, where she released the single "Everything", only to get screwed over by ''that'' label closing.
*** Indeed, Lyric Street has not been kind to its artists in that regard. Besides Jessica Andrews, nearly 1/3 of the label's roster has had at least one unreleased album, even if it had a charted single, and Josh Gracin's second album was delayed for ''two years'' (although that one was mostly his choice since he was unsatisfied with the first draft). Bucky Covington perhaps got the shortest end of the stick, due to his 2010 single "A Father's Love (The Only Way He Knew How)" having hit the charts just as the label went under; another label pushed the single to #23 but he still didn't get the album out.
*** Indeed, Lyric Street has not been kind to its artists in that regard. Besides Jessica Andrews, nearly 1/3 of the label's roster has had at least one unreleased album, even if it had a charted single, and Josh Gracin's second album was delayed for ''two years'' (although that one was mostly his choice since he was unsatisfied with the first draft). Bucky Covington perhaps got the shortest end of the stick, due to his 2010 single "A Father's Love (The Only Way He Knew How)" having hit the charts just as the label went under; another label pushed the single to #23 but he still didn't get the album out.
* [[Godspeed You Black Emperor (Music)|Godspeed You Black Emperor]]'s first album, ''All Lights Fucked on the Hairy Amp Drooling'' was limited to a release of 33 cassette tapes. To this date, none of the songs have leaked to the Internet and all that's known are the album title, song titles, and the album art.
* [[Godspeed You! Black Emperor|Godspeed You Black Emperor]]'s first album, ''All Lights Fucked on the Hairy Amp Drooling'' was limited to a release of 33 cassette tapes. To this date, none of the songs have leaked to the Internet and all that's known are the album title, song titles, and the album art.
* Some of the songs from [[The Beatles]]' 1962 Decca session were included on the first ''Anthology'' compilation, but many are still only available as bootlegs.
* Some of the songs from [[The Beatles]]' 1962 Decca session were included on the first ''Anthology'' compilation, but many are still only available as bootlegs.
* Hawkwind's 1975 album ''Warrior on the Edge of Time'', arguably their most psychedelic and inventive, has not been included in the remastering programme because the copyrights are owned by all the participating band members, making royalty negotiations difficult.
* Hawkwind's 1975 album ''Warrior on the Edge of Time'', arguably their most psychedelic and inventive, has not been included in the remastering programme because the copyrights are owned by all the participating band members, making royalty negotiations difficult.
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* The [[Bee Gees]] intended to follow their snore-inducing 1973 album "Life In A Tin Can" with a similarly-styled-but-far-superior album called (believe it or not) "A Kick in the Head Is Worth Eight in the Pants." Both the group and their manager deemed this album terrible, and it was scrapped, prompting the group to start experimenting with the black-funk sound that would define their late Seventies hits. Given this album's popularity among fans, however, it has been bootlegged a number of times in its entirety.
* The [[Bee Gees]] intended to follow their snore-inducing 1973 album "Life In A Tin Can" with a similarly-styled-but-far-superior album called (believe it or not) "A Kick in the Head Is Worth Eight in the Pants." Both the group and their manager deemed this album terrible, and it was scrapped, prompting the group to start experimenting with the black-funk sound that would define their late Seventies hits. Given this album's popularity among fans, however, it has been bootlegged a number of times in its entirety.
* [[David Bowie]]'s ''Toy'' -- which would have primarily featured new versions of some of his earliest songs -- was going to be his followup to 1999's ''hours...'' but was shelved by Virgin Records, his label at the time. Two new songs he wrote for it were rerecorded and released on 2002's ''Heathen'', and several of the other tunes became single B-sides/special edition tracks. In 2011, the original album was leaked online; because Bowie hasn't released a new album since '03 and has been a [[Reclusive Artist]] since '06, this made waves in the music press and even got a formal review by ''Classic Rock'' magazine.
* [[David Bowie]]'s ''Toy'' -- which would have primarily featured new versions of some of his earliest songs -- was going to be his followup to 1999's ''hours...'' but was shelved by Virgin Records, his label at the time. Two new songs he wrote for it were rerecorded and released on 2002's ''Heathen'', and several of the other tunes became single B-sides/special edition tracks. In 2011, the original album was leaked online; because Bowie hasn't released a new album since '03 and has been a [[Reclusive Artist]] since '06, this made waves in the music press and even got a formal review by ''Classic Rock'' magazine.
* ''[[Screwed By the Lawyers|All]]'' of ''Venom'' now that Chamillionaire and his record label have been released from Universal Records.
* ''[[Screwed by the Lawyers|All]]'' of ''Venom'' now that Chamillionaire and his record label have been released from Universal Records.
