The White Album: Difference between revisions

Content added Content deleted
m (remove unneccessary quote box template)
m (Mass update links)
Line 26: Line 26:
** Hardcore Beatles fans are dying to get a hold of [[Missing Episode|the legendary 27 minute long version of "Helter Skelter"]].
** Hardcore Beatles fans are dying to get a hold of [[Missing Episode|the legendary 27 minute long version of "Helter Skelter"]].
** There's a reason Ringo shouts "I GOT ''BLISTERS'' ON MY ''FINGERS!''" at the end of the White Album version.
** There's a reason Ringo shouts "I GOT ''BLISTERS'' ON MY ''FINGERS!''" at the end of the White Album version.
* [[Everythings Better With Chocolate]]: "Savoy Truffle"
* [[Everything's Better With Chocolate]]: "Savoy Truffle"
* [[Evolving Music]]: "Revolution" and "Revolution 1", two very different takes on the same song.
* [[Evolving Music]]: "Revolution" and "Revolution 1", two very different takes on the same song.
* [[Fake Out Fade Out]]: "Helter Skelter", and too many times to count on "Revolution 9".
* [[Fake Out Fade Out]]: "Helter Skelter", and too many times to count on "Revolution 9".
Line 43: Line 43:
* [[Hidden Track]]: "Can You Take Me Back", the song fragment on Side 4 of the White Album (included at the end of "Cry Baby Cry" on modern CD tracks), which to this day doesn't even have an official title.
* [[Hidden Track]]: "Can You Take Me Back", the song fragment on Side 4 of the White Album (included at the end of "Cry Baby Cry" on modern CD tracks), which to this day doesn't even have an official title.
* [[Intercourse With You]]: "Why Don't We Do It In The Road?"
* [[Intercourse With You]]: "Why Don't We Do It In The Road?"
* [[Last Note Nightmare]]:
* [[Last-Note Nightmare]]:
** Particularly "Long, Long, Long".
** Particularly "Long, Long, Long".
** "Helter Skelter" is a different sort of [[Last Note Nightmare]], as it finishes with Ringo throwing his drumsticks across the room and ''screaming'' "'''I GOT BLISTERS ON MAH FINGERS!!'''" The version that wound up on the "White Album" was the 18th take of the day. That explains the blisters.
** "Helter Skelter" is a different sort of [[Last-Note Nightmare]], as it finishes with Ringo throwing his drumsticks across the room and ''screaming'' "'''I GOT BLISTERS ON MAH FINGERS!!'''" The version that wound up on the "White Album" was the 18th take of the day. That explains the blisters.
* [[Lighter and Softer]]: "Revolution 1", compared to the single version.
* [[Lighter and Softer]]: "Revolution 1", compared to the single version.
* [[Long Title]]: "Everybody's Got Something to Hide Except Me and [[Everythings Better With Monkeys|My Monkey]]"
* [[Long Title]]: "Everybody's Got Something to Hide Except Me and [[Everything's Better With Monkeys|My Monkey]]"
* [[Metal Scream]]:
* [[Metal Scream]]:
** "Revolution", "Helter Skelter"
** "Revolution", "Helter Skelter"
** The single, "Revolution", is a ''much'' faster and heavier (and louder) version of "Revolution 1". As Giles Martin said on the sleeve-notes for ''Love'', "even today it defines 'distortion'
** The single, "Revolution", is a ''much'' faster and heavier (and louder) version of "Revolution 1". As Giles Martin said on the sleeve-notes for ''Love'', "even today it defines 'distortion'
* [[Mind Screw]]:
* [[Mind Screw]]:
** "Revolution 9". While "Revolution 1" is a nice, slow, relatively tame rock song (especially compared to the harsher single), "Revolution 9" is eight minutes of pure, untapped, minimalist cacophony. A [[Last Note Nightmare]], that really is a nightmare, regardless if it's a whole song...
** "Revolution 9". While "Revolution 1" is a nice, slow, relatively tame rock song (especially compared to the harsher single), "Revolution 9" is eight minutes of pure, untapped, minimalist cacophony. A [[Last-Note Nightmare]], that really is a nightmare, regardless if it's a whole song...
** [[Broken Record|Number nine, number nine, number nine...]]
** [[Broken Record|Number nine, number nine, number nine...]]
* [[Minimalistic Cover Art]]: ''The Beatles'' is all white, save for the name of the album embossed onto it, and on some LP printings, a unique serial number stamped on it (going for a bit of irony in something so plain also being unique from every other copy of it). Ever since, fans have called it "The White Album".
* [[Minimalistic Cover Art]]: ''The Beatles'' is all white, save for the name of the album embossed onto it, and on some LP printings, a unique serial number stamped on it (going for a bit of irony in something so plain also being unique from every other copy of it). Ever since, fans have called it "The White Album".
* [[Missing Episode]]: The 27 minute version of "Helter Skelter".
