Movie Bonus Song: Difference between revisions

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Examples:
Examples:
* "Why Am I So Romantic?" from ''Animal Crackers''.
* "Why Am I So Romantic?" from ''Animal Crackers''.
* "Let's Go to the Movies", "We Got Annie" (based on a [[Cut Song]]), and "Sign" from the film version of ''[[Annie (Theatre)|Annie]]''. There's also an odd case in "Dumb Dog/Sandy", which recycled the melody of a song from composer Charles Strouse's flop ''A Broadway Musical''.
* "Let's Go to the Movies", "We Got Annie" (based on a [[Cut Song]]), and "Sign" from the film version of ''[[Annie]]''. There's also an odd case in "Dumb Dog/Sandy", which recycled the melody of a song from composer Charles Strouse's flop ''A Broadway Musical''.
* If ''[[The Band Wagon]]'' is considered as an adaptation of the 1931 revue of that name (which also featured Fred Astaire and several songs used in the movie), "That's Entertainment" would qualify as a [[Movie Bonus Song]].
* If ''[[The Band Wagon]]'' is considered as an adaptation of the 1931 revue of that name (which also featured Fred Astaire and several songs used in the movie), "That's Entertainment" would qualify as a [[Movie Bonus Song]].
* "Do It Yourself" from ''[[Bells Are Ringing]]''.
* "Do It Yourself" from ''[[Bells Are Ringing]]''.
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* "Pet Me, Poppa," "Adelaide" and "A Woman In Love" from ''[[Guys and Dolls]]''.
* "Pet Me, Poppa," "Adelaide" and "A Woman In Love" from ''[[Guys and Dolls]]''.
* "Ladies' Choice" and "Come So Far (Got So Far to Go)" from ''[[Hairspray]]''.
* "Ladies' Choice" and "Come So Far (Got So Far to Go)" from ''[[Hairspray]]''.
* "Just Leave Everything To Me" and "Love Is Only Love" from ''[[Hello Dolly|Hello, Dolly!]]''.
* "Just Leave Everything To Me" and "Love Is Only Love" from ''[[Hello, Dolly!]]''.
* "I Wish It Could Be Otherwise" from ''[[Lil Abner|Li'l Abner]]''.
* "I Wish It Could Be Otherwise" from ''[[Li'l Abner]]''.
* The film version of ''[[A Little Night Music]]'' has "Love Takes Time" (mostly "Night Waltz" with new lyrics) and "The Glamorous Life" (same title but almost entirely rewritten as a Fredrika solo).
* The film version of ''[[A Little Night Music]]'' has "Love Takes Time" (mostly "Night Waltz" with new lyrics) and "The Glamorous Life" (same title but almost entirely rewritten as a Fredrika solo).
* "Some Fun Now" (which only barely counts - it's heavily based on the cut song "Ya Never Know") and "Mean Green Mother From Outer Space" from ''[[Little Shop of Horrors]]''.
* "Some Fun Now" (which only barely counts - it's heavily based on the cut song "Ya Never Know") and "Mean Green Mother From Outer Space" from ''[[Little Shop of Horrors]]''.
* "Loving You" from ''Mame''.
* "Loving You" from ''Mame''.
* "Being In Love" from ''[[The Music Man]]'' directly replaced "My White Knight," though the middle section (actually a remnant of a [[Cut Song]]) was unchanged.
* "Being In Love" from ''[[The Music Man]]'' directly replaced "My White Knight," though the middle section (actually a remnant of a [[Cut Song]]) was unchanged.
* Three of 'em in ''[[Nine (Theatre)|Nine]]": "Cinema Italiano" (a solo for Stephanie), "Guarda la Luna" (replacing the titular song; based on the "Waltz For Nine" instrumental), and "Take It All" (replacing "Be On Your Own").
* Three of 'em in ''[[Nine (theatre)|Nine]]": "Cinema Italiano" (a solo for Stephanie), "Guarda la Luna" (replacing the titular song; based on the "Waltz For Nine" instrumental), and "Take It All" (replacing "Be On Your Own").
