Unfortunate Implications/Literature: Difference between revisions

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** Also Anton, the (gay) geneticist supergenius who, before he got his own shallow love interest, was extremely depressed. So in other words the book is outright stating that gay, mentally depressed people have to get married and get married to woman as opposed to, you know, going to a professional therapist.
** Also Anton, the (gay) geneticist supergenius who, before he got his own shallow love interest, was extremely depressed. So in other words the book is outright stating that gay, mentally depressed people have to get married and get married to woman as opposed to, you know, going to a professional therapist.
** It also doesn't help that, by the whole series' logic of "procreation makes you a better person", that a fertile rapist is more moral than a bachelor who helps people.
** It also doesn't help that, by the whole series' logic of "procreation makes you a better person", that a fertile rapist is more moral than a bachelor who helps people.
* A good argument can be made that [[HP Lovecraft]]'s entire body of work can be traced back to a combined fear of sex, foreigners, and [[Arson Murder and Jaywalking|seafood]]. All this made doubly ironic by the fact that his wife was ''Jewish''. His later work tones down the racism, and now our "genetically inferior" villains are just deformed or inbred.
* A good argument can be made that [[HP Lovecraft]]'s entire body of work can be traced back to a combined fear of sex, foreigners, and [[Arson, Murder, and Jaywalking|seafood]]. All this made doubly ironic by the fact that his wife was ''Jewish''. His later work tones down the racism, and now our "genetically inferior" villains are just deformed or inbred.
** Not all the unfortunate-ness of Lovecraft is implied. On more than one occasion he came right out and made statements showing a degree of racism shocking ''even for his era.'' A good (and shocking) example is this passage, the ''final twist'' of "Medusa's Coil" (ghostwritten for someone else, but it's his):
** Not all the unfortunate-ness of Lovecraft is implied. On more than one occasion he came right out and made statements showing a degree of racism shocking ''even for his era.'' A good (and shocking) example is this passage, the ''final twist'' of "Medusa's Coil" (ghostwritten for someone else, but it's his):
{{quote| "[She] was faintly, subtly, yet to the eyes of genius unmistakably the scion of Zimbabwe's most primal grovellers.... [T]hough in deceitfully slight proportion, Marceline was a negress."}}
{{quote| "[She] was faintly, subtly, yet to the eyes of genius unmistakably the scion of Zimbabwe's most primal grovellers.... [T]hough in deceitfully slight proportion, Marceline was a negress."}}
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* ''[[Sword of Truth]]'':
* ''[[Sword of Truth]]'':
** A [[Noble Savage]] tribe series are called "mud people", which is (evidently) racist slang for poor Mexicans. There is an innocent derivation in book: they themselves chose the name from their use of mud as camouflage, but, you know, that's why it's ''Unfortunate'' Implications: Goodkind probably had no intention of using racist language.
** A [[Noble Savage]] tribe series are called "mud people", which is (evidently) racist slang for poor Mexicans. There is an innocent derivation in book: they themselves chose the name from their use of mud as camouflage, but, you know, that's why it's ''Unfortunate'' Implications: Goodkind probably had no intention of using racist language.
** Also (giving the benefit of the doubt) Unfortunate: a Sword of Truth novel centres on a society in which there is a fair-haired phenotype of people who are treated as second class by the [[Space Jews|dark-haired overclass]]. The fair-haired ones accept their subjugation as atonement for the guilt of their ancestors for having committed horrible atrocities on a genocidal scale on the ancestors of the current overclass. It's later revealed to be [[Based On a Great Big Lie|a big lie]].
** Also (giving the benefit of the doubt) Unfortunate: a Sword of Truth novel centres on a society in which there is a fair-haired phenotype of people who are treated as second class by the [[Space Jews|dark-haired overclass]]. The fair-haired ones accept their subjugation as atonement for the guilt of their ancestors for having committed horrible atrocities on a genocidal scale on the ancestors of the current overclass. It's later revealed to be [[Based on a Great Big Lie|a big lie]].
