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{{work|wppage=Zulu (1964 film)}}
[[File:Zulu_5978.jpg|frame]]
 
{{quote| '''Private Cole:''' "Why does it have to be us? Why us?"<br />
'''[[Sergeant Rock|Colour Sergeant Bourne]]:''' "[[Someone Has to Do It|Because we're here, lad]]. [[The Remnant|No one else.]] [[Last Stand|Just]] [[Ragtag Bunch of Misfits|us.]]" }}
 
A'''''Zulu''''' is a classic war film set during the [[Anglo -Zulu War]]. Based on true events, the film is the story of a [[Last Stand]] that the defenders managed to win. The Battle of Rorke's Drift was the result of the Battle of Isandlwana, at which the British expeditionary force of 2000 sent to crush the Zulus had been massacred [[General Failure|due to the incompetence of their leaders.]] 139 British soldiers in a farmstead, assigned there to protect colonials and wounded (about one third of the 139) held out against 4-5,000 Zulus for 12twelve hours. The battle is held to this day as one of the very best defenses in all history (Take that, [[Epic Fail|Little Big Horn]]!). Eleven of the soldiers got the VC, (the highest honour that can be awarded to a Commonwealth soldier), the largest number of this medal ever awarded for a single action. Also notable for being the film debut of an insignificant actor named [[Michael Caine]]. Followed fifteen years later by a prequel, ''Zulu Dawn'' about the disastrous Battle of Isandlwana that took place earlier the same day. It starring Burt Lancaster and Peter O'Toole.
 
''Zulu'' was followed fifteen years later by a prequel, ''Zulu Dawn'', about the disastrous Battle of Isandlwana that took place earlier the same day. It starred [[Burt Lancaster]] and [[Peter O'Toole]].
== Tropes: ==
 
* [[Seventies Hair]]: Well... the '''18'''70s anyway. The long sideburns on the men wouldn't look out of place a century later.
{{tropelist}}
* [[Becoming the Mask]]: during the ''Men of Harlech'' scene you see dozens of weary demoralized soldiers who enlisted because no one else was poor enough for the job, [[Take a Level In Badass|converting themselves]] into the [[Proud Warrior Race Guy]] s that they were singing of.
** If you look closely at the Zulus you can see how many are obviously youngsters out for the first time. They are becoming a mask too.
***That may have been [[Fridge Brilliance]] rather then intentional. If every one had looked like a veteran of years of campaigning the message would not have gotten across. But because they were [[Real Life]] Zulus hired for a quick job, probably the first job of many of them, the effect was that a lot of them looked like fearful youths like all soldiers trying to live up to their own image and emotionally flagellating themselves to keep from running.
* [[Beam Me Up, Scotty]]: "[[Memetic Mutation|Suddenly, Zulus! Thousands of them!]]"
* [[The Cavalry]]: Rather cruelly subverted. A large force of cavalrymen arrive at the fort...then flee when faced with the Zulu army.
* [[Cunning Linguist]]: Adendorff gives cultural advice.
* [[Deadpan Snarker]]: Bromhead, very much so.
{{quote| '''Chard:''' Don't worry, Miss Witt. The Army doesn't like more than one disaster in a day.<br />
'''Bromhead:''' Looks bad in the newspapers and upsets civilians at their breakfasts. }}
** Adendorff also has his moments.
{{quote| '''Bromhead:''' We've dropped at least sixty!<br />
'''Adendorff:''' That leaves only 3,940. }}
* [[Ensign Newbie]]: Bromhead.
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* [[The Medic]]: Reynolds.
* [[More Dakka]]: The chief tactic of the British.
** Note that "rashasha" is a real-life onomatopeiaonomatopoeia denoting automatic weapons in some parts of Africa.
* [[Nippled and Dimed]]: The first TV screenings this film cheerfully screened it in its entirityentirety, including the mass wedding sequence near the start where several hundred Zulu warriors dance their way into wedlock with a line of several hundred very exuberantly bouncy Zulu maidens. On the elsewhere mentioned [[National Geographic Nudity|African tribeswomen]] principle, this protracted scene of southern African pulchritude was always left in, regardless of the time of day of screening, throughout the 1970's, 1980's, and 1990's. Yet in the early 2000's, all this abruptly changed and British TV adopted a strictly censored version with all the bouncy toplessness left out. There was no clear reason given for this change of mind on the part of the broadcasters, and it was noticeable that later graphic scenes depicting mass slaughter of Zulu warriors under concentrated British riflepower were left in.
* [[Not So Different]]: The Men of Harlech scene emphasizing the [[Proud Warrior Race|mutual warliknesswarlikeness]] of the British and the Zulus.
* [[Proud Warrior Race]]: Both the British and the Zulus.
* [[Plunder]]: Zulus are shown rifling British dead at Isandhwana.
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*** They were still more then scary enough. Historically, the British, the Boers, and the Zulus were in South Africa like the three toughest kids in a high school arguing about who is toughest. And scaring all the little kids.
* [[Sergeant Rock]]: Colour-Sergeant Bourne. Corporal Allen, although not a sergeant, also qualifies.
* [[Seventies Hair]]: Well... the '''18'''70s anyway. The long sideburns on the men wouldn't look out of place a century later.
* [[The Spartan Way]]: The Zulus.
* [[War Is Hell]]: "Do you think I could stand this butcher's yard more than once?"
** The film does, however, adhere to the 60s trope of bloodless wounds - including bayonettings. The actual Zulu practice of disembowellingdisemboweling the dead, much referred to in accounts of the Isandlwana battlefield is also not referred to; the British troops found this quite revolting but it was described by the Zulu as a religious rite, allowing the soul of the dead man to escape and not haunt his killer. YMMV on the accuracy of this.
* [[We Have Reserves]]: The Zulus.
* [[What a Senseless Waste of Human Life]]: A couple times, and wrong on both counts.
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[[Category:Films of the 1960s]]
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[[Category:Military and Warfare Films]]
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