The Prisoner: Difference between revisions

no edit summary
No edit summary
Line 7:
'''No.2:''' Information.
'''Prisoner:''' Whose side are you on?
'''No.2:''' That would be telling. We want information... information... information!
information... information!
'''Prisoner:''' You won't get it!
'''No.2:''' By hook or by crook... we will.
Line 18 ⟶ 17:
'''No.2:''' <nowiki>[</nowiki>[[Evil Laugh]] or Mocking Laugh, depending on the New No.2] }}
 
A celebrated 1967 British [[Science Fiction]] drama with [[Spy Drama]] elements, filmed in [[Wales|Portmeirion, Wales]] and produced by and starring [[Patrick McGoohan]]., '''''The seriesPrisoner''''' deals with the conflict between individuality and authority, told through an unnamed man's attempts to escape from a surreal [[Dystopia]]n penal colony. Almost uniquely (for a series of that era not based upon a novel), it had a distinct [[Story Arc]]. The episodes had no clear progression, but the series did have a distinct beginning, middle and end, capped off by the [[Grand Finale]] "Fall Out".
 
''[[The Prisoner]]'' is known for its obscure, confusing, yet intricate subtexts and plot twists, which culminated in the most notorious (and most beloved) [[Gainax Ending]] in British television history. Patrick McGoohan had almost complete creative control, a budget 40% larger than that of most other series, and ''no idea'' where the show was going from episode to episode. After what was broadcast as episode 11, the script editor, George Markstein, quit the series and was not replaced. Scripts and story ideas from that point on came from random people and places: a Western-themed episode was suggested by a video editor, and the infamous episode "The Girl Who Was Death" was an unused script from ''[[Danger Man]]'' (featuring characters, props and locations from said series). Finally, the series' infamous ending takes a turn for the surreal, fueled by McGoohan's wish to have "controversy, arguments, fights, discussions, people in anger waving fists in my face saying, ''how dare you?''". Let's just say the [[Gainax Ending]] could easily have been called the "Prisoner Ending" and leave it at that.
 
The characters:
Line 179 ⟶ 178:
* [[Salvage Pirates]]: episode "[http://tinyurl.com/4gj59w Many Happy Returns]". Number 6 escapes the Village on a raft and encounters a <s>fishing</s> gun-running boat whose crew steals his belongings. He ends up fighting them and eventually captures them.
* [[Sauna of Death]]: With Number 6 trapped inside. In "The Girl Who Was Death".
* [[Scenery Porn]]: The Village. [[wikipediahttps://en.wikivoyage.org/wiki/Portmeirion| You can always swing by for a stay]]...
* [[Shout-Out]] (in the series):
** In "The Girl Who Was Death," Number Six receives his orders in a manner mimicking that of Jim Phelps in ''[[Mission: Impossible (TV series)||Mission Impossible]]''.
Line 222 ⟶ 221:
** Alexis Kanner played Number 48, "The Kid", and an unmamed photographer in different episodes.
** Also Patrick Cargill, who played a British government official in "Many Happy Returns", and Number 2 in "Hammer into Anvil".
** Christopher Benjamin appears as different characters in "Arrival" and "The Girl Who Was Death", and in the latter actually reprises a character named Potter that he played in an episode of ''[[Danger Man]]"''.
** Colin Gordon appears as No. 2 in the episodes "A, B and C" and "The General" and aside from McKern is the only actor to play No. 2 more than once. However, given the nature of the series, there is actually a case to be made that Gordon is playing two ''different'' No. 2's, if one compares elements such as characterization. The one-off appearance of Village workers in "Arrival" who look exactly the same (possibly twins, possibly clones) is cited as possible evidence in support.
*** The Colin Gordon question may depend on which order you watch the episodes. If "A, B and C" is seen before "The General", as it was during the show's original run, they may be different. If that order is reversed, they appear to be the same character who goes from highly confident to desperate to avoid punishment for failure.