It's Popular, Now It Sucks: Difference between revisions

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{{trope}}
[[File:nydncartoon.jpg|link=Star Trek (Filmfilm)|frame|The appropriate [[Star Trek: theThe Original Series|Trekkie]] response to [[Star Trek (Filmfilm)|the 2009 reboot]]. [[No True Scotsman|You're not a real fan]] [[Fan Dumb|if you liked it.]]]]
 
{{quote|''"Poseurs! I hated Zoidberg before it was cool."''|'''Bender''', ''[[Futurama (Animation)|Futurama]]''}}
 
There's only one thing worse than [[Complaining About People Not Liking the Show|people not watching your favorite show]]: people actually watching it.
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You'd think that your favorite artist making it big would be something to celebrate. To a large segment of modern youth, and to the eternal critic, however, a wide fanbase does not mean the media in question appeals to a lot of people, but rather that it is [[Lowest Common Denominator|low-IQ trash with No Soul]] that has "Become Commercial" and "Sold Out", possibly to the Marketing Machine or even [[Satan]] Himself. This results in a subsection of [[Fan Dumb]] and an extreme form of the [[Unpleasable Fanbase]].
 
In some cases, it's not an unreasonable complaint if the quality of the work begins to suffer as a result of the artist's popularity. If the artist begins to squander their talent or water down what made it interesting to make it acceptable to the [[Lowest Common Denominator]], or [[Pandering to Thethe Base]] rather than expanding themselves as artists in the process, then it's not unreasonable that the fans might start crying foul. Likewise, if the artist becomes a [[Small Name, Big Ego|raging egomaniacal tool]] who believes that they can [[Fan Disillusionment|treat their fans like dirt]] and [[Protection From Editors|don't need to listen to their editors]], things might go downhill fast. Perhaps their fame will rise [[Artist Disillusionment|beyond a level they can cope with]]. On another, more subjective note, the popularity and acclaim of an actually solid artist or work may rise to hyperbolic, unwarranted heights, which can have a negative effect if [[Hype Backlash|the hype cannot possibly match the reality]]. Where live performances are involved, larger, less intimate venues will generally be required - perhaps a situation in which the performers don’t come across so well -- and audience demographics may change, the newcomers behaving differently to the older fans, causing an overall change in atmosphere. And finally, some things ''are'' better in small doses, in which case the last thing you want is to be over-exposed to it.
 
However, in too many cases, the cry of "It's Popular, Now It Sucks!" is more about snobbery than anything else. When the artist was a small name or a cult favorite, being one of their fans felt like being in an exclusive little club, but now membership has been opened up to the 'sheep', the original fans may feel a lot less special. Alternatively, some critics seem to enjoy the attention that comes from criticizing something popular, or feeling more intelligent and superior about being the only ones capable of possessing the high standards not to "follow the herd". Some also seem to believe that artists should work and create art [[Doing It for Thethe Art|solely for the sake of art]], without consideration of anything so uncouth as critical, popular or especially [[Money, Dear Boy|financial reward -- forgetting (or perhaps not even realizing) artists still need to put food on the table and pay rent]]. In these cases, it might be more accurate to say that when these fans say the creator should create art "for the sake of art", what they actually mean is that the creator should create art "for the sake of my ego".
 
In either case, this elitist tendency essentially turns [[Fandom]] into a speculations market -- if you like it before it's popular, or if you hate something because it's popular, only then does your profit margin in coolness points amount to anything when you fling away your shares in the fandom in horror of the masses. (Incidentally, note the jargon here. "Speculations market". "Profit margin". "Shares". [[Not So Different|Ironic, no?]]) Of course, if it never Sells Out, no one will get the name recognition when you say "I liked X before it was popular." Ironically, fandoms of little-known works almost always expand by word of mouth -- ''the very reason it became popular'' is that these people kept talking about how cool it was, and enjoying acclaim from being the one "in the know" about a good work before anyone else. (Which they lose when it becomes popular.) For further irony value, these snobs often claim to be X's [[Fan Dumb|original and/]][[Logic Bomb|or true fans]] -- but, in dropping X like a hot potato after X becomes popular, they actually reveal themselves to be fair weather fans (or, if you prefer, foul weather fans), since if they truly were a fan of X, then they would be supportive of X becoming popular.
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As you can see on the quote, sometimes people only just trash something that's popular because they want to be accepted by their peers -- you'd be surprised how many people actually ''do'' trash stuff that's popular may have [[Complaining About Shows You Don't Watch|only read an opinion leader's review no matter how flawed and]] marred with [[Hate Dumb]].
 
A variant of this trope is the cry that "It's Popular, '''so''' it Sucks". To these people, the only way a work can become popular is by being [[Lowest Common Denominator|dumb, "safe" and middle-of-the-road]], and therefore mediocre. (Sometimes however, lesser known works are prone to criticism for some people simply by virtue of obscurity, believing that anything that isn't mainstream is "too weird". [[Quality Byby Popular Vote|However that's another story entirely]].)
 
Many of these works that get this tend to get subjected to the fallacy that "the more mainstream something is, the more critical people are of it." High profile works in particular are prone to getting picked apart, while lesser known works are looked on much more favorably, with their flaws mostly overlooked, or perhaps even [[Complaining About People Not Liking the Show|granted immunity to]] [[Unacceptable Targets|any form of criticism]] [[Sacred Cow|in any way]].
 
Related to [[Newbie Boom]] and [[Lowest Common Denominator]]. A subtrope of [[Fan Dumb]] and [[Hate Dumb]]. Often overlaps with [[They Changed It, Now It Sucks]], [[Ruined FOREVER (Darth Wiki)|Ruined FOREVER]], and [[Hype Backlash]]. Compare with [[Three Chords and Thethe Truth]] and [[Opinion Myopia]]. Contrast with [[Quality Byby Popular Vote]]. If this backlash is due to actual deterioration after hitting it big rather than pretentiousness, see [[Protection From Editors]]. [[Japandering]] is sometimes done when the artist is specifically trying to avoid this. When musicians hold this opinion for one of their own songs, it's a [[Black Sheep Hit]]. Differs from [[Hype Aversion]] in that it's not so much fear of crazy fans as it is scorn for the proles.
 
Don't worry, though, because [[The Man Is Sticking It to Thethe Man]]. And let's not forget that [[Fan Dumb|according to these folks]], Popular Art is not "[[True Art]]".
 
{{examples}}
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== In General ==
* If you wish to invoke this trope, ask around on any forum, even one dedicated to Manga and Anime what the worst they've ''ever'' read or seen was. Your responses will ''very very rarely'' mention an anime/manga that wasn't popular or well received even in Japan like ''[[Bakugan (Anime)|Bakugan]]'', or the stuff that was actually ''canceled'' before it could be localized like ''[[Bakugan]]'' was. At least nine out of ten responses will name stuff like ''[[Bleach (Manga)|Bleach]]'', ''[[Code Geass (Anime)|Code Geass]]'', ''[[Dragon Ball (Manga)|Dragon Ball]] Z'', ''[[Death Note (Manga)|Death Note]]'', ''[[Fullmetal Alchemist (Animeanime)|Fullmetal Alchemist]]'', ''[[Gundam (Anime)|Gundam]]'', ''[[Naruto (Manga)|Naruto]]'', ''[[Neon Genesis Evangelion (Anime)|Neon Genesis Evangelion]]'', ''[[Inuyasha (Manga)|Inuyasha]]'', ''[[Pokémon (Animeanime)|Pokémon]]'', ''[[Sailor Moon (Manga)|Sailor Moon]]''...notice a pattern? Yep. Stuff that is popular in Japan, ''and'' outside of Japan.
** Generally pretty much everything that becomes popular in Western anime fandom is guaranteed to be hit with a combination of this and [[Opinion Myopia]]. If you don't want your show that you like to receive heavy amounts of criticism from some part of the fanbase, it's best that it stays far under the radar.
** This also is related to [[Import Filter]]. If you asked a Japanese person what the worst anime or manga they ever saw was, they'd probably respond with a series you never heard of unless they are of the same school of thought as you. Know why? Because that series was never imported, it was never translated because people don't see any worth in translating something that they thought was [[So Bad Its Horrible]]. Remember that for all the Hatedom that many popular animes have, they were only fansubbed because ''somebody liked it'' and wanted to share it.
* [[Dubbing vs. Subbing]] often ties in with this. There are plenty of elitist anime watchers who only like a series until it's licensed in America. Their usual reasoning is that it's only cool when "true" anime fans can access the series by downloading fansubs (even though a dub and official sub supports the series), but once the series is licensed a bunch of "idiots" can now watch it to try to be part of the cool club.
* You have people insisting that all anime sucks nowadays whereas the stuff in [[The Eighties]] and [[The Nineties|Nineties]] was good. This is pretty much [[Nostalgia Filter]] meets this - there were ''plenty'' of anime series in the 1980s and 1990s that weren't very good, especially considering that it was much more difficult to import more shows because of the [[Animation Age Ghetto]] being ''very'' strong at the time. (Even [[Steven Spielberg]] said that ''[[Akira (Manga)|Akira]]'' wasn't marketable.)
** The Japan section for [[The New Tens]] ''alone'' pretty much self-demonstrates this, albeit in more words. Much of what's said could very much apply to the early '80s and '90s.
** Interestingly enough, this has led to this trope being avoided amongst many of the highly acclaimed shows that aired on Toonami or [[Adult Swim]], with works like [[Cowboy Bebop]] being often treated as sacrosanct. [[Your Mileage May Vary|For better or worse this has led to a set of popular shows in the fandom being fairly free of criticism]].
 
== Specific ==
* ''[[Akira (Manga)|Akira]]'' has managed to avoid this fate, despite that most people are actually familiar with the old dub ([http://canaaadaaaa.ytmnd.com/ "KA-NAY-DAAAAAAAAAAAAHH!!!"]) that, strangely, neither Otomo or Macek themselves agreed with. If anything, the only [[It's Popular, Now It Sucks]] that Akira is getting is the [[I Liked It Better When It Sucked|2001 redub]], which you would ironically ''think'' would be better received. (More thorough translation, they actually ''know'' how to pronounce Kaneda's name, and the fact that the 80s dub got a PG-13 rating thanks in part to the [[Animation Age Ghetto]] while the 2001 redub is rated R...)
* Many fans of ''[[Axis Powers Hetalia (Manga)|Axis Powers Hetalia]]'' were displeased by the [[Newbie Boom|influx of ''many'' new fans]] brought by the successful anime adaptation. (Funnily enough most of them started complaining when the fandom was already ''huge''.)
* ''[[Bleach (Manga)|Bleach]]''. There was once a time when it was a niche shonen series, and was only known by people who read scanlations from a popular scanlation site. Back then, pretty much any and all feedback were about how frickin' awesome it was, and how it's a shame that it's so obscure and no-named. And ''then'', it got big. It's amazing how many countless people (including the fans who liked it back when it was small) have changed their tone to "I hate ''Bleach'', it sucks because it's popular."
* ''[[Death Note (Manga)|Death Note]]'' fans are not too thrilled about their series being dubbed, not so much out of fear of the dub's alterations [[Translation Style Choices|(as there are very few)]] as fear that the series will be ruined by an influx of * shudder* people who watch [[Adult Swim]].
** Dub argument aside, ''[[Death Note (Manga)|Death Note]]'' in general has fallen victim to this. Back when it was new, ''Death Note'' was the greatest series in years, all the cool kids liked it, and making references to ''Death Note'' was the best way to flaunt your otaku elitism. Then the anime came along and ''Death Note'' became super-popular, and so now the trendy thing among the otaku elite is, of course, bashing it and making fun of all the stupid ''Death Note'' fanspawn.
* ''[[Dragon Ball (Manga)|Dragon Ball]] Z'' befell this wonderful fate during the late 1990s and early 2000s. Arguably one of the things that got anime into the mainstream, within five years or so it was very popular to bash it horribly. Some would argue that ''[[Naruto (Manga)|Naruto]]'' is basically the same thing -- massively popular until it overplayed its welcome, and then is met with a thousand fiery hells.
* Some fans of the ''[[Haruhi Suzumiya (Light Novel)|Haruhi Suzumiya]]'' [[Light Novel|light novels]] did not take it kindly when their semi-obscure books were gonna be adapted into an anime and bring in new fans who never even heard of the books. Some of those fans also got pissed when it became a surprise hit and a [[Cash Cow Franchise]].
* There was once a time in which ''[[Inuyasha (Manga)|Inuyasha]]''; as well as pretty much every [[Rumiko Takahashi]] series, had a fanbase that was free to exist in public. But then, they became popular - Immediately, saying you like a Takahashi series nowadays, ''especially'' ''[[Inuyasha (Manga)|Inuyasha]]'' is tantamount to [[Suicide Byby Cop]].
* ''[[Sailor Moon (Manga)|Sailor Moon]]'' was once considered a gateway anime in the 90s and an icon of feminism and girl power. Then when people realized everyone was watching it (especially the dubbed version), it became trendy to bash it for being "kiddie" or [[Real Women Never Wear Dresses|sexist]]. Furthermore, despite the fact that many men used to be proud to claim themselves as fans, you're pretty much required to call it gay now if you're a dude.
* ''[[Tengen Toppa Gurren Lagann (Anime)|Tengen Toppa Gurren Lagann]]'' is starting to head this way thanks to extreme [[Hype Backlash]].
* ''[[Vampire Knight (Manga)|Vampire Knight]]'' started as a modest shoujo manga about teenage vampires, until it [[Germans Love David Hasselhoff|inexplicably became one of the most popular manga in America]]. Now many fans of modest shoujo avoid it like the plague due to its rampant popularity.
 
