Sliding Scale of Idealism Versus Cynicism/Film/Animated Films: Difference between revisions

{{trope}}{{Needs Image}}

* ''[[Grave of the Fireflies]]'' is commonly referenced when discussing things even more cynical than ''Eva''; indeed, it is so disturbing, many who have seen it insist that they would never be able to watch it again. Ironically, it was made by Studio Ghibli, well-known for their ''idealistic'' productions.

* The 2007 ''[[Beowulf (film)|Beowulf]]'' paints the title character as a [[Badass]] [[Anti-Hero]], which ironically puts the movie at the opposite end of the scale from the original Old English poem (which portrays him as an honorable hero who does ''not'', for instance, take advantage of the noblewomen he encounters). Being a self-aggrandizing braggart was part of the ideal heroic package in those days. The film plays this up and depicts this as it would be received today.

* ''[[WALL-E]]''. Just because it's [[After the End]] doesn't mean it's not the very definition of idealism. [[The Power of Love]] and [[Rousseau Was Right|humanity remembering what made it great]] are all that's needed to reverse an ecological Armageddon. We're oversimplifying here, obviously -- the movie is fantastic -- but seriously, it pegs the needle so hard onto the Idealism side that it's a surprise the meter doesn't break.

* Disney's ''[[Fantasia]]'', as far as it has a position, is generally closer to the idealistic end. Even the Night on Bald Mountain segment ends with Chernobog repelled and returning to slumber. Bruno Bozzetto's response, ''[[Allegro Non Troppo]]'', is far more cynical.