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{{trope}}
[[File:nydncartoon.jpg|link=Star Trek (
{{quote|''"Poseurs! I hated Zoidberg before it was cool."''|'''Bender''', ''[[
There's only one thing worse than [[Complaining About People Not Liking the Show|people not watching your favorite show]]: people actually watching it.
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You'd think that your favorite artist making it big would be something to celebrate. To a large segment of modern youth, and to the eternal critic, however, a wide fanbase does not mean the media in question appeals to a lot of people, but rather that it is [[Lowest Common Denominator|low-IQ trash with No Soul]] that has "Become Commercial" and "Sold Out", possibly to the Marketing Machine or even [[Satan]] Himself. This results in a subsection of [[Fan Dumb]] and an extreme form of the [[Unpleasable Fanbase]].
In some cases, it's not an unreasonable complaint if the quality of the work begins to suffer as a result of the artist's popularity. If the artist begins to squander their talent or water down what made it interesting to make it acceptable to the [[Lowest Common Denominator]], or [[Pandering to
However, in too many cases, the cry of "It's Popular, Now It Sucks!" is more about snobbery than anything else. When the artist was a small name or a cult favorite, being one of their fans felt like being in an exclusive little club, but now membership has been opened up to the 'sheep', the original fans may feel a lot less special. Alternatively, some critics seem to enjoy the attention that comes from criticizing something popular, or feeling more intelligent and superior about being the only ones capable of possessing the high standards not to "follow the herd". Some also seem to believe that artists should work and create art [[Doing It for
In either case, this elitist tendency essentially turns [[Fandom]] into a speculations market -- if you like it before it's popular, or if you hate something because it's popular, only then does your profit margin in coolness points amount to anything when you fling away your shares in the fandom in horror of the masses. (Incidentally, note the jargon here. "Speculations market". "Profit margin". "Shares". [[Not So Different|Ironic, no?]]) Of course, if it never Sells Out, no one will get the name recognition when you say "I liked X before it was popular." Ironically, fandoms of little-known works almost always expand by word of mouth -- ''the very reason it became popular'' is that these people kept talking about how cool it was, and enjoying acclaim from being the one "in the know" about a good work before anyone else. (Which they lose when it becomes popular.) For further irony value, these snobs often claim to be X's [[Fan Dumb|original and/]][[Logic Bomb|or true fans]] -- but, in dropping X like a hot potato after X becomes popular, they actually reveal themselves to be fair weather fans (or, if you prefer, foul weather fans), since if they truly were a fan of X, then they would be supportive of X becoming popular.
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As you can see on the quote, sometimes people only just trash something that's popular because they want to be accepted by their peers -- you'd be surprised how many people actually ''do'' trash stuff that's popular may have [[Complaining About Shows You Don't Watch|only read an opinion leader's review no matter how flawed and]] marred with [[Hate Dumb]].
A variant of this trope is the cry that "It's Popular, '''so''' it Sucks". To these people, the only way a work can become popular is by being [[Lowest Common Denominator|dumb, "safe" and middle-of-the-road]], and therefore mediocre. (Sometimes however, lesser known works are prone to criticism for some people simply by virtue of obscurity, believing that anything that isn't mainstream is "too weird". [[Quality
Many of these works that get this tend to get subjected to the fallacy that "the more mainstream something is, the more critical people are of it." High profile works in particular are prone to getting picked apart, while lesser known works are looked on much more favorably, with their flaws mostly overlooked, or perhaps even [[Complaining About People Not Liking the Show|granted immunity to]] [[Unacceptable Targets|any form of criticism]] [[Sacred Cow|in any way]].
Related to [[Newbie Boom]] and [[Lowest Common Denominator]]. A subtrope of [[Fan Dumb]] and [[Hate Dumb]]. Often overlaps with [[They Changed It, Now It Sucks]], [[Ruined FOREVER (Darth Wiki)|Ruined FOREVER]], and [[Hype Backlash]]. Compare with [[Three Chords and
Don't worry, though, because [[The Man Is Sticking It to
{{examples}}
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== In General ==
* If you wish to invoke this trope, ask around on any forum, even one dedicated to Manga and Anime what the worst they've ''ever'' read or seen was. Your responses will ''very very rarely'' mention an anime/manga that wasn't popular or well received even in Japan like ''[[
** Generally pretty much everything that becomes popular in Western anime fandom is guaranteed to be hit with a combination of this and [[Opinion Myopia]]. If you don't want your show that you like to receive heavy amounts of criticism from some part of the fanbase, it's best that it stays far under the radar.
** This also is related to [[Import Filter]]. If you asked a Japanese person what the worst anime or manga they ever saw was, they'd probably respond with a series you never heard of unless they are of the same school of thought as you. Know why? Because that series was never imported, it was never translated because people don't see any worth in translating something that they thought was [[So Bad Its Horrible]]. Remember that for all the Hatedom that many popular animes have, they were only fansubbed because ''somebody liked it'' and wanted to share it.
* [[Dubbing vs. Subbing]] often ties in with this. There are plenty of elitist anime watchers who only like a series until it's licensed in America. Their usual reasoning is that it's only cool when "true" anime fans can access the series by downloading fansubs (even though a dub and official sub supports the series), but once the series is licensed a bunch of "idiots" can now watch it to try to be part of the cool club.
* You have people insisting that all anime sucks nowadays whereas the stuff in [[The Eighties]] and [[The Nineties|Nineties]] was good. This is pretty much [[Nostalgia Filter]] meets this - there were ''plenty'' of anime series in the 1980s and 1990s that weren't very good, especially considering that it was much more difficult to import more shows because of the [[Animation Age Ghetto]] being ''very'' strong at the time. (Even [[Steven Spielberg]] said that ''[[
** The Japan section for [[The New Tens]] ''alone'' pretty much self-demonstrates this, albeit in more words. Much of what's said could very much apply to the early '80s and '90s.