 
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** Also extremely obvious and common when it comes to the Daily Deviations, Deviousness Awards, Contests or, really, any form of recognition. For the 30ish DD's awarded daily, at least half of them will get a spree of comments along the lines of 'Pfft, why did ''THIS'' get a DD? * insert unknown artist here* submits better work every day!'. With less classy grammar, of course. Oh, and the reactions about the winners of Contests has to be seen to be believed, especially the popular/featured Contests.
* Any artstyle that becomes popular is subject to this trope, with anime being the whipping boy in the west.
* Ask an art historian what s/he thinks of [[Leonardo Dada Vinci]] or any other [[The Renaissance|Renaissance]] master.
* Even serious art sites like [[Concept Art]] can become subject to this trope. While less vicious than say, [[Deviant ART]], artists who make the jump from 'just posters' to 'established professionals' can expect to lose a couple web-friends out of jealousy or the belief that the artist in question is pandering to a mainstream audience.
 
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** A common rallying cause for the aforementioned old guard comes when the original media takes a shift after a movie release to bring the series back to something of an earlier status quo. This is often intentional so that new fans (brought in by the film adaptation, for example) can settle into the original media without too many jarring changes.
* The [[Batman]] series:
** ''[[The Dark Knight Saga (Film)|The Dark Knight Saga]]'''s explosive popularity caused [[Batman]] to become a more popular cultural icon than ever. Many long-time Batman fans feel spited by the Bat's new-found mainstream status, resorting to the [[It's Popular, Now It Sucks]] mantra. They must be extremely good at holding grudges for decades on end though, since Batman has been a "mainstream" cultural icon since the 60s.
** In-universe example. ''[[Batman]]: Fortunate Son''. One of the main characters was a famous musician who applied this trope to himself, feeling that his fame prevented him from keeping it "real". This didn't work too well; in his typically savage review of the comic, [[Atop the Fourth Wall (Web Video)|Linkara]] had some choice things to say about this trope in general.
* ''[[Deadpool]]'' has been gaining lots of popularity ever since Wade Wilson's short appearance in ''[[X Men Origins: Wolverine (Film)|X Men Origins Wolverine]]'', so popular he has 5 running series currently, and was featured on almost every variant cover for the week of 27th Feb 2010. Of course, the original fans are not happy about having Deadpool [[Wolverine Publicity|being whored out by Marvel and having him shoved down everyone's throat]].
* [[Geoff Johns]] tends to attract this on various forums. The trope seems to apply because the negative posts generally don't seem to say much besides "stop saying he's so good! he's not!" and rarely contain any actual criticism aside from simple nit-picking.
* Just about every fan of [[Jhonen Vasquez]]'s comics (like [[Johnny the Homicidal Maniac]]) from "back in the day" seems to hate and look down on fans who found out about Jhonen's work through his cartoon show, ''[[Invader Zim (Animation)|Invader Zim]]'', a show that -- being a cartoon on a big name children's cable channel -- was accessible to a ''much'' larger and more varied audience than his early comics.
* The comic community site [[Scans Daily]] seems to have a rule of "the more mainstream it is, the more critical we are." High-profile events in particular seem to be prone to getting picked apart, while lesser known comics are looked on much more favorably.
* Some fans of ''[[Watchmen (Comic Bookcomics)|Watchmen]]'' (and possibly [[Alan Moore]] [[Creator Backlash|himself]]) began sneering at the thought of someone reading the comic because of [[Watchmen (Filmfilm)|the movie]]. And it happened as the trailers apparently caused the comic to recently become a top-seller. Which is, say it with us now, a ''good'' thing.
** Moore really hates being popular. "The Killing Joke" was not intended to be canon by him, but DC liked it so much or it was so popular that it was made canon. Some of his fans seem to claim DC is "lazy" for doing so.
* ''[[Hellblazer (Comic Book)|Hellblazer]]'' was mostly sheltered from this due to the adaptation being titled ''[[Constantine (Film)|Constantine]]'', confusing potential fans seeking out a John Constantine that wouldn't exist in the books anyway. This complaint arose around the movie from the time [[Keanu Reeves]] was attached, but abandoning the entire character in favor of the safest bankable mainstream star came across as a deliberate snub of the pre-existing market for the movie ("We don't need your money, you losers, we got our moneymaker right here!")
* In-universe example in ''[[Nemi]]'', when Nemi declines to sell a record she loves to a customer, out of fear that it will become mainstream.
 
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== In General ==
* Let's just start off by saying this: If a movie [[Epic Movie|rakes in a lot of dough]] ([[wikipedia:List of highest-grossing films|especially if the film ends up on this list]]), it's sure to be labeled as a [[Cliché Storm]] filled movie with nothing but "Mindless" Action and/or "Mindless" [[Fan Service]] that isn't [[True Art]] and made for the [[Lowest Common Denominator]]...[[Complaining About Shows You Don't Watch|Even if they didn't actually watch the movie.]] Almost no exceptions (you won't find many people making said complaints about ''[[2001: A Space Odyssey (Film)|2001: A Space Odyssey]]'' or ''[[The Godfather (Film)|The Godfather]]'').
* It's not just amongst fans either. People have noticed that in most recent years, the majority of [[Academy Award|Oscar]] winners and nominees for best picture have been both low budget and low box-office. It was the exclusion of well-received successes such as ''[[WALL-E]]'' and ''[[The Dark Knight Saga (Film)|The Dark Knight Saga]]'' that caused the Academy to expand the pool of nominees from 5 to 10.
** And it has started with Academy Award films as well. Just look at the reception ''[[Juno]]'', ''[[American Beauty]]'', and ''[[Little Miss Sunshine (Film)|Little Miss Sunshine]]'' received after all their nominations
* Not just the films themselves but the people involved with them. Pretty much almost any Hollywood producer, director, or actor, upon achieving a level of popularity and fame will be accused of this.
* [[The Remake|Remakes]] get this treatment in droves. Even if the movie was just as good if not better than the previous film, you wouldn't know that from all the people screeching in message boards: "[[Ruined FOREVER]]" and "[[I Liked It Better When It Sucked]]". It's hard to distinguish remakes that were good compared to remakes that actually did suck because of this. In particular, this is especially true with American remakes of foreign films... Prepare yourself for ''[[The Millennium Trilogy (Literature)|The Girl With the Dragon Tattoo]]''...
** American remakes of foreign films often elicit criticism because the rest of the world feels that it's arrogant and unnecessary to shot-for-shot redo something so soon after it came out. If it's bad, then it will overshadow the good original version. Alternately, the remake can be good and still get this response because people are annoyed that American audiences flat-out refuse to watch anything with subtitles or accents. Given that it could hurt said country's film industry, this is somewhat understandable.
* Sequels. Not only does a movie being popular make it suck, but if the producers dare to continue its story, then it's just total garbage.
* Many actors that star in blockbuster films suffer from this, including [[Seth Rogen]] and [[Shia La BeoufLaBeouf]].
 
== Specific ==
* ''[[Austin Powers]]'' is this combined with a bit of [[Hype Backlash]] too, as surely you'd be annoyed that EVERYONE was reciting the catchphrases by the time the second movie came out.
* ''[[A Christmas Story]]'' suffers this, largely due to over-exposure from the 24-hour marathon of the movie that's run every year at or around Christmas.
* ''[[The Dark Knight Saga (Film)|The Dark Knight Saga]]'' has suffered this recently. Considering it's the 8th highest-grossing movie of all time, it seems that [[Analogy Backfire|the higher the popularity, the higher the suck.]]
* The original ''[[Batman (Filmfilm)|Batman]]'' (1989) managed to avoid this, if only because [[Tim Burton]]'s movie was so massively hyped and generated so much controversy that it was bound to attract the interest of just about everyone, whether they liked it or not. As near as one can tell, ''Batman'' energized three very large, vocal and/or influential sectors of the viewing public: young adults, who delighted in Burton's "hipster" aesthetic and edgy humor; film critics (most of them older people) who were offended or even outraged by that same edginess and only watched the movie because it was so huge they just couldn't ignore it; and hardcore Batman fans, who were just so thrilled to finally get to see a true cinematic treatment of their hero that they didn't really care (or at least didn't care too much) that Burton's take was so radically different. (Incidentally, ''Batman'' ended up attracting a surprise fourth demographic: children, many of whom thought the movie was a lot of fun [[What Do You Mean It's Not for Kids?|even though it was intended primarily for adults]].) Generally, It's Popular Now It Sucks only applies to works that enjoy a ''moderately'' high level of popularity. If a work becomes ''insanely'' popular, as ''Batman'' did in '89, it turns into a phenomenon so awesome that no amount of backlash can truly hurt it.
* ''[[Donnie Darko (Film)|Donnie Darko]]'', when it suddenly went from being a brilliant-but-weird movie that was buried in obscurity after 9/11, to a massive cult phenomenon that every teenager has seen. Somewhat ironic, in that it mostly became popular [[Cult Classic|via word-of-mouth]] and [[Vindicated Byby Cable]].
* ''[[Halloween (Filmfilm)|Halloween]] H20: Twenty Years Later'', which is seen as the "sell out" of the series, by some.
* After ''[[The Dark Knight Saga (Film)|The Dark Knight Saga]]'', [[Christopher Nolan]]'s next film ''[[Inception (Film)|Inception]]'' received a similar treatment. After the initial wave of glowing praise, the film garnered its fair share of detractors. The main reasons given by viewers who dislike the film are one or more of the following: it's too complex, it's not as complex as everyone makes it out to be, it plays with an idea but doesn't develop it, there are (or seem to be) contradictions within the film regarding the "rules" of dreaming and that it attempts to pander to an action film fanbase with its spectacle, slighting fans of serious cyber punk science fiction and psychological thriller films.
* [[James Cameron]] has made many critically acclaimed films, but it seems that to many on the internet and even in [[TV Tropes]], [[Analogy Backfire|the more viewers his films get, the worse the film is]]. If it's popular enough, the film is placed in the same class as a [[Michael Bay]] or [[Uwe Boll]] film. The most notable examples:
** ''[[Titanic (Film)|Titanic]]'' at first actually got a decent amount of public and critical acclaim. The backlash set in both after it was clear it was going to make hundreds of millions, becoming the highest-grossing film of all time until Avatar came out, and the loads of [[Academy Award|Oscar nominations and wins]] it got.
** When ''[[Avatar (Filmfilm)|Avatar]]'' came out, it had a skyrocket of public acclaim and defining the standard of the [[3D Movie]], with many proclaiming 'Oh man, Avatar was awesome!', only for about a few months later when it became the highest-grossing film of all time, a huge hatedom came out and proclaimed it as one of the worst films of all time while quite a few of it's fandom changed their mind and stated 'Yeah, it's just ''[[Pocahontas (Disney)|Pocahontas]]'' [[Recycled in Space|in space]]'. Conversely, ''[[The Hurt Locker]]''; which was directed by Cameron's ex-wife Kathryn Bigelow, was [[Left for Dead]] as a box office flop until somehow, it came out of nowhere around awards time to huge critical acclaim, with many proclaiming, '''Avatar'' is Lame. This is Best Picture right here'. Its momentum would be enough to upset and punch out ''Avatar'' at the Oscars and the BAFTAs, including the Best Picture award for both (and making it the lowest-grossing film of all time to win Best Picture), leaving ''Avatar'' to only beat ''Hurt Locker'' in the Golden Globes.
* ''[[The Artist (Film)|The Artist]]'' suddenly got this. Despite winning over 13 Best Picture awards from various critics groups, the Golden Globes, the BAFTA, and the Oscars, plus of course a 97% [[Rotten Tomatoes]] score, the film is now considered as overrated and not the best film of the year by some people.
* [[Kevin Smith]]. Some fans have accused him of being a sell out, a label he has no problem with. Most recently, people accuse Smith of being a sellout because he directed ''[[Cop Out (Film)|Cop Out]]'' for a studio from a script he didn't write. This, despite the fact that he [[Doing It for Thethe Art|took a significant pay ''cut'' to ensure the film could have the R-rating he thought it deserved.]]
* ''[[The Matrix (Film)|The Matrix]]'' [[Limited Special Collectors Ultimate Edition|collector's edition]] contains a meta-example. The [[Alternate DVD Commentary|alternate commentaries]] in it are explained as existing because every other DVD commentary is always [[Exactly What It Says Onon the Tin|the cast and crew commenting on the development of the film]], and a film like theirs deserves commentaries by college philosophers and movie critics instead.
* ''[[The Nightmare Before Christmas (Film)|The Nightmare Before Christmas]]''. Some fans feel this way because of it becoming a [[Cash Cow Franchise]]. It doesn't help many buy Nightmare merch just to look Goth or Emo, not because they actually ''seen'' the movie. Then add the [[Hate Dumb]] that thinks the movie sucks because they've seen the merch but [[Complaining About Shows You Don't Watch|not actually seeing the movie]], and you get some pissed-off fans. Luckily, this is a [[Vocal Minority]].
* [[Peter Jackson]]. Full swing after making the movie adaptations of ''[[The Lord of the Rings (Literature)|The Lord of the Rings]]''. You'd be amazed at how many of his "[[Fan Dumb|fans]]" despise the fact he made a film that cost more than a million or so and look down on fans that were brought into the fold via ''[[The Lord of the Rings (Filmfilm)|The Lord of the Rings]]''. Claims that he "sold out", "lost his touch", and "became a hack" are common in certain circles of his older fanbase.
* ''[[Scott Pilgrim vs. the World (Film)|Scott Pilgrim vs. the World]]'' was subject to an angry rant on a popular community discussing comics. The individual in question seemed to be incensed that Hollywood was actually making movies ''for'' geeks now, instead of mocking them. Not only did he hate the film itself, but he hated the people it was about, made by and for. The term "hipster" was thrown around willy-nilly. He got more and more vitriolic as he realized his was a minority opinion, and was eventually banned when he said something untoward.
* ''[[Star Trek (Filmfilm)|Star Trek]]'': [http://www.theonion.com/content/video/trekkies_bash_new_star_trek_film This Onion News Network video] pretty accurately reflects the [[They Changed It, Now It Sucks|attitude]] of a certain type of [[Star Trek]] fan towards [[Star Trek (Filmfilm)|the 2009 movie]]. They must be extremely good at holding grudges for decades on end, since [[Star Trek]] has been a cultural icon for decades. Luckily despite the stereotype, surprisingly otherwise averted by the Trek fanbase, as discussions and polls on the TrekBBS consistently show that about 80 to 90% of the fans like or love the new movie.
* ''[[Star Wars]]'' has suffered through this, especially when the prequels came out.
* Tim Burton. As with ''[[The Nightmare Before Christmas (Film)|The Nightmare Before Christmas]]'' example above, you can expand this to pretty much anything done by him. Early in his career, he gained a cult following, most of his early films did good, but not huge numbers at the box office. However, as his films became more popular, the [[Hate Dumb]] grew and grew, in large part do to his popularity with the Goth and Emo crowd, and much because of this trope. It seems to be mostly due to the misconception that he and his movies are all [[Wangst|whiny, mopey, self-indulgent]] navel-gazers, missing the part where he's actually [[Deadpan Snarker|pretty funny]] and doesn't take himself that seriously at all. Just watch [http://www.youtube.com/watch?v=wPrFec9rAwM this interview]. "Could you roll the I.V. in here? I'm feeling a bit...faint."
* Certain parts of the ''[[Transformers]]'' fandom, over the year or so before the release of [[Transformers (Filmfilm)|the 2007 live-action movie]], preemptively expressed the sentiment that "It's going to be popular! That sucks!" Everyone else was rather confused. It becomes very silly when people accuse ''Transformers'', a franchise that was created specifically [[Merchandise-Driven|to sell toys]], of selling out. <br /><br />Of course, this being ''[[Transformers]]'' fandom, a [[Broken Base]] if ever there was one, there's also a very vocal segment that runs counter to this trope, and cheered every time it topped charts. Transformers is somewhat a subversion as more fans were happy with the movies success as it made the franchise relevant again in the eyes of the public. More relevance means more plastic (and even better, more ''die-cast metal''), which has always made 'True Fans' happy even if they despised the related series.
** On the other hand, part of the reason why ''[[Transformers Generation 1]]'' purists hate the movies so much is because of their popularity; they're basically pissed that more people are familiar with the hyper-detailed CGI Transformers starring in big, dumb action movies than their original, not-very-detailed cartoon incarnations. (Fans of more widely praised incarnations such as ''[[Beast Wars (Animation)|Beast Wars]]'', ''[[Transformers Animated (Animation)|Transformers Animated]]'', and ''[[Transformers Prime (Animation)|Transformers Prime]]'' also react this way if they dislike the movies).
 