* ''[[The Legend of Rah and The Muggles (Literature)|The Legend of Rah and The Muggles]]''. Not only does the intro casually drop the phrase "ethnically impure" in a book [[What Do You Mean Its for Kids|intended to be read by six-year-olds]], but the stunted, deformed eponymous creatures are supposed to have [[Hollywood Evolution|evolved]] from the various "ethnically impure" people left behind [[After the End]]. Not to mention the barely touched-upon [[After the End|inferred nuclear apocalypse]].
* ''[[The Legend of Rah and The Muggles (Literature)|The Legend of Rah and The Muggles]]''. Not only does the intro casually drop the phrase "ethnically impure" in a book [[What Do You Mean It's for Kids?|intended to be read by six-year-olds]], but the stunted, deformed eponymous creatures are supposed to have [[Hollywood Evolution|evolved]] from the various "ethnically impure" people left behind [[After the End]]. Not to mention the barely touched-upon [[After the End|inferred nuclear apocalypse]].
* [[Robert Heinlein]]:
* [[Robert Heinlein]]:
** He has been accused of racism a few times, which is doubly unfortunate since other stories have had explicit anti-racist themes, such as ''Tunnel in the Sky'', where the protagonist is implied to be black, confirmed by [[Word of God]].
** He has been accused of racism a few times, which is doubly unfortunate since other stories have had explicit anti-racist themes, such as ''Tunnel in the Sky'', where the protagonist is implied to be black, confirmed by [[Word of God]].
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* Even ''[[Stationery Voyagers]]'' has struggled to overcome issues with this, in spite only a few of its minisodes being published.
* Even ''[[Stationery Voyagers]]'' has struggled to overcome issues with this, in spite only a few of its minisodes being published.
** '''Gender''':
** '''Gender''':
*** Most female Voyagers [[Never a Self Made Woman|exist primarily as love interests for the male ones]]. While this doesn't stop them from actually doing constructive things, they feel incomplete without a man in the picture somewhere. Balanced only by the men feeling the same way about themselves. Liquidon is so reluctant to commit to a relationship [[Atonement Detective|because he fears he doesn't deserve one]].
*** Most female Voyagers [[Never a Self-Made Woman|exist primarily as love interests for the male ones]]. While this doesn't stop them from actually doing constructive things, they feel incomplete without a man in the picture somewhere. Balanced only by the men feeling the same way about themselves. Liquidon is so reluctant to commit to a relationship [[Atonement Detective|because he fears he doesn't deserve one]].
*** A lot of female characters have had family members brutally murdered in front of them. Some were even forced to watch. Men in the Voyager program typically enter because their families reject them for either [[Why Couldn't You Be Different|not being able to fit more mundane roles]] or for [[Have You Tried Not Being a Monster|getting turned into things against their will]]. So women are primarily motivated by deprivation and men are primarily motivated by rejection.
*** A lot of female characters have had family members brutally murdered in front of them. Some were even forced to watch. Men in the Voyager program typically enter because their families reject them for either [[Why Couldn't You Be Different?|not being able to fit more mundane roles]] or for [[Have You Tried Not Being a Monster?|getting turned into things against their will]]. So women are primarily motivated by deprivation and men are primarily motivated by rejection.
** '''Sexuality''':
** '''Sexuality''':
*** This series attempts to reconstruct the [[Depraved Homosexual]] and [[Depraved Bisexual]] tropes, accepting a lot of the criticisms those tropes have received. However, since the Crooked Rainbow are a bunch of [[World of Ham|rabid]] [[Always Chaotic Evil]] mobs who want to [[Disproportionate Retribution|kill the Voyagers]] just for [[Arson Murder and Jaywalking|refusing to endorse gay marriage]], it takes a lot of [[Fox News Liberal|Fox News Gays]] to keep the arguments balanced.
*** This series attempts to reconstruct the [[Depraved Homosexual]] and [[Depraved Bisexual]] tropes, accepting a lot of the criticisms those tropes have received. However, since the Crooked Rainbow are a bunch of [[World of Ham|rabid]] [[Always Chaotic Evil]] mobs who want to [[Disproportionate Retribution|kill the Voyagers]] just for [[Arson, Murder, and Jaywalking|refusing to endorse gay marriage]], it takes a lot of [[Fox News Liberal|Fox News Gays]] to keep the arguments balanced.
