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Relationship Ceiling: Difference between revisions
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The level, or perceived stagnation therein, of the relationship of characters. The '''Relationship Ceiling''' can create the illusion of [[Shipping Bed Death|uninterest in the progression, or just writing, of a relationship]] when in fact it's due to pure design choices. Figuring out the kind of Relationship Ceiling characters have is often a good measure of how probable a future [[Relationship Upgrade]] is. While these ceilings have some basis in reflecting reality, the very noticeable ones are often artificial constructs and the rules governing them tend to hold well over very different scenarios.
* ''Ceilings prevent relationships from developing past the direct relatability of the audience''. Regardless of the [[Competence Zone|age or makeup]] of the cast, relationships portrayed with any depth generally reflect those the audience is familiar with. For these reasons, shows marketed to kids generally avoid romance entirely because of lack of audience interest. For example, in [[Shounen]] a female co-star is involved in the [[Serious Business]] of the story rather than treated as a romantic prospect, [[Unlucky Childhood Friend|generally remains a friend even if she would want otherwise]]. Shows for teenagers generally end up with rather shallow romances regardless of the [[What Do You Mean It's Not Awesome?|implied deepness, maturity, or importance]] of it because they emulate (relateable) teenage romances.
* ''Ceilings mark the point where progress would majorly disturb the status quo''. This is anathema to long-running stories, so writers will generally avoid them unless they are prepared to [[Nothing Is the Same Anymore|modify the story as well]]. However, ''prominent but meaningless changes do not break the ceiling.'' True upgrades are rare and many steps never actually affect the writer's ability to tell a specific story. For example, lovers who marry may break a ceiling while lovers who get engaged do not; the latter only predicts a potential event, is easily reversible and ultimately is just a version of the original. Similarly, lovers who cohabitate may replicate a marriage (or at least marriage-like plotlines) well enough an actual marriage is unnecessary and pointless.
Because breaking a Relationship Ceiling is a common [[Jump the Shark]] moment, writers may backpedal with a [[Toilet Seat Divorce]] (potentially stupid but mundane) or a ''[[One More Day]]'' situation (not mundane and ''thus'' stupid). Occasionally, writers have the foresight to bring in a new outside character to break the ceiling. However, if this is the ''primary'' reason for the character to exist, they often devolve into a [[Satellite Character]].
{{reflist}}
[[Category:Love Tropes]]▼
[[Category:Relationship Ceiling]]
▲[[Category:Love Tropes]]
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