** Interestingly enough, this has led to this trope being avoided amongst many of the highly acclaimed shows that aired on Toonami or [[Adult Swim]], with works like [[Cowboy Bebop]] being often treated as sacrosanct. [[Your Mileage May Vary|For better or worse this has led to a set of popular shows in the fandom being fairly free of criticism]].
== Specific ==
* ''[[
* Many fans of ''[[
* ''[[
* ''[[
** Dub argument aside, ''[[
* ''[[
* Some fans of the ''[[
* There was once a time in which ''[[
* ''[[
* ''[[
* ''[[
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** Also extremely obvious and common when it comes to the Daily Deviations, Deviousness Awards, Contests or, really, any form of recognition. For the 30ish DD's awarded daily, at least half of them will get a spree of comments along the lines of 'Pfft, why did ''THIS'' get a DD? * insert unknown artist here* submits better work every day!'. With less classy grammar, of course. Oh, and the reactions about the winners of Contests has to be seen to be believed, especially the popular/featured Contests.
* Any artstyle that becomes popular is subject to this trope, with anime being the whipping boy in the west.
* Ask an art historian what s/he thinks of [[Leonardo
* Even serious art sites like [[Concept Art]] can become subject to this trope. While less vicious than say, [[Deviant ART]], artists who make the jump from 'just posters' to 'established professionals' can expect to lose a couple web-friends out of jealousy or the belief that the artist in question is pandering to a mainstream audience.
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** A common rallying cause for the aforementioned old guard comes when the original media takes a shift after a movie release to bring the series back to something of an earlier status quo. This is often intentional so that new fans (brought in by the film adaptation, for example) can settle into the original media without too many jarring changes.
* The [[Batman]] series:
** ''[[
** In-universe example. ''[[Batman]]: Fortunate Son''. One of the main characters was a famous musician who applied this trope to himself, feeling that his fame prevented him from keeping it "real". This didn't work too well; in his typically savage review of the comic, [[Atop the Fourth Wall
* ''[[Deadpool]]'' has been gaining lots of popularity ever since Wade Wilson's short appearance in ''[[X Men Origins: Wolverine
* [[Geoff Johns]] tends to attract this on various forums. The trope seems to apply because the negative posts generally don't seem to say much besides "stop saying he's so good! he's not!" and rarely contain any actual criticism aside from simple nit-picking.
* Just about every fan of [[Jhonen Vasquez]]'s comics (like [[Johnny the Homicidal Maniac]]) from "back in the day" seems to hate and look down on fans who found out about Jhonen's work through his cartoon show, ''[[
* The comic community site [[Scans Daily]] seems to have a rule of "the more mainstream it is, the more critical we are." High-profile events in particular seem to be prone to getting picked apart, while lesser known comics are looked on much more favorably.
* Some fans of ''[[Watchmen (
** Moore really hates being popular. "The Killing Joke" was not intended to be canon by him, but DC liked it so much or it was so popular that it was made canon. Some of his fans seem to claim DC is "lazy" for doing so.
* ''[[
* In-universe example in ''[[Nemi]]'', when Nemi declines to sell a record she loves to a customer, out of fear that it will become mainstream.
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== In General ==
* Let's just start off by saying this: If a movie [[Epic Movie|rakes in a lot of dough]] ([[wikipedia:List of highest-grossing films|especially if the film ends up on this list]]), it's sure to be labeled as a [[Cliché Storm]] filled movie with nothing but "Mindless" Action and/or "Mindless" [[Fan Service]] that isn't [[True Art]] and made for the [[Lowest Common Denominator]]...[[Complaining About Shows You Don't Watch|Even if they didn't actually watch the movie.]] Almost no exceptions (you won't find many people making said complaints about ''[[
* It's not just amongst fans either. People have noticed that in most recent years, the majority of [[Academy Award|Oscar]] winners and nominees for best picture have been both low budget and low box-office. It was the exclusion of well-received successes such as ''[[WALL-E]]'' and ''[[
** And it has started with Academy Award films as well. Just look at the reception ''[[Juno]]'', ''[[American Beauty]]'', and ''[[
* Not just the films themselves but the people involved with them. Pretty much almost any Hollywood producer, director, or actor, upon achieving a level of popularity and fame will be accused of this.
* [[The Remake|Remakes]] get this treatment in droves. Even if the movie was just as good if not better than the previous film, you wouldn't know that from all the people screeching in message boards: "[[Ruined FOREVER]]" and "[[I Liked It Better When It Sucked]]". It's hard to distinguish remakes that were good compared to remakes that actually did suck because of this. In particular, this is especially true with American remakes of foreign films... Prepare yourself for ''[[The Millennium Trilogy
** American remakes of foreign films often elicit criticism because the rest of the world feels that it's arrogant and unnecessary to shot-for-shot redo something so soon after it came out. If it's bad, then it will overshadow the good original version. Alternately, the remake can be good and still get this response because people are annoyed that American audiences flat-out refuse to watch anything with subtitles or accents. Given that it could hurt said country's film industry, this is somewhat understandable.
* Sequels. Not only does a movie being popular make it suck, but if the producers dare to continue its story, then it's just total garbage.
* Many actors that star in blockbuster films suffer from this, including [[Seth Rogen]] and [[Shia
== Specific ==
* ''[[Austin Powers]]'' is this combined with a bit of [[Hype Backlash]] too, as surely you'd be annoyed that EVERYONE was reciting the catchphrases by the time the second movie came out.