 
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== Literature ==
* This happened to ''[[Harry Potter (Literaturenovel)|Harry Potter]]'' with the massive turnout for ''[[Harry Potter (Franchise)/Harry Potter and The Order of The Phoenix|Order of the Phoenix]]'' -- many "fans" assumed [[JKJ. K. Rowling (Creator)|JK Rowling]] could get away with writing absolute crap from then on. However, they didn't so much drop the fandom as [[Unpleasable Fanbase|stick around to complain about everything]], thus proving their worth as True Fans.
** Happened to a lesser extent with the influx of new fans [[Harry Potter (Filmfilm)|the film]] brought, but the fact that most of them read the books anyway reassured the original fanbase somewhat.
* A lot of long-time book fans of ''[[The Lord of the Rings (Literature)|The Lord of the Rings]]'' were unhappy with the caliber of fans introduced to ''LotR'' by the movie trilogy. Many "old-school" fans consider the movie lovers shallow and frivolous, ''especially'' if said movie lovers were subsequently turned on to the books by the movies.
** In one way at least it was quite relevant that older fans of the books hated the success of the movies- it made buying replacements for your now venerable and worn copies extraordinarily expensive. The books went from being $10~$15 each ($35 for the set including The Hobbit) to $20~30 PER BOOK. As with most major movie merchandising, every older print of the book suddenly disappeared, only to be replaced with new editions with oversized, tie-in covers....and that's only the [[Lot R]] books themselves. Tolkien's books had always had a great deal of secondary literature (books about the books), even a few written by J.R.R. or Christopher Tolkien, but after the movies came out? Merchandising mayhem.
*** Fictional uber-geek Jason Fox in ''[[FoxTrot (Comic Strip)|FoxTrot]]'' once worried about the highly positive public reception of ''[[The Lord of the Rings (Filmfilm)|The Lord of the Rings]]''. Although he is only concerned that enjoying Tolkien's trilogy will make it (gasp!) mainstream to be a nerd, therefore depriving people like himself of their "special" status.
*** A very early story arc had him upset when his mom bought him a Batman lunchbox, because the movie had already been out for a few months and he didn't want to be seen as a bandwagon-jumper.
* The ''[[Twilight (Literaturenovel)|Twilight]]'' series by [[Stephenie Meyer]] has gained a substantial hatedom merely because of how insanely popular the books are between young girls. This is especially true among fans of traditional horror stories and vampire stories, who will often yell "[[Your Vampires Suck]]!", especially since the story is more of a love story featuring vampires. While there are complaints that actually have legitimacy, naturally the former bunch tends to drown out the legitimate criticisms.
 
 
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* ''[[All That]]'' got a lot more viewers and faced a lot more criticism after it was [[Uncanceled]] in 2001. The increased ratings could be attributed to more popular guests, more homes with cable/satellite, and Jamie Spears. The decreased reputation could be attributed to a change in the tone of the show, the complete replacement of all the old actors and writers, and Jamie Spears.
* The success ''Chaser's War On Everything'' practically relies on the cast remaining anonymous. Of course, as the show increased in popularity they have needed to do more of their farcical stunts overseas, where they are not so well known. As a result of this, many of their older fans are getting bored of them and jumping ship, so to speak. Of course This hasn't stopped a good chunk of them [[Unpleasable Fanbase|complaining]] that the show is ending after its [[British Brevity|3rd Season]].
* ''[[Doctor Who]]'' presents something of an interesting example of this; the classic series was for a long time very popular, becoming something of a national institution in its home country. By the time of its cancellation, however, it had [[Pandering to Thethe Base|for]] [[Continuity Lock Out|numerous]] [[Continuity Porn|reasons]] become something of a cult show, something which only intensified with the development of the largely fan-driven [[Expanded Universe]] media. When the new series came along and restored the show to its former popularity a certain subsection of these fans, having apparently forgotten that its period of being a cult was the exception rather than the intention, seemed to be convinced that the show's newfound popularity was a bad thing and that it should have remained the cult relic cherished only by a few fans and mocked by everyone else. Whilst the new series is significantly different in style and tone from the old series in many ways, thus generating plenty of legitimate criticism for numerous reasons, a significant portion of the critical response to the new version does seem to be comprised of people who are upset that it's not "theirs" anymore.
* ''[[Glee (TV)|Glee]]'' times a million. To be fair, the back nine episodes are quite uneven, but plenty of people were hating on it before the season even officially started because the pilot was shown at the beginning of the summer of 2009, kicking off an extremely aggressive and relentless ad campaign by Fox (the most amusing facet of which was when they came up with the term "Gleeks" and them tried to pretend that hardcore fans had christened themselves that).
** This can also cross over with music elitism, too, since there are many people who despise [[Glee]] for the simple fact that it causes a [[Newbie Boom|surge in popularity]] for whatever classic rock songs are features in a given episode.
* The first season of ''[[ICarly (TV)|I Carly]]'' was relatively low key, especially in the online fandom. It exploded in popularity in Season 2, and along with an increased emphasis on the [[Shipping]], lead many to quit watching.
* Kids TV shows tend to get this the most. Most likely a major cause of [[Hatedom]] and [[Periphery Hatedom]] towards shows such as ''[[Barney and Friends (TV)|Barney and Friends]]'' and ''[[Mighty Morphin Power Rangers]]''.
* This seems to be happening to ''[[The Mighty Boosh]]''. Many original fans have complained the latest series is too mainstream and lacking in invention. Whether there's been an actual drop in quality is debatable.
* There seems to be a substantial backlash of this sort to anything by the legendary comic ''[[Monty Python]]'', (especially, however, ''[[Monty Python and The Holy Grail (Film)|Monty Python and The Holy Grail]]''). Some people might just be [[Seinfeld Is Unfunny|sick of the inevitable quotations]], since so many people know the quotes and love them. Others have different objections.
* For many people, the decline of ''[[The X-Files (TV)|The X-Files]]'' began with its move to Sundays from Fridays and its attempt to be more "accessible" to Fox viewers.
* In the ''[[Community (TV)|Community]]'' episode "[[Community (TV)/Recap/S2 E09 Conspiracy Theories and Interior Design|Conspiracy Theories and Interior Design]]" an in-universe example occurs when their blanket fort makes the newspapers and inspires similar blanket forts in campuses across the country, Troy and Abed decide it must be destroyed.
 
