Automoderated users, Autopatrolled users, Bureaucrats, Comment administrators, Confirmed users, Moderators, Rollbackers, Administrators
213,483
edits
m (Mass update links) |
m ({{cleanup}}) |
||
(4 intermediate revisions by 3 users not shown) | |||
Line 1:
{{
{{cleanup|Four of this page's six sections are blank.}}
Roughly 1,000 movies are produced in India every year. Of these, around 200 films are produced by [[Bollywood]] each year. Of course, few people outside of India are aware of this, and many foreigners [[Spotlight-Stealing Squad|assume that
== Kollywood and Tollywood ==
The [[Indian Languages|Tamil]] film industry is called "Kollywood". Whenever an actor/actress/singer/composer wants to make it big in any Indian film industry, they start here. Many iconic Hindi stars, from Aishwariya Rai to Kajol, debuted in Kollywood. Tollywood (the [[Indian Languages|Telugu]] film industry) produces more films per year than Hindi cinema, even though it is much less famous. Outside of Hindi Cinema, these two industries are the largest and most popular in India, and they share a lot: tropes, actors, composers, directors. Both are located in Southeastern India, and the majority of their audience is located in the same area. Indians who are unfamiliar with these industries often lump them together as 'Tamil' or 'South Indian' and associate them with political regionalism.
Indeed, whenever South India in general is brought up by North Indians among themselves they will, almost as a [[Verbal Tic]], then say "inna RRRRRAScaleh" (an exaggerated Tamil
These two film industries are today thought of as the [[Large Ham]] of Indian films, [[Up to Eleven|even by Bollywood standards.]] The films are unabashedly escapist. The heroes are always unapologetic [[Marty Stu|Stus]] of the [[God Mode Sue|highest order]]. The [[Love Interest]] (called a "heroine", even if she never does anything heroic) is usually a straight-up [[The Chick|chick]] and [[
What the mainstream of Kollywood and Tollywood have going for them is that they tend to be [[Rated "M" for Manly|more action-oriented than Bollywood and more on the "gritty" side.]] Where Bollywood is lots of romance with token action, South Indian movies are lots of action with [[Token Romance]]. Where Bollywood movies tend to focus on the wealthy, these movies are more likely to feature middle-class and working-class characters (partly because of political influences in the past). Also, they are usually very high-energy. The main reason that the stuey [[Action Hero]] is accepted is because the actors are required to be [[Boisterous Bruiser|entertaining and enthusiastic]] enough to pull off such overbearing roles. There are also pretty high standards set for music and choreography; the two most famous Indian [[Filmi Music|composers]] and the most famous [http://www.youtube.com/watch?v=sdyC1BrQd6g dancer/choreographer] are actually from Kollywood. Both industries are more experimental than Bollywood: they hire more new talent and are more likely to try new techniques in cinematography and special effects. [[Robot (
It might be easier for tropers to think of it [[Five-Man Band|this way]]: If Bollywood is like a [[Bishonen]] [[Hero]], then Kollywood is his [[Knight in Sour Armor|snarky]] [[Anti-Hero]] [[Lancer]] and Tollywood is the [[Hot-Blooded]] [[Big Guy]].
These film industries are also noteworthy for producing lots of politicians, ''à la'' [[Arnold Schwarzenegger|Schwarzenegger]]. The two biggest examples are M.G. Ramachandran (of Kollywood, often shortened to 'MGR') and N.T. Rama Rao (of Tollywood, shortened to 'NTR'). Both formed their own political parties and spun fanatical film [[Fandom
== Mollywood ==
Line 33 ⟶ 34:
{{reflist}}
[[Category:{{PAGENAME}}]]
[[Category:Useful Notes/India]]
|