* ''[[A Christmas Story]]'' suffers this, largely due to over-exposure from the 24-hour marathon of the movie that's run every year at or around Christmas.
* ''[[
* The original ''[[Batman (
* ''[[
* ''[[Halloween (
* After ''[[
* [[James Cameron]] has made many critically acclaimed films, but it seems that to many on the internet and even in [[TV Tropes]], [[Analogy Backfire|the more viewers his films get, the worse the film is]]. If it's popular enough, the film is placed in the same class as a [[Michael Bay]] or [[Uwe Boll]] film. The most notable examples:
** ''[[
** When ''[[Avatar (
* ''[[
* [[Kevin Smith]]. Some fans have accused him of being a sell out, a label he has no problem with. Most recently, people accuse Smith of being a sellout because he directed ''[[
* ''[[
* ''[[
* [[Peter Jackson]]. Full swing after making the movie adaptations of ''[[
* ''[[
* ''[[Star Trek (
* ''[[Star Wars]]'' has suffered through this, especially when the prequels came out.
* Tim Burton. As with ''[[
* Certain parts of the ''[[Transformers]]'' fandom, over the year or so before the release of [[Transformers (
** On the other hand, part of the reason why ''[[Transformers Generation 1]]'' purists hate the movies so much is because of their popularity; they're basically pissed that more people are familiar with the hyper-detailed CGI Transformers starring in big, dumb action movies than their original, not-very-detailed cartoon incarnations. (Fans of more widely praised incarnations such as ''[[
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== Literature ==
* This happened to ''[[Harry Potter (
** Happened to a lesser extent with the influx of new fans [[Harry Potter (
* A lot of long-time book fans of ''[[
** In one way at least it was quite relevant that older fans of the books hated the success of the movies- it made buying replacements for your now venerable and worn copies extraordinarily expensive. The books went from being $10~$15 each ($35 for the set including The Hobbit) to $20~30 PER BOOK. As with most major movie merchandising, every older print of the book suddenly disappeared, only to be replaced with new editions with oversized, tie-in covers....and that's only the [[Lot R]] books themselves. Tolkien's books had always had a great deal of secondary literature (books about the books), even a few written by J.R.R. or Christopher Tolkien, but after the movies came out? Merchandising mayhem.
*** Fictional uber-geek Jason Fox in ''[[
*** A very early story arc had him upset when his mom bought him a Batman lunchbox, because the movie had already been out for a few months and he didn't want to be seen as a bandwagon-jumper.
* The ''[[Twilight (
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* ''[[All That]]'' got a lot more viewers and faced a lot more criticism after it was [[Uncanceled]] in 2001. The increased ratings could be attributed to more popular guests, more homes with cable/satellite, and Jamie Spears. The decreased reputation could be attributed to a change in the tone of the show, the complete replacement of all the old actors and writers, and Jamie Spears.
* The success ''Chaser's War On Everything'' practically relies on the cast remaining anonymous. Of course, as the show increased in popularity they have needed to do more of their farcical stunts overseas, where they are not so well known. As a result of this, many of their older fans are getting bored of them and jumping ship, so to speak. Of course This hasn't stopped a good chunk of them [[Unpleasable Fanbase|complaining]] that the show is ending after its [[British Brevity|3rd Season]].
* ''[[Doctor Who]]'' presents something of an interesting example of this; the classic series was for a long time very popular, becoming something of a national institution in its home country. By the time of its cancellation, however, it had [[Pandering to
* ''[[
** This can also cross over with music elitism, too, since there are many people who despise [[Glee]] for the simple fact that it causes a [[Newbie Boom|surge in popularity]] for whatever classic rock songs are features in a given episode.
* The first season of ''[[ICarly
* Kids TV shows tend to get this the most. Most likely a major cause of [[Hatedom]] and [[Periphery Hatedom]] towards shows such as ''[[
* This seems to be happening to ''[[The Mighty Boosh]]''. Many original fans have complained the latest series is too mainstream and lacking in invention. Whether there's been an actual drop in quality is debatable.
* There seems to be a substantial backlash of this sort to anything by the legendary comic ''[[Monty Python]]'', (especially, however, ''[[
* For many people, the decline of ''[[
* In the ''[[
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** To the pickier [[Fan Dumb]], simply having music be played on the radio means it sucks or that the quality has dropped.
** Videos. Making one when you haven't done so yet is a surefire way to fall victim to this trope. ''[[Sarcasm Mode|How dare you want to add something visual to go with your sound!]]''.
* Musicians can get this treatment when they previously believed in this trope yet later loosen up about it. For example, [[
* Several genres or sub-genres tend to be the target of this more than others.
** While it had plenty of legit criticisms, this was a large reason behind the hate of [[Everythings Funkier With Disco|Disco music]] in the [[The Seventies|70's]]. It probably [[No Such Thing
** Indie Bands. Pretty much any one after achieving a level of fame will be accused of this, even if the only reason they were indie was because they were waiting and trying to get signed on by a major label.
** Punk bands and Goth bands are particular targets of this as they cannot represent the demographic if they go mainstream, though that's to be expected with their frequent anti-establishment themes.
*** Some of the former's subculture's icons being looked down upon by elitists. Bauhaus, Christian Death, and Alien Sex Fiend may not be mainstream, but they certainly aren't underground anymore.
** [[
*** Again, there have also been plenty of legit criticisms of metal's more mainstream sub-genres, but a lot of the hate stems from this. Fans of thrash would not have hated [[Glam Metal]] in [[The Eighties|the 80's]] nearly as much if it hadn't been as popular as it was. The same applies to the dislike of [[Nu
*** Speaking of [[Thrash Metal]], this was the fans' cry in the 90's against numerous thrash bands in the 90's who changed their sound, believing the genre had been played out.