*** Which bears an even more unfortunate suggestion: That in the Voyagers' universe, being too fanatical about any social cause will automatically reduce you to thinking, speaking, and acting exactly like an Internet [[Troll]] [[New Media Are Evil|in your everyday life]].
*** Which bears an even more unfortunate suggestion: That in the Voyagers' universe, being too fanatical about any social cause will automatically reduce you to thinking, speaking, and acting exactly like an Internet [[Troll]] [[New Media Are Evil|in your everyday life]].
** '''Race''': Mantithians are only fully compatible with Mantithians sexually. Mosquatlons have dated them, but most attempts to have interspecies children end in failure. Whiteouts are likewise only compatible with other Whiteouts. Ooze Pens with Ooze Pens, etc. Meaning that sometimes, [[Family Unfriendly Aesop|segregation is good]]! Although, Pens and Pencils of varying subspecies can interbreed, with mixed results.
** '''Race''': Mantithians are only fully compatible with Mantithians sexually. Mosquatlons have dated them, but most attempts to have interspecies children end in failure. Whiteouts are likewise only compatible with other Whiteouts. Ooze Pens with Ooze Pens, etc. Meaning that sometimes, [[Family-Unfriendly Aesop|segregation is good]]! Although, Pens and Pencils of varying subspecies can interbreed, with mixed results.
* S.L. Viehl's [[Proud Warrior Race Guy|Jorenians]] are [[Mindlink Mates|monogamous]] (and invariably heterosexual) enough to make the [[Moral Guardians]] weep with shame. {{spoiler|In the second book of the ''[[Stardoc]]'' series, the vengeful Ktarka -- who's not allowed to marry, because she proposed to someone who turned out to already be engaged -- is [[Psycho Lesbian|making advances on the heroine]] in between attempts to destroy her.}} Another Jorenian character seems nearly as shocked at the fact that {{spoiler|Ktarka was putting the moves on another woman}} as at {{spoiler|the fact that she had ''already'' killed several characters and was ''planning'' on killing at least three more, one of them a ''[[Would Hurt a Child|little kid]]''}}. (Someone must have called Viehl on it: Later in the series, she {{spoiler|paired up the gay secondary character Hawk with a male Jorenian... and}} tossed in an [[Anvilicious]] [[Author Tract|message about how same-sex marriage is okay]].) And that's not even taking [[Rape Is Love|Duncan's]] [[Its Not Rape If You Enjoyed It|behavior]]—the [[Aliens Made Them Do It|various]] [[Raised By Orcs|karmic]] "[[Freudian Excuse|outs]]" he's [[Karma Houdini|given]] aside—into account.
* S.L. Viehl's [[Proud Warrior Race Guy|Jorenians]] are [[Mindlink Mates|monogamous]] (and invariably heterosexual) enough to make the [[Moral Guardians]] weep with shame. {{spoiler|In the second book of the ''[[Stardoc]]'' series, the vengeful Ktarka -- who's not allowed to marry, because she proposed to someone who turned out to already be engaged -- is [[Psycho Lesbian|making advances on the heroine]] in between attempts to destroy her.}} Another Jorenian character seems nearly as shocked at the fact that {{spoiler|Ktarka was putting the moves on another woman}} as at {{spoiler|the fact that she had ''already'' killed several characters and was ''planning'' on killing at least three more, one of them a ''[[Would Hurt a Child|little kid]]''}}. (Someone must have called Viehl on it: Later in the series, she {{spoiler|paired up the gay secondary character Hawk with a male Jorenian... and}} tossed in an [[Anvilicious]] [[Author Tract|message about how same-sex marriage is okay]].) And that's not even taking [[Rape Is Love|Duncan's]] [[It's Not Rape If You Enjoyed It|behavior]]—the [[Aliens Made Them Do It|various]] [[Raised By Orcs|karmic]] "[[Freudian Excuse|outs]]" he's [[Karma Houdini|given]] aside—into account.
* In ''[[Invisible Man (Literature)|Invisible Man]]'' by Ralph Ellison, ''everything'' is a [[Does This Remind You of Anything|symbol relating to an overall point about race relations]]. More than once a character who expresses a view different from Ellison's is revealed to be blind -- because they don't see the truth, get it? One can't help but wonder whether the book's ever been printed in Braille...
