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Basara (view source)

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* [[Intrepid Reporter]] : Taro and Akane with their newspapers
* [[Ironic Hell]]: {{spoiler|Ageha}} gets one of these.
* [[Kansai Regional Accent]]: Prominent among the characters from Kyoto and the Kumano region. Characters from the north feature [[Tohoku Regional Accent|Tohoku Regional Accents]]s.
* [[Ladykiller in Love]]: Shuri once he gets serious about Sarasa.
* [[La Résistance]]: A major theme.
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* [[The Unchosen One]]: Even towards the end, no one really knows who the chosen one really was.
* [[Unto Us a Son and Daughter Are Born]]: Tatara and Sarasa.
* [[White and Gray Morality]]: To an extent. There are very few truly evil, depraved people on the empire's side—insteadside--instead, most are genuine idealists and honorable [[Noble Demon|Noble Demons]]s (that is, everyone on the Red King's side, and the Red King himself), or else more incompetent and conservative than malicious. Or else they have [[Freudian Excuse|Freudian Excuses]]s. This is demonstrated marvelously during the underground prison arc, when {{spoiler|pretty much all of the prison wardens turn out to be sympathetic characters who make [[Heel Face Turn|Heel Face Turns]]s}}. There are exceptions, such as Councillor Hagiwara.
* [[Wholesome Crossdresser]]: Ageha, who's praised as being the best dancer in Japan. {{spoiler|Umewaka also posed as a woman while spying on Shuri and Kazan.}}
* [[Wrench Wench]]: Kikune.
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