*** [[Power Metal]] and [[Progressive Metal]] haven't fallen victim to this yet, at least not in North America, as the sub-genres haven't been able to garner the same level of popularity as they have in Europe and Asia, but keep your finger crossed for the cries if they ever do go mainstream there. Also, despite not actually being mainstream in North America, you can still find plenty of blogs and forums whining that a power or progressive metal band sold out in some way.
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*** Actually, this trope [[Older Than They Think|really started in the '80s]], when New Jack Swing, MC Hammer, and other [[Lighter and Softer|pop rap acts]] brought widespread awareness of the genre from nationwide to worldwide, to the ire of "[[Fan Dumb|purists]]". Of course, [[Nostalgia Filter|good luck reminding ardent critics of this]].
*** Good luck trying to convince [[Nostalgia Filter]] proponents of the fact that not only did New Jack Swing last all of just 3 or 4 years, but that it's a completely different genre all together.
** Pop music. Hell, it's in the name. While pop has plenty of legit criticisms, many, if not all, pop stars have substantial hatedoms solely because this is their genre of choice. Any new pop star ([[
** They don't just ruin pop. Check out a [[YouTube]] video of any song in any genre more than a decade old and observe a comments section with endless claims that pop-star-du-jour represents the death of ''all'' good music, everywhere.
** [[Dubstep]] is seeing this a lot as of late. While most styles of electronic music haven't been very popular on the [[United States|other side of the pond]], the dubstep scene has blown up considerably in the past few years, also attracting fans that haven't cared much for electronic music before. This reaction is compounded by remixes of every popular song available, by amateur and pro producers alike. The general growth to this trend is mostly attributed to artists like Rusko, and later, Skrillex, that have produced tracks with a gradually more aggressive sound. [[Broken Base|Purists are turned off]] by the "popular" form of dubstep, or "brostep", characterized by massive drops with over-produced, overpowering synths and basslines. Their complaints are founded in reason, though, as it has little connection to earlier dubstep, which has its roots in bassline music and UK Garage.
* Music Journalism. This sometimes happens here, most infamously with Rolling Stone magazine, who were unable to understand [[
* Several songs in country music actually lampshade the phenomenon. The most famous is Barbara Mandrell's "I Was Country When Country Wasn't Cool". Alan Jackson's "Gone Country" has undertones of this as well.
* [[Video Games]] that license music tend to result in the songs getting this treatment:
** Look up any [[YouTube]] video of any song that appeared in ''[[
** Likewise with ''Celldweller'', ''[[
** Games in the [[Rhythm Game]] genre like the ''[[
* Some western fans of Korean pop music have gone as far as to explicitly state that this is the reason they don't want their favorite groups to debut and succeed in America.
* Some people have an affinity for musicians from other countries that they would probably not have if they were well-known in the country that they live in. This is often amplified if the reason for liking the band is due to attraction to one or more of the members.
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== Specific ==
* [[
** This is common in multiple music fandoms, and leads to a sort of cycle: a band becomes "popular", at which point liking them becomes lame and so they become unpopular, at which point no-one likes them so liking them becomes "cool" again. Thanks to the internet, this can often happen over the course of a single month, even with no change whatsoever from the band themselves. Factor in that this happens on several levels (with individual artists, genres, and even with awareness of this very trope), and that bands often drastically change their sounds and attitudes (usually partially due to fan reaction and, again, awareness of this trope), and you get a consensus attitude that is very confusing and difficult to get a read on.
* [[
* Against Me! not only got this, but their fans got outright hostile about it. Fans claimed the band sold out when they moved from the tiny No Idea label to Fat Wreck Chords in 2003, to the point where fans slashed the tires of the bands tour van and vandalized it and reportedly poured bleached over their merch table. The bizarre thing is that Fat Wreck Chords was well known for being anti-establishment indie label. Ironically, there was a lot less outcry when the band left FWC for an actual major label, Sire Records in 2007.
* [[
** They also got this treatment when they dared to commit the unforgivable crime of trying to give fans of different genres some common ground when they did a [[Rap Metal]] project with [[
* The Arctic Monkeys' EP ''[[Precision F-Strike|Who The Fuck Are Arctic Monkeys]]'' was made specifically in order to stop it from falling victim to this trope by minimising its exposure on mainstream radio.
* [[The Beatles (
*** And as [http://www.cracked.com/article_19061_5-artistic-geniuses-who-only-became-great-after-selling-out.html this article] from [[Cracked
** Similarly, some of those who take this attitude don't even provide or consider the "'60s" qualifier and just compare them to whatever current pop act they don't like or which happens to be at the top of the charts, without any consideration for how 1960s popular music and contemporary popular music might be totally different. This one tends to work both ways, however, with subscribers to this trope who happen to like the Beatles often driven to paroxysms of fury that anyone might ''dare'' consider or compare the Beatles to a 'mere' pop group -- despite the fact that, at least early in their career, this is arguably a fair comparison in many ways.
* [[
* [[
* [[Blue
* [[
* [[
* [[
* [[
* [[
* [[
* [[Genesis (
* [[
* [[
** Not to mention all the punk rock fans who found [[Green Day]]'s entire existence to be selling out the genre.
* [[Howard Shore]] got quite a bit of [[Hatedom]] from film score fans because of all of the notice he got for ''[[The Lord of the Rings (
* Famous [[Post-hardcore]] band Jawbox was signed by Atlantic Records in 1994, in the midst of the [[
* [[
* Kings of Leon after ''Only By The Night''. Many of their fans who followed them throughout their first few albums felt that particularly "Sex On Fire" was an uninspired sellout compared to their earlier work. It evidently turned several off them, as neither 5th album ''Come Around Sundown'' and its accompanying single "Radioactive" were as much of a critical or commercial success.