* In ''[[Invisible Man (Literature)|Invisible Man]]'' by Ralph Ellison, ''everything'' is a [[Does This Remind You of Anything?|symbol relating to an overall point about race relations]]. More than once a character who expresses a view different from Ellison's is revealed to be blind -- because they don't see the truth, get it? One can't help but wonder whether the book's ever been printed in Braille...
* TV series ''[[Red Dwarf (TV)|Red Dwarf]]'' releases a few tie-in novels. So far so good. First two are published as a single book in America. Also good. What's not good is that, in the cover illustration, the two black characters, Lister and the Cat, are replaced by a white guy and an actual cat, respectively...
* TV series ''[[Red Dwarf (TV)|Red Dwarf]]'' releases a few tie-in novels. So far so good. First two are published as a single book in America. Also good. What's not good is that, in the cover illustration, the two black characters, Lister and the Cat, are replaced by a white guy and an actual cat, respectively...
* ''[[His Dark Materials]]'':
* ''[[His Dark Materials]]'':
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** Possibly the best (worst?) part is that the Sheik ''knows'' it's a terribly unhealthy relationship, and even warns Diana he might not always be able to control his temper around her. (His exact words are "You will have a devil for a husband.") [[Sarcasm Mode|Nothing says love]] like warning your spouse you might remain an occasionally abusive cretin.
** Possibly the best (worst?) part is that the Sheik ''knows'' it's a terribly unhealthy relationship, and even warns Diana he might not always be able to control his temper around her. (His exact words are "You will have a devil for a husband.") [[Sarcasm Mode|Nothing says love]] like warning your spouse you might remain an occasionally abusive cretin.
* The vampires of ''[[The Hollows]]'' are ruled by their instincts to a great extent. In a stunning example of victim-blaming, after vamp Ivy attacks and almost kills protagonist Rachel in the first book she apologises and gives her advice on how not to activate those instincts again. Sure, it's vampires, they're not real, but it's uncomfortably close to the far-too-common belief that men are ruled by their instincts, and if they rape a woman, it's her fault for turning him on.
* The vampires of ''[[The Hollows]]'' are ruled by their instincts to a great extent. In a stunning example of victim-blaming, after vamp Ivy attacks and almost kills protagonist Rachel in the first book she apologises and gives her advice on how not to activate those instincts again. Sure, it's vampires, they're not real, but it's uncomfortably close to the far-too-common belief that men are ruled by their instincts, and if they rape a woman, it's her fault for turning him on.
* ''[[Literature/Fat White Vampire Blues|Fat White Vampire Blues]]'' has its share of this. The main premise of the first book appears to be that black vampires (whose very ''existence'' is treated as a bad thing; the fact that they're eeeevil drug dealers is secondary) are muscling in on the lily-white New Orleans vampire community. Nearly all of the (white) main characters (with whom we're presumably supposed to sympathize) come off as at least borderline racist (the eponymous [[Jerkass|protagonist]], who's essentially a less-articulate, bloodsucking [[A Confederacy of Dunces|Ignatius J. Reilly]], is not above [[What the Hell Hero|attempting to "recruit" white supremacists for a vampire army]]). And ''every'' black character is a [[Jive Turkey]] stereotype. It gains points back for the fact that the most sympathetic character in the book is a [[Wholesome Crossdresser|cross-dressing vampire]] who's opposed to the plan with the white supremacists {{spoiler|(he ends up thwarting it)}} and couldn't give two shits about whether or not there ''are'' black vampires, and then flipped on its head when {{spoiler|that the black woman that the protagonist killed for her blood at the beginning of the book was characterized as pretty much [[The Messiah]] later in the book, and finding this out prompts a [[My God What Have I Done]] from the protagonist, leading him to try and find a way to sustain himself without killing people.}} And the main villain is not so much evil because of his race as because of his [[Disproportionate Retribution]] against the main character for percieved racism.