 
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** To the pickier [[Fan Dumb]], simply having music be played on the radio means it sucks or that the quality has dropped.
** Videos. Making one when you haven't done so yet is a surefire way to fall victim to this trope. ''[[Sarcasm Mode|How dare you want to add something visual to go with your sound!]]''.
* Musicians can get this treatment when they previously believed in this trope yet later loosen up about it. For example, [[Metallica (Music)|Metallica]] originally claimed they would never make a music video because doing so would be selling out, yet later on they decided it wasn't that big of a deal and started making them. Don't try to tell that to their original fans, though.
* Several genres or sub-genres tend to be the target of this more than others.
** While it had plenty of legit criticisms, this was a large reason behind the hate of [[Everythings Funkier With Disco|Disco music]] in the [[The Seventies|70's]]. It probably [[No Such Thing Asas Bad Publicity|would have died off a lot sooner]] without the "Disco Sucks" T-shirts and [[Stuff Blowing Up|Disco demolitions]].
** Indie Bands. Pretty much any one after achieving a level of fame will be accused of this, even if the only reason they were indie was because they were waiting and trying to get signed on by a major label.
** Punk bands and Goth bands are particular targets of this as they cannot represent the demographic if they go mainstream, though that's to be expected with their frequent anti-establishment themes.
*** Some of the former's subculture's icons being looked down upon by elitists. Bauhaus, Christian Death, and Alien Sex Fiend may not be mainstream, but they certainly aren't underground anymore.
** [[Heavy Metal (Music)|Heavy Metal]] musicians get the worst of this treatment. '''ANY''' metal singer or band that becomes commercially successful in the slightest will be accused of selling out, even if said band hasn't changed their musical or lyrical approach at all. Metal is [[Ruined FOREVER]] about once a week depending on who you ask.
*** Again, there have also been plenty of legit criticisms of metal's more mainstream sub-genres, but a lot of the hate stems from this. Fans of thrash would not have hated [[Glam Metal]] in [[The Eighties|the 80's]] nearly as much if it hadn't been as popular as it was. The same applies to the dislike of [[Nu Metal-metal]] in the 90's and 2000's.
*** Speaking of [[Thrash Metal]], this was the fans' cry in the 90's against numerous thrash bands in the 90's who changed their sound, believing the genre had been played out.
*** [[Power Metal]] and [[Progressive Metal]] haven't fallen victim to this yet, at least not in North America, as the sub-genres haven't been able to garner the same level of popularity as they have in Europe and Asia, but keep your finger crossed for the cries if they ever do go mainstream there. Also, despite not actually being mainstream in North America, you can still find plenty of blogs and forums whining that a power or progressive metal band sold out in some way.
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*** Actually, this trope [[Older Than They Think|really started in the '80s]], when New Jack Swing, MC Hammer, and other [[Lighter and Softer|pop rap acts]] brought widespread awareness of the genre from nationwide to worldwide, to the ire of "[[Fan Dumb|purists]]". Of course, [[Nostalgia Filter|good luck reminding ardent critics of this]].
*** Good luck trying to convince [[Nostalgia Filter]] proponents of the fact that not only did New Jack Swing last all of just 3 or 4 years, but that it's a completely different genre all together.
** Pop music. Hell, it's in the name. While pop has plenty of legit criticisms, many, if not all, pop stars have substantial hatedoms solely because this is their genre of choice. Any new pop star ([[Miley Cyrus (Music)|Miley Cyrus]], [[Demi Lovato (Music)|Demi Lovato]], [[The Jonas Brothers (Music)|Jonas Brothers]], [[Britney Spears (Music)|Britney Spears]], [[Selena Gomez (Music)|Selena Gomez]], [[Justin Timberlake (Music)|Justin Timberlake]], [[Lady Gaga (Music)|Lady Gaga]], etc.) sucks because they are popular and [[Ruined FOREVER|ruins Pop forever]].
** They don't just ruin pop. Check out a [[YouTube]] video of any song in any genre more than a decade old and observe a comments section with endless claims that pop-star-du-jour represents the death of ''all'' good music, everywhere.
** [[Dubstep]] is seeing this a lot as of late. While most styles of electronic music haven't been very popular on the [[United States|other side of the pond]], the dubstep scene has blown up considerably in the past few years, also attracting fans that haven't cared much for electronic music before. This reaction is compounded by remixes of every popular song available, by amateur and pro producers alike. The general growth to this trend is mostly attributed to artists like Rusko, and later, Skrillex, that have produced tracks with a gradually more aggressive sound. [[Broken Base|Purists are turned off]] by the "popular" form of dubstep, or "brostep", characterized by massive drops with over-produced, overpowering synths and basslines. Their complaints are founded in reason, though, as it has little connection to earlier dubstep, which has its roots in bassline music and UK Garage.
* Music Journalism. This sometimes happens here, most infamously with Rolling Stone magazine, who were unable to understand [[Led Zeppelin (Music)|Led Zeppelin]]'s popularity. Later on, when the band became legacy artists (and especially [[Never Speak Ill of the Dead|after the death of John Bonham]]), Rolling Stone has since lauded them as one of the best bands of all time.
* Several songs in country music actually lampshade the phenomenon. The most famous is Barbara Mandrell's "I Was Country When Country Wasn't Cool". Alan Jackson's "Gone Country" has undertones of this as well.
* [[Video Games]] that license music tend to result in the songs getting this treatment:
** Look up any [[YouTube]] video of any song that appeared in ''[[Call of Duty (Video Game)|Call of Duty]]: Black Ops'', such as "Fortunate Son" by [[Creedence Clearwater Revival (Music)|Creedence Clearwater Revival]] or "Sympathy For the Devil" by [[The Rolling Stones (Music)|The Rolling Stones]]. Take note of all the comments bashing people who have heard of the two songs through the game. For bonus stupidity points, ask yourself why they aren't going the same with, say, ''[[Forrest Gump]]'' for the former. (Then again, ''COD'' itself is a victim of this trope; see below.)
** Likewise with ''Celldweller'', ''[[Fallout 3 (Video Game)|Fallout 3]]'', and ''[[Dead Rising 2 (Video Game)|Dead Rising 2]]''. People had this complaint regarding the songs that appeared in these game.
** Games in the [[Rhythm Game]] genre like the ''[[Guitar Hero (Video Game)|Guitar Hero]]'' series [[Dueling Games|and]] the ''[[Rock Band]]'' series have elicited this reaction from elitist music fans complaining that players who became fans of a certain band after hearing a song on ''Guitar Hero'' or ''Rock Band'' are shallow commercial junkies who don't really count as fans, and/or that the band has "sold out" by letting their songs be in the game at all, and that the song or songs being used in the game is just mainstream tripe that "real" fans know is trash compared to the band's still-unheard, great songs. It really doesn't matter which Guitar Hero-featured band you pick, anyone from Aerosmith to [[Yeah Yeah Yeahs]] seems to spark the exact same outrage among its fan base. As others have pointed out in the resulting flame wars, this only raises the question of exactly why a video game is any less legitimate a music venue than radio, television, online services, or CDs, and why finding out about a band via ''Guitar Hero'' is less "honorable" than any other way.
* Some western fans of Korean pop music have gone as far as to explicitly state that this is the reason they don't want their favorite groups to debut and succeed in America.
* Some people have an affinity for musicians from other countries that they would probably not have if they were well-known in the country that they live in. This is often amplified if the reason for liking the band is due to attraction to one or more of the members.
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== Specific ==
* [[ABBA (Music)|ABBA]] This complaint arises in their fan community every time there is a major surge in interest, the latest being the success of ''[[Mamma Mia]]''. Interestingly, each wave of popularity leads to a status increase for past newcomers, to the point where "Goldies" (newcomers after the release of the "ABBA Gold" album), who were ridiculed on their arrival, are now praised as "true fans" by the older fans who criticized them. Many of these older fans ignore the fact that they first liked the band in the 1970's, at the all-time peak of their success and popularity.
** This is common in multiple music fandoms, and leads to a sort of cycle: a band becomes "popular", at which point liking them becomes lame and so they become unpopular, at which point no-one likes them so liking them becomes "cool" again. Thanks to the internet, this can often happen over the course of a single month, even with no change whatsoever from the band themselves. Factor in that this happens on several levels (with individual artists, genres, and even with awareness of this very trope), and that bands often drastically change their sounds and attitudes (usually partially due to fan reaction and, again, awareness of this trope), and you get a consensus attitude that is very confusing and difficult to get a read on.
* [[ACDC (Music)|ACDC]] has managed to avoid this for the most part, but there is still a portion of the fandom that believes the band was better before Brian Johnson replaced the deceased Bon Scott on vocals, simply because of the massive success of "Back in Black" (still the second best selling album of all time to this day) which was the first album to feature Johnson.
* Against Me! not only got this, but their fans got outright hostile about it. Fans claimed the band sold out when they moved from the tiny No Idea label to Fat Wreck Chords in 2003, to the point where fans slashed the tires of the bands tour van and vandalized it and reportedly poured bleached over their merch table. The bizarre thing is that Fat Wreck Chords was well known for being anti-establishment indie label. Ironically, there was a lot less outcry when the band left FWC for an actual major label, Sire Records in 2007.
* [[Anthrax (Music)|Anthrax]] was accused of selling out when they chose John Bush as their new lead singer and with their more mainstream-sounding album, ''Sounds of White Noise''. The band's rhythm guitarist, Scott Ian, commented on this in an interview saying, "The bottom line is, everyone in this business is in it to make money. Myself included."
** They also got this treatment when they dared to commit the unforgivable crime of trying to give fans of different genres some common ground when they did a [[Rap Metal]] project with [[Public Enemy (Music)|Public Enemy]].
* The Arctic Monkeys' EP ''[[Precision F-Strike|Who The Fuck Are Arctic Monkeys]]'' was made specifically in order to stop it from falling victim to this trope by minimising its exposure on mainstream radio.
* [[The Beatles (Musicband)|The Beatles]] are one of the few artists to be both massively popular ''and'' adored by critics. Yet, even they are an example of this trope; the band's Liverpool fans felt very betrayed when the band hit it big and moved to London and replaced drummer [[The Pete Best|Pete Best]] with [[Ringo Starr (Music)|Ringo Starr]]. Plus, their massive success and influence and having stood the test of time more than most musicians is used to claim that they are overrated. Additionally, a number of people find it cool to hate The Beatles by dismissing them as a 60s pop group. Y'know, not putting them in the context of the 60s and realising all the things they helped to make popular, not least the sheer timelessness of stuff like ''Rubber Soul'' and ''Revolver''.
*** And as [http://www.cracked.com/article_19061_5-artistic-geniuses-who-only-became-great-after-selling-out.html this article] from [[Cracked (Website).com|Cracked]] explains, even before that success, the band's image and musical style were a complete 180 from what they would later become famous for.
** Similarly, some of those who take this attitude don't even provide or consider the "'60s" qualifier and just compare them to whatever current pop act they don't like or which happens to be at the top of the charts, without any consideration for how 1960s popular music and contemporary popular music might be totally different. This one tends to work both ways, however, with subscribers to this trope who happen to like the Beatles often driven to paroxysms of fury that anyone might ''dare'' consider or compare the Beatles to a 'mere' pop group -- despite the fact that, at least early in their career, this is arguably a fair comparison in many ways.
* [[Behemoth (Music)|Behemoth]] is given a lot of flak in the [[Heavy Metal (Music)|Heavy Metal]] underground for moving from [[Black Metal]] to [[Death Metal]] and signing with Nuclear Blast
* [[Black Eyed Peas (Music)|Black Eyed Peas]]: Happened after adding Fergie to their lineup and switching to a more pop oriented sound which made them commercially successful.
* [[Blue OysterÖyster Cult (Music)|Blue Oyster Cult]]. The popularity of their song "(Don't Fear) The Reaper" as a result of it forming the centrepiece of the popular ''[[Saturday Night Live (TV)|Saturday Night Live]]'' skit "More Cowbell" has seen something of an injection of new fans based on this song -- much to the irritation of the existing fans, who feel that the band's other songs are being overlooked in the process.
* [[Bob Seger (Music)|Bob Seger]] after he allowed his song "Like a Rock" to be featured in Chevrolet commercials. Never mind the reason he did it; Chevrolet is owned by General Motors, which is headquartered in Seger's hometown of Detroit. They were on the brink of bankruptcy, and Seger had a lot of friends who worked for them. Not wanting those friends to be out of jobs, Seger allowed the song to be used, and it pretty much saved the company.
* [[Cradle of Filth (Music)|Cradle of Filth]]: ''Thornography'' apparently brought them mainstream. However mainstream extreme black metal can get.
* [[David Bowie (Music)|David Bowie]] usually falls victim to [[They Changed It, Now It Sucks]] accusations due to his penchant for the [[New Sound Album]] trope, but the deliberately mainstream pop-rock of ''Let's Dance'' (1983) -- which resulted in the biggest-selling album of his career -- led to criticism along these lines as well. It got worse when his next two albums (''Tonight'' and ''Never Let Me Down'') followed in that vein to diminishing returns. In the end Bowie himself felt dissatisfied with his output and moved on, first to the unsuccessful [[Hard Rock]] group Tin Machine and then to solo work that was driven more by art than commerce.
* [[Dragonforce (Music)|DragonforceDragonForce]] shows you don't have to do much to get this treatment by allowing the use of "Through the Fire and Flames" as a bonus track for ''[[Guitar Hero (Video Game)|Guitar Hero]] III''. Fans at first praised its inclusion, and it would seem that this trope was averted. Then the game came out, and the cries of "Sellout!" came with it. Seriously, just go on to any video of the band on [[YouTube]], either their music videos, their live performances, or their interviews and count how many comments read along the lines of "I liked Dragon Force before ''Guitar Hero.''
* [[Evanescence (Music)|Evanescence]]. When they began to take off, fans were in denial that the band had hit the Lycos 50 (yes, you read right, ''[[Serious Business|search engine results]]''!), even though their only album before ''Fallen'' was ''Origin'', a glorified demo tape.
