War Is Hell: Difference between revisions

deleted duplicate Honor Harrington example, potholes, paragraphing, markup, spelling. Post-Jason cleanup: markup, punctuation
No edit summary
(deleted duplicate Honor Harrington example, potholes, paragraphing, markup, spelling. Post-Jason cleanup: markup, punctuation)
Line 90:
* ''[[Amazons Attack]]'' tries this. Ends up being one huge [[Face Palm]].
* ''[[Transformers: Last Stand of the Wreckers]]'' runs on this trope, as a [[Deconstruction]] of a franchise that usually takes a [[Rule of Cool]] approach to its central [[Civil War]] theme.
 
 
== Fan Works ==
* ''[[Tiberium Wars]]'' is pretty much wall-to-wall examples of this, with graphic, savage, and brutal descriptions of soldiers being shot, stabbed, burned, and vaporized. And that's before we get to how completely nasty the battlefields are; one chapter has a group of Nod soldiers slogging through raw sewage, with one soldier getting it ''in a fresh bullet wound.'' In one of the latest chapters, we get to see the effects of a full armored assault with {{spoiler|Mammoth Tanks}} from the perspective of the receiving end. Its about as brutally terrifying as one can imagine. In Chapter Seventeen, a Nod officer {{spoiler|executes his own wounded}} to keep them from falling into enemy hands, because he believes they will be tortured and killed. Three weeks into the war, GDI has managed to fill ''a stadium'' with ''three hundred thousand body bags.''
* ''[[Dumbledore's Army and the Year of Darkness|Dumbledores Army and The Year of Darkness]]'' is another prime example, depicting the horrific ordeal the members of the eponymous insurgency go through to keep the darkness at bay as best they could, culminating in a final battle (the Battle of Hogwarts from [[Harry Potter/Harry Potter and the Deathly Hallows|the book]], retold from their perspective) in which {{spoiler|[[Kill'Em All|almost everyone dies.]]}}
* ''[[Warhammer 40000 Trouble]]'' brought it to the [[Refuge in Audacity]] level with random nuclear strike killed people 8 times larger than the [[Alien Invasion]] themselves, only reason that keep [[La Résistance]] still able to fight is because of [[The Power of Trust]], [[With Great Power Comes Great Insanity|the rest is insane]] or [[Dying Like Animals|die]]
* ''[[Poke Wars|The Poké Wars]]'' is also packed with examples of this trope. The effects of the supercharged Pokemon attacks are described in graphic detail, as well as the feelings of the victim if it's still alive after the hit. The characters' reactions to the more trauma-inducing happenings are just as vividly written.
{{quote|Skitty screamed both from the pain of the impact and the indescribable agony that arose from the corrupted blood that coursed through her veins, destroying everything they touched. She fought through the pain, struggling to get up before anything could take advantage of her vulnerable state. She tried to get up only to have her legs buckle. Her strength left her as the Ariados venom in her blood began to slowly digest her organs.
 
 
She [Solidad] opened her eyes; the scene of her Lapras dying still replayed over and over again in her mind. No matter what she did, she could not erase the sight of Lapras's eyes bursting and her skin scorching as thousands of volts surged through her body, burning her alive. }}
* ''[[The TSAB - Acturus War|The TSAB Acturus War]]'' has some of this, but it's not a key focus.
* ''[[Winter War]]''. Aizen won, Gin [[Tyrant Takes the Helm|has control of Seireitei]], and the few surviving shinigami form a very weak [[La Résistance|Resistance]]... those that Aizen hasn't captured and [[Fate Worse Than Death|experimented on]]. The survivors have had to abandon most of their pre-war honor codes- they've given up on the one-on-one duels that they insist on in ''[[Bleach]]'' canon, and when a minor character begins [[Deadly Doctor|using healing kidou to kill in very messy ways]] the characters let him, even though in peacetime they would be horrified. The fic is not shy about the physical and mental costs of fighting a war, either. {{spoiler|[[Reverse Mole]]}} Hisagi in particular is well on his way to being a [[Shell-Shocked Veteran]], despite the war not being over.
** There's also the fact that the shinigami aren't able/willing to do their jobs of keeping souls in balance and sending the dead from the human world to Soul Society. This means that the entire structure - Soul Society, the human world and the Hollow world of Hueco Mundo - is in danger of collapsing in the not-too distant future. So even if the war goes in favour of the increasingly damaged Resistance, it could yet be for nothing.
* The ''[[Avatar: The Last Airbender]]'s' fanfic ''[[Embers]]'' explores this trope even more than orginaloriginal cartoon. It's clearly shown what losing their loved ones and costantconstant fight for survival does to characters, especially [[Child Soldiers]]. Zuko has more issusesissues than just being extremlyextremely paranoid, Katara snaps after years of represingrepressing herself emotionally over lose of her mother and getting [[Promotion to Parent]], Aang lives in denial and it's only thing protecting him from the same fate. Two well-ajustedadjusted characters in a main cast seem to be Toph and Sokka, but considering theme of this fics their issues are yet to be shown.
 
