Automoderated users, Autopatrolled users, Bureaucrats, Comment administrators, Confirmed users, Forum administrators, Interface administrators, Moderators, Rollbackers, Administrators
116,964
edits
Take That/Film: Difference between revisions
replace franchise link with link to work, markup, grammar
Looney Toons (talk | contribs) (added film example erroneously living on the Literature page) |
Looney Toons (talk | contribs) (replace franchise link with link to work, markup, grammar) |
||
Line 113:
* When [[Wes Craven]] read Kevin Williamson's script for ''[[Scream (film)|Scream]]'', he was worried that the line about how the first ''[[A Nightmare on Elm Street]]'' was good, "but the rest sucked" could be mistakenly seen as a [[Take That]] from him to people who made the sequels. But then he realized that "the rest" would include his own ''New Nightmare'' as well, and left it in.
* ''[[The Producers]]'' portrays the cultural elite of New York as being so shallow that all it takes to make the musical of the year is to portray Hitler as an idiot—a dig which can also be seen as taking on the audience as well!
* In ''[[Harry Potter
* The Hallmark Channel made-for-TV movie ''The Santa Incident'' is just one big take that at [[Lawful Stupid|Homeland Security]].
* ''[[The Great Dictator]]'' contains what is perhaps not only the finest example of this trope but also an [[Author Tract]], [[Tear Jerker]], [[Crowning Moment of Awesome]], a [[Crowning Moment of Heartwarming]] and a [[Crowning Moment of Funny]] all rolled into [[Truth in Television]] in its final scene, where [[Charlie Chaplin]] breaks character in awesome fashion to deliver a moving speech on the state of the world.
* This conversation from [[Cars|''Cars 2'']]:
{{quote|(Mater, Finn McMissile and Holly Shiftwell are all driving into a black market inside a Paris alleyway. Mater turns toward one of the stands there)
'''Mater''': Uh, excuse me. What'cha selling here? (The salescar running the stand for some reason has a transparent windshield and windows, as opposed to eyed windshields and opaque windows like everyone else. She turns toward Mater and opens her eyes, which are located on her headlights)
| |||