* [[Foo Fighters (Music)|Foo Fighters]]. Dave Grohl has gone on to achieve huge success since the end of Nirvana, now that he's the face of the band and not just the drummer. This has led to a lot of accusations of selling out.
* [[Genesis (Musicband)|Genesis]]. Thanks to a [[Broken Base]], they are a textbook example of this trope. If you want to see someone have an aneurysm, just ask a fan of the [[Peter Gabriel (Music)|Peter Gabriel]] era what he/she thinks of the ''Invisible Touch'' album. Even [[American Psycho|Wall Street psychopaths]] like that song.
* [[The Goo Goo Dolls (Music)|The Goo Goo Dolls]]. After their album ''A Boy Named Goo'', they drastically changed their sound from high-tempo rock/punk to the mellower soft rock they're famous for today after the success of their single ''Name''. It's a good thing they didn't go with the original planned name for the band, [[Intentionally Awkward Title|The Sex Maggots]]. [[Word of God]] says they were going to do this anyway, because they were tired of being labeled as ripoffs of The Replacements.
* [[Green Day (Music)|Green Day]] got this treatment with ''American Idiot'' which thrust them back into the limelight after nearly a decade in obscurity and brought them a new generation of fans, as well a new generation of older fans complaining about how they had sold out.
** Not to mention all the punk rock fans who found [[Green Day]]'s entire existence to be selling out the genre.
* [[Howard Shore]] got quite a bit of [[Hatedom]] from film score fans because of all of the notice he got for ''[[The Lord of the Rings (Filmfilm)|The Lord of the Rings]]'', which has led some people to claim he was never talented at all. Others could care less and enjoy all of his work.
* Famous [[Post-hardcore]] band Jawbox was signed by Atlantic Records in 1994, in the midst of the [[Nirvana (Music)|Nirvana]]-provoked [[Alternative Rock]] craze. Since they'd already had 5 years under their belt, they managed to score a very favourable record contract that allowed them control over their recordings and the ability to organise their own shows. Regardless, the [[Fan Dumb]] came fast and furious: one particularly psychotic fan wrote to the band '''wishing for their death in a fiery van accident'''.
* [[Justin Bieber (Music)|Justin Bieber]] started off as a [[YouTube]] sensation and would quickly and surprisingly find his way to the top of the music industry, [[And the Fandom Rejoiced|to much delight]] for [[Squee|a countless amount of Teenage Girls]]. Unfortunately for him and his fans, going mainstream won't get you the approval of the Internet, especially if you appeal to teenage girls and [[Hatedom|is highly regarded as one of the most hated individuals on the internet today]].
* Kings of Leon after ''Only By The Night''. Many of their fans who followed them throughout their first few albums felt that particularly "Sex On Fire" was an uninspired sellout compared to their earlier work. It evidently turned several off them, as neither 5th album ''Come Around Sundown'' and its accompanying single "Radioactive" were as much of a critical or commercial success.
* [[KISS (Music)|KISS]] to some extent, though the real irony is that the band's [[Word of God|self-admitted,]] entire reason for existence [[Money, Dear Boy|was to sell a look and style on the road]] and not so much their ''songs''.
* [[Korn (Music)|Korn]] makes an example of this trope in their song, "Y'all Wanna Single."
* Lagwagon. The song "Know It All" [[Lampshade Hanging|lampshades]] this trope.
* Lene Marlin. The Norwegian singer had a huge success in Italy and Japan (of all places!) with her first album, ''Playing my game''. Released with little fanfare, the album was not technically exquisite, but most fans loved it anyway and thought of it as simple yet made with passion -- music for the sake of itself, rather than in the pursuit of the holy dollar. As a result it was a surprise hit, and good times were had by all. Then year 2003 came along, and with it the highly anticipated release of the second album, ''Another day''. Cue many of the fans (the most outspoken ones, usually) lamenting sore disappointment that Lene had sold out, that while the quality of the music had improved that of the lyrics had plummeted, that the album had been written to cash in on the success of her name, [[Blah Blah Blah]]. The third album, ''Lost in a moment'', was unsurprisingly met with even more bashing.
** Fourth album's now out, ''Twist the truth''. An experimental album, it was unsurprisingly met with cries of "it's too different!" by the same people who used to complain that Lene's music was always the same.
* Many fans of the Canadian singer Lights became less keen on her when she started to gain publicity and become something of a darling of the hipster music circles.
* [[Linkin Park (Music)|Linkin Park]] got this treatment when "What I've Done" and "New Divide" were featured in the Michael Bay-directed [[Transformers]] movies. This is an especially bad instance of this phenomenon because [[Linkin Park]] was plenty popular ''before'' that happened, with ''Hybrid Theory'' and ''Meteora'' having achieved widespread success, [[Fridge Logic|yet this trope was not in force for those albums.]]
* [[Liz Phair (Music)|Liz Phair]].
* [[Megadeth (Music)|Megadeth]] received a lot of hatred because they too made their sound more mainstream in the early nineties with ''Countdown to Extinction''. Megadeth has moved back to their traditional style, so they don't receive many accusations of selling out anymore.
* [[Metallica (Music)|Metallica]], oh, good lord, Metallica. The most evident example is their 1991 self titled album, aka "The Black Album", which was the most mainstream of their albums at that point and also marked a change in their style from thrash to a more general metal sound. It provided them a lot of success, at the time making them the biggest metal band in the world but also gave them an incredible amount of hate and sellout accusations from their original fan base.
** Though, really, they've been accused of this to a certain extent with pretty much every album following their debut usually on account on [[They Changed It, Now It Sucks]]. Frontman James Hetfield finds it quite amusing. "Ride The Lightning" for having a ballad; "Master of Puppets" for being slightly less thrash sounding, "And Justice For All" for having more of a progressive sound, as well as (GASP!) ''having a video'' for their song, "One" and (THE HORROR) earning them ''a Grammy nomination'', "Load" and "Reload" for also having different styles, and "Death Magnetic" for not being a exact copy of "Master of Puppets". No matter what they do, Metallica is [[Unpleasable Fanbase|never going to catch a break]] from their [[Fan Dumb|so called "fans]]".
* [[Modest Mouse]] suffered from this after ''Float On''.
* [[Muse (Musicband)|Muse]] has suffered a lot of this since the release of ''Black Holes And Revelations'', and to a lesser extent since ''Absolution''. Muse were considered very cool when they were indie artists on their first two albums, ''Showbiz'' and ''Origin Of Symmetry'', and just about reached their peak when they hit the mainstream with ''Absolution''. By the time ''Black Holes'' came out, it was considered a disappointment because the singles released from it were pop songs rather than rock. This happens a lot, in fact, if an album is represented by the songs which are atypical for the album itself.
** Ever since "Supermassive Black Hole" was featured in the first ''[[Twilight (Literaturenovel)|Twilight]]'' series film, you can't go to a Muse video on [[YouTube]] without fanboys shrieking about ''Twilight'' fans liking Muse due to said song in movie. Sad, because while ''Twilight'' is a [[Love It or Hate It|polarizing]] series, almost everyone likes Muse.
* [[My Chemical Romance (Music)|My Chemical Romance]]. People have said this about all of their last three albums; ''Three Cheers for Sweet Revenge,'' ''The Black Parade,'' and ''Danger Days.''
** Even before ''Three Cheers'' was put out, when they signed to Reprise. The album didn't even have to be made yet for [[Fan Dumb|people]] to start calling out this trope.
** On the other hand, each album receives a better score among most music critics than the last one. Depending on the magazine/website, ''I Brought You My Bullets, You Brought Me Your Love'' scored between 2.5 and 4 on 5, ''Three Cheers for Sweet Revenge'' scored between 3 and 4 on 5, ''The Black Parade'' between 3 and 5 on 5 and ''Danger Days'' between 3.5 and 5 on 5. Their [[Fan Dumb|fans]] may think they're sellouts, or they changed, but they're mostly having fun with their music style, and critics like it.
* [[Nickelback (Music)|Nickelback]]. For a band with such a vocal Hatedom, and that so [[Guilty Pleasure|few people claim to like publicly]], you'd think they'd get less airplay and make less money. A lot of their hatedom from [[Grunge]] fans stems solely from the fact that the band can fill stadiums and arenas.
** [http://www.bustedtees.com/blamecanadafornickelback Blame] [[South Park|Canada]] for Nickelback, [[Canada, Eh?|eh]]?
* [[Nicki Minaj (Music)|Nicki Minaj]] has two forms of this: the set of people who believe she really became more pop-oriented in her debut album, ''Pink Friday'',(before that she had mixtapes) and people who thinks she was much better when she was completely in the underground.
** Two songs on ''Pink Friday'' address that question, with different points of view expressed on each one. [http://www.youtube.com/watch?v=5cVgB7RSwto "Dear Old Nicki"] has become an anthem of sorts for the latter set mentioned above (and "Dear old Nicki, please call back" their motto).
** On the other hand, [[Limited Special Collectors Ultimate Edition|bonus track]] [http://www.youtube.com/watch?v=DL65tMM1_y0 "Muny"] has become the same for the other side of the debate, with said motto being "Bitches want my old shit, buy my old mixtape."
* [[Nirvana (Music)|Nirvana]]. It's widely believed that frontman [[Kurt Cobain (Music)|Kurt Cobain]] killed himself as a result of his fear of this trope and even [[Creator Backlash|came to hate]] the band's signature song, "Smells Like Teen Spirit" (which was [[Poe's Law|supposed to be a parody]] of the [[Misaimed Fandom|same fans it started attracting]]) often refusing to play it live. Additionally, the band's popularity is often used to claim that they're overrated, and even some grunge fans don't like them solely because of it.
** Kurt Cobain often wrote pop songs to subvert this. Even ''Bleach'', their most abrasive and inaccessible release has "About A Girl" on it, which he wrote after listening to [[The Beatles (Musicband)|The Beatles]] all day. They followed up ''Nevermind'' with ''In Utero'', which is much sludgier than ''Nevermind'' but ultimately reaches a compromise: songs which were just about heavy enough for ''Bleach''/''Incesticide'' fans, but melodic enough for ''Nevermind'' fans. Of course, "In Bloom", from ''Nevermind'' points fun at the people who listened to Nirvana because they were popular and didn't understand the lyrics.
* [[No Doubt (Music)|No Doubt]] with ''Tragic Kingdom'' which put them on the charts with their hit singles, "Don't Speak" and "Just a Girl".
* [[Ozzy Osbourne (Music)|Ozzy Osbourne]] has never really gotten the full treatment of this, but his solo work being more popular and successful than his work with [[Black Sabbath (Music)|Black Sabbath]] is often the only basis snobbier fans use to claim the former isn't as good as the latter. He also got some minor claims of this with ''[[The Osbournes (TV)|The Osbournes]]'' reality show in the early 2000's, which brought him a whole new generation of fans.
* Paramore has gotten this treatment mainly because they did a song for the first ''[[Twilight (Literaturenovel)|Twilight]]'' film and because they now have merchandise at Hot Topic. Unfortunate considering how talented they actually are.
* [[Pearl Jam (Music)|Pearl Jam]] actually kind of inverted this to turn less commercial, everything after ''Vs''. were [[New Sound Album|New Sound Albums]].
* [[Pink Floyd (Music)|Pink Floyd]]. Happened after ''[[The Dark Side of the Moon (Music)|The Dark Side of the Moon]]'' in the minds of some of their fans, [[They Changed It, Now It Sucks|who preferred their old psychedelic music]] over the new [[Darker and Edgier|harder and darker]] material.
** Though in this case, the band themselves felt this way, particularly Roger Waters, who didn't like the larger, noisier audiences that their greater exposure attracted (leading to his infamous, sputum-powered [[Creator Backlash]] during the ''Animals'' tour).
** And need I mention poor old Syd Barrett, who passed his own fame-tolerance threshold back when they were plugging their first album, leading to him [[Creator Breakdown|taking permanent refuge in drugs.]]
* [[Queen (Music)|Queen]], particularly in the years after Freddie Mercury's passing, where their most famous works skyrocketed in popularity with their use in films, commercials, sports events and random internet [[Memetic Mutation|memes]]. The trope, however, most likely began to take effect as early as 1974 when "Killer Queen" started climbing the charts.
* [[Randy Newman (Music)|Randy Newman]] parodied this on his 1999 ode to over-the-hill rock stars, "I'm Dead (But I Don't Know It)."
* [[Red Hot Chili Peppers (Music)|Red Hot Chili Peppers]]' popularity became so high at the time of ''Stadium Arcadium'' and its singles overplayed that even they became exhausted by the fame, going on a 3 year hiatus after the tour finished. This caused their guitarist John Frusciante to leave the band for the second time, for exactly the same reason he left the first time (except that the previous time he was also a heroin addict).
* Regurgitator. The Australian band put out a song called "I Like Your Old Stuff Better Than Your New Stuff" parodying fan reaction to their album ''Unit'', which was seen by many as mainstreaming away a lot of the bands earlier originality.
* [[REM (Music)|REM]] fans felt this way about the band after they made the move to [[Warner Brothers]], and specifically in the wake of their surprise "Losing My Religion" hit.
* [[Rise Against (Music)|Rise Against]]. Many fans feel their first few albums were closer to hardcore punk, faster, and generally less melodic than their previous two. It doesn't help, then, that these were their two real 'mainstream' albums (though they had some success prior to them). While the subjects of the songs are much the same, older fans often feel that the albums are intentionally more accessible to non-punk fans.
* [[They Might Be Giants (Musicband)|They Might Be Giants]]. A lot of people found ''John Henry'', their first album with a full band, to be selling out. God only knows what these people think of the band's four (so far) children's albums.
* [[Tool (Music)|Tool]] produced an epic, [[Cluster F-Bomb]]-throwing response to this phenomenon with the song "Hooker With a Penis", where Maynard tells an [[Fan Dumb|OGT]] "Yeah, I sold out, fuck off."
{{quote| ''Well now I've got some/A-dvice for you, little buddy''<br />
''Before you point the finger/You should know that''<br />
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''I sold my soul to make a record/Dip shit''<br />
''And [[Punctuated for Emphasis|YOU. BOUGHT. OOOOOOONNNNNNNNNNEEEEEEEEEEEEEEEEEEEEEEEEEE]]!'' }}
* [[U 2 (Music)|U 2U2]]. Because of this trope, their fanbase is divided into two groups; pre-"Joshua Tree" and post "Joshua Tree".
* [[The Who (Music)|The Who]]. The band was always popular, but when they became international sensations with the release of ''Tommy'', fans of their earlier work thought they were becoming ''too'' popular. Not helped by the use of their songs in ''[[CSI (TV)|CSI]]''.
 
