A Hard Day's Night: Difference between revisions
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* [[Berserk Button]]: Don't touch Ringo's drums. |
* [[Berserk Button]]: Don't touch Ringo's drums. |
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* [[Blunt Yes]]: George's response in an interview. |
* [[Blunt Yes]]: George's response in an interview. |
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{{quote| |
{{quote|'''Reporter:''' Has success changed your life? |
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'''George:''' Yes. }} |
'''George:''' Yes. }} |
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* [[Chick Magnet]]: Played for laughs near the beginning of the film. |
* [[Chick Magnet]]: Played for laughs near the beginning of the film. |
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** Particular mention should go to George's completely straight-faced answer to "What do you call that haircut?" "Arthur." |
** Particular mention should go to George's completely straight-faced answer to "What do you call that haircut?" "Arthur." |
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** After John manages to coax a sour "'ello" out of Paul's grandfather: |
** After John manages to coax a sour "'ello" out of Paul's grandfather: |
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{{quote| |
{{quote|'''John:''' He can talk! |
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'''Paul:''' Of course he can, he's a human being, isn't he? |
'''Paul:''' Of course he can, he's a human being, isn't he? |
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'''Ringo:''' Well, if he's ''your'' grandfather, who knows, ahahaha. }} |
'''Ringo:''' Well, if he's ''your'' grandfather, who knows, ahahaha. }} |
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* [[Description Cut]]: "It'll be wine, women and song once Ringo gets the taste of it." Cut to Ringo wincing as he's eating a sandwich in a pub somewhere. |
* [[Description Cut]]: "It'll be wine, women and song once Ringo gets the taste of it." Cut to Ringo wincing as he's eating a sandwich in a pub somewhere. |
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** During the press conference, a female reporter asks John "Have you any hobbies?". John grabs her notepad, writes a four-letter word, the last two letters of which are obviously ''TS'', and then shows it to the reporter, whose jaw drops upon reading it. |
** During the press conference, a female reporter asks John "Have you any hobbies?". John grabs her notepad, writes a four-letter word, the last two letters of which are obviously ''TS'', and then shows it to the reporter, whose jaw drops upon reading it. |
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** In the same press conference scene, Ringo is asked, "How do you like your girlfriends to dress?" He considers the question for a moment before chuckling to himself. |
** In the same press conference scene, Ringo is asked, "How do you like your girlfriends to dress?" He considers the question for a moment before chuckling to himself. |
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{{quote| |
{{quote|'''John''': ''[whilst claiming to be an escaped prisoner]'' I bet you can't guess what ''I'' was in for!}} |
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* [[Groupie Brigade]]: Of note, one of the schoolgirls on the train is Patti Boyd, who would later become George Harrison's wife (and later the wife of Harrison's best friend [[Eric Clapton]], who wrote "Layla" about her). |
* [[Groupie Brigade]]: Of note, one of the schoolgirls on the train is Patti Boyd, who would later become George Harrison's wife (and later the wife of Harrison's best friend [[Eric Clapton]], who wrote "Layla" about her). |
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* [[Hilarity Ensues]] |
* [[Hilarity Ensues]] |
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* [[Homemade Sweater From Hell]]: Worn by the Television Director (which actually belonged to the actor and was not a costume). The Beatles comment on how ridiculous he looks in it. |
* [[Homemade Sweater From Hell]]: Worn by the Television Director (which actually belonged to the actor and was not a costume). The Beatles comment on how ridiculous he looks in it. |
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{{quote| |
{{quote|"I bet he hasn't got a wife- look at his sweater." |
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"Never know. She might've knitted it." |
"Never know. She might've knitted it." |
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"She knitted ''him''." }} |
"She knitted ''him''." }} |
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* [[Jittercam]] |
* [[Jittercam]] |
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* [[Mistaken for An Imposter]]: Ringo at the police station |
* [[Mistaken for An Imposter]]: Ringo at the police station |
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** There's also John and Millie (the stage hand): |