* [[Missing Episode]]: The 27 minute version of "Helter Skelter".
* [[Mommas Boy]]: The titular character of "The Continuing Story of Bungalow Bill" is "the all-American bullet-headed Saxon mother's son." And behind that tough exterior, he really does rely on his mom's defense when people start to question him - hence why he always brings her along on hunting trips "in case of accidents."
* [[Momma's Boy]]: The titular character of "The Continuing Story of Bungalow Bill" is "the all-American bullet-headed Saxon mother's son." And behind that tough exterior, he really does rely on his mom's defense when people start to question him - hence why he always brings her along on hunting trips "in case of accidents."
* [[Murder Ballad]]: "Rocky Raccoon", "Piggies"
* [[Murder Ballad]]: "Rocky Raccoon", "Piggies"
* [[Obsession Song]]: "Julia".
* [[Obsession Song]]: "Julia".
* [[One Scene Wonder]]: [[Eric Clapton (Music)|Eric Clapton]] came to the studio at his friend George's request to play on "While My Guitar Gently Weeps". He delivered probably the best guitar solo to ever appear on a Beatles record.
* [[One-Scene Wonder]]: [[Eric Clapton (Music)|Eric Clapton]] came to the studio at his friend George's request to play on "While My Guitar Gently Weeps". He delivered probably the best guitar solo to ever appear on a Beatles record.
* [[One Woman Song]]: "Julia", "Sexy Sadie"
* [[One Woman Song]]: "Julia", "Sexy Sadie"
* [[Out of Clothes Experience]]: Alluded to in "Revolution 9." "If... you become naked."
* [[Out-of-Clothes Experience]]: Alluded to in "Revolution 9." "If... you become naked."
* [[The Parody]]/[[Affectionate Parody]]: The song "Back in the USSR" is both a parody of [[Chuck Berry (Music)|Chuck Berry]]'s "Back in the USA" and a decent imitation of [[The Beach Boys (Music)|The Beach Boys]]' distinctive "Surfing Sound".
* [[The Parody]]/[[Affectionate Parody]]: The song "Back in the USSR" is both a parody of [[Chuck Berry (Music)|Chuck Berry]]'s "Back in the USA" and a decent imitation of [[The Beach Boys (Music)|The Beach Boys]]' distinctive "Surfing Sound".
* [[Precision F Strike]]: "Piggies". "What they need's a ''damn'' good whacking." George's mother actually suggested the line.
* [[Precision F-Strike]]: "Piggies". "What they need's a ''damn'' good whacking." George's mother actually suggested the line.
* [[Protest Song]]: Subverted with "Revolution", a protest about protesters (and specifically those supportive of the Chinese Cultural Revolution, in John's "Chairman Mao" reference" - this may specifically refer to then-recent May '68 general strike and protests in France, where many student protesters marched holding up pictures of Chairman Mao).
* [[Protest Song]]: Subverted with "Revolution", a protest about protesters (and specifically those supportive of the Chinese Cultural Revolution, in John's "Chairman Mao" reference" - this may specifically refer to then-recent May '68 general strike and protests in France, where many student protesters marched holding up pictures of Chairman Mao).
* [[Punny Name]]: "Bungalow Bill" instead of "[[Buffalo Bill]]"
* [[Punny Name]]: "Bungalow Bill" instead of "[[Buffalo Bill]]"
Line 76: Line 76:
** The ending of "Long Long Long" is way scarier. A case of [[Throw It In]] helps, as a wine bottle placed on the Hammond organ's Leslie speaker began to shake when Paul hit a certain note. George added the wailing voice and Ringo threw in the ominous snare roll. It sounds like a coffin is closing at a funeral while the widow weeps.
** The ending of "Long Long Long" is way scarier. A case of [[Throw It In]] helps, as a wine bottle placed on the Hammond organ's Leslie speaker began to shake when Paul hit a certain note. George added the wailing voice and Ringo threw in the ominous snare roll. It sounds like a coffin is closing at a funeral while the widow weeps.
* [[Self Backing Vocalist]]: Paul on "I Will" and "Wild Honey Pie". John, who usually didn't do this, had a duet with himself (interpolating lines) on "Julia".
* [[Self Backing Vocalist]]: Paul on "I Will" and "Wild Honey Pie". John, who usually didn't do this, had a duet with himself (interpolating lines) on "Julia".
* [[Self Titled Album]]: ''The Beatles'', although pretty much everyone knows it better as "The White Album".
* [[Self-Titled Album]]: ''The Beatles'', although pretty much everyone knows it better as "The White Album".
* [[Shout Out]]:
* [[Shout Out]]:
** "Julia"--while it's about John's late mother, guess what the Japanese for [[Yoko Ono (Music)|"ocean child"]] is?
** "Julia"--while it's about John's late mother, guess what the Japanese for [[Yoko Ono (Music)|"ocean child"]] is?