 
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* The game of baseball -- not so much any rise in popularity in itself, but the reason why it does. When home run and scoring numbers skyrocket, more people flock to the ballpark -- much to the chagrin of purists, who insist that "pitcher's duels" are the best type of games.
* Twenty20 cricket is far more popular than traditional Test cricket or even One Day Internationals, and thus many purists refer to it as "hit-and-giggle".
* Extreme sports in particular are targets of this. Skateboarding fans, for example, tend to complain to no end about the new fans that come with video games series like ''[[Tony Hawks Pro Skater (Video Game)|Tony Hawks Pro Skater]]''.
* Apparently if you are a Pittsburgh Penguins fan, you can't be a true pure fan because you only liked them when Crosby and Malkin came into the team. The same thing happened when Lemieux came over.
 
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== Tabletop Games ==
* Tabletop gaming itself. Every other thread is how *Insert tabletop game here* has "Sold out" and how [[They Changed It, Now It Sucks]], including lots and ''lots'' of [[Nostalgia Filter]].
* Every edition of ''[[Dungeons and Dragons (Tabletop Game)|Dungeons and Dragons]]'' ever, save the first.
** Possibly the original edition as well, as compared to [[Spiritual Predecessor|Chainmail]].
 
 
== Theater ==
* Playwrights have this happen to them also. With John Patrick Shanley, it's ''[[Doubt (Theatretheatre)|Doubt]]''. For David Lindsay-Abaire, it's Rabbit Hole. In both cases, that individual play is much more universally popular than any other play they're done so they're seen as selling out with them (to be fair, they're more family-friendly than their other works).
** Shanley had also written ''[[Moonstruck]]'' and ''[[We're Back! A Dinosaur's Story (Film)|Were Back a Dinosaurs Story]]''. The film adaptation of ''Doubt'' was ''Directed'' by him.
* ''[[Rent (Theatre)|Rent]]'' received this treatment with the movie version, as fans of the 3-hour stage musical (many of whom can sing it start to finish from memory) were annoyed that people were now allowed to experience the story in half the time. Never mind that it put the AIDS crisis back in the limelight for a while, after it had been relegated to "that disease that kills African people".
 
 
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* [[Expansion Pack|Expansion Packs]] and [[Downloadable Content]] in general. In its early days, the concept was well received as it added more content to their favorite game(s). However when the concept was brought mainstream, [[Vocal Minority|a few companies began to abuse the concept including hiding the DLC in the game to begin with and placing the content at exuberant prices]], leading to many gamers denouncing DLC as a whole. Of course not everyone uses DLC that way, but simply announcing DLC for a game can lead to a lot of [[Internet Backdraft]], even if your intentions are not as they see.
* This will occur pretty much every time a new console is released, regardless of how wildly popular the company was with its previous console.
** The [[Wii]] is a grand example of this. The Wii exploded in popularity with casual fans, causing the die hard [[Nintendo (Creator)|Nintendo]] fans to shun Nintendo for selling out to casual gamers.
* Certain genres and sub-genres tend to get dubbed as full of suck due to gaining massive popularity when certain series bring new fans to them. For instance:
** RPGs got this with the massive popularity of ''[[Final Fantasy (Franchise)|Final Fantasy]]'' and others like ''[[The Elder Scrolls (Video Game)|The Elder Scrolls]]'' and ''[[Mass Effect (Video Game)|Mass Effect]]''.
** Sandbox games got this after the massive success of titles like ''[[Grand Theft Auto III (Video Game)|Grand Theft Auto III]]'' and ''[[Minecraft (Video Game)|Minecraft]]'' got other developers to start making more of them.
** Shooter games got this with the massive popularity of games like ''[[Halo (Video Gameseries)|Halo]]'' and ''[[Call of Duty (Video Game)|Call of Duty]]'', and now some gamers are screaming for the death of the genre just because they got popular with the masses.
** It is expected for MOBA to go this route as [[Heroes of Newerth|more]] [[League of Legends|games]] get produced and become popular.
* Every time a game hits a million or so players, there's ''always'' a loud group of people who complain the game sucks because now there are so many "noobs" running around. When in all honesty, you'd think they would try to make the community stronger, instead of [[The Social Darwinist|trying to chase them out so they can remain a small club that brings less money or content in]]. It's also weird because you'd think people would ''want'' community-based games to be bigger given ''how'' community-dependent it is.
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== Specific ==
* [[Bungie]]; in their early days a Macintosh game developer, decided that their next title after their hit ''[[Pathways Intointo Darkness|PID]]'' was ''[[Marathon (Video Game)Trilogy|Marathon]]'' instead of a ''PID'' sequel, but after ''Marathon'', they made ''Marathon 2''. "Oh no, they've sold out!", said the fans. "No we haven't", said Bungie, later revealing work on the genre-founding Real Time Tactics game ''[[Myth]]''. Next, ''Marathon 2'' was ported to become Bungie's first non-Mac release. "Oh no, they've sold out!", the fans said again. "No we haven't", said Bungie, "We're still doing our own thing making innovative work" pointing to pioneering [[Beat'Em Up]]/[[Third-Person Shooter|shooter]] ''[[Oni]]'' and [[Wide Open Sandbox|Sandbox]] guerrilla warfare game ''[[Halo (Video Gameseries)|Halo]]''. After that, Microsoft bought them, and turned ''Halo'' into a [[Killer App]] for the original Xbox. "They've sold out!" screamed the fans, and Bungie responded "No, we haven't." After they were finished with the Halo series,'Bung split up with Microsoft to create a new ip and signed a deal that it will be published by [[Activision (Creator)|Activision]]. Of course the fans said "They've sold out!" and of course Bungie responded with "No, we haven't."
* Some ''[[Call of Duty (Video Game)|Call of Duty]]'' fans were not too pleased when the ''[[ModernCall Warfareof (VideoDuty: Game)Modern Warfare|Modern Warfare]]'' franchise was introduced and turned out to be a hit. Possibly aided by the recent changes of ''Modern Warfare 2'' including the lack of [[PC vs. Console|dedicated servers in the PC version]], the [[Downloadable Content]], and most importantly; the [[Executive Meddling]] between [[Activision (Creator)|Activision]] and Infinity Ward, leading to many of Infinity Ward's crew defecting to [[Electronic Arts]]. Go to a gaming forum (especially one with a lot of PC users) and ask them what the best entry in the series is. Chances are, the answer will be United Offensive or ''Call of Duty 2''. Woe be it to the poor newbie that actually likes the newer games.
** For that matter, try saying you like ''[[Call of Duty]]'' in ''general''. The first few games enjoyed [[Sacred Cow]] status; even ''[[ModernCall Warfareof (VideoDuty: Game)Modern Warfare|Modern Warfare]]'' did because it was different (and because a certain [[Zero Punctuation (Web Animation)|internet critic]] praised it). Then it started to become popular. Nowadays if you say anything positive about ''[[Call of Duty (Video Game)|Call of Duty]]'', you'll be lucky if you aren't murdered in your sleep.
* The ''[[Final Fantasy (Franchise)|Final Fantasy]]'' series tends to get a lot of this. Many fans love to claim how a particular entry "ruined" the series. ''[[Final Fantasy VII (Video Game)|Final Fantasy VII]]'' (for making the series too popular with the mainstream and making the characters in future games be more anime styled with big swords) and ''[[Final Fantasy X (Video Game)|Final Fantasy X]]'' (for introducing more frequent cut scenes and voice acting) tend to bear the bulk of it, but other games are not immune to these complaints; the series has been "ruined" about thirteen to sixteen times by now.
** Many RPG fans just plain hate ''[[Final Fantasy (Franchise)|Final Fantasy]]'' because their preferred series isn't selling as much. This inevitably leads to people like this complaining that the popularity of ''[[Final Fantasy (Franchise)|Final Fantasy]]'' is crowding out "better" games. Interestingly enough; this complaint is ''only'' lobbed at ''[[Final Fantasy (Franchise)|Final Fantasy]]'' games; and occasionally ''[[Halo (Video Gameseries)|Halo]]''; when any look through a gaming magazine can point out how many other games with big publishers or developers receive ''just'' as much advertising if not ''more'' than every game that [[Square Enix (Creator)|Square Enix]] and Bungie make. (''[[Dragon Quest IX (Video Game)|Dragon Quest IX]]'' only got such a budget because ''Nintendo'' published it outside of Japan.)
** With ''VII'', some argue that, with the additional installments to the story, the franchise is starting to plummet. They argue that the fun factor of the game is relinquished for the sake of pleasing the fanboys and fangirls, sacrificing the deep integrated storyline that made the original RPG such an amazing game for the sake of indulging in characters such as Sephiroth, Vincent, and Zack.
** ''[[Final Fantasy VIII (Video Game)|Final Fantasy VIII]]'' also got this treatment. With Part 7 starting to plummet in popularity, and crossovers such as ''Kingdom Hearts'' and ''Dissidia'', Part 8 has grown more in popularity, and just as soon as it did, the sudden hatedom with it. Possibly justified in that ''[[Final Fantasy VIII (Video Game)|Final Fantasy VIII]]'' was a very polarizing game even back in its prime, with [[Love It or Hate It|many praising it and many others considering it the worst in the series]].
*** ''[[Final Fantasy VIII (Video Game)|Final Fantasy VIII]]'' being unpopular or poorly received on a whole is a case of regional [[Fan Dumb]]. It did poorly in the North America and Europe because it confused players who were not aware that the games in the ''Final Fantasy'' series were not linked. Despite this, it has always been one of the best reviewed and highest selling games in the series. The ''Final Fantasy 8'' Hatedom was restricted to a fairly small, but very vocal segment of the fanbase.
** The ''[[Kingdom Hearts]]'' series is also getting people calling it "overrated" or worse without much explanation as to why other than its popularity.
* The ''[[Gears of War (Video Game)|Gears of War]]'' series has gotten popular enough to be alongside ''[[Halo]]'' as one of the "[[Killer App|faces]]" of the Xbox platform. Nevertheless, fans of previous [[Epic Games]] titles and [[Console Wars]] debaters don't really seem too pleased.
* ''[[League of Legends]]'' provides an example within a game: there are people in the community that intentionally play unpopular characters, and find to their dismay that their team members leave the queue or flame them all game long because they picked a "bad" champion. But when the character is eventually "discovered" by the mainstream and rises on the tier list, they proceed to complain bitterly about tier lists and flavours of the month, abandon the champion and find a new unpopular character to play. It is apparently considered a badge of honour to claim you liked [[Our Gargoyles Rock|Galio]] or [[Mind Over Matter|Irelia]] before they were popular. This is also expected to happen to [[Obvious Beta|Yorick]].
* Many RPG fans don't seem too pleased that the ''[[Mass Effect (Video Game)|Mass Effect]]'' series has become a hit, [[Action RPG|especially since they went towards a different game style]] [[They Changed It, Now It Sucks|than the "traditional" RPG]].
** [[Conversational Troping|Conversed]] by Shepard in ''[[Mass Effect 2 (Video Game)|Mass Effect 2]]'' during his/her conversation with Morinth. When asked about music:
{{quote| '''Shepard:''' If you've heard of it, it's already too mainstream for me.}}
* ''[[Minecraft (Video Game)|Minecraft]]'', now that Notch has received an interview in a popular PC magazine and been plugged on the ''[[Team Fortress 2 (Video Game)|Team Fortress 2]]'' blog, [http://www.minecraftforum.net/viewtopic.php?f=3&t=21336 some people] are calling the demise of the game. The cries of "Notch is a sellout!" became even more common among fans once he announced ''Minecraft'' would come to the [[Xbox 360]], which happened because of the game's huge success. To be fair, however, they appear to be a minority.
* ''[[Mother 3 (Video Game)|Mother 3]]'', now that the translation has finally been released and is receiving attention, there seem to be a lot of people who want to make clear to everyone that they always thought that the entire ''[[MOTHER]]'' series was overrated tripe.
* Nintendo. Any of their popular franchises like ''[[Pokémon]], [[Super Mario Bros.]], [[The Legend of Zelda]]'', etc. are always bashed as being "overrated" with very little explanation as to why.
* Pikachu, the [[Mascot]] of ''[[Pokémon]]'', gets this treatment. It wouldn't be nearly as [[Base Breaker|divisive]] if no one cared about it, would it?
* The ''[[Resident Evil]]'' series after the release of [[Resident Evil 4 (Video Game)|Part 4]]. The style change, while making the series more popular, has caused many fans of the series's original style to feel betrayed, cheated, and forgotten. The same fans that until ''Resident Evil 4'' was released were complaining that [[It's the Same, Now It Sucks|the series had grown repetitive and stagnant]].
* ''[[Shin Megami Tensei]]'' Would you believe that this series is starting to show signs of this? ''[[Persona 3 (Video Game)|Persona 3]]'' was well-received, bringing in newcomers to the series and thus making the entire ''[[Persona (Videovideo Gamegame)|Persona]]'' franchise eclipse the popularity of the main series. Which of course leads to people complaining that [[Atlus]] has "sold out", leaning more towards making their games tailored to the mainstream. Of course, complaints like this are tinged with a hint of irony, as the whole reason the ''Persona'' spinoff series was created in the first place was to make a ''[[Shin Megami Tensei|MegaTen]]'' game that was tailored to the mainstream. These complaints are intensifying with the popularity of ''[[Persona 4 (Video Game)|Persona 4]]'' and the upcoming PSP remake is similarly getting trashed for proof that Atlus is "selling out".
** ''[[Shin Megami Tensei III Nocturne (Video Game)|Nocturne]]'' is beginning to suffer from this, since it's the [[Sequel First|first main]] ''[[Shin Megami Tensei]]'' [[Sequel First|game to be released outside of Japan]] and hence more people have played this one than the original two. There is also a mix of [[Hype Backlash]], as many ''Shin Megami Tensei'' fans have proclaimed this one of the best games ever while deriding the popularity of other games. The trolling can be a headache.
* ''[[Space Channel 5]]'' has been getting this treatment ever since the announcement of the HD port of Part 2. Most of the internet has cried about Part 1 not coming out, even though [[Fan Dumb|Part 1 couldn't be released due to pre-rendered backgrounds and STILL look nice.]]
* The ''[[System Shock (Video Game)|System Shock]]'' series was beloved but never commercially successful. In 2007, ''[[Bioshock (Video Game)|Bioshock]]'', a [[Spiritual Successor]], was released, and actually managed to become successful, becoming a commercial success even while competing with giants like [[Halo 3]]. ''[[Bioshock (Video Game)|Bioshock]]'' was very much like ''[[System Shock (Video Game)|System Shock]] 2'' , unfortunately, a very similar plot <ref>although with the differences that [[SS 2]] is about the horror of being alone, while ''BioShock'' is about the horror of having zombies climbing all over the place. There are also some good points about Objectivism being made, but these tend to be glossed over.</ref> and a relatively clunky interface for the PC version as well (as well as the [[Copy Protection|DRM and technical issues]]) as well as a respawn mechanic that, unlike System Shocks, had no cost for use, removing any sense of difficulty. Guess what the ''[[System Shock (Video Game)|System Shock]]'' 2 fans focused on.
** ''SS2'''s other Spiritual Successor, ''[[Deus Ex (Video Game)|Deus Ex]]'', was lauded with universal acclaim. ''Its'' sequel had what was widely viewed as excessive consolization. Combined with the game's lessened scope, it created such a tidal wave of pure bile and hatred toward Warren Spector that he hasn't been seen since the next year's (much better received) ''Thief 3''.
* ''[[Tales of Symphonia (Video Game)|Tales of Symphonia]]'' is starting to get this treatment. Word of mouth (plus high exposure due to being a ''huge'' RPG on the RPG-starved Gamecube) led to it being a big seller and award-winner, and for the first time a lot of gamers outside of Japan started looking into the series. Fast-forward six or seven years and now the ''[[Tales Series(series)]]'' has a ''lot'' of embittered older fans who are mad that the newer games in the series are bigger sellers and more popular than the pre-Symphonia cult classics that were the [[Tales of Destiny (Video Game)|early]] [[Tales of Eternia (Video Game)|games]]. And it's all blamed on ''Symphonia'''s breakout popularity.<!-- Destiny and Eternia were the only ones in English prior to Symphonia, thus they're the only ones linked to due to this being an English-language site -->
* ''[[Touhou (Video Game)|Touhou]]'' has been getting this treatment since the PC games came out, arguably. Each successive release seems to garner louder hate, especially since the series creator almost continually adds [[Loads and Loads of Characters|new characters]] with each game instead of reusing the old, much more popular ones. When a news program highlighted a fan-made ''Touhou'' video. Nevermind that ''Touhou'' wasn't even ''mentioned'' (and in fact, the newspeople probably didn't even know that ''Touhou'' existed,) find a clip of that on [[YouTube]] and see how many people are complaining that ''Touhou'' is mainstream now, and thus is [[Ruined FOREVER|RUINED FOREVER!!1!]]
* ''[[The World Ends With You (Video Game)|The World Ends With You]]'' parodies this in its [[Extended Gameplay|bonus chapter]]. "I'll be off listening to bands you kids have never even heard of! And then... when they go major... I'll be there to complain about how they sold out!"
* Among the many haters of ''[[World of Warcraft]]'' are people who say that say because it is so popular, that it sucks. (That is, the people who [[Complaining About Shows You Don't Watch|have actually seen more than the box art.]]) Another large group of haters are people who complain that Blizzard has ruined the game by catering to the casual players, and believe the game was better back when raiding was still "hardcore". This is where it overcrosses with the [[Nostalgia Filter]]; since some of these same people were complaining about spending months getting their characters attuned. Typically, it's a ''very'' bad financial decision to have a game that locks out a good 75+% of its gamers from content and ''only'' cater to that ≤25% of the playerbase, since players typically ''quit'' when there's nothing for them. (Of course, if you're one of the [["Stop Having Fun!" Guys|elitists]], then that's what you want.) A large proportion of the time some people spend on message boards is taken up by claiming Blizzard's subscription figures are bogus and thus the game is not as popular as it is claimed to be, because xyzabcblahblahblah (insert personal bugbear or whatever here). Well-reasoned ''legal'' arguments with copious citations have not stopped this train of thought.
* This is starting to happen to ''[[Dragon Quest (Video Game)|Dragon Quest]]''. There are people who scoff at you if you played ''[[Dragon Quest V (Video Game)|Dragon Quest V]]'' and ''[[Dragon Quest VI (Video Game)|Dragon Quest VI]]'' via the DS versions, or heard of the series through ''[[Dragon Quest VIII (Video Game)|Dragon Quest VIII]]'' or more recently, ''[[Dragon Quest IX (Video Game)|Dragon Quest IX]]'' after the ''massive'' marketing campaign. However, it can be hard to tell how much of this overlaps with the typical [[Square Enix (Creator)|Square Enix]] [[Hate Dumb]] given how many people hate ''[[Dragon Quest (Video Game)|Dragon Quest]]'' because it's got the Square-Enix logo and not much reason why.
* ''[[The Elder Scrolls (Video Game)|The Elder Scrolls]]''. ''Arena'' wasn't that well-known. Daggerfall a little moreso, but still panned due to its [[Obvious Beta]] status...but accepted as [[True Art]] and granted "[[Sacred Cow|Immunity to Criticism]]". Then came ''[[The Elder Scrolls III Morrowind (Video Game)|Morrowind]]'', which was received very well critically ''and'' commercially, ''still'' being sold in its "game of the year" package ''eight years after its release''. Until about 2006, [[Ruined FOREVER|you were NOT allowed to like it]]. [[Fan Hater|At ALL]]. It was derided as pure derivative homogenous garbage, the symbol of everything bad with the gaming industry. What happened when ''[[The Elder Scrolls IV Oblivion (Video Game)|Oblivion]]'' came out years later, and likewise given "Game of the Year" awards all around? Mysteriously, the people who had nothing but hatred for ''Morrowind'' were nowhere to be found, having declared it a [[Sacred Cow]] and given it immunity to criticism.
** After the release of ''[[The Elder Scrolls V Skyrim (Video Game)|Skyrim]]'', several "Game of the Year" awards for it, and the spawn of several [[Memetic Mutation|memes]] from it, several older fans of ''[[The Elder Scrolls (Video Game)|The Elder Scrolls]]'' derided like they did with ''Morrowind'' and ''Oblivion.''
* ''[[Angry Birds (Video Game)|Angry Birds]]''. Mention it in a crowd of hardcore gamers, or mention that it's one of the best-selling games of all time and they'll go on some kind of rant about how it's a sign the gaming industry is in trouble, mentioning "Casual" games.
* ''[[Diablo]]''. So much that its [[Spiritual Successor]] ''[[Torchlight]]'', which isn't as popular, bears [[Immunity to Criticism]]...just because ''it's not Diablo''.
 