 
== Films ==
Line 153 ⟶ 149:
* ''[[The Patriot]]'': Benjamin Martin helps win the war but his home is destroyed, two of his sons are dead and the other two are forced to kill at a young age, irreversibly changing them both (one is scarred for life, the other likes it too much).
* In ''[[A Very Long Engagement]]'' a young, cheerful man is conscripted from his simple and happy country life to fight in [[World War I]]. After seeing too much misery he decides to self-mutilate in an attempt to get sent home, but his superior won't allow it, and ''his'' superior [[Complete Monster|tears up the pardon]]. So he's sent in the no-man's area between the two warring factions, gets shot up and ends up so traumatized he loses his memory. The whole film is interspersed with brutally realistic scenes intended to depict the hell of war even more powerfully.
 
 
== Literature ==
* ''[[Belisarius Series]]'': The title character knows perfectly well that no matter how skillful a general he is and how well he fends off Malwa tyranny large numbers of his enemies are innocent conscripts who will die miserably far from home, and that wherever any army marches including his own it leaves famine behind it. That is not to mention atrocities which he has to resort to ruthless terror if he intends to prevent his men from indulging in.
* ''Goodbye To All That'': Extraordinary wartime physical hardship. Constant exposure to danger and death. An unbridgeable gap between the experience of those on the front line and those on the home front
* ''[[All Quiet on the Western Front]]'': The enemy that a soldier kills and maims are not faceless targets but people very much like himself.
Line 166 ⟶ 161:
* ''Three Day Road'' by Joseph Boyden: Native Canadian snipers in World War I. A fairly innocent young man snaps completely under the impact of the war and commits war atrocities. Graphic and nihilistic.
* John Marsden's ''Tomorrow, When The War Began'' series featuring a group of teenagers who become guerrilla fighters when Australia is invaded by an unspecified foreign power.
* [[Madeleine L'Engle]]'s ''[[A Swiftly Tilting Planet]]'' features a shellshockedshell-shocked veteran of the Civil War, Union side. It takes him months to open up even to his twin brother, and he never gets over the experience fully. (Includes a more literal [[And I Must Scream]] than usual: "I saw a man with his face blown off and no mouth to scream with, and yet he screamed and screamed and could not die.") The entire book is spent averting a worldwide nuclear war, so this trope is kind of necessary.
* The ''[[Flashman]]'' series tends to lean this way, which is unsurprising given the setting. Flashy lives through some of the most terrible campaigns of his era including the retreat from Kabul and the Sepoy Mutiny, and in most cases he only survives because he is a lucky, cowardly, lucky, conniving, lucky, bastard.
* A brief, haunting moment in Lois Lowry's ''[[The Giver]]'' is when Jonas is given the memory of a young man dying in combat - and when we say young, we mean no older than [[Child Soldiers|thirteen]]. [[Utopia Justifies the Means]], indeed...
Line 197 ⟶ 192:
* This is one of the main themes in [[Andrey Livadny]]'s ''[[The History of the Galaxy]]'' books, especially the books that take place during the First Galactic War, a 30-year bloodbath started when the dictator-ruled [[The Empire|Earth Alliance]] destroys the Dabog colony as a lesson to the other Free Colonies, sparking [[The War Of Earthy Aggression]] that eventually resulted in the total defeat of Earth and the establishment of the [[The Federation|Confederacy of Suns]]. Since the novels are focused on characters, we get to experience the full extent of the horrors of war, especially, as the author calls it, the "technogenic" war, in which rapid technological progress has resulted in more ways to wipe out your fellow man than one can count. The full extent can be seen in novels featuring [[Humongous Mecha]] fights (of the [[Real Robot Genre|Real Robot]] kind). The novel ''Serv-batallion'' as it shows a group of teens from Earth being conscripted to fight a war they don't support and, essentially, sacrified by their commanding officer in order to get a Colonial [[Wave Motion Gun]]. Other novels involve war vets trying to adjust to living in a post-war galaxy.
* Almost any ''[[StarCraft]]'' novel where the main characters are soldiers will have this as one of its themes. The notable examples are ''Speed of Darkness'' (in which a forcibly-conscripted Confederate marine takes part in one of the first engagements with the Zerg) and ''Heaven's Devils'', featuring Jim Raynor as a fresh Confederate recruit who bought into the [[War Is Glorious]] propaganda before finding out for himself that it's far from it. The latter case actually takes place ''before'' the game's storyline and features the war between the Confederacy of Man and the Kel-Morian Combine, with both governments being full of corruption and greed. There is plenty of both heroic and senseless deaths (such as one of the main characters' [[Love Interest]] being suddenly shot [[Eye Scream|through the eye]] by a sniper).
* Similarly and even more the case for being unfortunately [[Truth In Television]], ''[[The Winds of War and War and Remembrance]]'' does indeed regard war as horrific, but not without [[Screw the War, We're Partying|some]], [[Band of Brothers|compensations.]] By contrast the totally non-military behavior of Nazis who wear [[Bling of War]] but [[Miles Gloriosus|do nothing more belligerent]] than bully slaves around is far worse. Danger and hardship are shown from war. Concentration camps emphasize humiliation and helplessness as well. There is no question that the author thinks tyranny pushed to an extreme degree is even worse than war.
* In [[Honor Harrington]] the main characters are intensely burdened by the death they have weighing on them which is up to the millions by the end of the war and much of it is brought on by mistakes or corruptions in high power. The descriptions of even the more-or-less [[Let's Fight Like Gentlemen|honorable]] fighting between the Royal Manticoran Navy and the Havenite Navy(when it is not being overruled by political ideologues) are just less horrific then the descriptions of the non-millitary doings of villains like Masada, or Mesa or StateSec. The theme seems to be War is Hell but Tyranny is worse hell.
* Similarly and even more the case for being unfortunately [[Truth In Television]] [[The Winds of War and War and Remembrance]] does indeed regard war as horrific, but not without [[Screw the War, We're Partying|some]], [[Band of Brothers|compensations.]] By contrast the totally non-military behavior of Nazis who wear [[Bling of War]] but [[Miles Gloriosus|do nothing more belligerent]] than bully slaves around is far worse. Danger and hardship are shown from war. Concentration camps emphasize humiliation and helplessness as well. There is no question that the author thinks tyranny pushed to an extreme degree is even worse than war.
 