* The Butthole Surfers' 1998 album ''After The Astronaut'' had promo copies sent out, but the official release was pulled due to negative reception both from reviewers and from their label. About half of the album's songs would get reworked for their next album, ''The Weird Revolution'', which was released on a new label a few years later. Also, bizarrely, the back cover of ''After The Astronaut'' ended up [[wikipedia:Marcy Playground#Shapeshifter .281999.E2.80.932000.29|becoming the front cover]] of [[Marcy Playground]]'s ''Shapeshifter''.
* The Butthole Surfers' 1998 album ''After The Astronaut'' had promo copies sent out, but the official release was pulled due to negative reception both from reviewers and from their label. About half of the album's songs would get reworked for their next album, ''The Weird Revolution'', which was released on a new label a few years later. Also, bizarrely, the back cover of ''After The Astronaut'' ended up [[wikipedia:Marcy Playground#Shapeshifter .281999.E2.80.932000.29|becoming the front cover]] of [[Marcy Playground]]'s ''Shapeshifter''.
* Powerman 5000's ''Anyone For Doomsday?'' similarly got pulled from official release two weeks before it was planned to hit stores. This was such a late development that review copies had already been sent out, ''Rolling Stone'' and Allmusic had already published reviews and the album's first single, "Bombshell" was already climbing the Billboard Mainstream Rock chart (it reached a peak of #26 before being quietly pulled). In this case though, the band themselves decided not to release it. Rumor had it that this was because the album title started seeming [[Too Soon]] after 9/11, but frontman Spider has said it was just because he felt it was too similar to their previous album. For several years, "Bombshell" was the only song from the record legally available (it eventually found its way onto the soundtrack album for the 2003 film ''[[Freddy VS Jason]]''), but the whole album became available for purchase on iTunes some time in the late 2000's.
* Powerman 5000's ''Anyone For Doomsday?'' similarly got pulled from official release two weeks before it was planned to hit stores. This was such a late development that review copies had already been sent out, ''Rolling Stone'' and Allmusic had already published reviews and the album's first single, "Bombshell" was already climbing the Billboard Mainstream Rock chart (it reached a peak of #26 before being quietly pulled). In this case though, the band themselves decided not to release it. Rumor had it that this was because the album title started seeming [[Too Soon]] after 9/11, but frontman Spider has said it was just because he felt it was too similar to their previous album. For several years, "Bombshell" was the only song from the record legally available (it eventually found its way onto the soundtrack album for the 2003 film ''[[Freddy vs. Jason]]''), but the whole album became available for purchase on iTunes some time in the late 2000's.
* When [[The Minutemen]]'s double album ''Double Nickels On The Dime'' was released on cd, it was missing three songs from the original release ("Mr. Robot's Holy Orders", "Ain't Talkin' 'Bout Love", and "Little Man With A Gun In His Hand"): The album ran too long to be compatible with all cd players, so the band personally picked their three least favorite songs and cut them. The songs aren't available as digital downloads either, at least not the versions that were on the album. To hear these missing songs you have to either buy the still-in-print vinyl version, or settle for different version of them on other albums (live versions of "Ain't Talkin' 'Bout Love" and "Mr Robot's Holy Orders" are on ''Post-Mersh Vol 3'' and ''Ballot Result'' respectively, while an earlier recording of "Little Man With A Gun In His Hand" is on ''Buzz or Howl Under the Influence of Heat''). Or of course you can [[Keep Circulating the Tapes|find digitized versions of the record out there]].
* When [[The Minutemen]]'s double album ''Double Nickels On The Dime'' was released on cd, it was missing three songs from the original release ("Mr. Robot's Holy Orders", "Ain't Talkin' 'Bout Love", and "Little Man With A Gun In His Hand"): The album ran too long to be compatible with all cd players, so the band personally picked their three least favorite songs and cut them. The songs aren't available as digital downloads either, at least not the versions that were on the album. To hear these missing songs you have to either buy the still-in-print vinyl version, or settle for different version of them on other albums (live versions of "Ain't Talkin' 'Bout Love" and "Mr Robot's Holy Orders" are on ''Post-Mersh Vol 3'' and ''Ballot Result'' respectively, while an earlier recording of "Little Man With A Gun In His Hand" is on ''Buzz or Howl Under the Influence of Heat''). Or of course you can [[Keep Circulating the Tapes|find digitized versions of the record out there]].
* [[Jason Aldean]] [http://www.thegreenroompr.com/releases/jason-02.16.07.html narrowly averted this] when the studio holding the masters to his second album, ''Relentless'', caught fire but stopped just shy of the room holding the masters.
* [[Jason Aldean]] [http://www.thegreenroompr.com/releases/jason-02.16.07.html narrowly averted this] when the studio holding the masters to his second album, ''Relentless'', caught fire but stopped just shy of the room holding the masters.
* [[Kraftwerk (Music)|Kraftwerk]]'s ''Techno Pop''. A few of the songs were moved on to ''Electric Cafe'', and the single "Tour de France" became the basis for its own album nearly two decades later.