* [[
* [[
* Lagwagon. The song "Know It All" [[Lampshade Hanging|lampshades]] this trope.
* Lene Marlin. The Norwegian singer had a huge success in Italy and Japan (of all places!) with her first album, ''Playing my game''. Released with little fanfare, the album was not technically exquisite, but most fans loved it anyway and thought of it as simple yet made with passion -- music for the sake of itself, rather than in the pursuit of the holy dollar. As a result it was a surprise hit, and good times were had by all. Then year 2003 came along, and with it the highly anticipated release of the second album, ''Another day''. Cue many of the fans (the most outspoken ones, usually) lamenting sore disappointment that Lene had sold out, that while the quality of the music had improved that of the lyrics had plummeted, that the album had been written to cash in on the success of her name, [[Blah Blah Blah]]. The third album, ''Lost in a moment'', was unsurprisingly met with even more bashing.
** Fourth album's now out, ''Twist the truth''. An experimental album, it was unsurprisingly met with cries of "it's too different!" by the same people who used to complain that Lene's music was always the same.
* Many fans of the Canadian singer Lights became less keen on her when she started to gain publicity and become something of a darling of the hipster music circles.
* [[
* [[
* [[
* [[
** Though, really, they've been accused of this to a certain extent with pretty much every album following their debut usually on account on [[They Changed It, Now It Sucks]]. Frontman James Hetfield finds it quite amusing. "Ride The Lightning" for having a ballad; "Master of Puppets" for being slightly less thrash sounding, "And Justice For All" for having more of a progressive sound, as well as (GASP!) ''having a video'' for their song, "One" and (THE HORROR) earning them ''a Grammy nomination'', "Load" and "Reload" for also having different styles, and "Death Magnetic" for not being a exact copy of "Master of Puppets". No matter what they do, Metallica is [[Unpleasable Fanbase|never going to catch a break]] from their [[Fan Dumb|so called "fans]]".
* [[Modest Mouse]] suffered from this after ''Float On''.
* [[Muse (
** Ever since "Supermassive Black Hole" was featured in the first ''[[Twilight (
* [[
** Even before ''Three Cheers'' was put out, when they signed to Reprise. The album didn't even have to be made yet for [[Fan Dumb|people]] to start calling out this trope.
** On the other hand, each album receives a better score among most music critics than the last one. Depending on the magazine/website, ''I Brought You My Bullets, You Brought Me Your Love'' scored between 2.5 and 4 on 5, ''Three Cheers for Sweet Revenge'' scored between 3 and 4 on 5, ''The Black Parade'' between 3 and 5 on 5 and ''Danger Days'' between 3.5 and 5 on 5. Their [[Fan Dumb|fans]] may think they're sellouts, or they changed, but they're mostly having fun with their music style, and critics like it.
* [[
** [http://www.bustedtees.com/blamecanadafornickelback Blame] [[South Park|Canada]] for Nickelback, [[Canada, Eh?|eh]]?
* [[
** Two songs on ''Pink Friday'' address that question, with different points of view expressed on each one. [http://www.youtube.com/watch?v=5cVgB7RSwto "Dear Old Nicki"] has become an anthem of sorts for the latter set mentioned above (and "Dear old Nicki, please call back" their motto).
** On the other hand, [[Limited Special Collectors Ultimate Edition|bonus track]] [http://www.youtube.com/watch?v=DL65tMM1_y0 "Muny"] has become the same for the other side of the debate, with said motto being "Bitches want my old shit, buy my old mixtape."
* [[
** Kurt Cobain often wrote pop songs to subvert this. Even ''Bleach'', their most abrasive and inaccessible release has "About A Girl" on it, which he wrote after listening to [[The Beatles (
* [[
* [[
* Paramore has gotten this treatment mainly because they did a song for the first ''[[Twilight (
* [[
* [[
** Though in this case, the band themselves felt this way, particularly Roger Waters, who didn't like the larger, noisier audiences that their greater exposure attracted (leading to his infamous, sputum-powered [[Creator Backlash]] during the ''Animals'' tour).
** And need I mention poor old Syd Barrett, who passed his own fame-tolerance threshold back when they were plugging their first album, leading to him [[Creator Breakdown|taking permanent refuge in drugs.]]
* [[
* [[
* [[
* Regurgitator. The Australian band put out a song called "I Like Your Old Stuff Better Than Your New Stuff" parodying fan reaction to their album ''Unit'', which was seen by many as mainstreaming away a lot of the bands earlier originality.
* [[
* [[
* [[They Might Be Giants (
* [[
{{quote| ''Well now I've got some/A-dvice for you, little buddy''<br />
''Before you point the finger/You should know that''<br />
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''I sold my soul to make a record/Dip shit''<br />
''And [[Punctuated for Emphasis|YOU. BOUGHT. OOOOOOONNNNNNNNNNEEEEEEEEEEEEEEEEEEEEEEEEEE]]!'' }}
* [[
* [[
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* The game of baseball -- not so much any rise in popularity in itself, but the reason why it does. When home run and scoring numbers skyrocket, more people flock to the ballpark -- much to the chagrin of purists, who insist that "pitcher's duels" are the best type of games.
* Twenty20 cricket is far more popular than traditional Test cricket or even One Day Internationals, and thus many purists refer to it as "hit-and-giggle".
* Extreme sports in particular are targets of this. Skateboarding fans, for example, tend to complain to no end about the new fans that come with video games series like ''[[
* Apparently if you are a Pittsburgh Penguins fan, you can't be a true pure fan because you only liked them when Crosby and Malkin came into the team. The same thing happened when Lemieux came over.