 
== Web Animation ==
* ''[[Red vs. Blue (Machinima)|Red vs. Blue]]'' mocked this trope in a [[Public Service Announcement|PSA]] about "Ten Things We've Never Seen Posted on an Internet Forum". The first being someone that liked a band before they were popular and being ''happy'' about it.
{{quote| '''Sarge:''' Now they've gotten so popular, we get to see them in huge arenas all over the country, and their songs are on the radio all the time. It's great! I'm really happy for them, and for all their success.}}
* Parodied in ''[[Homestar Runner (Web Animation)|Homestar Runner]]'' on the Strong Bad E-Mail "geddup noise". Strong Sad was a fan of The Geddup Noise until it became a cultural sensation, after which he takes to wearing shirts that say "This Is Not A The Geddup Noise T-Shirt" and calling The Geddup Noise a sell-out.
* [[Lampshade Hanging|Lampshaded]] by [[Zero Punctuation (Web Animation)|Yahtzee]] in his review of ''[[Amnesia: theThe Dark Descent (Video Game)|Amnesia the Dark Descent]]''.
{{quote| '''Yahtzee:''' ...and one should always support the independents... at least until they start making money, the soulless, sellout ''fucks''.}}
 
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== [[Web Comics]] ==
* Indie Pete of ''[[Diesel Sweeties]]'' is the extreme version of this trope -- indeed, he goes so far as to that he only liked bands "before they released any music". Playing on this theme, Richard Stevens also released a t-shirt design using a Venn diagram. On the left: "Music I Like". On the right: "Music You Like". In the overlap: "Music I Used To Like."
* ''[[Questionable Content (Webcomic)|Questionable Content]]'' discusses this as it relates to Indie bands, resulting in the [http://questionablecontent.net/view.php?comic=126 Theory of Hipster Relativity].
** And as it relates to [http://questionablecontent.net/view.php?comic=1278 tattoos]. At least Dora recognizes when she gets caught in it.
** Mentioned for a laugh in [http://questionablecontent.net/view.php?comic=653 #653], concerning Coffee of Doom itself.
** As a side note, QC itself has been hit with this, with people dissing it for being just a venue for selling t-shirts
* ''Dorm Dorks'' uses the trope [http://www.dormdorkscomic.com/2006/03/06/elitism-lives/ here].
* Mentioned in ''[[VG Cats (Webcomic)|VG Cats]]'' [http://www.vgcats.com/comics/?strip_id=280 #269] concerning the complete and total assha- er, "hardcore gamers".
* Wondermark gets in on the act [http://wondermark.com/262/ here].
* ''Brax the Alien Rocker'', [http://braxcomics.com/3-meet-manny here]:
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'''Brax:''' What?! Someone's heard of them, so you don't like them now?<br />
'''Manny:''' It's too late. You've ruined it. }}
* In [http://www.irregularwebcomic.net/2390.html this] ''[[Irregular Webcomic (Webcomic)|Irregular Webcomic]]'' strip, this is how Shakespeare feels about ''[[Harry Potter (Literaturenovel)|Harry Potter]]''.
* Calamities of Nature points out the irony of people [http://www.calamitiesofnature.com/archive/?c=344 not wanting their favorite artists to become successful] for fear this will mean they have sold out.
* [http://xkcd.com/460/ This] [[Xkcd (Webcomic)|Xkcd]] strip places an interesting spin on the trope; apparently, there's more than one reason why [[Somewhere a Palaeontologist Is Crying]].
* ''[[Weregeek (Webcomic)|Weregeek]]'' [http://www.weregeek.com/2010/11/05/ mentioned] goth community being [[Broken Base|split]] on the whole "[[Twilight (Literaturenovel)|now-popular]] vampires" issue, comparing it to hipsters.
* Arguably ''[[MS Paint Adventures (Webcomic)|MS Paint Adventures]]''. Originally there was a suggestion box where readers could suggest commands for the characters. At some point in ''[[Homestuck (Webcomic)|Homestuck]]'', the author closed the suggestion box because there were just too many entries...and he would have picked the one that would advance the story the way he wanted to anyway.
** The author also seems to be feeling this way with reader questions...[[Teasing Creator|though it's hard to tell if he's joking or not]].
** Such notions went out the window shortly thereafter, as Act 4 of ''Homestuck'' led to a gigantic influx of fans that had no idea the comic was about suggestion boxes, or indeed, about anything that is not troll romance.
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== Web Original ==
* This has been the reaction of some veteran members of ''[[Survival of the Fittest (Roleplay)|Survival of the Fittest]]'' following a surge of newcomers to the site.
* Quite a bit of forums were usually better before those "noobs" and "newbies" came in and ruined it all. This also includes any * Chans.
* You'll probably ''never'' hear anyone glad that their Roleplay chatroom hosts dozens of consistent members. This may be a [[Justified Trope]] -- but rarely; just because people might be upset by not being given an opportunity to join in a storyline without being told or players playing a private story out and not giving others who can contribute a chance to join in, as well as trying to get a story ''everyone'' is involved in going only for one person to suddenly go offline or afk and being forced to either wait for them or continuing without them.
* In the [[Vocaloid (Music)|Vocaloid]] fandom, wowaka and his songs have been experiencing this for a while, especially after one of his songs, World's End Dancehall, debuted at the top of the Vocaloid weekly rankings with an astronomical]] ''1.5 million'' points and stayed on top for two weeks straight (a rarity on the rankings).
** More commonly, Miku Hatsune suffers a lot of backlash purely for being too popular and "stealing the spotlight" from other Vocaloids. The tendency of the media to zero in on Miku rather than other Vocaloids hasn't helped matters.
* The general consensus on 4chan is that you can tell a [[Memetic Mutation|meme]] has run its course when it's mentioned by a news source. Most memes which the general public knows about ([[Chuck Norris]] facts, [[LOLcats]], [[Over Nine Thousand|OVER 9000]], [[Rickroll|Rickrolling]], [[All Your Base Are Belong to Us]]) inspire little but groan from the average poster. However, this is somewhat justified, since 1. Memes are basically jokes, and these people have seen the joke everywhere by this point, and 2. Memes are usually fads, and other media usually only find out about them long after the fad has run its course.
* Common among certain fans of [[That Guy With the Glasses (Website)|That Guy With theThe Glasses]]. While their concern is mainly with [[Fanfic|fanwriters]] focusing too much on the [[Hype Backlash|more popular reviewers]], they seem to forget that fandom is a hobby and people will [["Stop Having Fun!" Guys|write whatever they feel like writing]].
** Especially noteworthy should be Brad Jones, better known as [[The Cinema Snob (Web Video)|The Cinema Snob]]. When you read the comments on his own website, every once in a while there as someone who claims he was so much better and funnier before he joined the TGWTG-Crew, and that he should stop making crossovers with the other contributors, because they all suck. Various other members of the site can get this treatment as well.
** This is true for a butt-load of reviewers, really. But especially regarding [[The Angry Video Game Nerd (Web Video)|AVGN]], when even his OWN fans are exceptionally vicious towards him when it comes to almost anything they can imagine. The hilarious thing is though, that the fanbase itself can't even agree on why he sucks now without contradicting themselves. i.e: He curses too much, he doesn't curse enough, the videos are too short now, the videos are too long now, he milks the AVGN persona too much, he keeps making things other than AVGN, there's too many poop jokes, there's not as many poop jokes as there used to be. And 99% percent of them are unable to pin down any specific reason why his videos suck now, often within their own lists of criticism, and begging him to "not suck anymore" for exceptionally vague reasons (if reasons are ever listed).
 