* ''[[Literature/Fat White Vampire Blues|Fat White Vampire Blues]]'' has its share of this. The main premise of the first book appears to be that black vampires (whose very ''existence'' is treated as a bad thing; the fact that they're eeeevil drug dealers is secondary) are muscling in on the lily-white New Orleans vampire community. Nearly all of the (white) main characters (with whom we're presumably supposed to sympathize) come off as at least borderline racist (the eponymous [[Jerkass|protagonist]], who's essentially a less-articulate, bloodsucking [[A Confederacy of Dunces|Ignatius J. Reilly]], is not above [[What the Hell, Hero?|attempting to "recruit" white supremacists for a vampire army]]). And ''every'' black character is a [[Jive Turkey]] stereotype. It gains points back for the fact that the most sympathetic character in the book is a [[Wholesome Crossdresser|cross-dressing vampire]] who's opposed to the plan with the white supremacists {{spoiler|(he ends up thwarting it)}} and couldn't give two shits about whether or not there ''are'' black vampires, and then flipped on its head when {{spoiler|that the black woman that the protagonist killed for her blood at the beginning of the book was characterized as pretty much [[The Messiah]] later in the book, and finding this out prompts a [[My God, What Have I Done?]] from the protagonist, leading him to try and find a way to sustain himself without killing people.}} And the main villain is not so much evil because of his race as because of his [[Disproportionate Retribution]] against the main character for percieved racism.
* ''[[The House of Night]]'' novel "Marked" (2007) has some.
* ''[[The House of Night]]'' novel "Marked" (2007) has some.
** As soon as Aphrodite introduces herself, main character Zoey Redbird goes into a mental tirade on what kind of egomaniac would pick such a name. The name Aphrodite is relatively popular among modern Greeks and also the name of an Orthodox saint. It may be rendered Afroditi in modern English transliterations but the Greek spelling remains the same: Αφροδίτη. The disdainful reaction seems to condemn such use. (Of course, it's possible that Zoey wasn't aware of this.)
** As soon as Aphrodite introduces herself, main character Zoey Redbird goes into a mental tirade on what kind of egomaniac would pick such a name. The name Aphrodite is relatively popular among modern Greeks and also the name of an Orthodox saint. It may be rendered Afroditi in modern English transliterations but the Greek spelling remains the same: Αφροδίτη. The disdainful reaction seems to condemn such use. (Of course, it's possible that Zoey wasn't aware of this.)
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* Frank Herbert clearly had serious issues with homosexuality; [[Big Bad]] Baron Harkonnen in ''[[Dune]]'' is a [[Depraved Homosexual]] who even lusts after his own nephew, and even his henchman Piter is briefly said to have a vaguely feminine personality. Then ''The Dosadi Experiment'' features the omniscient narrator discussing how gay people make ideal suicide bombers, an aside that comes right the hell out of nowhere and [[Big Lipped Alligator Moment|never even has any impact on the plot]].
* Frank Herbert clearly had serious issues with homosexuality; [[Big Bad]] Baron Harkonnen in ''[[Dune]]'' is a [[Depraved Homosexual]] who even lusts after his own nephew, and even his henchman Piter is briefly said to have a vaguely feminine personality. Then ''The Dosadi Experiment'' features the omniscient narrator discussing how gay people make ideal suicide bombers, an aside that comes right the hell out of nowhere and [[Big Lipped Alligator Moment|never even has any impact on the plot]].
* ''[[Blubber]]'', by [[Judy Blume]]. Poor Linda gets mercilessly bullied and tries to [[Actual Pacifist|solve the problem by dialogue]], not by punching back. This attitude show her maturity and yet she is considered to be a weak person who deserves no compassion. Even when [[Designated Hero|Jill]] has learnt the hard way that being bullied hurts, she still seems to think that Linda somehow deserved what she got. Oh, and [[Complete Monster|Wendy]] [[Karma Houdini|got no punishment]].
* ''[[Blubber]]'', by [[Judy Blume]]. Poor Linda gets mercilessly bullied and tries to [[Actual Pacifist|solve the problem by dialogue]], not by punching back. This attitude show her maturity and yet she is considered to be a weak person who deserves no compassion. Even when [[Designated Hero|Jill]] has learnt the hard way that being bullied hurts, she still seems to think that Linda somehow deserved what she got. Oh, and [[Complete Monster|Wendy]] [[Karma Houdini|got no punishment]].
