Your Mind Makes It Real: Difference between revisions

→‎Literature: Replaced redirects
No edit summary
(→‎Literature: Replaced redirects)
 
(2 intermediate revisions by 2 users not shown)
Line 77:
* [[Marvel Star Wars]] has a [[Mystical Plague]] called the Crimson Forever. A pair of very alien life forms communicate their displeasure over being separated by psychically broadcasting a signal that makes people fall into comas that progressively get deeper, to the point of clinical death. The bodies of victims fight back as if infected with a physical disease, and the shock of it usually makes people die. The only survivor was Luke Skywalker, who was able to make himself stop fighting and woke up when the aliens were reunited.
 
== Film -- Live-Action ==
* In ''[[Brainstorm]]'', a character dies while hooked up to a tape that records thoughts and experiences. Someone else "watches" it, and has the exact same heart attack, dying in the process because they didn't disable the pain generators.
** The tape also records brainwaves and some physical indicators. So playing that tape unmodified gave the watcher the same heart arrhythmia.
Line 113:
** In ''[[Maskerade]]'', the villain is killed in a sword-fight, but it was ''stage fighting'', and the sword is just held under his arm. However, he (and everyone else in the opera house) has been so immersed in drama and fiction for so long that it kills him because he expected it to.
** Using "Headology" (''directed'' Your Mind Makes It Real) is a large part of being a witch. Granny Weatherwax makes liberal use of it and promotes its use in her pupils over the use of actual magic.
** Susan Sto Helit uses this trope to its maximum effect, developing her wards' belief in a poker she uses to beat up the monsters that hide under the bed, rather than telling them these monsters don't exist. That is, while she realizes nothing will make them stop believing in monsters, it's much easier to make them believe she's enough of a badass to take them. (It also helps that there ''are'' monsters, and she ''is'' that much of a badass, being Death's granddaughter...)
** In ''[[Equal Rites]]'', Esk [[Talking in Your Dreams|meets the Things from the Dungeon Dimension in her dreams]], and they assure her they can kill her there.
* Averted in Pratchett's ''[[Only You Can Save Mankind]]''. There's a reason why Johnny Maxwell was referred to as "The Hero with a Thousand Lives" by the inhabitants of the computer game.
Line 124:
* In ''[[The Saint]]'' short story "The Darker Drink", Simon Templar encounters in the High Sierras a man named "Big Bill" Holbrook who claims to represent the dream avatar of Andrew Faulks of Glendale, California. Holbrook notes that Faulks had started to have an increasingly vivid recurring dream, such that smell and tactile sensation emerged. It appears that the personages in Faulk's dream (such as a woman named Dawn Winter) had started to manifest in the waking world. Templar notices curious phenomenon which seem to support Holbrook's claim: Simon sees his own reflection fine in a small mirror, but Dawn's features are "blurred, run together, an amorphous mass"; when every single character repeats the same cluster of honorific catch phrases when they first meet the Saint; and the phenomenon of time compression that Holbrook identifies as an aspect of dream (a group of thugs searching for Holbrook and Winter say they will travel a long distance to fetch their boss from the town return in less than thirty minutes). Though one of the thugs opens fire on Templar, he has no wounds in the morning. However, when he visits Glendale, California to look up Andrew Faulks, Faulks has died after slipping into a coma.
* The main gist of the supposedly nonfiction book, ''[[The Secret]]''.
* One of Dumbledore's famous quotes from ''[[Harry Potter and Thethe Deathly Hallows (novel)|Harry Potter and the Deathly Hallows]]'' seems to address this trope. "Of course it is happening inside your head, Harry, but why on earth should that mean that it is not real?"
* The Afterlife in both the book and movie versions of ''[[What Dreams May Come]]''.
* In a nutshell, what {{spoiler|O'Brien}} explains to Winston at the end of ''[[Nineteen Eighty-Four]]'': that as long as the people believe it happened and there is no written evidence to the contrary, it actually happened, and screw the laws of nature if BB says so. In fact, the ideal citizen is one who can subconsciously alter his perception, memory, and experiences to meet whatever the Party says in order to make it true.