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== Tabletop Games ==
* Tabletop gaming itself. Every other thread is how *Insert tabletop game here* has "Sold out" and how [[They Changed It, Now It Sucks]], including lots and ''lots'' of [[Nostalgia Filter]].
* Every edition of ''[[
** Possibly the original edition as well, as compared to [[Spiritual Predecessor|Chainmail]].
== Theater ==
* Playwrights have this happen to them also. With John Patrick Shanley, it's ''[[Doubt (
** Shanley had also written ''[[Moonstruck]]'' and ''[[We're Back! A Dinosaur's Story
* ''[[
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* [[Expansion Pack|Expansion Packs]] and [[Downloadable Content]] in general. In its early days, the concept was well received as it added more content to their favorite game(s). However when the concept was brought mainstream, [[Vocal Minority|a few companies began to abuse the concept including hiding the DLC in the game to begin with and placing the content at exuberant prices]], leading to many gamers denouncing DLC as a whole. Of course not everyone uses DLC that way, but simply announcing DLC for a game can lead to a lot of [[Internet Backdraft]], even if your intentions are not as they see.
* This will occur pretty much every time a new console is released, regardless of how wildly popular the company was with its previous console.
** The [[Wii]] is a grand example of this. The Wii exploded in popularity with casual fans, causing the die hard [[
* Certain genres and sub-genres tend to get dubbed as full of suck due to gaining massive popularity when certain series bring new fans to them. For instance:
** RPGs got this with the massive popularity of ''[[
** Sandbox games got this after the massive success of titles like ''[[
** Shooter games got this with the massive popularity of games like ''[[Halo (
** It is expected for MOBA to go this route as [[Heroes of Newerth|more]] [[League of Legends|games]] get produced and become popular.
* Every time a game hits a million or so players, there's ''always'' a loud group of people who complain the game sucks because now there are so many "noobs" running around. When in all honesty, you'd think they would try to make the community stronger, instead of [[The Social Darwinist|trying to chase them out so they can remain a small club that brings less money or content in]]. It's also weird because you'd think people would ''want'' community-based games to be bigger given ''how'' community-dependent it is.
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== Specific ==
* [[Bungie]]; in their early days a Macintosh game developer, decided that their next title after their hit ''[[Pathways
* Some ''[[
** For that matter, try saying you like ''[[Call of Duty]]'' in ''general''. The first few games enjoyed [[Sacred Cow]] status; even ''[[
* The ''[[
** Many RPG fans just plain hate ''[[
** With ''VII'', some argue that, with the additional installments to the story, the franchise is starting to plummet. They argue that the fun factor of the game is relinquished for the sake of pleasing the fanboys and fangirls, sacrificing the deep integrated storyline that made the original RPG such an amazing game for the sake of indulging in characters such as Sephiroth, Vincent, and Zack.
** ''[[
*** ''[[
** The ''[[Kingdom Hearts]]'' series is also getting people calling it "overrated" or worse without much explanation as to why other than its popularity.
* The ''[[
* ''[[League of Legends]]'' provides an example within a game: there are people in the community that intentionally play unpopular characters, and find to their dismay that their team members leave the queue or flame them all game long because they picked a "bad" champion. But when the character is eventually "discovered" by the mainstream and rises on the tier list, they proceed to complain bitterly about tier lists and flavours of the month, abandon the champion and find a new unpopular character to play. It is apparently considered a badge of honour to claim you liked [[Our Gargoyles Rock|Galio]] or [[Mind Over Matter|Irelia]] before they were popular. This is also expected to happen to [[Obvious Beta|Yorick]].
* Many RPG fans don't seem too pleased that the ''[[
** [[Conversational Troping|Conversed]] by Shepard in ''[[
{{quote| '''Shepard:''' If you've heard of it, it's already too mainstream for me.}}
* ''[[
* ''[[
* Nintendo. Any of their popular franchises like ''[[Pokémon]], [[Super Mario Bros.]], [[The Legend of Zelda]]'', etc. are always bashed as being "overrated" with very little explanation as to why.
* Pikachu, the [[Mascot]] of ''[[Pokémon]]'', gets this treatment. It wouldn't be nearly as [[Base Breaker|divisive]] if no one cared about it, would it?
* The ''[[Resident Evil]]'' series after the release of [[Resident Evil 4
* ''[[Shin Megami Tensei]]'' Would you believe that this series is starting to show signs of this? ''[[
** ''[[Shin Megami Tensei III Nocturne
* ''[[Space Channel 5]]'' has been getting this treatment ever since the announcement of the HD port of Part 2. Most of the internet has cried about Part 1 not coming out, even though [[Fan Dumb|Part 1 couldn't be released due to pre-rendered backgrounds and STILL look nice.]]
* The ''[[
** ''SS2'''s other Spiritual Successor, ''[[
* ''[[
* ''[[
* ''[[
* Among the many haters of ''[[World of Warcraft]]'' are people who say that say because it is so popular, that it sucks. (That is, the people who [[Complaining About Shows You Don't Watch|have actually seen more than the box art.]]) Another large group of haters are people who complain that Blizzard has ruined the game by catering to the casual players, and believe the game was better back when raiding was still "hardcore". This is where it overcrosses with the [[Nostalgia Filter]]; since some of these same people were complaining about spending months getting their characters attuned. Typically, it's a ''very'' bad financial decision to have a game that locks out a good 75+% of its gamers from content and ''only'' cater to that ≤25% of the playerbase, since players typically ''quit'' when there's nothing for them. (Of course, if you're one of the [["Stop Having Fun!" Guys|elitists]], then that's what you want.) A large proportion of the time some people spend on message boards is taken up by claiming Blizzard's subscription figures are bogus and thus the game is not as popular as it is claimed to be, because xyzabcblahblahblah (insert personal bugbear or whatever here). Well-reasoned ''legal'' arguments with copious citations have not stopped this train of thought.
