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'''Akira Ifukube''' was a Japanese musician.
If you've never heard of this man, but have heard of Godzilla, then you should be ashamed of yourself. Akira Ifukube was a Japanese musician best known today for creating both the roar and the music for the king of the monsters, Godzilla.
On July 7, 1940, Ifukube personally conducted the premiere public performance of his first ballet, ''Etenraku''. In the early days of WWII, Ifukube wrote many nationalist pieces such as ''Symphony Concertante'' (1941), and ''Ballata Sinfonica'' (1943). ''Ballata Sinfonica'' was dedicated to his late brother, Isao Ifukube. Ifukube was also commissioned to write martial music pieces such as ''Kishi Mai'' (1943) and ''Prelude du soldat'' (1944). Something that many may find interesting is that while Ifukube was resting in a hospital due to radiation exposure, caused by extensive use of X-Rays while examining a captured British war plane (he was chosen to examine the plane because of his scopic studies of wood during his university days) ''without a protective suit'', he heard Kishi Mai play on the radio when General Douglas MacArthur arrived at Atsugi air base to formalize the Japanese surrender. Ifukube was embittered by the war and his radiation sickness, and refused to compose music again, until he heard a performance of his ''Ballata Sinfonica'' being played over a radio. He was inspired to return to composing music afterwards.
In 1946, Ifukube moved from Hokkaido to Kujira, Nikko, Japan. By this time he had developed a solid reputation as a music composer. Because of this, he was offered the position of music teacher at the Tokyo National University of Fine Arts and Music. Working there, he was soon hired by Toho to write film music. By 1947 he had scored his first film, ''Ginrei no hate (To the End of the Silver Mountains)''. This film was written by Akira Kurosawa and was Toshiro Mifune's first feature film. In 1954, Ifukube was asked by Toho to score a film directed by Ishiro Honda. That film was ''Gojira (Godzilla)''. This score became one of the most famous film scores in history and propelled Ifukube to heights of fame that no other Japanese film composer has ever reached. If you wish to compare him to [[John Williams]], please keep in mind that Ifukube ''predated'' John Williams. It would be more appropriate to compare him to [[Jerry Goldsmith]] instead (even then he still predated Goldsmith. An even better comparison would be [[Elmer Bernstein]], his nearest
Here's a ''short'' list of films for which he's composed:
* ''Gojira'' (1954)
* ''Sora no Daikaiju Radon (Rodan)'' (1956)
* ''Chikyu Boeigun (The Mysterians)'' (1957)
* ''King Kong vs. Godzilla'' (1962)
* ''Kaitai Gunkan (Undersea Battleship, or Atragon)'' (1963)
* ''Mothra vs. Godzilla (Godzilla vs. The Thing)'' (1964)
* ''Dogora the Space Monster'' (1964)
* ''Gojira, Mosura, Kingu Ghidorah: San Daikaiju Chikyu Saidai no Kessen (Three Giant Monsters' Greatest Battle on Earth, or Ghidorah the Three Headed Monster)'' (1964)
* ''Kaiju Daiseno (Great Monster War, Invasion of Astro Monster, or Godzilla vs. Monster Zero)'' (1965)
* ''Frankenstein vs. Baragon'' (1965)
* ''War of the Gargantuas'' (1966)
* ''Kaiju Shoshingeki (Attack of the Marching Monsters, or Destroy all Monsters)'' (1968)
* ''Godzilla vs. King Ghidorah'' (1991)
* ''Godzilla vs. Mechagodzilla II'' (1993)
* His last score, ''[[Godzilla vs. Destoroyah]]'' (1995)
Please note that this list is ''by no means complete''.
▲1. Ifukube's score for ''Varan'' is probably his most recycled, with pieces (often modified, but sometimes left unchanged) appearing in dozens of other scores composed by him, such as ''Battle in Outer Space'' (1959), ''King Kong vs. Godzilla'' (1962) (If you pay attention and compare, you'll notice that the piece called "The Self Defense Forces Retreat" from ''Varan'' would later be reworked into Godzilla's theme for this film and 1964's ''Mothra vs. Godzila''), ''Frankenstein vs. Baragon'' (1965), and countless others.
{{creatortropes}}
* [[Crowning Music of Awesome]]: The man was a god of music. Only Jerry Goldsmith is equal.
* [[Cut and Paste Translation]]: His scores for ''Varan'' and ''King Kong vs. Godzilla'' were almost entirely replaced with stock music from American B-movies.
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