 
== Western Animation ==
* ''[[Avatar: The Last Airbender (Animation)|Avatar: The Last Airbender]]'' got this treatment after it skyrocketed in popularity during its second and third seasons. [[The Last Airbender|The live action movie]] certainly doesn't help matters.
* ''[[Family Guy (Animation)|Family Guy]]'' got this treatment when it was [[Uncanceled]] in 2005.
* ''[[Metalocalypse (Animation)|Metalocalypse]]'' In-universe, this comes up in the very first episode, "The Curse of Dethklok", when the band plays the "Duncan Hills Coffee Jingle" a reporter asks, "Is Dethklok selling out?" to which Nathan denies and insists that they're just trying to make coffee metal because they want to make everything metal.
** Parodied in S2 Ep03, "Tributeklok". Dethklok is decried by fans when they refuse to play at a gig they won't make any money off of, and after they do an endorsement for chewing gum, a little boy spits in Nathan's face and calls them sellouts. The band members decide they need to get back in touch with their rock n roll roots which consists of joining their own tribute band and doing nothing that the successful Dethklok would do (not eating fancy food, only using amateur made fliers to advertise their shows, living in poor conditions). However, when they decide to play the gig that they refused to play before, (since it's the opposite of what they would do) the same little boy from earlier calls them sellouts again, saying the real Dethklok would never play it. Deciding it's a [[Unpleasable Fanbase|no win situation]] they decide to just go back to being wealthy and successful
* Some fans say they liked ''[[South Park]]'' better back during its early years [[Seinfeld Is Unfunny|when it was new and edgy]], and most kids [[Forbidden Fruit|had to watch the show in secret]] since their parents had [[Moral Guardians|banned it from the house]]. Now that it is [[Comedy Central]]'s highest rated show and widely popular, some people don't like it anymore.
** ''[[South Park (Animation)|South Park]]'' parodied this in Season 2 Episode 09, "Chef's Chocolate Salty Balls" which focused on film snobbery about independent films being better simply because of the "independent" label: "If you work in the entertainment industry, and you make money, you're a sellout."
** It was also parodied in Season 3's "[[Pokémon|Chinpokomon]]", where the parents thwart the plan of the Japanese toy sellers to brainwash the children with the titular [[Captain Ersatz|Chinpokomon]] toys by buying the toys themselves, hence making the kids think the toys now suck.
* In ''[[Sym-Bionic Titan (Animation)|Sym-Bionic Titan]]'' In-universe. Lance joins a band, then gets kicked off after his appearances draws a huge crowd.
* ''[[SpongeBob SquarePants (Animation)|SpongeBob SquarePants]]'' had this treatment as well. Due to its evergrowing popularity in the earlier seasons and the movie, they decided to create more episodes. The popularity might not be a good one, [[Seasonal Rot|since the newer episodes are labeled as being stale by many fans,]] although this is perhaps because the show has had a different director and production team since Season 4.
* Disney animation often gets this treatment due to its influence. Some, such as Ralph Bakshi, see Disney as only creating [[Follow the Leader]] tendencies amongst competitors which only discourages creativity.
** A lot of Disney movies from the animated canon get this effect; while some of the most obscure and less popular movies ([[The Black Cauldron]], [[Treasure Planet]].. although [[Home Onon the Range]] is a general exception) are praised wildly, Disney's most popular films ([[The Lion King]] is a prime example) suddenly get bashed for their unevenness and plot issues. It (happily) seems to be a decreasing trend.
* ''[[My Little Pony: Friendship Is Magic (Animation)|My Little Pony Friendship Is Magic]]'' got this treatment. The more rabid parts of the [[Hate Dumb]] accuses people who like the show as being either gay, autistic, a furry, a pedophile, or all of the above.
** Within the fandom itself, there are a number of first-wave Bronies who have withdrawn from the show since Season 2, because supposedly [[They Changed It, Now It Sucks]]. Good luck trying to find a specific example of ''what'' changed for the worse though, because the only one that comes up consistently is that Lauren Faust left the show.
 
 
== Other ==
* The [[TV Tropes (Wiki)]].
{{quote| Recursive trope!}}
** The hate seems to stem from our terms popping up in other places more frequently. But hey! We seem to be taking over the internet! Aren't you ''happy?''
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** And, to top it off, Ugandans think that the video is tasteless and would only invite foreign aggression empowered by foreign interests. [http://www.youtube.com/watch?v=rU_1jnrj5VI There were even riots during a screening of the movie in a Northern Ugandan town.]
** [http://www.guardian.co.uk/world/2012/mar/16/kony-2012-campaigner-detained Jason Russell's recent bizarre arrest doesn't help things for Invisible children either.]
* Every widely known social networking site ([[Face BookFacebook]], [[My Space]], [[Twitter]], etc.) '''''ever'''''. Specifically, for Facebook, the introduction of high school and regional networks was what [[Ruined FOREVER|ruined it FOREVER!]]
* One of the recurring mottoes of The Dreaded 4chan, for a surprisingly (or not so surprisingly) long time. You can imagine their reaction when the Macy's Thanksgiving Day Parade incorporated a [[Rickroll]].
** Also, mentioning anything related to Project Chanology (the Scientology protests) on most chan boards will now get you flamed, banned, and, possibly, your IP address posted.
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* A rare [[Justified Trope]] example: Beautiful secluded beaches. When only you and maybe a few friends know about the location of a secluded beach, its a wonderful thing but if the wrong people find out about it, before long the word spreads around and lots of people start visiting it which means that the formerly beautiful secluded beach turns into just another busy tourist trap.<br /><br />This is more to the fact that most beautiful, secluded beaches are fantastic surfing spots, mostly because you can get out onto some fantastic waves without having to worry about grommets and boogie boarders getting undearboard. Here in Australia, if you find yourself in a nice secluded spot with a decent swell, the unwritten rule is that you keep it between yourselves and the locals.<br /><br />At least along the Florida panhandle, there are quite a few spots owned by the state as "preserves" of sorts where nothing can be built except for the occasional public crapper. They're nearly always deserted, as the more obnoxious tourists tend to gravitate towards spots covered in souvenir shops and overpriced restaurants.
** Can also extend to camping locations. As Yogi Berra put it: "Nobody goes there anymore. It's too crowded."
* This attitude ''pervades'' the ''[[Fur Affinity]]'' forums, as well as the site itself. Mention any popular trend in the ''[[Furry Fandom]]'' and you'll have at ''least'' three responses on why it sucks or is a stupid trend. Mention any popular TV show or anime, and for every response praising the show, you'll see at least three trashing it. Mention artstyles, and, if it's popular, will immediately be decried by the fanbase. The ''Video Games'' forum is also pretty much ''exactly'' this trope through and through. Mention ''any'' game that is popular, and the responses will consist of trashing it, saying they don't get why it's fun, saying it's overrated, and naming an obscure/retro/independent video game that is "vastly superior" in just about every way, complete with [[Fan Hater|Fan Haters]] keeping all the fans of ''[[The Elder Scrolls (Video Game)|The Elder Scrolls]]'' and any game from Japan away from the forums.<br /><br />Furries in general tend to react this way to certain fursonas, due to the assumption that people choose them out of a misguided desire to be cool rather than because they really identify with them. This happens most often with wolves, foxes, and ''especially'' dragons.
* Two words: [[Bruce Campbell]]. Fans want him to be successful and more than a B-movie star, but at the same time they want to keep him all to themselves and hope he never gets that A-listing he deserves, because then a lot of what makes him cool will simply vanish and he'd be just another Hollywood star.
** As of 2012, his biggest role is one of the three leads of [[USA Network]]'s hit show ''[[Burn Notice]]''. His character is so popular he actually got his own spinoff movie. The fans don't seem to actually mind.
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* Using the Phillips CD-I games as a source for [[Youtube Poop]] has been frowned upon by the members of the [[You Chew]] community for years now, although some people are still able to make some funny videos using them.
* The Daewoo Lacetti (aka the [[Market-Based Title|Chevrolet Optra]] in the rest of the world (except Europe, where it's badged as the Daewoo/Chevrolet Lacetti, and Suzuki Forenza in North America, and [[Market-Based Title|Holden Barina]] in [[Land Down Under|Australia and New Zealand]].) was considered great at launch in 2002 (or late 2003, in the rest of the world, 2004 for North America), but by 2008 was considered to have lost its elite luxury image due to offering a basic 1.4-litre version, and going for the [[Lowest Common Denominator]] in equipment levels. However, motoring press and the public's opinion differed on this car. Now, with the new General Motors, it, and its successor, the Chevrolet Cruze are seen as a joke by some... but the [[Popularity Polynomial]] may come into play here. [[The Plan|some kind of plan maybe?]]
* One of Fametracker's main features was "The Fame Audit", a rather justified/averted form of this trope, where, [[Exactly What It Says Onon the Tin|as the title suggests]], the evaluated the relative merits and demerits of various pop-culture figures, both famous and somewhat under-the-radar, and would determine whether they were getting the appropriate amount of fame, and whether or not for the right reasons. Notable nods included a then-under-the-radar Jon Stewart from when he was only a year into hosting ''[[The Daily Show (TV)|The Daily Show]]'', where they determined that he deserved even more fame. Cut to the Re-Audit four years later when he was already quite famous, and they not only still loved him, but wanted his fame to continue to grow. ([FT] may be gone, but the former editors are still clearly pleased with his current fame.) In spite of the clear cases where they feel are low-talent (Sharon Stone and [[John Travolta (Creator)]]) or on the wane ([[Michael Jackson (Music)|Michael Jackson]] circa the 2002 audit) among other things, they are rather objective in their assessments, sometimes choosing to either leave well enough alone or suggest a bump up in fame for people they might otherwise be ambivalent about who are nonetheless unpretentious and enjoyable enough to deserve some sort of extended presence. Beyond that, they have recommended that stars they have liked stay at their exact same spot of fame lest they become too overexposed or pushed into overly high-profile projects (see: [[Will Ferrell]] and Steven Soderbergh via their audits), or consequently a bump down for said cases either already beyond that point ([[Stephen Colbert]]'s audit) or simply in need of going away in order to refocus (Lisa Kudrow and [[Edward Norton]]).
* This is common in the feminist blogosphere. From reading posts on feminist blogs, you would think that in order for any sort of media to be considered feminist it has to be made by an [[Twofer Token Minority|atheist bisexual multiracial polyamorist with cerebral palsy]] who is doing everything herself and does everything for free(because making money is bowing to the patriarchy!), and it has to only come on at local independent festivals.
** Or maybe it's just that privileged people oftentimes don't get the problems of marginalized groups right when making media.