* "Love with All the Trimmings" and "Go to Sleep" from ''On A Clear Day You Can See Forever''.
* "Love with All the Trimmings" and "Go to Sleep" from ''On A Clear Day You Can See Forever''.
* "Prehistoric Man," "Main Street," "You're Awful," "On The Town," "Count On Me" and "That's All There Is, Folks" from ''[[On the Town]]''. MGM teamed writers Comden and Green with Roger Edens to replace most of Bernstein's songs so their publisher could own most of the score.
* "Prehistoric Man," "Main Street," "You're Awful," "On The Town," "Count On Me" and "That's All There Is, Folks" from ''[[On the Town]]''. MGM teamed writers Comden and Green with Roger Edens to replace most of Bernstein's songs so their publisher could own most of the score.
* "Don't Look Now" from ''[[One Touch of Venus]]'', which is actually just "Foolish Heart" with new lyrics. ("West Wind" from the original show was similarly converted into "My Week," but then cut from the movie. There would have been more [[Movie Bonus Song|Movie Bonus Songs]] if not for dreadful amounts of [[Executive Meddling]] which drove Kurt Weill from the production.)
* "Don't Look Now" from ''[[One Touch of Venus]]'', which is actually just "Foolish Heart" with new lyrics. ("West Wind" from the original show was similarly converted into "My Week," but then cut from the movie. There would have been more [[Movie Bonus Song|Movie Bonus Songs]] if not for dreadful amounts of [[Executive Meddling]] which drove Kurt Weill from the production.)
* "The First Thing You Know," "A Million Miles Away Behind The Door," "The Gospel Of No Name City," "Best Things" and "Gold Fever" from ''[[Paint Your Wagon (Film)|Paint Your Wagon]]''. All of these were written by Alan Jay Lerner to music by André Previn. Frederick Loewe was not involved.
* "The First Thing You Know," "A Million Miles Away Behind The Door," "The Gospel Of No Name City," "Best Things" and "Gold Fever" from ''[[Paint Your Wagon]]''. All of these were written by Alan Jay Lerner to music by André Previn. Frederick Loewe was not involved.
* "You'll Find Your Happiness in Rio" (written for the stage version but cut) and "There's Nothing Like a Show on Broadway" from the 2005 film version of ''[[The Producers]]''.
* "You'll Find Your Happiness in Rio" (written for the stage version but cut) and "There's Nothing Like a Show on Broadway" from the 2005 film version of ''[[The Producers]]''.
* "Lovely To Look At" and "I Won't Dance" from ''Roberta''. (The latter was a substantial rewrite of a song written for the obscure London musical ''Three Sisters''.)
* "Lovely To Look At" and "I Won't Dance" from ''Roberta''. (The latter was a substantial rewrite of a song written for the obscure London musical ''Three Sisters''.)
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* A few of them in the 1975 film version of ''[[Tommy]]'': "Bernie's Holiday Camp", "Extra Extra" ([[In the Style Of|set to the tune of "Miracle Cure"]]), "Champagne", "Mother and Son", and "TV Studio".
* A few of them in the 1975 film version of ''[[Tommy]]'': "Bernie's Holiday Camp", "Extra Extra" ([[In the Style Of|set to the tune of "Miracle Cure"]]), "Champagne", "Mother and Son", and "TV Studio".
** Although not Movie Bonuses, a few new songs are included in the musical: "We've Won", "I Believe My Own Eyes", and "Sally's Question".
** Although not Movie Bonuses, a few new songs are included in the musical: "We've Won", "I Believe My Own Eyes", and "Sally's Question".
* The film version of [[Les Misérables (Theatre)|Les Miserables]] will be doing this with a new song called "Suddenly", written by Claude-Michel Schonberg.
* The film version of [[Les Misérables (theatre)|Les Miserables]] will be doing this with a new song called "Suddenly", written by Claude-Michel Schonberg.


{{reflist}}
{{reflist}}
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