Stanislaw Lem: Difference between revisions

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{{creator}}
[[File:Stanislaw Lem 2.jpg|thumb|300px|Stanislaw Lem in 1966]]
{{quote|''"These days no one ever reads anything. [[Viewers are Morons|If they read, they don't understand.]] If they read and understand - [[Viewers Are Goldfish|they forget immediately.]]."''|attributed to Lem in an interview}}
 
{{quote|''"[...] Lem is probably a composite committee rather than an individual, since he writes in several styles and sometimes reads foreign, to him, languages and sometimes does not [...]"''|[[Philip K. Dick]]'s [http://www.lem.pl/english/faq#P.K.Dick letter to FBI]}}
 
'''Stanisław Lem''' (12 September 1921 – 27 March 2006) was a Polish novelist, most credited for his [[Science Fiction]] writings. His works range from philosophical books and analyses to "tall tales", to light and [[Black Humor|darkly comic]] satire; and he enjoyed subverting many common genre tropes. He is one of the most recognized and respected Polish writers, as well as one of the most prolific science-fiction writers; and was named a Knight of the Order of the White Eagle.
 
[[Pungeon Master|He loved word-plays]], making up new words and divining the future of civilisation from them; it was one of the many ways in which he subjected plot to paradoxical associations rather than to the straight and narrowly reasonable prognoses. He was particularly fond of satirizing religion, technology, and human foibles; typically with a sharp and incisive wit. Later in his career, he grew increasingly critical of technology, particularly the Internet, which he considered little more than a gathering of idiots. Many of his works, both novels and short stories, feature the recurring character Ijon Tichy; an intelligent, accident-prone, adventurer who varies between being the [[Only Sane Man]], and an [[Unreliable Narrator]], occasionally veering into [[Parody Sue]].
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Lem had [[Sturgeon's Law|a low opinion of most of science fiction]], and thought that the existence of the [[Sci Fi Ghetto]] was justified, not because the genre is inherently worthless, but because the authors haven't used the possibilities in it. The only contemporary author he considered worthwhile was [[Philip K. Dick]]; Dick did not return his respect, but considered Lem's attacks on American science fiction to be unjustified and insulting. At the same time, he also became a target of Dick's increasing paranoia.<ref>It stemmed from a series of publishings of foreign science-fiction in communist Poland, signatured by Lem - Dick received payment, but in Polish złotys, which he couldn't exchange to dollars. He was already super paranoid, so it added fuel to the fire.</ref> Despite Lem's views, he was defended by [[Ursula K. Le Guin|Ursula LeGuin]] in his conflict with the Science Fiction and Fantasy Writers of America.
 
{{bibliography}}
=== His works include ===
* ''[[The Astronauts]]'' (Astronauci, 1951)
* ''Eden'' (1959)
* ''[[Return From the Stars]]'' (Powrót z gwiazd, 1961; trans. 1980)
* ''[[Solaris]]'' (1961)
* ''The Invincible'' (Niezwyciężony, 1964)
* ''Summa Technologiae'' (1964/67)
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* ''The Chain of Chance'' (Katar, 1975)
* ''Golem XIV'' (1981)
* ''[[Fiasco (novel)|Fiasco]]'' (Fiasko, 1986, trans. 1987)
* ''Peace on Earth'' (Pokój na Ziemi, 1987; transl. 1994)
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{{creatortropes}}
== His work includes examples of ==
 
* [[A Worldwide Punomenon]]: Quite a lot in his less serious works. Especially ''[[The Star Diaries]]''.
* [[Altum Videtur]]: more frequently in his non-fictional works. Arguably, that was less a personal trait of Lem than it was common for the educated Poles as a whole. Due the immense influence the [[Catholic Church]] and its liturgical language, Latin, had in Polish culture and history, literary Polish itself became heavily latinized, and it shows.
** He studied medicine in Lwów, although he did not finish the studies because he did not want to succumb to the party-mandated doctrine of Lysenkoism. The fact that medicine is the most prominent (if not only) field in which Latin is actually used, probably had its influence too.
* [[Author Tract]]: Some of the Ijon Tichy stories arguably qualify; but it's usually subtle and well-written.
* [[Batman Gambit]]: In ''The Star Diaries'' it's paired with a literal [[Paranoia Gambit]]. On an alien planet, [[AIA.I. Is a Crapshoot|an uber-computer creatively interprets its directives and turns most of the population into black disks]]. The survivors forbid him to kill any more people, thus he proposes that he will only do so with people who he is told to carry off. Guess what, in the next morning there a lot more disks...
* [[Black Comedy]]: A large part of the Ijon Tichy stories is darkly humourous satire.
* [[Casual Interstellar Travel]]: Exaggerated: Ijon Tichy once turned his rocket around and headed back several parsec because he had left his pocket knife in a spaceport cafeteria.<ref>Turns out it was in his pocket all along.</ref>
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** "It's comforting to know, when you think about it, that only man can be a bastard."
* [[Humans Are Cthulhu]]: ''Robot Tales'' treats humans like this.
* [[Humans Are Ugly]]: In ''[[The Cyberiad]]'', robots see humans (whom they call "palefaces") as the most disgusting creatures in the universe.
* [[Lost in Translation]]: Lem's love of puns and wordplay often make him a daunting task for a translator. For example his SF whodunnit ''Katar'' is translated into English as ''The Chain of Chance'', but is often dubbed ''The Cold'', from its Polish title. Unfortunately the Polish word "katar" ''does not'' mean "cold", it just means "runny nose": the hero didn't have a cold, but a hay fever ("katar sienny") -- which was an important plot point, but was lost on the translator.
* [[Mechanical Evolution]], [[Mechanical Lifeforms]]: ''The Invincible'' the most prominent example, though the latter trope is recurring in his work.
* [[Minovsky Physics]]:
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* [[Recycled in Space]]: He wrote several short stories that are fairy tales <small>IN SPACE! WITH ROBOTS!</small>
* [[Religious Robot]]: ''The Star Diaries'' has robot monks. They are aware that if they connected to a robot with all the facts on religion they would become atheists, so they choose not to connect to other robots out of religious principle.
* [[Riddle for the Ages]]: In ''[[Solaris]]'', why did the planet send the replicas of people? The main theme of the novel is that we can't find out, because humans can't comprehend a truly alien intelligence.
* [[Ridiculously-Human Robots]]: In ''[[The Cyberiad]]'', intentionally.
* [[Scenery Porn]]: The description of the spaceport given in ''[[Tales of Pirx the Pilot]]''.