* William Golding, the author of ''[[Lord of the Flies]]'' didn't include female characters on the island, and explained this as being because he believed that women would have exerted a civilizing influence and prevented the boys' society from collapsing. Coupled with the book's [[Family Unfriendly Aesop|Family Unfriendly Aesops]] [[Hobbes Was Right|on the]] [[Humans Are Bastards|nature of humanity]], the book is saying that if women don't posses any political power, those evil and stupid men will ultimately destroy themselves, and their society. He also didn't include any adults for this reason except for the Navy ship that shows up at the end. ''[[The Simpsons]]'' episode "Das Bus" shows that the story can be easily adapted to include female characters, as well as being a case of [[Society Marches On]].
* William Golding, the author of ''[[Lord of the Flies]]'' didn't include female characters on the island, and explained this as being because he believed that women would have exerted a civilizing influence and prevented the boys' society from collapsing. Coupled with the book's [[Family-Unfriendly Aesop|Family Unfriendly Aesops]] [[Hobbes Was Right|on the]] [[Humans Are Bastards|nature of humanity]], the book is saying that if women don't posses any political power, those evil and stupid men will ultimately destroy themselves, and their society. He also didn't include any adults for this reason except for the Navy ship that shows up at the end. ''[[The Simpsons]]'' episode "Das Bus" shows that the story can be easily adapted to include female characters, as well as being a case of [[Society Marches On]].
* ''[[Forgotten Realms]]'':
* ''[[Forgotten Realms]]'':
** R.A. Salvatore's novel ''Gauntlgrym'' contains one of the first, if not ''the'' first openly bisexual character in the ''Forgotten Realms'' novels. The character, Dahlia Sin'felle, was the [[Rape As Backstory|victim of rape when she was a child]], is a sexual sadist, a serial killer, and a rapist in her own right.
** R.A. Salvatore's novel ''Gauntlgrym'' contains one of the first, if not ''the'' first openly bisexual character in the ''Forgotten Realms'' novels. The character, Dahlia Sin'felle, was the [[Rape As Backstory|victim of rape when she was a child]], is a sexual sadist, a serial killer, and a rapist in her own right.
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** On the topic of the harassment, at several points in the novel, Nora is told by the school guidance councilor that Patch is not safe to be around and that she highly recommends that Nora does not hang around Patch off school property or by herself. The advice is perfectly logical, given that Patch ''is'' scaring Nora with his behavior, but Nora instantly is suspicious of the advice. And then the end of the book {{spoiler|proves Nora's suspicions right, by having the councilor be a [[Clingy Jealous Girl]] who wants to drive her away from Patch}}.
** On the topic of the harassment, at several points in the novel, Nora is told by the school guidance councilor that Patch is not safe to be around and that she highly recommends that Nora does not hang around Patch off school property or by herself. The advice is perfectly logical, given that Patch ''is'' scaring Nora with his behavior, but Nora instantly is suspicious of the advice. And then the end of the book {{spoiler|proves Nora's suspicions right, by having the councilor be a [[Clingy Jealous Girl]] who wants to drive her away from Patch}}.
* ''[[The Sound and The Fury]]'', written by [[William Faulkner]], is so loaded with [[Unfortunate Implications]] that it is hard to figure out where to start. The book takes place in the [[Deep South]] in the early 1900s (we have a warning sign here, folks). One theme prevalent throughout the book is the trope [[Women Are Wiser]], because Caddy is the true protagonist of the story (so [[Word of God]] says), and that she is on higher moral ground than her brothers and the men around her will ever be. There is the African-American cook, Dilsey, who is a [[Magical Negro]]. There is the [[My Girl Is Not a Slut]] trope in Quentin's backstory, where he claimed to have engaged in incest with Caddy. He lied, because he was trying to protect her and get his parents to think that she was not sleeping around. Yes, the Compsons actually think that pre-marital sex is worse than incest! Benjamin has severe autism and is treated like he is inferior and subhuman. In fact, it seems that the entire point of Benjamin is that [[Dumb Is Good]]. Benjamin seems to be the only Compson who can get along just fine with the African-American servants. What kind of message does that send? That only dumb Caucasians can have civil, healthy interactions with African-American people. [[Sarcasm Mode|Nice]].