== Live Action TV ==
Line 207 ⟶ 201:
{{quote|"War is hell, Wally Gator, isn't it? We know about hell and we know about war, right?"}}
** It should be noted, he was talking to ''a baby crocodile.'' And he ''still'' managed to make it sound deep. [[Dwight Schultz]] is just ''that'' awesome!
* ''[[M*A*S*H (television)|MashM*A*S*H]]'' portrayed generals as bloodthirsty buffoons and emphasised the enemy soldiers' humanity. The military medical setting is ideal for exploring what modern weapons do to human bodies. The doctors themselves are not at home providing medical care, they are overseas working themselves into the ground patching up an endless line of casualties. The doctors at times serve as mouthpieces for the author's and actor's anti-war views. Hawkeye: "War isn't hell, war is war and hell is hell, and of the two, war is worse." "Why is that?" "...In Hell there are no innocent bystanders." <ref>Barring Persephone, naturally.</ref> For instance, when a military bomber pilot comes to the camp after being shot down, he brags at [[War Is Glorious|the great time he's having for his term of service]]. Hawkeye, disgusted at this attitude, invites him to help out during a rush of wounded, which included civilians wounded in a bombing. The pilot is profoundly shaken at the end of the session and Hawkeye apologizes for putting him through that, but there was no damn way he was going to let him return to his duties without learning the consequences of war.
 
The doctors at times serve as mouthpieces for the author's and actor's anti-war views. Hawkeye: "War isn't hell, war is war and hell is hell, and of the two, war is worse." "Why is that?" "...In Hell there are no innocent bystanders." <ref>Barring Persephone, naturally.</ref> For instance, when a military bomber pilot comes to the camp after being shot down, he brags at [[War Is Glorious|the great time he's having for his term of service]]. Hawkeye, disgusted at this attitude, invites him to help out during a rush of wounded, which included civilians wounded in a bombing. The pilot is profoundly shaken at the end of the session and Hawkeye apologizes for putting him through that, but there was no damn way he was going to let him return to his duties without learning the consequences of war.
* ''[[Blackadder|Blackadder Goes Forth]]'', otherwise a tongue-in-cheek comedy set in the trenches of WWI, dives into pointedly chilling satire at the end, and {{spoiler|ends with [[Bolivian Army Ending|the implied death of the entire main cast.]] Worse, before that, [[Tear Jerker|the characters express their extreme fear to each other in the face of inevitable death.]]}}
* ''The Last Great Time War'' is said to be this in ''[[Doctor Who]]''. In keeping with the show's stance on all violence being bad, it turned the Time Lords into bad guys, forcing the Doctor to kill them all.