Automoderated users, Autopatrolled users, Bureaucrats, Comment administrators, Confirmed users, Moderators, Rollbackers, Administrators
214,655
edits
Salome: Difference between revisions
m
removed Category:Nineteenth Century Theatre; added Category:Theatre of the 19th century using HotCat
m (Mass update links) |
m (removed Category:Nineteenth Century Theatre; added Category:Theatre of the 19th century using HotCat) |
||
| (5 intermediate revisions by 2 users not shown) | |||
Line 13:
''Salome'' caused renewed controversy when it was adapted into an opera by Richard Strauss. The opera's libretto follows the German translation of Wilde's French word for word (though abridged in some places).
----
{{tropelist}}
* [[Alas, Poor Yorick]]: A supremely disturbing example.
* [[All Love Is Unrequited]]: Narraboth loves Salome. Herodes loves (or at least, lusts after) Salome. Salome loves [[Chaste Hero|Jochanaan]]. No healthy relationships here.
* [[All There Is to Know About "The Crying Game"]]: Salome does a striptease and asks for the head of Jochanaan.
Line 31 ⟶ 32:
* [[Parental Incest]]: Technically, Herod is only her stepdad, but that doesn't make the attraction any less [[Squick|squicky]].
* [[Please, I Will Do Anything!]]: Herod tries to dissuade Salome with offers of jewels, peacocks and the sacred veil of the Temple. Salome remains firm in her demand for Jochanaan's head, forcing Herod to concede to her demands.
* [[Talking to
* [[You Can Leave Your Hat On]]: The Dance of the Seven Veils, though not further described in the text of the play or opera, involves Salome slowly removing her clothing, until she lies naked at Herod's feet.
Line 40 ⟶ 41:
[[Category:German Media]]
[[Category:Salome]]
[[Category:Theatre of the 19th century]]
| |||