* ''[[The Sound and The Fury]]'', written by [[William Faulkner]], is so loaded with [[Unfortunate Implications]] that it is hard to figure out where to start. The book takes place in the [[Deep South]] in the early 1900s (we have a warning sign here, folks). One theme prevalent throughout the book is the trope [[Women Are Wiser]], because Caddy is the true protagonist of the story (so [[Word of God]] says), and that she is on higher moral ground than her brothers and the men around her will ever be. There is the African-American cook, Dilsey, who is a [[Magical Negro]]. There is the [[My Girl Is Not a Slut]] trope in Quentin's backstory, where he claimed to have engaged in incest with Caddy. He lied, because he was trying to protect her and get his parents to think that she was not sleeping around. Yes, the Compsons actually think that pre-marital sex is worse than incest! Benjamin has severe autism and is treated like he is inferior and subhuman. In fact, it seems that the entire point of Benjamin is that [[Dumb Is Good]]. Benjamin seems to be the only Compson who can get along just fine with the African-American servants. What kind of message does that send? That only dumb Caucasians can have civil, healthy interactions with African-American people. [[Sarcasm Mode|Nice]].
* ''[[The Kane Chronicles]]'' has two protagonists. A [[Brother Sister Team]] who discover that the Egyptians myths are true. The US covers show both siblings in an appropriate environment. The UK covers show the male protagonist fighting a monster while his sister is completely absent from the cover.
* ''[[The Kane Chronicles]]'' has two protagonists. A [[Brother-Sister Team]] who discover that the Egyptians myths are true. The US covers show both siblings in an appropriate environment. The UK covers show the male protagonist fighting a monster while his sister is completely absent from the cover.
* ''[[Spy High]]'' kills off Chinese-American Jennifer in the third book, and [[Suspiciously Similar Substitute|replaces]] her with Bex, a white girl. Also serves to make Cally the [[Token Minority]] since she is the only non-white team member after this.
* ''[[Spy High]]'' kills off Chinese-American Jennifer in the third book, and [[Suspiciously Similar Substitute|replaces]] her with Bex, a white girl. Also serves to make Cally the [[Token Minority]] since she is the only non-white team member after this.
* ''[[Skulduggery Pleasant (Literature)|Skulduggery Pleasant]]'' has the threat of The Americans coming in and "helping out" the Irish magical community when they show weakness, and never leaving. While this could be based on common fears/stereotype of [[White Mans Burden|American Imperialism]], one of the two American characters in the series is Billy-Ray Sanguine, a Texan with a stereotypical accent, who just happens to be a complete sociopath who works for the highest bidder. His dad, Dreylan Scarab<ref>who is hinted to have been released by the Americans early in order to cause a crisis among the Irish</ref>, is even worse, and tries to {{spoiler|blow up an entire stadium with tens of thousands of people in it to break [[The Masquerade]].}} Just for comparison, Sanguine's counterpart, Tesseract, is a massive, stoic Russian assassin with a twisted sense of honor, and, as we find out in the end of the Mortal Coil, {{spoiler|he [[Pet the Dog|has a cat]].}} Sanguine and Scarab have ''no'' redeeming qualities whatsoever.
* ''[[Skulduggery Pleasant (Literature)|Skulduggery Pleasant]]'' has the threat of The Americans coming in and "helping out" the Irish magical community when they show weakness, and never leaving. While this could be based on common fears/stereotype of [[White Mans Burden|American Imperialism]], one of the two American characters in the series is Billy-Ray Sanguine, a Texan with a stereotypical accent, who just happens to be a complete sociopath who works for the highest bidder. His dad, Dreylan Scarab<ref>who is hinted to have been released by the Americans early in order to cause a crisis among the Irish</ref>, is even worse, and tries to {{spoiler|blow up an entire stadium with tens of thousands of people in it to break [[The Masquerade]].}} Just for comparison, Sanguine's counterpart, Tesseract, is a massive, stoic Russian assassin with a twisted sense of honor, and, as we find out in the end of the Mortal Coil, {{spoiler|he [[Pet the Dog|has a cat]].}} Sanguine and Scarab have ''no'' redeeming qualities whatsoever.