* This is starting to happen to ''[[
* ''[[
** After the release of ''[[The Elder Scrolls V Skyrim
* ''[[
* ''[[Diablo]]''. So much that its [[Spiritual Successor]] ''[[Torchlight]]'', which isn't as popular, bears [[Immunity to Criticism]]...just because ''it's not Diablo''.
== Web Animation ==
* ''[[
{{quote| '''Sarge:''' Now they've gotten so popular, we get to see them in huge arenas all over the country, and their songs are on the radio all the time. It's great! I'm really happy for them, and for all their success.}}
* Parodied in ''[[
* [[Lampshade Hanging|Lampshaded]] by [[Zero Punctuation
{{quote| '''Yahtzee:''' ...and one should always support the independents... at least until they start making money, the soulless, sellout ''fucks''.}}
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== [[Web Comics]] ==
* Indie Pete of ''[[Diesel Sweeties]]'' is the extreme version of this trope -- indeed, he goes so far as to that he only liked bands "before they released any music". Playing on this theme, Richard Stevens also released a t-shirt design using a Venn diagram. On the left: "Music I Like". On the right: "Music You Like". In the overlap: "Music I Used To Like."
* ''[[
** And as it relates to [http://questionablecontent.net/view.php?comic=1278 tattoos]. At least Dora recognizes when she gets caught in it.
** Mentioned for a laugh in [http://questionablecontent.net/view.php?comic=653 #653], concerning Coffee of Doom itself.
** As a side note, QC itself has been hit with this, with people dissing it for being just a venue for selling t-shirts
* ''Dorm Dorks'' uses the trope [http://www.dormdorkscomic.com/2006/03/06/elitism-lives/ here].
* Mentioned in ''[[
* Wondermark gets in on the act [http://wondermark.com/262/ here].
* ''Brax the Alien Rocker'', [http://braxcomics.com/3-meet-manny here]:
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'''Brax:''' What?! Someone's heard of them, so you don't like them now?<br />
'''Manny:''' It's too late. You've ruined it. }}
* In [http://www.irregularwebcomic.net/2390.html this] ''[[
* Calamities of Nature points out the irony of people [http://www.calamitiesofnature.com/archive/?c=344 not wanting their favorite artists to become successful] for fear this will mean they have sold out.
* [http://xkcd.com/460/ This] [[
* ''[[
* Arguably ''[[
** The author also seems to be feeling this way with reader questions...[[Teasing Creator|though it's hard to tell if he's joking or not]].
** Such notions went out the window shortly thereafter, as Act 4 of ''Homestuck'' led to a gigantic influx of fans that had no idea the comic was about suggestion boxes, or indeed, about anything that is not troll romance.
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== Web Original ==
* This has been the reaction of some veteran members of ''[[
* Quite a bit of forums were usually better before those "noobs" and "newbies" came in and ruined it all. This also includes any * Chans.
* You'll probably ''never'' hear anyone glad that their Roleplay chatroom hosts dozens of consistent members. This may be a [[Justified Trope]] -- but rarely; just because people might be upset by not being given an opportunity to join in a storyline without being told or players playing a private story out and not giving others who can contribute a chance to join in, as well as trying to get a story ''everyone'' is involved in going only for one person to suddenly go offline or afk and being forced to either wait for them or continuing without them.
* In the [[
** More commonly, Miku Hatsune suffers a lot of backlash purely for being too popular and "stealing the spotlight" from other Vocaloids. The tendency of the media to zero in on Miku rather than other Vocaloids hasn't helped matters.
* The general consensus on 4chan is that you can tell a [[Memetic Mutation|meme]] has run its course when it's mentioned by a news source. Most memes which the general public knows about ([[Chuck Norris]] facts, [[LOLcats]], [[Over Nine Thousand|OVER 9000]], [[Rickroll|Rickrolling]], [[All Your Base Are Belong to Us]]) inspire little but groan from the average poster. However, this is somewhat justified, since 1. Memes are basically jokes, and these people have seen the joke everywhere by this point, and 2. Memes are usually fads, and other media usually only find out about them long after the fad has run its course.
* Common among certain fans of [[That Guy With
** Especially noteworthy should be Brad Jones, better known as [[
** This is true for a butt-load of reviewers, really. But especially regarding [[The Angry Video Game Nerd
== Western Animation ==
* ''[[
* ''[[
* ''[[
** Parodied in S2 Ep03, "Tributeklok". Dethklok is decried by fans when they refuse to play at a gig they won't make any money off of, and after they do an endorsement for chewing gum, a little boy spits in Nathan's face and calls them sellouts. The band members decide they need to get back in touch with their rock n roll roots which consists of joining their own tribute band and doing nothing that the successful Dethklok would do (not eating fancy food, only using amateur made fliers to advertise their shows, living in poor conditions). However, when they decide to play the gig that they refused to play before, (since it's the opposite of what they would do) the same little boy from earlier calls them sellouts again, saying the real Dethklok would never play it. Deciding it's a [[Unpleasable Fanbase|no win situation]] they decide to just go back to being wealthy and successful
* Some fans say they liked ''[[South Park]]'' better back during its early years [[Seinfeld Is Unfunny|when it was new and edgy]], and most kids [[Forbidden Fruit|had to watch the show in secret]] since their parents had [[Moral Guardians|banned it from the house]]. Now that it is [[Comedy Central]]'s highest rated show and widely popular, some people don't like it anymore.