* [[Kraftwerk]]'s ''Techno Pop''. A few of the songs were moved on to ''Electric Cafe'', and the single "Tour de France" became the basis for its own album nearly two decades later.
* Happens quite a bit with almost any artist you can mention. When they record an album, a lot of them start off with about 20-30 songs to choose from, which is then whittled down to the 10-20 that actually make it on to the album. A few of them become B-Sides, but a lot of the rest simply disappear, either unrecorded or as rough demos. For one example, when Rachel Stevens was recording her second album, ''Come and Get It,'' a song called "Nothing in Common" was recorded but didn't make the cut, which led to a few whispers among Rachel's fans about wanting to hear it, since her previous collaboration with producer Richard X had given Rachel her biggest hit, "Some Girls." Six years later, Richard X, [http://blackxmelody.blogspot.com/2011/07/rachel-stevens-nothing-in-common.html leaked the demo] on one of his websites.
* Happens quite a bit with almost any artist you can mention. When they record an album, a lot of them start off with about 20-30 songs to choose from, which is then whittled down to the 10-20 that actually make it on to the album. A few of them become B-Sides, but a lot of the rest simply disappear, either unrecorded or as rough demos. For one example, when Rachel Stevens was recording her second album, ''Come and Get It,'' a song called "Nothing in Common" was recorded but didn't make the cut, which led to a few whispers among Rachel's fans about wanting to hear it, since her previous collaboration with producer Richard X had given Rachel her biggest hit, "Some Girls." Six years later, Richard X, [http://blackxmelody.blogspot.com/2011/07/rachel-stevens-nothing-in-common.html leaked the demo] on one of his websites.
* For a couple of years, [[Red House Painters (Music)|Red House Painters]]' last album, ''Old Ramon'' had become one of the most famous lost albums of all time. Recorded in the summer of 1998 and originally slated for a 1999 release, [[Island Records]] dropped the band before the album came out and cancelled the album's release. The record company absolutely refused to let the band have it back claiming copyright issues. After several companies tried to buy the rights for the album and got denied, Sub Pop finally offered enough money for it and the album was released in 2001.
* For a couple of years, [[Red House Painters]]' last album, ''Old Ramon'' had become one of the most famous lost albums of all time. Recorded in the summer of 1998 and originally slated for a 1999 release, [[Island Records]] dropped the band before the album came out and cancelled the album's release. The record company absolutely refused to let the band have it back claiming copyright issues. After several companies tried to buy the rights for the album and got denied, Sub Pop finally offered enough money for it and the album was released in 2001.
* Between ''Tin Planet'' and ''Suburban Rock 'n' Roll'', [[Space (Music)|Space]] made an album of songs with the working title of ''Love You More Than Football''. The provisional tracklisting was published on the band's website, and song titles were leaked to magazines. One of the songs, 'Diary Of A Wimp', was released as a single in 2000, while 'Gravity' was premiered at gigs on the Bad Days Tour in 1998 and included on the [[Greatest Hits Album]]. However, due to problems with the record company and increasing delays, the album was never actually released and is now only available on bootleg. It's also the last album with Jamie Murphy on it, and also the last album with lead vocals by other band members besides Tommy Scott (or instrumentals).
* Between ''Tin Planet'' and ''Suburban Rock 'n' Roll'', [[Space]] made an album of songs with the working title of ''Love You More Than Football''. The provisional tracklisting was published on the band's website, and song titles were leaked to magazines. One of the songs, 'Diary Of A Wimp', was released as a single in 2000, while 'Gravity' was premiered at gigs on the Bad Days Tour in 1998 and included on the [[Greatest Hits Album]]. However, due to problems with the record company and increasing delays, the album was never actually released and is now only available on bootleg. It's also the last album with Jamie Murphy on it, and also the last album with lead vocals by other band members besides Tommy Scott (or instrumentals).
* ''[[KMFDM (Music)|KMFDM]]'''s 1984 debut album ''Opium'' only saw an initial release of [[No Export for You|200 cassettes in Germany]], and the master tapes were lost for nearly two decades before being salvaged from a house ravaged by fire and water damage. It finally got a full release in 2002.
* ''[[KMFDM]]'''s 1984 debut album ''Opium'' only saw an initial release of [[No Export for You|200 cassettes in Germany]], and the master tapes were lost for nearly two decades before being salvaged from a house ravaged by fire and water damage. It finally got a full release in 2002.
* Jinkaku Radio's song "Hikizan" will probably never be released simply because one member criticized a [[Yui Horie|seiyuu]] for the show it was supposed to be the closing theme for.
* Jinkaku Radio's song "Hikizan" will probably never be released simply because one member criticized a [[Yui Horie|seiyuu]] for the show it was supposed to be the closing theme for.