** There's also John and Millie (the stage hand): |
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{{quote| |
{{quote|'''Millie:''' Hello! Oh, wait a minute! Don't tell me who you are... |
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'''John:''' No, I'm not. |
'''John:''' No, I'm not. |
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'''Millie:''' Oh, you are. |
'''Millie:''' Oh, you are. |
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'''John:''' I'm not. |
'''John:''' I'm not. |
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'''Millie:''' Oh, you are, I know you are. |
'''Millie:''' Oh, you are, I know you are. |
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'''John:''' I'm not, no. |
'''John:''' I'm not, no. |
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'''Millie:''' You look just like him. |
'''Millie:''' You look just like him. |
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'''John:''' Do I? You're the first one that's said that, ever. |
'''John:''' Do I? You're the first one that's said that, ever. |
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'''Millie:''' Yes, you do. Look. [gestures towards mirror] |
'''Millie:''' Yes, you do. Look. [gestures towards mirror] |
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'''John:''' No, my eyes are lighter. The nose. |
'''John:''' No, my eyes are lighter. The nose. |
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'''Millie:''' Oh, your nose is very... |
'''Millie:''' Oh, your nose is very... |
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'''John:''' Is it? |
'''John:''' Is it? |
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'''Millie:''' I would have said so. |
'''Millie:''' I would have said so. |
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'''John:''' Oh, you know him better, though. |
'''John:''' Oh, you know him better, though. |
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'''Millie:''' I do not! He is only a casual acquaintance. |
'''Millie:''' I do not! He is only a casual acquaintance. |
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'''John:''' That's what you say. |
'''John:''' That's what you say. |
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'''Millie:''' What have you heard? |
'''Millie:''' What have you heard? |
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'''John:''' (''leans in, lowers voice'') It's all over the place. |
'''John:''' (''leans in, lowers voice'') It's all over the place. |
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'''Millie:''' Is it? Is it really? |
'''Millie:''' Is it? Is it really? |
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'''John''': Mmm, but I wouldn't have it. I stuck up for you. |
'''John''': Mmm, but I wouldn't have it. I stuck up for you. |
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'''Millie:''' I knew I could rely on you. |
'''Millie:''' I knew I could rely on you. |
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'''John:''' Thanks. |
'''John:''' Thanks. |
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'''Millie:''' (''looking through glasses'') You don't look like him at all. |
'''Millie:''' (''looking through glasses'') You don't look like him at all. |
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'''John:''' (''walking away, muttering'') She looks more like him than I do. }} |
'''John:''' (''walking away, muttering'') She looks more like him than I do. }} |
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** And then there's George at the fashion studio: |
** And then there's George at the fashion studio: |
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{{quote| |
{{quote|'''George:''' I'm terribly sorry, but there seems to be some sort of misunderstanding. |
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'''Simon Marshall:''' Oh, you can come off it with us. You don't have to do the old adenoidal glottal-stop and carry-on for our benefit. |
'''Simon Marshall:''' Oh, you can come off it with us. You don't have to do the old adenoidal glottal-stop and carry-on for our benefit. |
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'''George:''' I'm afraid I don't understand... |
'''George:''' I'm afraid I don't understand... |
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'''Simon Marshall:''' Oh, my God, he's a natural! |
'''Simon Marshall:''' Oh, my God, he's a natural! |
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'''Secretary:''' Well, I ''did'' tell them not to send us real ones. |
'''Secretary:''' Well, I ''did'' tell them not to send us real ones. |
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'''Simon Marshall:''' They ought to know by now that the phonies are much easier to handle. }} |
'''Simon Marshall:''' They ought to know by now that the phonies are much easier to handle. }} |