** ''[[
** It was also parodied in Season 3's "[[Pokémon|Chinpokomon]]", where the parents thwart the plan of the Japanese toy sellers to brainwash the children with the titular [[Captain Ersatz|Chinpokomon]] toys by buying the toys themselves, hence making the kids think the toys now suck.
* In ''[[
* ''[[
* Disney animation often gets this treatment due to its influence. Some, such as Ralph Bakshi, see Disney as only creating [[Follow the Leader]] tendencies amongst competitors which only discourages creativity.
** A lot of Disney movies from the animated canon get this effect; while some of the most obscure and less popular movies ([[The Black Cauldron]], [[Treasure Planet]].. although [[Home
* ''[[My Little Pony: Friendship Is Magic
** Within the fandom itself, there are a number of first-wave Bronies who have withdrawn from the show since Season 2, because supposedly [[They Changed It, Now It Sucks]]. Good luck trying to find a specific example of ''what'' changed for the worse though, because the only one that comes up consistently is that Lauren Faust left the show.
== Other ==
* The [[TV Tropes (Wiki)]].
{{quote| Recursive trope!}}
** The hate seems to stem from our terms popping up in other places more frequently. But hey! We seem to be taking over the internet! Aren't you ''happy?''
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** And, to top it off, Ugandans think that the video is tasteless and would only invite foreign aggression empowered by foreign interests. [http://www.youtube.com/watch?v=rU_1jnrj5VI There were even riots during a screening of the movie in a Northern Ugandan town.]
** [http://www.guardian.co.uk/world/2012/mar/16/kony-2012-campaigner-detained Jason Russell's recent bizarre arrest doesn't help things for Invisible children either.]
* Every widely known social networking site ([[
* One of the recurring mottoes of The Dreaded 4chan, for a surprisingly (or not so surprisingly) long time. You can imagine their reaction when the Macy's Thanksgiving Day Parade incorporated a [[Rickroll]].
** Also, mentioning anything related to Project Chanology (the Scientology protests) on most chan boards will now get you flamed, banned, and, possibly, your IP address posted.
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* A rare [[Justified Trope]] example: Beautiful secluded beaches. When only you and maybe a few friends know about the location of a secluded beach, its a wonderful thing but if the wrong people find out about it, before long the word spreads around and lots of people start visiting it which means that the formerly beautiful secluded beach turns into just another busy tourist trap.<br /><br />This is more to the fact that most beautiful, secluded beaches are fantastic surfing spots, mostly because you can get out onto some fantastic waves without having to worry about grommets and boogie boarders getting undearboard. Here in Australia, if you find yourself in a nice secluded spot with a decent swell, the unwritten rule is that you keep it between yourselves and the locals.<br /><br />At least along the Florida panhandle, there are quite a few spots owned by the state as "preserves" of sorts where nothing can be built except for the occasional public crapper. They're nearly always deserted, as the more obnoxious tourists tend to gravitate towards spots covered in souvenir shops and overpriced restaurants.
** Can also extend to camping locations. As Yogi Berra put it: "Nobody goes there anymore. It's too crowded."
* This attitude ''pervades'' the ''[[Fur Affinity]]'' forums, as well as the site itself. Mention any popular trend in the ''[[Furry Fandom]]'' and you'll have at ''least'' three responses on why it sucks or is a stupid trend. Mention any popular TV show or anime, and for every response praising the show, you'll see at least three trashing it. Mention artstyles, and, if it's popular, will immediately be decried by the fanbase. The ''Video Games'' forum is also pretty much ''exactly'' this trope through and through. Mention ''any'' game that is popular, and the responses will consist of trashing it, saying they don't get why it's fun, saying it's overrated, and naming an obscure/retro/independent video game that is "vastly superior" in just about every way, complete with [[Fan Hater|Fan Haters]] keeping all the fans of ''[[
* Two words: [[Bruce Campbell]]. Fans want him to be successful and more than a B-movie star, but at the same time they want to keep him all to themselves and hope he never gets that A-listing he deserves, because then a lot of what makes him cool will simply vanish and he'd be just another Hollywood star.
** As of 2012, his biggest role is one of the three leads of [[USA Network]]'s hit show ''[[Burn Notice]]''. His character is so popular he actually got his own spinoff movie. The fans don't seem to actually mind.
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* Using the Phillips CD-I games as a source for [[Youtube Poop]] has been frowned upon by the members of the [[You Chew]] community for years now, although some people are still able to make some funny videos using them.
* The Daewoo Lacetti (aka the [[Market-Based Title|Chevrolet Optra]] in the rest of the world (except Europe, where it's badged as the Daewoo/Chevrolet Lacetti, and Suzuki Forenza in North America, and [[Market-Based Title|Holden Barina]] in [[Land Down Under|Australia and New Zealand]].) was considered great at launch in 2002 (or late 2003, in the rest of the world, 2004 for North America), but by 2008 was considered to have lost its elite luxury image due to offering a basic 1.4-litre version, and going for the [[Lowest Common Denominator]] in equipment levels. However, motoring press and the public's opinion differed on this car. Now, with the new General Motors, it, and its successor, the Chevrolet Cruze are seen as a joke by some... but the [[Popularity Polynomial]] may come into play here. [[The Plan|some kind of plan maybe?]]
* One of Fametracker's main features was "The Fame Audit", a rather justified/averted form of this trope, where, [[Exactly What It Says
* This is common in the feminist blogosphere. From reading posts on feminist blogs, you would think that in order for any sort of media to be considered feminist it has to be made by an [[Twofer Token Minority|atheist bisexual multiracial polyamorist with cerebral palsy]] who is doing everything herself and does everything for free(because making money is bowing to the patriarchy!), and it has to only come on at local independent festivals.
** Or maybe it's just that privileged people oftentimes don't get the problems of marginalized groups right when making media.
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