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* [[Mistaken for Servant]]: [[Exploited Trope|Exploited]]. As Paul's grandfather is gambling at the Le Cercle club, he runs out of money. So he writes a "tab" on a piece of paper, puts on a plate, places a napkin on his arm (he's already wearing a very waiter-ish suit, "borrowed" from a room-service man at his hotel) and walks over to a patron, who pays him. He then uses the money to get back in the game. |
* [[Mistaken for Servant]]: [[Exploited Trope|Exploited]]. As Paul's grandfather is gambling at the Le Cercle club, he runs out of money. So he writes a "tab" on a piece of paper, puts on a plate, places a napkin on his arm (he's already wearing a very waiter-ish suit, "borrowed" from a room-service man at his hotel) and walks over to a patron, who pays him. He then uses the money to get back in the game. |
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* [[Real Life Writes the Plot]]: In numerous ways, real-life Beatlemania being an obvious example. Other minor examples are George tripping and sprawling over the suitcases during the opening chase (a real accident that was [[Throw It In|left in]]), and Ringo's [[Sad Clown]] sequence walking along the lake (it was praised as some of the best acting in the movie, but Ringo himself later admitted [[Serendipity Writes the Plot|he was extremely hungover and genuinely miserable that day]]). |
* [[Real Life Writes the Plot]]: In numerous ways, real-life Beatlemania being an obvious example. Other minor examples are George tripping and sprawling over the suitcases during the opening chase (a real accident that was [[Throw It In|left in]]), and Ringo's [[Sad Clown]] sequence walking along the lake (it was praised as some of the best acting in the movie, but Ringo himself later admitted [[Serendipity Writes the Plot|he was extremely hungover and genuinely miserable that day]]). |
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* [["The Reason You Suck" Speech]]: John delivers an unusually good-natured one towards Paul's Grandfather after all the trouble he's caused. |
* [["The Reason You Suck" Speech]]: John delivers an unusually good-natured one towards Paul's Grandfather after all the trouble he's caused. |
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{{quote| |
{{quote|'''John:''' You know your trouble, you should have gone west to America. You would have been a senior citizen of [[Boston (useful notes)|Boston]]. But you took a wrong turn, and what happened? You're a lonely old man from Liverpool.<br /> |
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'''Grandfather:''' ''[Sour]'' But I'm clean.<br /> |
'''Grandfather:''' ''[Sour]'' But I'm clean.<br /> |
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'''John:''' ''[Cheerful cynicism]'' Are you? }} |
'''John:''' ''[Cheerful cynicism]'' Are you? }} |
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* [[Truth in Television]]: A number of gags in the film, such as Ringo getting the most fanmail, are real tidbits from the band's lives. George Harrison's [[Mistaken for An Imposter]] bit was likely a reference to him entering a Beatles lookalike contest under a fake name and ''not winning''. |
* [[Truth in Television]]: A number of gags in the film, such as Ringo getting the most fanmail, are real tidbits from the band's lives. George Harrison's [[Mistaken for An Imposter]] bit was likely a reference to him entering a Beatles lookalike contest under a fake name and ''not winning''. |
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* [[Unusually Uninteresting Sight]]: |
* [[Unusually Uninteresting Sight]]: |
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{{quote| |
{{quote|'''Ringo:''' ''[Opens door]'' Any of you lock a man in the cupboard? |
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'''John & Paul:''' A man? Don't be soft. |
'''John & Paul:''' A man? Don't be soft. |
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'''Ringo:''' Well, ''somebody'' did. |
'''Ringo:''' Well, ''somebody'' did. |
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'''George:''' ''[Gets up and checks in closet]'' He's right, y'know. |
'''George:''' ''[Gets up and checks in closet]'' He's right, y'know. |
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'''John:''' There you go. }} |
'''John:''' There you go. }} |
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* [[Unusual Euphemism]]: |
* [[Unusual Euphemism]]: |
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{{quote| |
{{quote|'''Norm:''' The place is surging with girls! |
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'''John:''' Please, sir, can I have one to surge me, sir, please sir? }} |
'''John:''' Please, sir, can I have one to surge me, sir, please sir? }} |
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* [[Visual Pun]]: John snorts the top of a Coke bottle... subverted in that it's a Pepsi bottle. |
* [[Visual Pun]]: John snorts the top of a Coke bottle... subverted in that it's a Pepsi bottle. |